CULTURE

Shailene Woodley's Career Nearly Ended Thanks to a "Very Scary" Sickness

In 2015, at the peak of her career, one of Hollywood's biggest stars nearly quit the industry.

Shailene Woodley

Photo by Matt Baron/BEI/Shutterstock

For a while, Shailene Woodley was everywhere.

The Secret Life of the American Teenager actress broke through with 2011's The Descendants, then scored the coveted leading roles of Hazel in The Fault in Our Stars and Tris in Divergent.

That was 2014, but as we all know, things change on a dime in Hollywood. In 2015, Woodley—who seemed on top of the world—"hit a wall" with acting, as she said in 2018. "I felt it was time to do something different. I called my agents and said, 'Please don't send me any more scripts; I need to explore other avenues,'" she told Porter Edit. "They respected me and didn't send me anything for almost a year until Big Little Lies. I didn't know what it was or who was involved, I just said, 'Thanks, I'm still not interested.'" But a call from Laura Dern led her to change her mind, and Woodley has been starring on Big Little Lies since 2017.

Now, she's finally talking about the context of what happened that year, starting with a recent interview with The New York Times. "I haven't spoken much about this yet publicly, and I will one day, but I was very, very sick in my early 20s. While I was doing the Divergent movies and working hard, I also was struggling with a deeply personal, very scary physical situation," the now-28-year-old star said.

"Because of that, I said no to a lot of opportunities because I needed to get better, and those jobs ended up going to peers of mine who I love. They went on to a lot of success," she added.

Woodley wasn't specific about what happened to her, but whatever it was set her off course. "Am I going to survive what I'm going through right now and ever be healthy, or even have the opportunity to work on projects I'm passionate about again because of the situation I'm in?'" she remembered thinking. "I was in a place where I had no choice but to just surrender and let go of my career, and it brought out this negative voice in my mind that kept spinning for years and years afterward."

Fortunately, it seems that Woodley's found her way to a more stable place. "Now I'm on the other side of it, thank God. A lot of the last few years has been about focusing on mental health for me, and it's a slow process. But because of that work, I feel very grounded and rooted in who I am and very clear about everything in my life, whether it's my career or my relationships or my own internal worth," she said.

Woodley has previously opened up about how important therapy has been to her. "So many things are changing for me at the moment," Woodley said in 2019. "I recently started therapy, and it has dramatically altered my life." She continued, "A few months ago I was the least confident in my self-worth. I don't beat myself up over it anymore, but I still feel like I don't fully trust myself to say no to certain things, to trust my discernment. But I will be, very soon."

Woodley's next film is Endings, Beginnings, a romantic drama in which Woodley plays a woman stuck between two men who just so happen to be Jamie Dornan and Sebastian Stan. Currently, Woodley is social distancing at home alone except for her dog. This is the first time she's been home this long since she was 17, and she told The Times that "this feels like heaven in a lot of ways because I don't have to talk to people, I don't have to deal with people, I don't even have to look at people. I can play the game of being an extrovert when I need to — it's a big part of my job — but my happy place is honestly being alone."

Woodley also told the newspaper that she's explored isolation before. "When I was 18, I moved into a cabin in the middle of the woods with no cellphone, no Wi-Fi," she said. "I'm a loner."

In the past, relationships have been destructive for the actress. "In my late teens, I had a strong idea of my identity and the meaning of my life, but then I went through an abusive relationship," she said. "That combined with, honestly, the commercial success I had in this industry began to wear on my strength. My 20s felt a little bit like being in a washing machine, where you're being thrown all over the place."

Now, though, she's on solid ground. "I feel very grateful to have walked that line of fire," she said, "because now I know what I don't want to ever go back to."

TV Reviews

Hulu's "High Fidelity" Finds Its Groove with Zoë Kravitz

The new series about a lovelorn Brooklyn record store owner nods at the Nick Hornby novel and John Cusack film but successfully goes its own way.

HIGH FIDELITY Official Trailer (2020) Zoë Kravitz, Comedy Series HD

Zoë Kravitz's well-produced, gender-flipped reboot of High Fidelity plays out far better than the usual remake.

The 10-episode Hulu series, which began streaming today, takes its framework and other elements from the 1995 Nick Hornby novel and the 2000 movie starring John Cusack and builds something surprisingly relevant and new.

