It’s hard to believe, but it’s been three decades since Van Halen released their masterpiece album, 1984 and became pioneering MTV stars.
In celebration of the milestone, Rock Paper Photo has compiled an awesome collection of Van Halen pics from back in the day—and Popdust has selected our favorite photos.
So, bust out the spandex, grab a super-size can of hairspray, turn up the volume, tune up the air guitar and get ready to ROCK!!!!!
Van Halen by Mark Weiss
The band was already a household name back in the early 80s—but the release of 1984, which coincided with the rise of MTV, truly cemented their place in music history.
Not surprisingly, photographers loved the colorful, energetic and flamboyant Van Halen—and all the greats, including, Mark Weiss, Richard E. Aaron and Robert Knight shot the band back in the day—all with equally amazing results.
Van Halen by Robert M. Knight
Van Halen burned bright and fast but sadly, as their fame increased, vocalist David Lee Roth and guitarist Eddie Van Halen developed a toxic rivalry and they soon gave way to fighting and feuding.
The band’s golden age was over by 1985 with the departure of Roth and, not surprisingly, they would never be quite the same again.
Eddie Van Halen by Richard E. Aaron
Thankfully though, photographers were there to capture the fierce foursome in their hey day and immortalize them in all their shameless rock God glory.
Head over to Rock Paper Photo to check out the full amazing collection of photos and to purchase your favorite fine art prints.
Van Halen by Mark Weiss
From Your Site Articles
What's a good scary movie without an equally spooky score?
Great horror can't always rely just on blood, demons, and jump scares. It takes a village—or, rather, the addition of a good composer—to create films that hold the power of keeping their viewers awake at night, and one of the most effective ways to instill fear is with a soundtrack.
We've already discussed <a href="https://www.popdust.com/an-alternative-halloween-popdusts-ultimate-spooky-playlist-2648196808.html" target="_self">our favorite songs that evoke the Halloween spirit</a>, but it's important that we don't let composers go unnoticed as we dive into our favorite spooky music. Below, we've rounded up our favorite scary movie soundtracks, from blockbusters to cult favorites, to help ring in the season<br/><br/><p><!-- Ezoic - under_second_paragraph - under_second_paragraph -->
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Midsommar (by Bobby Krlic)
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="10013b7a6e02d9ef036dbe6c822a3cc5"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/XjdvgW58J3M?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p style="margin-left: 20px;">How is it possible to make a movie that takes place almost entirely in daylight while still conveying a sense of sheer terror? To help tell his story of a murderous cult in the idyllic Swedish countryside, <em>Midsommar </em>director Ari Aster turned to British composer and producer Bobby Krlic—AKA The Haxan Cloak—to construct an appropriately terrifying soundtrack. Krlic's score relies on atonal strings and elements of ancient Scandinavian music, juxtaposing blissful moments with bursts of unadulterated, violent madness.</p>Psycho (by Bernand Herrmann)
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="949c14ae449272c75e4ce91c3183ef95"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/qMTrVgpDwPk?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>After filming the iconic shower scene in Alfred Hitchcock's 1960 thriller <em>Psycho, </em>the film's star, Janet Leigh, went to great lengths to avoid taking showers for the rest of her life: "I take baths, only baths," <a href="https://www.nytimes.com/1995/05/01/movies/psycho-in-janet-leigh-s-psyche.html" target="_blank" rel="noopener noreferrer">she told the <em>New York Times</em></a> in 1995. "I have absolutely no intention of stepping into a shower." And while murder scenes might not have been the most realistic 60 years ago, <em>Psycho</em>'s climax is bolstered by a screeching string section, courtesy of Bernard Herrmann. </p>Halloween (by John Carpenter)
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="bb1fc191c6eee671ee2826e6f7dc5422"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/pT4FY3NrhGg?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Janet Leigh's daughter, Jamie Lee Curtis, would go on to continue the family's horror legacy when she was cast as the teen heroine in John Carpenter's <em>Halloween. </em>The film's score, also composed and performed by Carpenter, remains one of the most terrifying horror theme songs to date. With little more than just a simple piano riff, a swelling string section, and a ticking beat that rattles like a time bomb, "Halloween Theme" might be the scariest song of all time. </p>Eraserhead (by David Lynch, Peter Ivers, and Fats Waller)
