FILM

Marriage Story Might Help You Understand Your Parents' Divorce

Divorce is an emotionally turbulent ride, but there's a light at the end of the tunnel.

Photo by freestocks on Unsplash

Admittedly, I'm a little late to the hype train for Marriage Story, director Noah Baumbach's movie about a spiraling divorce between two people who still care about each other.

For months, seemingly every other article in the entire cine-sphere has been about how Marriage Story is Netflix's best movie of the year or how Adam Driver walked out of an interview after they showed a clip of him singing or how dancing Scarlett Johansson is a meme now.

So I got it. Marriage Story was supposed to be very good. But in spite of the accolades, I decided to hold off on watching it immediately. I had a feeling that, having grown up as a child of divorce, Marriage Story might induce some unpleasant flashbacks. I wanted to make sure I was in the right headspace to properly deal with that before going in.

To some extent, I was right. There are a lot of elements of Marriage Story that I imagine will drum up painful memories, both for people who have gone through divorces themselves and children who watched their parents go through the process. The most memorable scene in Marriage Story, perhaps, is the vicious argument between Adam Driver's Charlie and Scarlett Johansson's Nicole, wherein all of Charlie's pent up rage, both at Nicole and the divorce process, explodes. It's a scene absolutely surging with raw emotion, and it reminded me of all the fights I grew up watching at home.

But what truly makes Marriage Story great, aside from the impeccable performances from Driver and Johansson, is the catharsis it offers throughout. Baumbach's exploration of divorce is extremely nuanced, treating both of its lead characters with compassion and empathy. The movie opens with Charlie and Nicole reading letters that convey the things they love about one another, portraying both characters as exceedingly real. In the same way that sometimes people fall out of love over time, sometimes the same thing we once loved about someone transforms into something irreconcilable.



For instance, at one point in their relationship, Nicole loved Charlie's sense of direction in life and his ability to seemingly always know exactly what he wanted to do. But as their relationship proceeded, the downsides to that trait came into starker focus––Charlie always knew what he wanted to do, in large part, because he valued his own opinion and wants above everyone else's. Eventually, Nicole's love for that aspect of Charlie soured into the feeling that she had lost her own identity throughout their relationship.

The point to all of this is that, a lot of the time, children of divorce have a hard time reconciling two distinct images of their parents––the first image being their parents in a functioning relationship with one another and the second image being their parents as bitter enemies. Of course, this isn't true for all divorces, but it certainly was for me. Naturally, as children we oftentimes choose between our parents. But the beauty of Marriage Story is in its ability to show us an intricate, sometimes brutal conflict between two mostly decent people without making us pick a side.

Both Charlie and Nicole's hardships through the divorce process are on full display, and both believe that they're doing the right thing. They both love their son. Their relationship was complex, failing for multiple reasons, and their contempt is complicated by the fact that they both still care about one another. And after the dust settles, they figure out a way to be co-parents, even if it's not ideal for either party.

In a sense, Marriage Story is an almost wholesome view of divorce, ultimately conveying the message that even though divorce is harsh, brutal, awful even, eventually it will be over. And once it's over, people can heal, and people can change, and people who care about their children can continue to be there for them. My prevailing feeling by the end of Marriage Story wasn't bitterness or sadness, but hope. It's an emotionally turbulent ride, but there's a light at the end of the tunnel.

In the real world, people are much more complicated than whatever black-and-white images we may have of them from specific points in our lives. People change over time, and if they can change for the worse, maybe they can also change for the better. And while every relationship is certainly complex and entirely different, perhaps Marriage Story will help you look at whatever divorce lies in your past with a fresh perspective.

MUSIC

Charli XCX's "Gone" Should Win the Grammy for Song of the Year

It wasn't nominated, but Charli's duet with Christine and the Queens is my personal SOTY.

Charli XCX & Christine and the Queens - Gone in the Live Lounge

Do you hear that sound? It's the subtle hum of the music hive buzzing, because the Recording Academy just announced their nominees for the 62nd Annual Grammy Awards.

A brief summary of this year's honorees: Rapper-flautist extraordinaire Lizzo earned the most nominations with eight total, including Album of the Year, Record of the Year, and Best New Artist. Lil Nas X and Billie Eilish weren't too far behind with six nods each, including nominations in the same categories. Indieheads might be pleased to know that Bon Iver, Vampire Weekend, and Lana Del Rey are also up for Album of the Year. The best news of all is that Ed Sheeran received absolutely no nominations.

While it's pretty cool to see so many newcomers welcomed to the Grammy roster—including Lil Nas X, a young queer POC, three demographics historically overlooked by the Recording Academy—I couldn't help but notice a few glaring voids among the nominations. In particular, I'm devastated that "Gone" by Charli XCX featuring Christine and the Queens, my personal song of the year, has been forgotten altogether.

Released in July, "Gone" was the third single preceding Charli's latest album, Charli, her first full-length project since 2017's cult-favorite masterpiece, Pop 2. On first listen, the magic of the song is glaringly evident; the clanging, stuttering PC Music production melds perfectly with Charli and Chris' poppy melodies. As they deliver one of the year's best and most relatable lyrics—"I feel so unstable, f***ing hate these people"—"Gone" perfectly exemplifies the catharsis and healing that can come from a great bop.

But Charli exists in a strange overlap between underground fame and mainstream recognition, a juxtaposition she's aware of and even embraces. But the Grammys aren't friendly to artists in that sphere. Charli hasn't had one of her own songs crack the Hot 100 since 2015's "Break the Rules" (though she did have a hand in penning "Señorita," the No. 1 hit that earned Shawn Mendes and Camila Cabello a Best Pop Duo/Group Performance nomination). Charli did see moderate success on the Billboard 200, peaking at #42, but that's evidently not enough momentum in the Academy's eyes.

Few pop songs this year can match the force that is "Gone," and nearly everything that came close—such as Normani's solo debut "Motivation"—were also snubbed for this year's awards. Some of the Best Pop Solo Performance nominees, like Beyonce's "Spirit" and Taylor Swift's "You Need to Calm Down," were letdowns coming from their respective artists, while the Duo/Group category—save for maybe "Old Town Road"—is incredibly underwhelming. Maybe Charli will forever remain a sort of concealed revolutionary in pop. Maybe I'll just have to be OK with that.