Believe it or not, 2021 is already just about halfway over.
From an unorthodox Grammy Awards show to tour announcements finally rolling out, the music industry seems to be slowly but surely getting back on its feet. With brighter skies ahead, there's been no shortage of great music to help weather the storm.
Below, we've rounded up the ten best songs of 2021 so far, from hip-hop to punk and everything in-between. Here's to all the other fantastic songs we'll surely hear during the rest of the year.
10. Origami Angel, “Noah Fence”
Washington D.C. rockers Origami Angel are masters of gloriously bad puns and self-referential anecdotes. On "Noah Fence," the duo create a love story out of a visit from a door-to-door evangelical: "They keep telling me about heaven, it sounds a lot like when I'm with you / And if I could write a book about you maybe they would see exactly why you mean the world to me," vocalist Ryland Heagy howls gleefully, relieved to have found his own source of guidance in life.
9. Dawn Richard, “Bussifame”
As a member of Danity Kane, Dawn Richard is a seasoned whiz of clubby pop music. The infectious beat of "Bussifame" draws from influences that span between grime, house, and R&B, as Richard literally commands you to move your feet. It's impossible not to oblige.
8. Fiddlehead, “The Years”
Some of the best punk and pop-punk records in history have been deemed as such not because they tried to do things bigger, but because they relied on their tried and true methods. Boston's Fiddlehead hark back to the glory days of, say, blink-182 with "The Years," a two-minute banger that cuts the fat but none of the hooks.
7. Playboi Carti, “Sky”
Released on Christmas Day 2020, Playboi Carti's Whole Lotta Red proved the benefit of going against the grain. "Sky" is perhaps the best example of Carti's openness to experimentation, which has paid off for him with critical acclaim.
6. Julien Baker, “Relative Fiction”
Julien Baker's gut-wrenching lyrics have long existed in spare arrangements, letting the Tennessee singer-songwriter's words take the forefront. But on her latest album, Little Oblivions, Baker smartly goes bigger; on "Relative Fiction," she weighs the pros and cons of falling in love over a stunning piano riff, chugging drums, and mesmerizing harmonies.
5. Home Is Where, “Assisted Harakiri”
Florida band Home Is Where rang in 2021 with their first official release, I Became Birds, and the rest is history. One of its many highlights, "Assisted Harakiri," is a perfect introduction to the group, who seamlessly blend elements of emo, hardcore, and folk rock into an exhilarating, mosh-ready cacophony.
4. Polo G, “RAPSTAR”
On "RAPSTAR," fast-rising rapper Polo G is cocky — and for good reason. Over a ukulele-infused trap beat, the Chicago phenom weighs the pros and cons of meteoric fame. "Lookin' for somethin' real, he stuck in a deep search," he raps, seeking fulfillment among his abundance of flexes.
3. Jazmine Sullivan feat. H.E.R., “Girl Like Me”
For a year full of breakup anthems, "Girl Like Me" — the centerpiece of Jazmine Sullivan's fantastic fourth album, Heaux Tales — is a top contender. The mellow R&B ballad unpacks heartbreak in what often seems like its most mundane, unassuming forms, like swiping on Tinder or shopping for curve-hugging dresses on Fashion Nova. "You gon' make a hoe out of me," Sullivan sings, cleverly reclaiming the slur to vilify her ex.
2. Japanese Breakfast, “Be Sweet”
When her mother died of cancer, Michelle Zauner leaned on the emotional support of her boyfriend — who, as she explains in her new memoir Crying In H Mart, became her husband rather suddenly. While Zauner's past releases as Japanese Breakfast took grief by the horns, "Be Sweet" is an '80s-pop banger all about kindness in the name of love.