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="4c45ec9d000ff20d7bec09360a6f02e7"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/4b5WTcePU2k?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Released in 1977, <em>Eraserhead </em>marked the first feature-length film by David Lynch, who has since become perhaps the most popular surrealist in American cinema. For the body horror film's soundtrack, Lynch laid the groundwork for the forthcoming era of dark ambient music, leaving in non-musical cues that place the listener in the film's black-and-white gloom. Ominous and foreboding throughout, the <em>Eraserhead </em>soundtrack is a transfixing one-way ticket to the distorted Lynchian universe.</p>The Conjuring (by Joseph Bishara)
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="946f7da2ded23da0a6b5f6343c1fc40e"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/8IpwsbJexZU?start=5&rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>While <em>The Conjuring </em>is a more recent addition to the scary movie canon, the supernatural horror film should still be remembered for its chilling score. Courtesy of go-to thriller composer Joseph Bishara, <em>The Conjuring</em>'s original soundtrack doesn't stick out quite like that of <em>Psycho </em>or <em>Halloween</em>; instead, like <em>Eraserhead,</em> the score creates an unequivocally spooky ambience with gentle hums of off-kilter orchestration. Rather than creating an instant pang of fear, the music steeps in a brooding sense of suspense—which, when done right, is even scarier.</p>Jaws (by John Williams)
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="75144bd81d0d150a00a23c17453e2aab"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/A9QTSyLwd4w?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Even if you've somehow never seen it in your life, few movie theme songs are as embedded in society's collective consciousness as that of <em>Jaws. </em>The 1975 film was scored by John Williams, who drew inspiration from left-wing compositions like Igor Stravinsky's <em>The Rite of Spring </em>and Claude Debussy's <em>La mer. </em>Using just two alternating notes that gradually speed up into a rousing crescendo, the <em>Jaws </em>theme was written to mimic the relentless terror of a shark attack. Like a twisted ballet, the music of <em>Jaws </em>hints at the gruesome fate to come.</p>Suspiria (by Goblin)
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="d737c57c497d6272e5b36196ba6e9b30"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/pins1y0XAa0?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>While Radiohead frontman Thom Yorke was a perfect choice to score Luca Guadagnino's 2018 remake of <em>Suspiria, </em>it's impossible to top the soundtrack of the original 1977 version. Composed by Italian prog-rock band Goblin, the soundtrack of Dario Argento's <em>Suspiria </em>blends elements of guitar music, industrial electronics, and sound effects that encapsulate the film's bone-chilling aesthetics.</p>
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Film Reviews
"Trial of the Chicago 7" Is a Cautionary Tale for the "Radical Left"
Aaron Sorkin's new film tells a familiar story of a divided America that takes on new relevance in October 2020.
10.19.2020
At one point in Aaron Sorkin's new film, Trial of the Chicago 7, a crowd of protestors round a street corner and are confronted by row upon row of armed forces.
As they face down the police and the military, and someone with a megaphone begins telling them to stand back, I couldn't help thinking of some of the protests I attended in NYC this summer. The scene sent me straight back to a moment when protestors ran out over the Brooklyn Bridge towards rows of police. It's one of the many moments in the film—which takes place in 1968—that feel eerily reminiscent of 2020.
Though it takes place deep in the crosshairs of the '60s, Aaron Sorkin's Trial of the Chicago 7—which debuted on Netflix this weekend—is clearly meant to remind us of today's political landscape. From its underlying narratives about police brutality to its emphasis on the brokenness of the U.S. government and depiction of a fractured so-called "radical left," the film was clearly saved specifically for this moment.
