Hard to believe that it'll be October the next time you read one of these. This is, in fact, the last weekend in September; you can now cook with pumpkin and buy holiday paraphernalia and start making winter playlists without seemingly overly gloomy. However will we function, knowing we've only got three months of music left in the year? Well, fair warning: a lot of this playlist is shameless '90s nostalgia. But not all! For instance...


We know that "Who's That Boy" is the single. It's also got maybe Dev's eighth-best verse. Besides, you'll have heard it 500 times within a month and still be no closer to figuring out who, in fact, that boy is (or that chick, or that girl, or anyone else from the other times this song was written.) "All Night Long," being the first track and an obvious future single, will probably become just as familiar, and its three-notes-from-"Toxic" riff and frantic vocal--the only way to write out the pre-chorus and be true to the song is "I LIKE YOU PUT YOUR NUMBER PUT YOUR NUMBER IN MY PHONEPHONEPHONE..."--are much more assertive. And anything with the words "ft. Missy Elliott" and without the words "Last Friday Night (Remix)" gets our approval, no matter how much Elliott is sorta squandered here.


Hypothesis: Whenever a singer names a friend by name in a song, it's automatically great. Evidence: when Katy played this at her first real Stateside show earlier this month, she'd already gotten at least two loud people in the crowd to shout "OLIVIA!" right before it came on. Even if you think we (and them!) are slightly too taken with one line, "Easy Please Me" and its laid-back charms make it an ideal entry point into album On a Mission, just released in the States.


There were great and terrible auditioners. Simon and Paula showed up as expected, and Nicole also pretty much met the public's expectations of her. What we didn't expect from The X Factor was for R&B girl group 2Squard to show up, do decently and make us long for a time when ('90s nostalgia alert!) the R&B girl group still got traction in the United States beyond, say, Electrik Red or the ever-teased, ever-denied Destiny's Child reunion. En Vogue was one of the best, and the sashay of a riff made this track one of their most successful.


Last X Factor tie-in, we promise. Paula Abdul's career of highs and lows needs no reassessment, having lodged a couple genuine classics in the musical canon. This is the most classic. Don't believe us? That link'll let you watch her at the VMAs. Not convinced, and not swayed by the track itself? You probably didn't pay enough attention to the choreography.


Did you know dance group Swedish House Mafia have surfaced far enough out of the underground to play Madison Square Garden? We didn't. (It was an actual office debate.) What's undeniable, though, is how their sound's built for arenas that size. Pharrell's feature on "One" hardly warrants the feature credit, but are you really listening because of him? You're listening to dance and to be overwhelmed. This will do.

For grunge legends (not Nickelback, jeez), whistling and a graceful comeback, click NEXT.


With the 20th anniversary of Nirvana's Nevermind comes another box set, with according amounts of B-sides, rarities and live versions, and another wave of deserved adulation. You can find unending writing elsewhere about What It All Means about the '90s, rock music, grunge music, or just about any other topic. You can also listen to the album and learn as much for yourself. Here's a start.


Let's completely change tone. Right now, as in at this very moment, "Young Folks" isn't the most popular whistling song in the United States. But years later, when the 2010s are folded into the grand scheme of musical history (so in about 20 years), "Moves Like Jagger" will not be recognized as one of the great whistling songs of this or any time. For all we know, this won't either. But when we tried to come up with a list the other day, the whistled chorus (pre-chorus? post-chorus?) on this was the one everyone kept waiting for someone to mention.


The Dum Dum Girls' career trajectory has consisted of scrubbing away all the fuzziness from past album I Will Be, filling out their voices and making all their sounds ring. In other words, they're ever-more-accurate girl group revivalists. Whether that's good or redundant is up to you, but "Bedroom Eyes" is undeniably crafted and, at times, gorgeous. There might be 40 songs from as many years ago that sound like this, but there are also far worse things to sound like.


We'll let Drake take this one. He already did, on his blog:

Feels like it's been so long. Is life moving so fast in this generation that when we desire something it begins to move in slow motion? Are we just used to getting what we want right away? Or do we require one another to feel right about all that is going on around us? Maybe our anticipation is justified by the fact that we genuinely cannot wait to share a moment again? Either way, your life and mine are scheduled to meet on October 24...I wouldn't miss it for the world.

That's great, Drake. We'll have an actual headline for this soon. In the meantime, try to imagine that paragraph in Drake's flow. That'll take up a weekend all by itself.


We're still surprised at how Blink-182's revival can be summed up so easily and so often by the word "graceful." We could've seen part of it coming with Angels & Airwaves, but still. What better way to end our weekend playlist than "We’ll fall apart on the weekend / These nights go on and on and on"?