1. Olivia Rodrigo, "deja vu"
"deja vu" wasn't the song that made Olivia Rodrigo a pop star, but it was the much-needed moment that shed any speculation that she'd be a one-hit wonder. Her knack for Swiftian storytelling pokes through as she delineates her fizzled relationship through references to Billy Joel, sharing ice cream, and singing along to Glee reruns. As the psych-pop number culminates into its explosive coda, one thing is for certain: Miss "drivers license" isn't the next Taylor Swift, but the first and only Olivia Rodrigo.
After a 28-year run, Daft Punk are reportedly shelving their robot helmets for good.
A publicist confirmed to Pitchfork this week that the legendary and elusive dance duo, composed of Guy-Manuel de Homem-Christo and Thomas Bangalter, have broken up. Daft Punk announced the news in a clip titled "Epilogue," taken from their 2006 film Electroma, in which the band explodes. Their publicist gave no reason for the breakup (although they've been pretty quiet over the past few years).
Daft Punk formed in Paris in 1993 and put out four studio albums, finally releasing Random Access Memories in 2013 to widespread critical acclaim and worldwide recognition. But before the duo were ubiquitous on American radio, they cut their teeth in France's house music scene, making gritty garage-house tracks that have since been considered techno classics.
To honor our favorite helmet-wearers, we've rounded up the 15 best tracks that Daft Punk put out over their nearly three decades together.
15. “Doin’ It Right” feat. Panda Bear (Random Access Memories)
Prior to 2013's Random Access Memories, the record that cemented Daft Punk in America's pop mainstream, Bangalter and de Homem-Christo were recluses who rarely accepted interviews and used robot helmets to conceal their identities — shocking, considering they had the power to command massive music festival crowds. Then arrived RAM, full of collaborations, and Daft Punk suddenly felt like the most humanized versions of themselves.
While RAM's high-profile features definitely garnered the most buzz, "Doin' It Right" smartly utilizes vocals from an indie favorite named Noah Lennox — AKA Animal Collective's Panda Bear — who grew up inspired by the sounds of early Daft Punk. His vocals, paired with a looped vocoder and a minimal, trap-tinged beat, are one of the album's biggest highlights.
14. “Teachers” (Homework)
As much as Daft Punk were considered innovators, many of their ideas were borrowed from their forebearers. The duo thanks many techno and house pioneers on "Teachers," which reads like a grocery list of inspirational musicians, citing Dr. Dre, DJ Funk, Jeff Mills, and many others in Bangalter's pitch-shifted vocals. Considering "Teachers'' is featured on Daft Punk's debut, 1997's Homework, it almost feels like the duo were predicting their own fate as musical icons.
13. “Human After All” (Human After All)
On their third album, 2005's Human After All, Daft Punk ditched the disco-pop of their 2001 breakthrough Discovery for a heavier, more abrasive sound that backed darker and often nihilistic lyrical themes. Songs like "Television Rules the Nation," "Brainwasher," and "Technologic" — paired with some truly nightmare-inducing music videos — use crunchy, repetitive riffs to evoke the impending doom of glueing your eyes to the screen.
But Human After All opens on what seems like a more optimistic note, with a title track that lulls you into a state of comfort: "We are human after all," the robots murmur over a catchy, major-key guitar riff. "Much in common after all." Sure, it's a pleasant sentiment, but in the context of such a dystopian album, being human is a downright damning state.
12. “Lose Yourself to Dance” feat. Pharrell Williams (Random Access Memories)
With a co-writing credit from Chic's Nile Rogers, it should be no surprise that "Lose Yourself to Dance" — another infectious Random Access Memories cut — provides a perfect soundtrack to do just what the title suggests. The disco-house jam intersperses Pharrell Williams' falsetto with a robotic voice tempting you to join the dance floor, making for a song that takes the best of the '70s and updates it for a futuristic club setting.
