The rapper's magnum opus turned 10 years old over the weekend.
It's almost eerie how accurately Kanye West predicted his own fate when he uttered the words "I miss the old Kanye" on 2016's The Life of Pablo.
In my head, and likely in the memories of many others, there are two Kanyes: a then and a now. Both are cocky, self-important, certifiable jerks, but then, he at least still felt a marginal need to continue proving himself.
Now, he's so immeasurably detached from reality that it's a little hard to take anything he does or creates seriously—at this point, I find it difficult to even care. I don't want to explicitly cite a certain presidential election and its aftermath as the dividing line between the Kanye of then and now in my conscience, but...yeah, Kanye rubbing elbows with Trump was pretty much the last straw for me.
FESTIVAL | Future! Weezer! Gorillaz! Lizzo! Festival season strikes in the Fall
Something for oldheads, newheads and indie rock fiends
The rock critic Zoe Camp reckons the competition between Live Nation and AEG for New York music festival domination to an arms race for geographic hegemony, to be the Woodstock in the mind of the east coast set. Last year, in reaction to the warmly-received debut of AEG/Goldenvoice's missile silo, the Panorama Music Festival (they had bathrooms that could flush! oy!) and a dispiriting turn of events at their own Governor's Ball—the third day had been canceled due to fears of a thunderstorm that never ended up happening--the Gov Ball people (a company called Founders Entertainment, now a division of Live Nation) announced that they were going to have one up on those invading Californians and pull off what so many festival organizations couldn't: a New York music festival that you didn't require an obnoxious ferry line. Put together in a rush and settling for a parking lot in Queens, last year's Meadows Music & Arts Festival was a bit of a mess. Headliner and ostensible raison d'etre, Kanye West, who was among those who were supposed to perform on that ill-fated third day, ended up dipping midway and the festival's second headliner, the reliably chartopping Toronto crooner The Weeknd, didn't even make it and had to be replaced with the vaguely polarizing J. Cole.
This year's festivities promise to be different. Extended into a traditional three-day spread, The Meadows is marking a flag on new terrain for the slowly expanding festival season. Competing for attention this month in the Big Apple will be smaller fare: the return of the Village Voice's Seaport Music Festival, which used to run in the early naughties until it was supplanted by something called 4Knots which, itself, mysteriously disappeared this year and Pitchfork Media's plunge into the New York scene, something called Octfest, which has something to do with their AnBev-funded offshoot of a similar name. Both are old school rock events, headlined by Ted Leo and Guided By Voices, respectively, Meadows is, correspondingly, using their newfound Live Nation weight to bring some of the big names in hip hop over to Queen's Citi Field.
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