MUSIC

On PONYBOY, Jimi Somewhere Navigates Growing Up

We talked to the up-and-comer about nostalgia, change, Coppola, and whether he actually shot his dog.

At 17, the now LA-based artist, Jimi Somewhere, was a Norwegian kid dreaming of moving to the US to pursue his musical dreams.

Today, he's 20 years old and releasing his first EP, PONYBOY, after a string of singles including the infectious "I Shot My Dog."

JIMI SOMEWHERE - I SHOT MY DOG / 1st PLACEwww.youtube.com

Despite all this, life was better—or at least less complicated—when he was 17. Or at least that's the thesis of his most popular song, "1st Place," which forms the heart of his nostalgic and infectious EP . Like the movie from which it draws its name, the EP explores the simultaneous discomfort and thrill of leaving home and striking out on one's own.

In a way, Jimi Somewhere's music is youth incarnate. Intense, saturated with feeling, and yet still buoyant and dreamlike, existing somewhere outside of time, PONYBOY is tailor-made for savoring sunsets by the ocean or late-night drives in the heart of summer while knowing that soon, nothing will ever be the same.

Popdust caught up with Jimi Somewhere—real name Benjamin Schnandy—to talk about Los Angeles living, famous friends, songwriting therapy, Coppola movies, and that simultaneously universal and intimate experience called coming of age.

What was the move from Norway to LA like? How was meeting Kevin Abstract, getting connected with all these producers and having all that happen so quickly?

It all felt really organic. I was scared before leaving since being so far away from home on my own for so long felt super scary, but it all ended up flowing really well. I've met Kevin [Abstract] a couple of times, and he is the nicest guy, so it was cool even though I was always nervous. When it came to the producers and stuff, it was so much fun. Me and Milo Orchis (the producer behind all my music) hadn't been in any session with other people before LA, so it was interesting to experience that.

What was growing up in Norway like? What music did you cut your teeth on? Do you feel like being Norwegian influences your work?

Growing up in Norway was great—it was also a bit boring. I listened to all kinds of music during those years. My dad is heavy into Supertramp, Pink Floyd, Elton John, and all those 80s artists so that's what was playing in the car when I was a kid, while my sisters played a lot of Coldplay, Green Day and U2 in their rooms. Other than that I got heavy into hip-hop in elementary school and used to listen to a lot of 90s, early 2000s stuff. And then later I got into pop punk and folk-rock. I really love all kinds of music [so long as it's] made with passion and has some emotion to it. Emotion is what I'm drawn the most to.

I do think being Norwegian influences my work. I think that growing up unable to understand a lot of the lyrics in the music I listened to made me pay more attention to the melody and flow. I think that's a strength in Scandinavian music in general. We've got great melodies.

A lot of your songs are about coming of age. Has your music helped you process growing up?

Yeah. Writing is therapeutic, and it helps me deal with stuff that feels overwhelming. When I feel bad or sad I can turn those dark feelings into something worth something, which makes it feel better, like my sadness isn't wasted.

How do you write your songs? What's the process?

I don't really have a routine or anything, but usually, it starts with Milo bringing me chords or a small idea he had, and me just sitting down with it and starting to write. I write really fast; it just pours out.

The emo-suburban-coming of age story is a very specific one, and it's been prominent for a while, especially with artists like Kevin Abstract and Roy Blair really pushing that imagery. Do you feel connected to this narrative? What about it inspires you?

Overall I guess I'm inspired by it because I grew up in a suburb myself. I don't overthink it or anything. I just try to replicate the feelings I've experienced in different situations and make them into songs. In general, I'm just very nostalgic as a person. I'm always thinking about things that have been.

What inspires you in general? What makes you want to share your voice through music?

I have a need to express myself. It's always been there. I've written songs for as long as I can remember, so it's just in my nature. Whenever I've gone through something or experienced something, I just put it into words and melody.

What's the story behind the name "I Shot My Dog"? It's a pretty intense title.

I had this dog in elementary called Noddy that we had to put down because he was getting aggressive and bit this girl in my class. It was really sad and broke my heart. In the old days, farmers used to shoot their dogs when they had to put them down. So instead of singing "I put down my dog" I chose to write "I shot my dog." I thought it had more punch and felt more cinematic. But for everybody asking, for the millionth time, I didn't actually shoot a dog.

Your new EP is called PONYBOY—what made you choose that name? Why do you feel connected to Coppola, and how does film influence your music?

I chose the name just because I felt so connected with the movie. Coppola's Ponyboy is who I want Jimi Somewhere to be. The whole feeling in that movie is so special, and I definitely found myself thinking about it while writing. Film influences all my music pretty heavily. I love movies, and I watch one almost every day. My favorite movies are always spinning in my head whenever I write.

Where do you see yourself going in the future? Where do you want to be?

I've been thinking about that a lot. Watching Billie Eilish doing what she is doing right now is really inspiring. That's the position I want to be in—to be able to create freely whatever I want, whenever I want and still have it top the charts. That's the ultimate dream, but I'm happy as long as I get to do this for a living.

