Humor
Sarah Ramos' "City Girl" is a TV show 14 years in the making
And you will be rolling on the floor laughing
03.23.2017
Sarah Ramos was merely 12 years old when she penned the pilot script for "City Girl," a TV show that she probably never thought would get produced.
But Sarah Ramos persists. According to her Wikipedia entry, Ramos (aka your new #WCW) started pestering her parents to get her an agent at an early age, and the payoff is that the now-25-year-old actress starring on shows like Parenthood.
Sarah Ramos is a girl who never abandons her dreams, even the seemingly childish ones she had more than half her life ago. After a dig through the Sarah Ramos archives (which I'm assuming is a plastic bin in her childhood bedroom), Ramos found the script for "City Girl" and decided she had the balls to produce it, no matter how embarrassing of a script it was (hey, every writer has to start somewhere).
Now, Super Deluxe and Ramos have partnered to produce "City Girl," and people everywhere are LOLing. Check out Part One below, which introduces Casey (the titular "city girl," who seems to live in a suburb).
Actress @SarahRamos found an embarrassing romantic comedy she wrote when she was 12…and she actually made it. Watch… https://t.co/4IelwPnhqP— Tatered (@Tatered)1490286603.0
Casey is a typical 28-year-old who lives in the city, or somewhere. She works at a store that sells... things, and her ex-boyfriend Matt knows exactly what she wants to eat (a salad that is just romaine lettuce and tomato) at restaurants that serve aspirin (???). Her constant migraines lead to an appointment with a new doctor, Dr. Foley (whose schedule is mysteriously clear), and agrees to have lunch with her to get acquainted to their patient-physician relationship ("I do this all the time").
The series, which has already been ordered to Netflix*, has released three installments to the Super Deluxe Twitter. It features typical sitcom stock characters (like Trish, Casey's city-girl best friend who is NEVER outside of her bathtub) and her coworkers, who are making out even though they hate each other.
If you thought that was good, wait until you see the next two parts:
Inappropriate crushes on doctors and colleagues abound in this hilariously awkward romantic comedy written by a 12-… https://t.co/3ECYdd4Dk3— Tatered (@Tatered)1490289989.0
The series is so "from inside the mind of a 12-year-old girl" it's hilarious. The cast commits to performances worthy of a 12-year-old screenwriter, which just amplifies the ridiculousness of the young writer's mind.
The cast of "City Girl" features a talented bunch of working actors, including Alia Shawkat ("Arrested Development"), Derek Waters ("Drunk History"), and Dylan Gelula ("Unbreakable Kimmy Schmidt").
Sarah Ramos, you're a genius. We need more projects like this from the young minds of talented performers and writers like yourself. Keep up the good work.
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TV Features
Dante Basco Talks About His New Role on "Artificial" and the New Frontier of Interactive Storytelling
Basco talks about his upcoming project and his status as an Asian-American icon, Rufio in "Hook."
08.01.2020
Now in its third season, Artificial, the first live scripted audience-interactive sci-fi series on Twitch, has invited actor Dante Basco to be a guest star.
The plot of Artificial focuses on the challenges and consequences of humanizing a self-aware AI —reminiscent of the film Ex Machina, but with the interactivity of the Netflix series Bandersnatch. The episode structure pivots between two different formats: world-building episodes where the audience coordinates with the showrunner to determine what will happen next, followed by story episodes where their decisions are brought to life. A real AI component called LifeScore also changes the music of the show in real time based on the mood of the chatroom, adding an additional layer of interactivity to the experience.
Basco has been a fan of Artificial creator and showrunner Bernie Su's work for several years, and he closely followed his previous projects like The Lizzie Bennet Diaries and Emma Approved. Su was even featured as the keynote speaker at the February 2016 meeting of We Own the 8th, an arts collective founded by Basco to support and guide Asian American creatives. Both Basco and Su had been looking for an opportunity to collaborate for some time, but it wasn't until the pandemic that they finally got the chance to work together. When Su asked him if he would be interested in joining the third season—produced entirely remotely—Basco jumped at the opportunity.
