Or: Why I Won't Even Watch the First Episode of TNT's Snowpiercer
Even before Bong Joon-ho took Hollywood by storm with Parasite, fans of his work were already well-aware of his unparalleled knack for illustrating class warfare.
As a huge fan of violent action thrillers, and also anti-capitalist ideologies, Snowpiercer ranked among my favorite movies of the last decade. Parasite is inarguably more polished and subtle, but there's something refreshing about the blunt relentlessness of Snowpiercer's take on literal class warfare. Therein, Snowpiercer—a futuristic, high-speed train with cars corresponding to social class, carrying the last human survivors through an arctic, post-apocalyptic wasteland—is an outright metaphor for capitalism and the protagonist, played by Chris Evans, is an oppressed worker-turned-revolutionary who lives in the back of the train, where the working class are relegated, and decides to make his way to the front, where the social elite live in opulence. Finally, upon seeing the worst of humanity and reaching the engine, he realizes that the only moral choice, if he wants to end the class struggle, is to derail the train entirely.
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About a year after being accused of selling furniture to ICE detention centers, e-commerce site Wayfair is in another controversy.
Wayfair, the e-commerce website beloved by millennials on a budget who don't want their apartments to look just like IKEA showrooms, is no stranger to controversy.
Last summer, employees of the company organized a protest after allegations surfaced that Wayfair had sold $200,000 worth of furniture to border detention facilities. Now, Wayfair is being suspected of trafficking missing children in their furniture.