11. “Human After All / Together / One More Time / Music Sounds Better With You” (Alive 2007)
Alive 2007 isn't just any ordinary live album. Spanning over an hour and a half, the record is tracked like a Greatest Hits compilation-turned remix album with hardly any moments to take a breath. The setlist culminates into an epic closer that splices "Human After All" and "One More Time" with "Together," a song Bangalter recorded with DJ Falcon, as well as "Music Sounds Better With You" by Stardust, which has become a techno standard in its own right.
While Daft Punk naysayers have brushed off the band's music as being repetitive and tedious, "Human After All / Together / One More Time / Music Sounds Better With You" proves how well they knew their own music. The closing track to Alive 2007 is sheer bliss, celebrating the great unifier: dance.
10. “Face to Face” (Discovery)
One of the more straightforward pop songs Daft Punk made pre-RAM, "Face to Face" is made distinguishable by co-production from New Jersey-born house musician Todd Edwards, who backs the track with a chopped-up guitar and synth riff that sound like milliseconds of sound spliced together. With Edwards lending his vocals to the song, too, "Face to Face" easily had the potential to reach "One More Time"-levels of popularity.
Like seemingly everyone and their mother in the 2000s, Daft Punk were longtime fans of the Strokes. It wasn't until the making of RAM that Bangalter and de Homem-Christo finally met the band's frontman, Julian Casablancas; fortunately, a musical connection struck.
Daft Punk presented Casablancas with the instrumental demo to a dreamy, synth-driven love song called "Instant Crush," and Casablancas was receptive about putting his finishing touches on the album. Though his voice is processed through a vocoder, his sound is instantly recognizable, making "Instant Crush" feel a bit like a Strokes song from the future.
8. “Da Funk” (Homework)
If "Da Funk" reminds you a bit of '90s hip-hop, you're probably not alone. The track, a standout single from Homework, was inspired heavily by G-funk, a subgenre that evolved from West Coast gangsta rap. While "Da Funk" is only an instrumental, its laid-back beat and jittery riff, made with a Roland TB-303 synthesizer, make the song feel effortlessly cool. It's since become a house music classic.
7. “Technologic” (Human After All)
If the Chucky-like robot in the music video doesn't make it evident enough, "Technologic" is intended to disturb. A pitch-shifted voice utters a list of commands: "Buy it, use it, break it, fix it, trash it, change it, mail, upgrade it," go the song's first lines. Then, Daft Punk's gnarled guitar riffs come in, making for a darkly entertaining dance track.
While "Technologic," on paper, seems a bit divisive, it continues to receive acknowledgement from artists across genres. New York rapper Busta Rhymes turned Daft Punk's chants into a set of NSFW taunts on his 2006 track "Touch It," while Dua Lipa used them in a reworked livestream performance of "Hallucinate" last year.
6. “Harder, Better, Faster, Stronger” (Discovery)
Discovery is likely Daft Punk's most funk-forward record, an aesthetic they achieved by crate-digging record stores for songs to sample. That's how "Harder, Better, Faster, Stronger" came about, based around a riff from the late Edwin Birdsong's "Cola Bottle Baby."
"[I recorded 'Cola Bottle Baby'] 30 years ago, and then here come some guys from France, their name was Daft Punk," Birdsong said in 2016. "I asked them, 'Where did you find the music?' And they said, 'Well, I was going through bins and it popped out.'"
Birdsong received a songwriting credit for "Harder, Better, Faster, Stronger," which became the subject of multiple viralvideos. And then, of course, Kanye West's "Stronger" came along, which prominently sampled Daft Punk's version — the duo even joined the rapper for his 2008 Grammy performance of the song. For many, this marked the beginning of Daft Punk's immersion into America's mainstream.
5. “Around the World” (Homework)
Like an expertly-crafted Dr. Seuss poem tailored for the club, the only lyrics of "Around the World" are the three words in its title, repeated 144 times. Yet the seven-minute song somehow never grows stale, as the minimal instrumentation shifts and creates an irresistible momentum. With its ascending bassline, "Around the World" is a journey in dance.