In the new take on High Fidelity, Rob is still an intelligent but rudderless music-loving thirty-something record store owner navigating a string of bad relationships with the help of amazing soundtracks. Only now, she's a bisexual black woman in Brooklyn, rather than a straight white male in Chicago.

However, that doesn't entirely explain why the Hulu version of High Fidelity feels so different from its other iterations.

Maybe it's Kravitz. She plays Rob with warmth and brains, tempered with awkwardness in emotional situations. It makes for a far more likable lead character than Cusack's "sad bastard," whose rage occasionally boiled over.

And because she's more likable, the people around her are also more likable. Her record store employees, Simon (David H. Holmes) and Cherise (Da'Vine Joy Randolph), are far more nurturing than the ones in the film, which included a scenery-chewing Jack Black in his breakout movie role. Unlike previous versions, Rob now also has a seemingly normal, supportive family and her ex-boyfriends don't generally seem that horrible – though her ex-girlfriend, Kat (perhaps a nod to Catherine Zeta-Jones, who played the analogous role in the film) does seem pretty awful as an Instagram influencer.

Maybe the improvement is in the writing. In the new version, the clever banter from the movie and the book have deeper ramifications. For example, to start the second episode, Rob and her employees debate whether or not to sell Michael Jackson's "Off the Wall" album to a customer.

"How does it benefit society to hold Quincy's genius hostage because the dude who sang over his sh*t ended up being a full-blown child molester?" Rob says, swayed by her love of producer Quincy Jones' horn charts on the album.

"Where'd you get that from, Rob?" Cherise asks. "'Convenient Opinions R Us'?"

"You still listen to a dude who raps in a MAGA hat, so..." replies Rob.

"Having sh*tty politics and a second-grade understanding of American history is a tiny bit different than being a goddamn child molester," replies Cherise.

They keep going, touching on Charles Manson, mental health issues, and the idea that few artists are unquestionably good people, then quickly changing the subject.

Thanks to the luxury of being a series rather than a film, High Fidelity can spend some time on these interesting characters and their interesting lives and ideas. In fact, though Rob counts down his "All-Time Top Five Most Memorable Heartbreaks" in this version like all the others, the series improves the further it deviates from that original framework.

Kravitz has clearly lived with this material for a long time. (Her mom, Lisa Bonet, played the small, but memorable role of musician Marie DeSalle in the movie, and Kravitz names the club the characters hang out in DeSalle's as a homage.) She also knows its shortcomings. Though Hornby's novel was influential in popularizing the idea of boiling pop culture down into lists, 25 years later the Internet is overflowing with Top 5 lists, and every listicle imaginable has already been written. Luckily, though that construct seems a bit dated, Rob's issues with her love life—and her worries about not having one—feel timeless. And once again, the crisp writing serves her well.

"Next week, on 'The Sad Lady Show,' we're going to team up," Rob says one bummed-out night, watching her neighbor across the street also smoke a cigarette alone. "Fight the loneliness together with cats and cigarettes and reruns of 'Murder She Wrote.'"

But in this "High Fidelity," those moods never last long. Rob believes in the transformative power of playlists, and her life is always one great song away from turning around for good.

HBO has just dropped the first teaser trailer for the upcoming second season of Big Little Lies featuring a new character, Mary Louise Wright, played by Meryl Streep.

In the first trailer for season 2 of HBO's Big Little Lies, the Monterey five are back. Madeline Mackenzie (Reese Witherspoon), Renata Klein (Laura Dern), and Jane Chapman (Shailene Woodley) speak in hushed tones in a parked car as Celeste Wright (Nicole Kidman) announces, "we're kidding ourselves if we think people have stopped talking." Celeste is referring to the events that transpired last season, resulting in the death of her abusive husband Perry (Alexander Skarsgård). Bonnie Carlson (Zoe Kravitz) is also worried: "it's going to get us, it's going to get us all," she asserts. "The lie."

Things grow even more tangled as Perry's grieving mother, Louise, (Meryl Streep) arrives in Monterey looking for answers.

"I want to know what happened that night," she says to Madeline. "I'm very tempted to ask you, but I don't think I would get the truth, would I?"


Sara is a music and culture writer who lives in Brooklyn. Her work has previously appeared in PAPER magazine and Stereogum.


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