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<small class="image-media media-caption" placeholder="Add Photo Caption...">The Trial of the Chicago 7 | Official Trailer | Netflix Film</small>
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<!-- End Ezoic - incontent1 - mid_content --></p><p><em>Trail of the Chicago 7</em> feels designed for <em>this </em>particular October, where we are caught in between a summer of anti-police brutality protests and a fall that could be filled with political protests, the nature of which depends on who wins at the polls and whether Trump decides to concede, should he lose.<br></p><p><div id="ezoic-pub-ad-placeholder-634"> </div>
<!-- End Ezoic - incontent11 - mid_content --></p><p>This story has been <a href="https://www.chicagotribune.com/consumer-reviews/sns-nyt-chicago-7-netflix-20201019-mnfozaaxrrgbpi4nkvayrzhcou-story.html" rel="noopener noreferrer" target="_blank"><u>told before</u></a>. <em>Trial of the Chicago 7</em> is Aaron Sorkin's sardonic take on the infamous 1968 trial, which followed Chicago riots outside the Democratic Convention that August. The protests, namely anti-Vietnam war efforts in response to Lyndon B. Johnson's wartime policies, drew over 15,000 people. They broke curfew; the police charged; blood and tear gas were spilled. </p><p><!-- Ezoic - under_second_paragraph - under_second_paragraph -->
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<!-- End Ezoic - under_second_paragraph - under_second_paragraph --><p></p><p>Eight people who attended the riots were later indicted, and their endless trial is the plot of the film. The eight include Yippie organizer Abbie Hoffman, played by a brilliant Sacha Baron Cohen, and an acid-fueled Jerry Rubin, played by Jeremy Strong. </p><p><div id="ezoic-pub-ad-placeholder-635"> </div>
<!-- End Ezoic - incontent2 - long_content --></p><p>Eddie Redmayne is Tom Hayden, the ambitious and poised leader of the Students for Democratic Society who had led occupations at Columbia University earlier that year. Alex Sharp is Rennie Davis, Hayden's friend who was beaten badly by police during the protests and who keeps a running list of Vietnam deaths throughout the trial. Then there's David Dellinger, the pacifist leader of the National Mobilization Committee, a seasoned activist decades older than his compatriots.</p><p>And then there's Bobby Seale (Yahya Abdul-Mateen II), a Black Panther who clearly never should have been on trial at all, as he was only in Chicago for two days, did not have his lawyer present, and wasn't involved in organizing the protests. </p><p><div id="ezoic-pub-ad-placeholder-636"> </div>
<!-- End Ezoic - incontent22 - long_content --></p><p><strong>The trial was so theatrical and chaotic in real life that even then it practically begged to be dramatized, and it has been many times over the years. </strong>From the beginning, it was clear that this was not to be an ordinary event—early on, the insane Judge Julius Hoffman clarified that Abbie Hoffman was not his relative, prompting the latter to cry out, "Dad, dad, have you forsaken me?!" At one point, Hoffman and his co-organizer Jerry Rubin showed up in judge's robes; when asked to remove them, they revealed police uniforms underneath. </p><p><div id="ezoic-pub-ad-placeholder-637"> </div>
<!-- End Ezoic - incontent3 - longer_content --></p><p>The actual trial featured so many surreal moments that the film couldn't even come close to including all of them.<strong> Instead, the movie is less of a historical document than a theatrical reinterpretation of an era.</strong> (Allen Ginsberg is mentioned briefly, but the fact that he delivered a <a href="https://allenginsberg.org/2019/12/w-d-11-allen-ginsberg-chicago-trial-testimony-2/?fbclid=IwAR0r2HE_Ak9-idtVbiZkdb9_gedPI_3wA8_bb2MNy0UrUAIx8rMpGu4XhVM" rel="noopener noreferrer" target="_blank"><u>long, obscene testimony full of poetry and chants during the actual trial</u></a> is conveniently left out, as are other testimonies by the likes of Phil Ochs; even so, the movie does a good job of paying tribute to the hippies). </p><p><div id="ezoic-pub-ad-placeholder-638"> </div>
<!-- End Ezoic - incontent33 - longer_content --></p><p class="shortcode-media shortcode-media-youtube">