4. “Get Lucky” feat. Pharrell Williams and Nile Rogers (Random Access Memories)
Sure, Daft Punk were hitmakers and Grammy nominees even before "Get Lucky" arrived. But was pop radio ready to accept two robots? Not quite — at least until Pharrell Williams and Nile Rogers lent their contributions.
In an interview series Rolling Stone conducted around the collaborators of Random Access Memories, Williams recalled meeting "the robots" in a studio in Paris, and he mentioned to the band that he was in the midst of a Rogers kick. Sure enough, Daft Punk had already asked Rogers to record the rhythm guitar part of "Get Lucky."
"When I heard 'Get Lucky,' it just reminded me of this exotic island — not sure if it was on this planet or not," Williams said. "But it just felt like a place where it was forever four in the morning."
3. “One More Time” (Discovery)
Rarely has house music sounded as euphoric as "One More Time," the opening track of Discovery. Here, Daft Punk boil down life's necessities to dancing, celebration, and freedom, reciting these tenets of happiness over a melodic loop that repeatedly builds tension and then releases it throughout the song.
Depending on your age, either "One More Time" or "Get Lucky" is Daft Punk's biggest song; but while both are guaranteed dance floor burners, "One More Time" carries the air of nostalgia, a reminder of "the good times" — whenever those were for you.
2. “Around the World / Harder, Better, Faster, Stronger” (Alive 2007)
Of the many highlights from Alive 2007, "Around the World / Harder, Better, Faster, Stronger" best encapsulates the thrill of Daft Punk's live shows. From their towering pyramid, backed by an elaborate light show, the robots intertwined their deep cuts and biggest hits flawlessly, keeping the familiarity of "Around the World"'s steady bassline as the gradual buildup evokes the excitement of hearing the band's songs for the first time.
Some otherwise fantastic live recordings are unfortunately muffled by crowd noise, but the frequent cheers, wallops, and singing along from Daft Punk's crowds only elevate Alive 2007. Close your eyes, and it's not too hard to imagine yourself shouting "harder! Better! Faster! Stronger!" with thousands of perfect strangers in a stadium.
1. "Digital Love" (Discovery)
The first chords of "Digital Love," a standout track from Discovery, turn a 1979 George Duke sample into one of the best love songs of the 2000s. "Last night I had a dream about you / In this dream, I'm dancing right beside you / And it looked like everyone was having fun / The kind of feeling I've waited so long," the robots sing in the first verse. "But suddenly, I feel the shining sun / Before I knew it, this dream was all gone."
Bittersweet, campy, and complete with an iconic vintage synthesizer solo, "Digital Love" is also one of Daft Punk's most recognizable songs, thanks to its prominence in a number of commercials. But the general success of the track doesn't take away from its magic; the legend of the love-at-first-sight, the type that always feels like a once-in-a-lifetime dream.
"I always had my own lane regardless of who I was around."
Following the deaths of XXXTENTACION and Lil Peep, Juice Wrld was very much seen as Emo-Rap's vibrant successor. His lyrics were soaked in teenage melancholy but were never ostentatious, with his voice always distinct from those of his Soundcloud peers. He could at one moment croon with the angst of Dashboard Confessional, yet go bar-for-bar in freestyles against any of his hip-hop peers. Everyone from Future to Sting praised his music as a teen, with the latter calling Juice Wrld's 5x platinum hit "Lucid Dreams" an "impressive" take on his song "Shape of the Heart."
Juice Wrld was destined to be iconic in life and will undoubtedly achieve that distinction in death, but it still hurts to know that, once again, we find ourselves mourning the loss of a monumental talent whose story wasn't supposed to end yet. Here are a few of Juice Wrld's best, if severely underrated, offerings that now carry a larger-than-life meaning.