<div>
<p>He first joined the world-building episode on June 26th, watching as the audience shaped his character, Zander, in real time. The final result was a controlling, superstitious, flamboyant playboy and a self-aware AI with a dark sense of humor—quite different from the fan favorite characters he has portrayed in the past, like Rufio from <em>Hook </em>and Prince Zuko from <em>Avatar: The Last Airbender. </em>Basco debuted Zander on the story episode on July 9th.</p>
<p>Popdust got the chance to speak to Basco and discuss interactive storytelling, the relationship between audiences and storytellers, artificial intelligence, and the gratitude he has for all the fans who have supported him throughout the years.</p><p><div id="ezoic-pub-ad-placeholder-635"> </div>
<!-- End Ezoic - incontent2 - long_content --></p></div><div></div><h2></h2><div></div><div><h4><em>Artificial</em> has a cast and crew that includes a lot of Asian Americans, and you're obviously a proud longtime member of the Asian American creative community and you're not only involved in acting, but also producing projects. What for you has been the most rewarding part of being such a key part of the Asian American creative movement? </h4>
<p>All of it, you know — I've been part of the industry for the past 30 years. Doing roles that became impactful and iconic as years go by is very rewarding. But as I've grown up and started to write, produce, and now direct, being able to create opportunities for others has also been just as rewarding — if not more so. </p>
<p>It's really important to me to help create something for the next generation. My generation didn't really have anything happening now like <em>Crazy Rich Asians, </em>so it's really rewarding that we're actually moving things forward. It's our job to be diligent and not let it fall on the wayside, and to continue to create videos and films to show our own voices. </p><p><div id="ezoic-pub-ad-placeholder-636"> </div>
<!-- End Ezoic - incontent22 - long_content --></p><h4>How would you describe <em>Artificial</em> in your own words? </h4>
<p>I think it's really innovative. I don't know if it's going to be the future of storytelling, but it's definitely a new corridor. It's not completely new if you know <em>Choose Your Own Adventure</em> books and things of that nature, but bringing it to live action is an adrenaline rush. I just did my first episode yesterday. </p>
<h4>What was the process like in between the audience's creation of Zander during the world building episode to you actually bringing his character to life in this week's story episode? How far in advance were you given the script, and what were rehearsals like? </h4>
<p>After we did the world building character episode live-cast, Bernie wrote a script incorporating his character and adding all the elements that the audience put in. I got the script on Sunday or Monday and then we had rehearsals on Tuesday. We got to run it a few times, and then we came back on Thursday and taped it live, so it was a short interval in between things to meet the character and trying to find his voice, but it was fun. And interacting with the other cast was really great, even if it was only via camera.</p><p><div id="ezoic-pub-ad-placeholder-637"> </div>
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<h4>Were you surprised by the choices the audience made while developing your character Zander, especially since you got to see it happen in real time? </h4>
<p>Oh yes, definitely. There were a lot of things, traits like winking and flamboyance, and I was like, "Okay! Let's see where the audience takes this character." The great thing is that it's like theater to a degree, but even more engaging, because a lot of the things we're doing, especially in this live format, is to really engage and interact with the audience. In the past, storytellers didn't have to do this much audience engagement. It's fascinating, because at the end of the day it's a relationship between the storyteller and the audience that's hearing the story. This is just a different path to that relationship. </p>
<p><div id="ezoic-pub-ad-placeholder-638"> </div>
<!-- End Ezoic - incontent33 - longer_content --></p><h4>You'd mentioned during the world building episode that this was your first experience with narrative storytelling specifically on Twitch, but you're also a proud <a href="https://www.homestuck.com" target="_blank">Homestuck</a>. What draws you to web culture and nontraditional forms of storytelling, and how would you compare your experience with <em>Artificial </em>to <em>Homestuck</em>?</h4>
<p>Well, <em>Homestuck </em>is what brought me to the web. When I look back at my whole social media/web life, my first love was Tumblr. Tumblr was the first site I went viral on to a degree, and it was all around <em>Homestuck</em>. </p>
