Ariana Grande may, or may not, be worthy of that reputation as one of the newly emerging biggest divas in the music biz—but there's no question at all when it comes to her talent for impersonating the old school ones that came before her.
Host, Jimmy Fallon, cued up the "Wheel Of Musical Impressions," for Grande, and when it landed on Brit Brit, Ariana brought it.
Her Spears inspired moaning was so spot on that the audience was eating out of her hand before she had belted out even the first word of Mary Had A Little Lamb.
But her impression of Xtina singing The Wheels On The Bus really brought the house down.
"We should just stop the show there," Fallon gushed, giving Ariana a standing ovation. "I don't know how we can continue. That is unbelievable ... wow, I want that recording!"
Not to be outdone, Fallon stepped into the limelight himself, giving a spot-on impression of Sting singing Can't Feel My Face by The Weeknd, before closing out the segment with Ariana's Celine Dion homage.
Diva or no diva, there's no doubting girlfriend's got talent.....
Breaking down the bias of comfort films.
With the constant onslaught of complicated news that 2020 has brought, sometimes you just want to be able to shut off your brain, relax, and feel happy.
Enter comfort films. These are the feel-good movies that feel like a warm hug when you finish them, the ones that allow you to escape for a short while. We often turn to these types of films in times of trouble or extreme stress, and when we're not sure what films of this nature we should watch, we turn to the Internet for options.
The underground singer is set to release his new album Night Vision by the end of this month
Obai Ismail often finds himself unable to describe what his music sounds like.
The young crooner, who goes by the moniker 451, crafts rich atmospheric pop songs that teeter on the line between rap and R&B. He is clearly inspired by the hazy atmospherics of Trilogy-era Abel Tesfaye–but without Tesfaye's lumbering execution; instead, Ismail snaps with urgency and hits each note with buoyancy.