But is the ass friend or foe?
Now it's official: He is a major ass with a major ass! Kudos to Tom, and by extension, to his famous 'girlfriend'.
Hiddleston is rumored to be in town to fight for the role of the next James Bond, but it's more romantic to imagine him flying to L.A. to soothe Taylor's ruffled feathers.
Back to his butt, though, the illustrious website that runs the contest has this to say:
The votes flooded in when Tom revealed his well-toned rear on our TV screens in an episode of The Night Manager.
Evidently, the scene was so steamy that his ass was censored in the U.S. version of the show. That must be some butt, but personally I would rather they censor his face, with all due respect to his baffling allure.
In an interview with W magazine, where Hiddleston posed in his underwear, keeping the visually threatening butt under wraps, he noted:
I was surprised to hear they cut my butt out. I'm here to tell you that my butt is not dangerous. And there are many, many more things that people are happy to broadcast. I don't know what that says about the world we live in, but it probably says something.
Are you reassured, ladies and gays? Is Hiddleston's butt safe for us?
I think that Taylor Swift is the only voice we can trust on this matter, and yet her own trustworthiness is now in question.
Tom's ass should be approached with caution until Taylor clears this up.
Is the ass friend or foe?
READ MORE ABOUT TOM HIDDLESTON...
The way Hiddleston has been conducting himself lately, I'd say his entire persona has been taken over by his ass, or let's just say someone's ass.
Posing for reporters in various romantic clinches with Taylor Swift, he has forced many of us to cover our eyes in embarrassment for him.
It's now up to Tom to persuade us that he is more than just an ass.
The classic He-Man meme video stands the test of time as an iconic example of queer-coded art.
In December of 2005, Brokeback Mountain shifted queer-coded cinema into the mainstream.
Prior to 2005, "New Queer Cinema"––a term coined by film scholar B. Ruby Rich in Sight & Sound to define the queer-themed independent film movement, which focused on rejecting heteronormativity and concentrated on LGBTQ protagonists––existed on the fringe of the film world. It's worth noting that while the movement primarily refers to the boom in independent LGBTQ films from 1992 onwards, queer cinema existed for many years prior, albeit without a proper name. But regardless of nomenclature, New Queer Cinema was typically designated for niche audiences, relegated to arthouse showings at best.
There's a big problem with the trailer for Morbius, Sony's upcoming Marvel outing that is definitely not part of the Marvel Cinematic Universe even though it has Michael Keaton reprising his role as Vulture (please let us keep our license, Disney!).
See if you can spot it.
MORBIUS - Teaser Trailer www.youtube.com
If you answered, "Sampling Beethoven's 'Für Elise' to line up with blue-tinted action shots is the absolute lowest effort, brain-dead attempt to signify 'gothic vampire movie' in the entire history of movie trailers," you're correct, but that's still not the biggest problem with Morbius. No, the biggest problem is that Morbius is played by Jared Leto.