<p>I was on Twitter for a day, and someone said you need to get a Tumblr. I was like, "I just got Twitter!" They said "I know, but you need to go on Tumblr. I swear, if you go on Tumblr right now, you'll have a thousand followers by tonight." I thought, "<em>What is Tumblr?</em> <em>I just got The Twitter!</em>" But I got a Tumblr and soon I had over a thousand followers and my inbox filled up with pictures of Rufio with horns.</p>
<p>I asked, "<em>What is this</em>?" and my fans said, "You have to read <em>Homestuck</em>", so I said okay and decided to read it. I think I had over 250,000 people following me on Tumblr as I live-blogged myself reading <em>Homestuck</em>, which is crazy. </p>
<p>It's a very narrative, interactive experience. Andrew Hussie did this years ago through webcomics and it's still fascinating when I think about what he was able to pull off and how he engaged with the audience to create this narrative story that went on for a long time, that I was a part of.</p>
<p><div id="ezoic-pub-ad-placeholder-640"> </div>
<!-- End Ezoic - incontent44 - longest_content --></p><h4>It's such a cool new way to tell stories and obviously Artificial is pushing it to the next level. Now that you've had a chance to experience it for yourself, what other kinds of stories would you be interested in seeing use this kind of audience interaction? </h4>
<p>I'm really a student of what's going on with live streaming and figuring out how to engage the massive audience who wants to be engaged and how that's going to impact storytelling. With <em>Artificial</em>, I don't really know if the format is going to take over Hollywood, but I think it's a new avenue that's open now, that's going to remain open. I don't know where it's going to go - I think we're still at the new part of this whole era. We're all just students of what's going to happen. </p>
<h4>Speaking of new frontiers, since Artificial's narrative focuses on the attempts and consequences of trying to humanize an AI, what are your thoughts on AI and has your experience on Artificial had any impact on it? </h4>
<p>I think that's always up for conversation with Bernie and the rest of the cast. Look - we all deal with AIs every day, especially these days, with Siri and Alexa. I'm on the fence about it. At this point, it doesn't feel like something that's really intelligent, but we've all seen <em>Terminator 2</em>. It gets to a really dark place.</p>
<p>We're already a new species of people, right now. Us human beings are like these cyborgs. Our smartphones are attached to our bodies over 80% of the day, and that makes us officially cyborg-esque. Hopefully we can use technology to improve and not degrade our situation. </p><p><div id="ezoic-pub-ad-placeholder-641"> </div>
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<h4>One last question - you're so interactive with your fans, and your username is rufiozuko on TikTok. What do you enjoy the most about interacting with fans who have such a passion and love for your previous characters on these different social media platforms? </h4>
<p>I've been very fortunate to be in the industry for a long time and even more fortunate to have characters that audiences care about 10, 15, even 25 years later. I enjoy interacting with fans, appreciating why they appreciate the characters, digging the fan art, and just being part of the conversation — I just appreciate you guys, appreciating me. It's kind of like that — that's my attitude towards it. </p>
<p>I try not to overthink it. We've all been in times where social media can have highs and lows for everybody. As you imagine, if you have a certain following or celebrity or whatnot — the highs and lows that a regular person has is magnified by tens of thousands of people commenting, good <em>or</em> bad. </p>
<p>I just try to keep it really chill and make it less about me and more about fans and the conversation, because it is a relationship. You've gotta understand and respect that relationship, you know? </p><p><em>This interview has been edited and condensed for clarity</em>. </p></div>
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Square Enix
The PlayStation 1 era of video games, lasting from 1995 until the PlayStation 2's release in 2000, was defined by its JRPGs.
Unlike most other genres of the era, Japanese role-playing games were largely story-based, weaving epic tales that proved video games could be more than just mindless diversions. Gameplay typically revolved around turn-based combat, relying more on tactics than hand-eye coordination. Due to their reliance on plot and menu-based mechanics, many JRPGs stand the test of time even after decades of graphical improvements. Let's take a look at nine of the best JRPGs that the PS1 had to offer.