JIMI SOMEWHERE - BLUE SKIESwww.youtube.com



Eden Arielle Gordon is a writer and musician from New York City. Follow her on Twitter @edenarielmusic.


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Release Radar: 10 Hidden Gems For Spring

New music from DEHD, Porridge Radio, Barrie, Big Thief, Emily Reo, Bad Bad Hats, Caural, Fennesz, Kiwi jr., and Laura Stevenson!

Spring is here, our windows are open, and there's a ton of great new music out! With the last of the cold hopefully filtering out for good, it's time to welcome the warmer weather with 10 new releases that you may not have heard yet but definitely should check out.

Singles

DEHD - "On My Side"

Chicago indie rock trio, DEHD, are back with a new single from their forthcoming debut album Water. "On My Side" chugs forward with rugged guitar riffs punctuated by warbling vocals. It sounds a lot like the way it feels to be driving steadily on a long road trip, which suits their golden-hour-lit music video for the song that they shot on their way back from SXSW on a gravelly patch of highway.

Water is out 5/10 via Fire Talk.

Porridge Radio - "Give/Take"

Porridge Radio initially started off as Dana Margolin's bedroom project but later bloomed into a full 4-piece band. The Brighton-based group's driving, new single "Give/Take" looks at the ever-shifting emotional landscape of desire and the song highlights the band's fully-fleshed out sound on this bass-heavy track. Margolin's rich vocal delivery floats over new wave synths as a heavy bass-line helps push the track forward; "Give/Take" sounds like it could fit right in on the 4AD catalog. This is their first release since 2016's debut LP, Rice, Pasta and Other Fillers.

"Give/Take" is out now via Memorials of Distinction.

Barrie - "Saturated"

Dream-pop five-piece Barrie continues to throw a fresh spin on retro synth-pop sounds with their new song "Saturated" off their highly anticipated debut Happy To Be Here. Earlier this year, they put out singles "Darjeeling" and "Clovers." This time around, Barrie looks inward and taps into their feelings on "Saturated," a stripped-down track that shimmers in a cool-toned glow.

Happy To Be Here is out 5/3 via Winspear.

Big Thief - "Cattails"

Listening to Big Thief's folksy new track is like feeling the first warm breeze of the season. In February, the indie rock four-piece put out "UFOF," the title track from their upcoming album. On their new song, "Cattails," Adrianne Lenker's soft, spiderwebby vocals sway over acoustic fingerpicking––the result is expectedly gorgeous and mellow.

U.F.O.F. is out 5/3 via 4AD.

Emily Reo - "Balloon"

Emily Reo's new single "Balloon" off of her forthcoming album Only You Can See It, is a bubbly exploration of technicolored electronica and bright, poppy hooks. Reo's voice, layered and modulated, dazzles over a series of intricate, shifting rhythms. Aptly titled, the song soars higher and higher as it goes along––like a drifting balloon. Only You Can See It is streaming in full over at NPR.

Only You Can See It is out 4/12 via Carpark.

EPs

Bad Bad Hats - Wide Right

Bad Bad Hats' indie-rock stays consistently infectious on their newest EP, Wide Right. It's made up of three songs: "Liz Phair," "Dunno Why," and a title track. Last year, they put out a folksy indie-pop album called Lightning Round. With sporadic hand claps, shredding guitar solos, and relatable lyrics, their new EP is just as hard-hitting as ever.

Wide Right is out now on Bandcamp.

Caural - Word is Bond (Original Motion Picture Soundtrack)

This soundtrack is the first new work from vet beat-maker Caural (real name Zachary Mastoon) in nearly ten years. Over six tracks, Caural creates a sonic collage out of bits and pieces of experimental beats, hip-hop samples, and fragments of jazz. The soundtrack was written for "Word is Bond," the debut film from Alex Mastoon (Caural's wife) that explores the LGBTQ experience in hip-hop.

Word is Bond (Original Motion Picture Soundtrack) is out now on Bandcamp.

LPs

Fennesz - Agora

Austrian electronic musician, Christian Fennesz, recorded his latest offering Agora in his apartment with just headphones and a computer. Fennesz' deeply ambient, experimental album is made up 4 tracks that are each between 10-12 minutes long. Listening to Agora is an exercise of meditation among swaths of distortion. It's truly an ineffable listening experience.

Agora is out now via Touch on CD and DL. You can listen to a medley of all four songs called "Umbrella" on Fennesz' bandcamp.