"I'm Still"
One of the fan favorites from Juice WRLD's debut album, I'm Still, is an infectious amalgamation of pop punk and Hip-Hop. His distressed "oh's" are heartbreaking and ring as cathartic air horns for the emotionally perturbed. The Goodbye & Good Riddance deep-cut equally demonstrates Juice WRLD's talent for song-writing. "I'm holding my breath and watching my step, I'm listing regrets, and you made that list," he sings to an old flame. "You're my depression, your first impression wasn't deception."
"Wasted (feat. Lil Uzi Vert)"
Juice WRLD and Uzi go together like caffeine and nicotine. "Wasted" allows its host to croon with raw emotional efficacy, while being malleable enough to allow "rockstar" Uzi to come in and thrash around. In hindsight, the duo was destined to make an incomparable supergroup.
"Rich and Blind"
Released as part of a two-track bundle dissecting the death of his peers Lil Peep and X, "Rich and Blind" is Juice WRLD at his most raw, and now seems particularly haunting. "They tell me the death of me gon' be the Perky's" he sings. "I know they lace pills I bought them on purpose." Laced Percocet pills are now suspected to have triggered Juice WRLD's fatal seizure.
"Jet Lag"
As part of his unexpected and grandiose collaborative project with Future, "Jet Lag" shows that despite his pop-punk sensibilities, Juice WRLD can fit right in with today's biggest rap icons and make some bangers if given the chance. "Got a bad bitch like Megan Good, choppa long like a golf club, hold that bitch like Tiger Woods." Future was also sighted as one of Juice WRLD's most major influences as a kid, making the album particularly special.
"Lean Wit Me"
Another eerily morbid song in hindsight, "Lean Wit Me" finds Juice WRLD frankly discussing his drug abuse and exploring his fruitless journey to sobriety. The song is one of Juice WRLD's most raw and honest tracks, and it's an impressive tribute to Dem Franchize Boyz's 2006 hit "Lean wit It, Rock wit it." His voice wavers as he calls out, "If I overdose, bae, are you gon' drop with me?," as if he is on the brink of tears. The track's video paints a more vivid picture of Juice WRLD's journey, portraying him at a D.A.A. meeting and unveiling that his ex-girlfriend overdosed.
"Candles"
In another song that captures Juice WRLD's talent for frank and open story telling, he discusses his hesitancy to pursue a new relationship, but admits he can't pinpoint the reason for his reluctance. Instead of searching for answers, Juice WRLD self-medicates to avoid these difficult questions.
"Bandit (feat. NBA Youngboy)
Juice's final single is also one of his best; it teased at a refreshed Juice WRLD ready for war. The upbeat swaggering track finds Juice WRLD and NBA melting together like bread and butter, and both parties have never sounded more in their zone. Additionally, the record debuted at No. 11 on the Billboard Hot 100.
"Hide"
Curated for Spider-Man: Into The Spiderverse, the pop-leaning single is a perfect addition to the soundtrack's stacked roster. Not to mention it was featured in the film during the apex of Mile's origin story. The film's emotional climax is anchored by Juice WRLD's uncanny ability to convey raw heartbreak in his voice.
"Fast"
Apparently made in about 15 minutes (along with most of his songs), "Fast" is an absolute ear-worm and standout from his expansive sophomore album Death Race For Love. The track finds Juice WRLD, while still a heartless Lothario, embracing the role of full-fledged pop star. It's songs like "Fast" that demonstrate the expansive versatility of an artist like Juice WRLD and reminds us that he's always in on his own jokes. "It's okay 'cause I'm rich," he sings. "Psych, I'm still sad as a b*tch." It hurts to know he won't continue making songs this delightfully infectious.
"All Girls Are the Same"
There is no other song that more perfectly captures the ethos of Juice WRLD. The hook is melodically contagious, while Juice WRLD offers some of the most candid songwriting of his career: "All this jealousy and agony that I sit in I'm a jealous boy, really feel like John Lennon." It's an anthem for hormonal middle schoolers everywhere and has no doubt been the remedy for a plethora of teen heartbreaks.