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Final Fantasy 7, Final Fantasy 8, and Final Fantasy 9
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUyNjgxMC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0MTUyOTk2M30.e05q_Fr-JXf46sYXCv2P0gzFJ_PPmuqSIaxHG3-5Akg/img.jpg?width=980" id="dfc99" class="rm-shortcode" data-rm-shortcode-id="8a3f28c9c4dec7e8fea12d81237bdfb0" data-rm-shortcode-name="rebelmouse-image" alt="Final Fantasy 7" />Square Enix
<p>Let's just get the obvious out of the way first. <em>Final Fantasy 7</em>, <em>Final Fantasy 8</em>, and <em>Final Fantasy 9</em> rank amongst the most beloved games history. <em><a href="https://www.popdust.com/how-final-fantasy-vii-remake-redefines-what-a-remake-can-be-2645973706.html" target="_blank">Final Fantasy 7</a> </em><a href="https://www.popdust.com/how-final-fantasy-vii-remake-redefines-what-a-remake-can-be-2645973706.html">redefined what a video game could be for an entire generation of gamers</a>, while <em>Final Fantasy 8 </em>and <em>Final Fantasy 9</em> took big risks, shifting their game mechanics enough to feel completely distinct from every other game that came before them and overshadowing pretty much every other game on the PS1. If you like video games in general, all three of these are must-plays. If you've already played them, they most likely rank amongst your favorites already.</p>Lunar 2: Eternal Blue
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUyNjgxMy9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1NTcxMTEzMX0.RHOv48sXCc4tJrqp190WdWdOSybNaTCo-eds-zLpcxA/img.jpg?width=980" id="378f9" class="rm-shortcode" data-rm-shortcode-id="1932ee8092fe2272ca693bf8319991d4" data-rm-shortcode-name="rebelmouse-image" alt="Lunar 2 Eternal Blue" />Entertainment Software
<p>Featuring fantastic character designs, full-blown anime cutscenes, and one of the best soundtracks in any video game ever, <em>Lunar 2: Eternal Blue </em>easily deserves far more recognition than it gets. <em>Lunar 2</em>'s gameplay is classic RPG perfection, with each party members' play style feeling incredibly distinct (one of them is a gambler, and his best move hinges on a dice roll). It also had a <a href="https://www.amazon.com/Lunar-Eternal-Complete-Official-Strategy/dp/0966299337" target="_blank">gorgeous hardcover guidebook</a> that would run you a few hundred dollars if you were to buy it nowadays.</p>The Legend of Dragoon
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUyNjgyMS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzOTk1MzA5OH0.2mlVO0qY1KYgdCCqyl1zgkhgEsZ2OaMcKH1i9YF51cE/img.jpg?width=980" id="82d26" class="rm-shortcode" data-rm-shortcode-id="e102d36c0b23d3d3321496d73a1153dd" data-rm-shortcode-name="rebelmouse-image" alt="Legend of Dragoon" />Sony
<p>Culturally eclipsed by the release of <em>Final Fantasy 8</em>, <em><a href="https://www.popdust.com/video-games-remakes-2646360023.html" target="_blank">Legend of Dragoon </a></em><a href="https://www.popdust.com/video-games-remakes-2646360023.html">never achieved the mainstream success of its contemporary</a>, but nevertheless picked up a cult following that sings the games praises even to this day. Alongside a great story, the best part about <em>Legend of Dragoon</em> was its Dragoon Transformation mechanic, whereby your characters could temporarily transform into legendary winged warriors with enhanced move-sets and powerful special attacks.</p>Xenogears
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUyNjgyNy9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTY0Mzk1NTUzOX0.VqokfSxeeZ_nAtZWXgJSAXwd3tdE0iPXv9wkPte92NQ/img.png?width=980" id="d95b8" class="rm-shortcode" data-rm-shortcode-id="433b7414dcc9a4e392d26c5c0b4e8a45" data-rm-shortcode-name="rebelmouse-image" alt="Xenogears" />Square Enix