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<small class="image-media media-caption" placeholder="Add Photo Caption...">THE TRIAL OF THE CHICAGO 7 Real Life Characters and Ending Explained!</small>
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</p><p><br></p><h4>Sacha Baron Cohen and Eddie Redmayne Shine</h4><p>This tension—between performance and activism—carries on throughout the film. Sacha Baron Cohen's Abbie Hoffman balances intelligence and revolutionary spirit with comedic dryness, whereas Eddie Redmayne's character, Tom Hayden, frames himself as Abbie's opposite, a student dedicated to ending the war in Vietnam and obsessed with respectability during the trial and eventually making change by winning elections.<br></p><p>But it quickly becomes clear that Tom is no poised angel, and his respectability isn't always in alignment with his actions. This isn't the first time Redmayne has played a student revolutionary (remember <a href="https://www.popdust.com/lets-get-miserable-les-mis-soundtrack-likely-to-hit-number-one-next-we-1889588359.html" target="_self"><u>Marius</u></a>), but here his performance is rougher and more unhinged; ultimately, he does a good job of playing the genuine radical at odds with his desire to succeed inside the system. </p><p><div id="ezoic-pub-ad-placeholder-639"> </div>
<!-- End Ezoic - incontent4 - longest_content --></p><p>And then there's Bobby Seale, a Black Panther who was falsely accused of killing a police officer at the time of trial. At one point, Seale turns to Hayden and says that his whole revolution act might be rooted in rebellion against his father, but he has to understand how "that's a little different from a rope on a tree." It's a time-stopping moment that draws the film out of its own echo chamber and shocks it into a space of uncanny relevance.</p><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNDUzNDY0OC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzOTYzODM3MH0.m_AJA6arRp70jCBy2K0ZTH-JVpVz9fDdgNSjFyeGVWs/img.jpg?width=980" id="861c9" class="rm-shortcode" data-rm-shortcode-id="195f05c7edba15e6374c56e21fab1f7a" data-rm-shortcode-name="rebelmouse-image" alt="trial of the chicago 7">
<small class="image-media media-photo-credit" placeholder="Add Photo Credit..."><a href="https://thefilmstage.com/first-trailer-for-aaron-sorkins-the-trial-of-the-chicago-7/" target="_blank">Thefilmstage.com</a></small></p><p>At one point, after confronting the judge and calling him a fascist and racist, Seale is bound and gagged in court—a spectacle that eventually results in his being released from the trial (turning the eight into seven). The scene shocks the jury and courtroom, sharpening their perspective and changing the mood of the trial.<br></p><p>At the end of the movie, Hayden stands and reads out a list of 4,725 names of soldiers lost in Vietnam—a list that his friend had been keeping since the beginning of the film, so they could remember what they're all fighting for. Perspective is what the organizers all want to instill, and perhaps it's what the film aims to achieve as well, though both often lose it in the theatricality of it all.</p><p><div id="ezoic-pub-ad-placeholder-640"> </div>
<!-- End Ezoic - incontent44 - longest_content --></p><h4>Lessons from 1968 to 2020: The "Radical Left" and Police Violence</h4><p>One of the most striking things about the film is the way it resonates with the politics of today's America. In 1968, a war was killing thousands, young people were being forcibly drafted, Martin Luther King Jr. had been shot, and protestors sparred with cops and the military in the streets. <strong>Life was volatile, it was the dawning of the Age of Aquarius, and revolution felt inevitable. 50 years later, so much and yet so little seems to have changed.</strong> </p><p>We may no longer have the draft, but America is deeply fractured. The <a href="https://www.popdust.com/police-violence-against-protesters-2646148384.html" target="_self"><u>police continue to incite violence</u></a> in the street as protestors eat tear gas nightly while being blamed for rioting and looting. Racial justice issues continue to divide America, as do corrupt and biased judges (Hoffman's horrifying performance is oddly <a href="https://www.popdust.com/amy-coney-barrett-2648143062.html" target="_self"><u>reminiscent of Amy Coney Barrett's</u></a>, if only in its surreality and hypocrisy).</p><p>At the heart of the film is the so-called "radical left"—a faction that, in fact, doesn't really exist, but that continues to terrify centrists and the right. Today's so-called left lacks anything as tangible as Vietnam to unify it; but then again, the left has always been a tangle of organizations and contradictions. Today, these organizations run the gamut from Indivisible chapters whose sole objective is to oust Trump to full-on police abolitionists. </p><p><div id="ezoic-pub-ad-placeholder-641"> </div>
