AZIZ ANSARI speaks truth on dating and relationships

COMEDY | From Master of None to stand-up to his book on love, Aziz Ansari has a lot to say

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Aziz Ansari reflects on modern dating...with a laugh.

Aziz Ansari has been popping up all over the place lately (well, all over my Netflix queue to be specific) and the world has fallen in love. Aziz brings a modern twist to the comedy world with his bits on online dating, ghosting, and relationships. He manages to make you laugh while also dishing burns at our generation's way of dating.

His most recent work on Netflix,

Master of None, is an original series that he created and stars in. With this series, Aziz not-so-subtly raises questions about modern American society forcing the viewer to take pause and reflect between bouts of laughter. Aziz also has three comedy specials on Netflix and wrote a book called Modern Romance: An Investigation. If you aren't familiar with his work, or just in need of a pick-me-up, we've compiled a list of some of our favorite Aziz quotes for you to enjoy.

Aziz on ghosting

"Now if someone likes you and you don't like them back, you just pretend to be busy forever. That's what people do now, they pretend to be busy forever, then they conduct this strange psychological experiment, where it's like, 'How much hope does this person have?' "

-Live at Madison Square Garden

Aziz on guy behavior

"One girl raved about a nice voicemail a guy had recently left her. I kindly requested she play it and heard this gem: 'Hey, Lydia. It's Sam. Just calling to say what's up. Gimme a ring when you get a chance.' That was it. I pleaded to know what was so great about this. She sweetly recalled that 'He remembered my name, he said hi, and he told me to call him back.' Never mind the fact that what she described was the content of literally every voicemail in history. Name, hello, please call back. Not really a boatload of charm on display. To fail this test, a guy would have to leave a message that said: 'No greeting. This is man. I don't remember you. End communication.' "

-Modern Romance: An Investigation

Aziz on texting etiquette

"There is no official guidebook anywhere on texting yet, but a cultural consensus has slowly formed in regard to texts. Some basic rules: • Don't text back right away. You come off like a loser who has nothing going on. • If you write to someone, don't text them again until you hear from them. • The amount of text you write should be of a similar length to what the other person has written to you. • Carrying this through, if your messages are in blue and the other person's messages are green, if there is a shit ton more blue than green in your conversation, this person doesn't give a shit about you. • The person who receives the last message in a convo WINS!"

-Modern Romance: An Investigation

Aziz on online dating

"That's the thing about the Internet: It doesn't simply help us find the best thing out there; it has helped to produce the idea that there is a best thing and, if we search hard enough, we can find it. And in turn there are a whole bunch of inferior things that we'd be foolish to choose."

-Modern Romance: An Investigation

"For me the takeaway of these stories is that, no matter how many options we seem to have on our screens, we should be careful not to lose track of the human beings behind them. We're better off spending quality time getting to know actual people than spending hours with our devices, seeing who else is out there."

-Modern Romance: An Investigation

"When you hear a Flo Rida song at first you're like, 'What is this, Flo Rida? It's the same thing you've always done. I'm not listening to this song.' And then you keep hearing it and you're like, 'Oh my God, Flo Rida. You've done it again! This is a hit, baby!' And that's what people are like. People are like a Flo Rida song. You need to hear them a couple of times before you really get what they're about."

-Modern Romance: An Investigation

Aziz on marriage

"Hey, so we've been hanging out together all the time, spending a lot of time together and everything... I wanna keep doing that 'til you're dead. I want to keep hanging out with you 'til one of us dies. Put this ring on your finger so people know we have an arrangement."

-Buried Alive

"I see people my age… getting married to people they've known for like a year and a half. A year and a half? Is that enough time to get to know someone to know you want to spend the rest of your life with them? I've had sweaters for a year and a half and I was like 'What the f*ck was I doing with this sweater?'"

-Buried Alive

Culture News

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Shortly after midnight Friday morning, Donald Trump tweeted a message that would prompt the second instance of Twitter "censoring" him for a violation of their policies.

In this case his use of the phrase "when the looting starts, the shooting starts"—in reference to the riots that have taken hold of Minneapolis in the wake of George Floyd's death—was deemed to be "glorifying violence," and the Tweet was hidden. Twitter's decision was based in part on the phrase's connection (intentional or otherwise) to 1960s Miami police chief Walter Headley, who made the phrase famous in conjunction with the statement, "We don't mind being accused of police brutality. They haven't seen anything yet."

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Should Netflix have released Master of None and Kimmy Schmidt so close together?

TELEVISION | Netflix's two Emmy nominated comedies debuted just a week apart

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Netflix debuted new seasons of its acclaimed but vastly different comedies earlier this month.

If you're a fan of quality scripted TV comedy, May has been a good month for you. Amidst the crowded landscape of finale season on the broadcast networks, Netflix has been debuting new seasons of two of the stream service's most acclaimed series. Beginning with the May 12 th debut of Master of None's second season followed by the third season of Unbreakable Kimmy Schmidt dropping on the 19th, subscribers have been able to binge two Emmy nominated comedies in successive weekends. And the streaming giant has enjoyed a host of good press and web traffic devoted to its two signature live action comedies, having completed both seasons myself I can't help but wonder if this schedule strategy may have been shortsighted decision.

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While both Master and Unbreakable have returned with their creative powers on full blast, the two series have vastly different comedic sensibilities that don't necessarily vibe with each other. Master of None aims to examine what young people across different backgrounds experience on a daily basis, finding humor in the ridiculousness of our current world. Kimmy Schmidt meanwhile uses screwball and absurdist comedy to tell the story of a woman maintaining a sunny disposition while coping with a deeply traumatic past. And though both series continue to find success by delving even deeper into their distinct world views, indulging in the daffy exploits of Unbreakable struck me as an odd follow up to the melancholic events of Masters final few episodes. And while the series were never intended to be paired with each other from a creative perspective, because of the scheduling I'll admit to still feeling the bitter tinges of Master while trying to savor Unbreakable's sugary irreverence this past weekend.

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Additionally while Netflix may have an ever-growing stable of new series in the pipeline, it's a little disappointing having its premier comedies so close together, if for no other reason than it now guarantees long waits for both series' returns. When both debuted originally, Master debuted in the fall while Unbreakable was given free reign of the spring, giving proper time for both series to rule the pop culture conversation after their debuts. With the two arriving so closely together, also during the beginning of the summer movie season, there has perhaps been some cannibalization, especially in the case of Unbreakable who had to follow up Master's much hyped return. While it's perhaps hyperbolic to consider either series anything less than a success, especially with both series now available to enjoy at the viewers' convenience, neither seemed to enjoy the full "event" feeling their earlier seasons had.

With streaming and binge models still in their infancy it'll be important to keep track of how Netflix and other platforms schedule their series' releases. While companies may want to create a constant stream of content, some series may require more breathing room than others if they hope to avoid being lost in the competition. But considering the streaming service is even providing the creative freedom for artists like Aziz Ansari and Tina Fey to make these series, it's hard to really be all that upset with them.

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