<p><em>Xenogears </em>was the spiritual predecessor to the <em>Xenosaga </em>and <em>Xenoblade </em>games, meaning that it's all about two things: anime and robots. Okay, that's simplifying things a lot. In actuality, <em>Xenogears</em>' plot is amongst the deepest and most complex in any video game, even standing out amidst a genre that prioritizes storytelling. If you like great video game storytelling, there are few games that will ever even come close to <em>Xenogears</em>.<br></p>Suikoden 2
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUyNjgzMC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYwNDc2OTMxMn0.Jfpuiv6GrqlYsj0O4QG-bAXgqhV7BjTM_LnlkilzbRw/img.jpg?width=980" id="d2c99" class="rm-shortcode" data-rm-shortcode-id="bd841af76e17ce0d8d2759209b61900f" data-rm-shortcode-name="rebelmouse-image" alt="Suikoden 2" />Konami
<p>While <em>Suikoden 2 </em>didn't make a huge splash upon its release, many JRPG fans retrospectively consider it the single-best title of its era. The <em>Suikoden </em>franchise's big gimmick is that, instead of having a roster of five to 10 playable characters, your character roster clocks in at 108. <em>Suikoden 2 </em>makes great use of the variation in its characters, resulting in a game that can be played over and over again in countless different ways. The old-school, 32-bit graphics, which worked against it at the time of its release, have also served to make <em>Suikoden 2</em> game look a lot better than its 3D contemporaries all these years later. As a side note, if you like <em>Suikoden</em>, be sure to check out the <a href="https://www.kickstarter.com/projects/rabbitandbearstudios/eiyuden-chronicle-hundred-heroes/description" target="_blank">Kickstarter for its spiritual successor,</a> <em><a href="https://www.kickstarter.com/projects/rabbitandbearstudios/eiyuden-chronicle-hundred-heroes/description">Eiyuden Chronicle: Hundred Heroes</a></em>.</p>Persona 2: Eternal Punishment
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUyNjgzNi9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTYxMjg2MzY3M30.J7NW173dRiHByU2pR8CpIuzmV0Dp0EIAa5wY5jjft1g/img.png?width=980" id="fa0bd" class="rm-shortcode" data-rm-shortcode-id="9ec9fc90447cfff8b1dc940aabd48048" data-rm-shortcode-name="rebelmouse-image" alt="Persona 2 eternal punishment" />Atlus
<p>Technically the third <em>Persona </em>title, <em>Persona 2: Eternal Punishment </em>is the sequel to <em>Persona 2: Innocent Sin</em>. <em></em><em>Eternal Punishment</em> improves upon its predecessor's unique gameplay mechanics, specifically the rumor-based system wherein rumors spread throughout the city, changing how your character interacts with other people. This would go on to heavily influence the mechanics of future <em>Persona </em>titles. And yet, unlike the later <em>Persona </em>games, <em>Eternal Punishment</em>'s deeply unsettling art style is still in the same vein of the series it spun off from—<a href="https://www.popdust.com/shin-megami-tensei-2646445668.html" target="_blank">Shin Megami Tensei</a>.<span></span></p>Final Fantasy Tactics
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzUyNjg0NS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYwMzg4ODc0NH0.CHSi48sL_MHNXOGzLKXUAlgarEWmrTPfPr8d8PfUhMM/img.jpg?width=980" id="f0688" class="rm-shortcode" data-rm-shortcode-id="4b36f1c1829d0676b59995068ba6a181" data-rm-shortcode-name="rebelmouse-image" alt="Final Fantasy Tactics" />Square Enix
<p>While traditional JRPG combat relies solely on menu-based battle options, Tactical RPGs add on grid-based positioning wherein your units must move around a battlefield in order to confront opponents. These games also typically feature perma-death mechanics, so if a unit dies, they die forever. There have been plenty of great Tactical RPGs over the years, but none have surpassed <em>Final Fantasy Tactics</em>, which boasts an incredible story <em>and </em>the single-coolest unit in any game of its genre—<a href="https://finalfantasy.fandom.com/wiki/Cidolfus_Orlandeau" target="_blank">Thunder God Cid</a>.<em></em></p>
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