<!-- End Ezoic - bottomofpage - bottom_of_page --></p><p>Some things have changed. There are more female leaders. Extinction Rebellion may be the closest thing we have left to the hippie movement. Climate change, which was not on anyone's radar in 1968, looms over everything. Economic inequality is worse than ever. </p><p class="shortcode-media shortcode-media-rebelmouse-image">
<img type="lazy-image" data-runner-src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yNDUzNDUwMy9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxNDA1NTk2OX0.2KYQ7OYax4mqK5hhhZsz1GlnQ60ykTJFwu11rg237Pw/img.jpg?width=980" id="c1262" class="rm-shortcode" data-rm-shortcode-id="311c921567174fe4ad24c9d48e8d156a" data-rm-shortcode-name="rebelmouse-image" alt="Jerry Rubin during a riot ">
<small class="image-media media-photo-credit" placeholder="Add Photo Credit..."><a href="https://www.nwaonline.com/news/2020/oct/09/the-trial-of-the-chicago-7/" target="_blank">NWA Online</a></small></p><p>Other things have stayed the same. P<strong>olice have continued acting as arms of the state and legally killing people, and in response, Black Lives Matter briefly managed to unify and rally the left.</strong> Now, in the fallout of a wild summer, debates continue over the merits of nonviolence while riot police continue to spew tear gas. Meanwhile, hundreds of thousands have died of COVID-19.<br></p><p>The current Democratic candidate is a centrist who leftists are throwing themselves behind because they have no choice. Clearly, the revolutions of the 1960s failed to generate the new and radical future that its orchestrators dreamed of. </p><p><div id="ezoic-pub-ad-placeholder-645"> </div>
<!-- End Ezoic - incontent_4 645 - longest_content --></p><h4>The Legacy of the Chicago Seven in 2020</h4><p>At one point, the seven men on trial gather together in a room and start arguing about whether victory is political or cultural, and Abbie and Tom nearly get in a fistfight. They then look at each other and Abbie sarcastically marvels at the fact that the seven of them, who can't even be in a room without trying to punch each other, couldn't stop a war.</p><p>A year after the trial, Tom Wicker wrote in <a href="https://www.nytimes.com/1996/04/14/magazine/race-and-rights-aug-24-1969-chicago-where-all-america-was-radicalized.html" rel="noopener noreferrer" target="_blank"><u><em>The New York Times</em></u></a> that the Chicago Seven trial "tore the rubber masks of affluence and power and security off American society and gave the nation a new view of itself — challenged and unsure, contorted and afraid, in contention for its own soul." </p><p>Today, that mask of security has been burned like bras in a Woodstock bonfire, and the ugly face of American power structures are fully visible (at least to anyone who hasn't always been aware of them).<strong> As Joe Biden takes up arms to "fight for the soul of America," it's clear that a change is gonna come—in fact, change has been coming. But what that change will look like may depend on whether the left is able to get itself together.</strong> </p><p><div id="ezoic-pub-ad-placeholder-646"> </div>
<!-- End Ezoic - incontent_9 646 - incontent_9 --></p><p>Today's left may have the best interests of people at heart, and progressives may truly want to stop poverty and climate change and racial violence. But unless the left somehow unifies and overcomes its internal violence and divisiveness, as the movie (and history) seem to imply, it will continue to fracture. </p><h2></h2><p><!-- Ezoic - under_second_paragraph - under_second_paragraph -->
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