Kiwi jr. - Football Money

After signing to Mint Records, Kiwi jr. have put out their seriously great debut full-length, Football Money. Over ten energetic tracks, Frontman Jeremy Gaudet delivers his vocals in a Stephen Malkmus deadpan as he tackles the anxiety and ennui of living in a city (Toronto). Filled with catchy hooks, jangly guitars, and twangy riffs, Football Money tempers the lackadaisical sound of '90 slacker rock with the terse, chaotic energy of a band like Parquet Courts. Football Money showcases Kiwi jr.'s sharp songwriting skills and their ability to hit the sweet spot between earnest and sardonic lyrics. Their debut crystallizes the band's years of playing around the Toronto music scene into ten tight tracks, leaving just enough space for the band to goof off and not take themselves too seriously.

Football Money is out now via Mint Records.

Laura Stevenson - The Big Freeze

The Big Freeze is Laura Stevenson's fifth solo record, and it shows off the singer's fully realized sound. Quiet, minimal, and intricately arranged, the new record's measured pace allows Stevenson's control over her celestial voice and guitar to shine extra bright. As gorgeous as the songs appear to sound on the surface, the record as a whole explores the difficulties surrounding loneliness, depression, and self-harm. As the album resolves, it brings a real sense of catharsis. It's a healing album that delves into painful topics but instead of alienating the listener, The Big Freeze welcomes you into Stevenson's vulnerable world with open arms and soft tones.

The Big Freeze is out now via Don Giovanni Records.Bio

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Sara is a music and culture writer who lives in Brooklyn. Her work has previously appeared in PAPER magazine and Stereogum.

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MUSIC

RELEASE RADAR | Micky James Walks the Line

Plus new music from LOUIZA, Maren Celest, Milk & Bone and more.

RELEASE RADAR is here to give you the breakdown of the top singles, albums, and videos of the week, so you can head into your weekend with a new list of killer tunes.

SINGLES

Milk & Bone, Alex Lustig | "Ride Or Die"

JUNO award-winning duo Milk & Bone partnered up with Belgian producer Alex Lustig for their latest track, the first song off their upcoming EP retrowave (due out this year). Sharp bass, 80s synth, and heartbreaking lyrics create a perfect storm of eerie nostalgia.

You Might Also Like: Beyries, Ariane Moffatt, Safia Nolin

Follow Milk & Bone on Facebook | Twitter | Instagram

Follow Alex Lustig on Facebook | Twitter | Instagram

Micky James | "Walk The Line"

The new track from Micky James puts a glamorous twist on a punk rock attitude, pairing gritty vocals with infectious hooks. "I wanted to take pieces of nostalgia and give it a contemporary twist," he explained.

You Might Also Like: David Bowie, Baby FuzZ, The Honeysticks

Follow Micky James on Facebook | Twitter | Instagram

Flaws & ILIVEHERE. | "morning might turn things around"

Dutch producers Flaws & ILIVEHERE. spent over a year crafting their single for the upcoming Gouldian Finch compilation. According to Flaws, [The song] aged like a fine wine."

You Might Also Like: Losi, Rome in Silver, Vic Alexis

Follow Flaws on Facebook | Twitter | Instagram

Follow ILIVEHERE. on Facebook | Twitter | Instagram

Izzy Bizu | "Lights On"

British songstress Izzy Bizu returns with the title track off her forthcoming EP. "'Lights On' is about throwing caution to the wind and going with what you feel rather than what you think (or what you think other people will think)," she explained. "It's about growing up and losing your inhibitions, but there is a loss of innocence in that and it can be easy to lose your way."

You Might Also Like: JONES, Rationale, Naaz

Follow Izzy Bizu on Facebook | Twitter | Instagram

VIDEOS

Maren Celest | Nightshade

NIGHTSHADEwww.youtube.com

In her haunting new video, Chicago's Maren Celest shows off her visual prowess alongside her signature psychedelic folk sound.

You Might Also Like: Loma, Daughter, The Orielles

Follow Maren Celest on Facebook | Twitter | Instagram

Lula Miranda | The Ride

Argentinian pop-princess Lula Miranda follows up her hit single "Cherry Kiss" with a sultry and sophisticated new video. "After filming the 'Cherry Kiss' video I really wanted to take a different approach in my next video," she said. "'The Ride' (just like the name says) talks about a journey. The track focuses on a strong female that isn't sure about taking the next step with the person that she repeatedly ends up with every night. She enjoys the strong passion between both of them but is afraid to fall in love."

You Might Also Like: Selena Gomez, Camila Cabello, Halsey

Follow Lula Miranda on Facebook | Twitter | Instagram

LOUIZA | Swim At Night

Swim at Nightyoutu.be

The latest video from San Francisco's LOUIZA is just as fluid as the genre-bending track itself. "I wanted to write a song about seduction and true seduction brings you to the moment," she said. "Musically, I've felt the interplay between space, melody and the drone of certain ragas has that ability: to pull you in and give you a sense of peace in it."

You Might Also Like: Aimee Mann, Feist, Jesca Hoop

Follow LOUIZA on Facebook | Twitter | Instagram


Allie Delyanis is an award-winning and losing freelance journalist based in New York City. She likes bands, books, breakfast food, and would love to be David Sedaris when she grows up. You can find more of her work on www.delyanis.com.