The former vice presidential candidate sang "Baby Got Back," because she's #relatable.
The Masked Singer is simultaneously a mysteriously popular reality show and a furry's wet dream.
The singing competition series combines the celebrity appeal of Dancing With the Stars with the good old-fashioned talent contest of American Idol or The Voice. Notable public figures sport particularly frightening head-to-toe ensembles and take turns singing songs, and the judges must guess who is in the suit. And, as is the case with any reality show, things get cringey—especially when a costumed Sarah Palin gives a rendition of Sir Mix-a-Lot's "Baby Got Back."
That's correct: The one-time vice presidential candidate (and Most Famous Alaskan Probably Ever) removed a monstrous bear head (as the entire crowd yelled "take it off," which isn't at all creepy) to reveal her identity before diving into the 1992 hit. She made sure to note that she tweaked the lyrics to be about men's butts instead. Because we can excuse a former governor for opposing same-sex marriage and being a life member of the NRA if they're funny and relatable, right? Right?
Before host Nick Cannon signed off, Palin assured the crowd: "This is something that our country needs right now, too." I can't say I agree, considering I'm typing this through an anxiety-ridden self-quarantine, but to each their own. Funny and relatable! We are in hell!
Watch the haunting performance below:
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It's time to study.
Now that you've flooded Instagram with photos of black squares, it's time to hunker down for some real activism.
If you're a white person, you're sitting on top of about four centuries of institutionalized racism. In the wake of George Floyd's murder by police and countless Black Lives Matter protests across the nation, it's time to show up—with your body, with your voice, and with your brain.
Unfortunately, New York Magazine overlooked the depth of those underneath the makeup, even dwindling some down to a footnote.
When New York Magazine began releasing photos of international drag sensations, many fans were excited to read profiles on the artistic geniuses.
Unfortunately, Vulture's coverage reminded many that a RuPaul's Drag Race bubble exists and not everyone respects the Queens for the artists they are. Instead of treating the magazine's cover stars like those prior, the publication ranked the performers, classifying them as either Top Tier or Bottom Tier. The reductive representation offered no further insight on the fascinating queens—who they are beyond surface level accomplishments or individual placements on the show. While Drag Race is a launchpad for hundreds of queens, Vulture failed to appreciate the profundity of the new generation of Instagram and reality TV celebrities.
The lives of drag performers tend to be disregarded, with fans favoring the spectacle and on-stage characters. This is a reminder that queens embody a type of expression that both embraces and rejects gender to cultivate a new narrative and understanding of personhood. Drag culture is a celebration of self and the ability we have to truly be ourselves. Unfortunately, Vulture overlooked the depth of those underneath the makeup, even dwindling some down to a dehumanizing footnote.
Queens photographed for the publication reacted swiftly, taking to Twitter to criticize the written content and the photos' lighting.
Hey everyone! As someone who has never written a news article or even have any experience in journalism, I decided… https://t.co/XBNhRQJG6e— Kim Chi (@Kim Chi)1560238459.0
Although Martin Schoeller is known for his up close, unedited style, the article did not match the quality of the photos. Willam Belli (of Drag Race and television fame) called out the journalistic integrity of Vulture's editors, claiming none of the subjects were informed they would be ranked.
@evanrosskatz No one told us they were gonna be ranking us but hey press is press. @vulture— Willam (@Willam)1560171855.0
Also @vulture. . . Why?— Black Lives Still Matter (@Black Lives Still Matter)1560196507.0
If journalists bothered to look beyond the accessible information on a drag queen's career, each artist's influence on our cultural consciousness would be more recognized. In turn, they could become championed members of our society, surpassing Pride coverage and queer-oriented events (ahem Met Gala). Uplifting their stories year round (outside of the reality show format) would increase the number of pivotal voices allowed to transform our culture. If it wasn't obvious enough, these entertainers have contributed to a shift in Western society and impacted younger generations for good: Gen Y and Z are more inclusive and expressive than past generations, which will inform the future, with or without journalistic appreciation. Vulture should know better.
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