If he wants to redirect the conversation toward Harvey Weinstein, there are better ways to do it
Note: Since the time of writing, Snoop Dogg's original video that appeared to threaten Gayle King has been removed from his Instagram feed. The other posts mentioned remain intact.
Gayle King has received a lot of backlash following her interview with Lisa Leslie—the former WNBA Center and Kobe Bryant's close friend.
King has been attacked for a clip taken from the interview in which she asked Leslie to address the 2003 rape allegations against Bryant. While King has defended herself by saying that the clip was taken out of context to make the wide-ranging interview seem far more provocative than it actually was, there are many who find that defense inadequate. Even if you embrace the idea that the events in question have to be acknowledged as part of Bryant's legacy, there is something distasteful about the idea of forcing his close friend to confront the issue so soon after Bryant's tragic death. It's hardly surprising that the clip got so much pushback, but one person, in particular, has taken things way too far.
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Snoop Dogg posted a video to his Instagram account last week with the fairly innocuous text "P.S.A. Let the Family Mourn in Peace." He included the heart and prayer hand emojis before continuing, "#gayleking outta pocket FDHBiiiych." In the video itself, Snoop claims that King is "way outta pocket," which is fair enough. Snoop has made it clear that he has a strong sense of connection to Kobe Bryant, and Gayle King's approach to the interview with Leslie clearly set him off. Where he started to go a little too far was when he clarified what "FDHBiiiych" meant in the text of the post. Apparently, Snoop has coined a new phrase in declaring King a "funky dog-head b*tch."
King's looks obviously have nothing to do with the issue Snoop has with her. Getting emotional and lashing out with personal attacks like that just makes him look petty and misogynistic, but if that were the only problem with the video, it wouldn't really be worth writing about. Unfortunately, things only get worse from there. The venom in his voice builds as he accuses King of trying to torch Bryant's reputation and target him instead of Harvey Weinstein, then he calls her a "punk mother*cker," and concludes with this threat: "respect the family and back off, b*tch before we come get you."
There might not be any real intention of harm behind Snoop's words, but that's not the issue. At the time of writing, the video had about 2.6 million views, and nearly half a million people have indicated that they like it. Any one of those people might take Snoop's words as a sincere call to violence. King has reportedly received numerous death threats since the interview. Is Snoop really on board with that? Evidently not, as he posted a dubious clarification over the weekend, claiming that he "didn't threaten her," that he's "a nonviolent person," and that he "didn't want no harm to come to her," but the original video remains online, and has nearly twice as many views and likes as the follow up. If he genuinely wishes Gayle King no harm, he would have made it clear by deleting the original video, but that post remained up until Monday afternoon.
Snoop also made several other posts before issuing his clarification. And those posts only doubled down on his attack and got into even more disturbing territory. In one such post, invoking Gayle King's close friendship with Oprah Winfrey, Snoop posted a picture of Oprah smiling with Harvey Weinstein, building a case that Oprah and Gayle only criticize black men. The accompanying text attacks Oprah for her coverage of accusations against Michael Jackson by "lying ass kids," and refers to Weinstein as a "known rapist," though the image predates the public revelation of Weinstein's (alleged) pattern of horrifying sexual violence. Oprah has been such a prominent part of American media for so long that it's easy to find images of her smiling with almost any iconic celebrity—including Michael Jackson, Kobe Bryant, and Bill Cosby… Cosby, in particular, is worth mentioning because of the way Snoop chose to close his post: "F*ck u and Gayle. Free Bill Cosby."
There is room for a conversation about a solitary rape allegation that was settled out of court. While the failure of the justice system to convict perpetrators of sexual violence is well-documented, adherents of the "innocent until proven guilty" mantra can make a case against dredging up one seemingly anomalous incident—even if Bryant's own apology acknowledged wrongdoing. But Bill Cosby is another case entirely.
60 women have accused Bill Cosby of sexual assault, and almost all of the incidents they described included the common element of Cosby using drugs and alcohol to facilitate his crimes. In 2018 he was found guilty of three counts of aggravated indecent assault. Bill Cosby should not be free.
It's understandable that people don't want to throw out the legacy of one of the first black men to gain mainstream acceptance in America—and Cosby's work as a comedian and an actor was hugely important to generations of Americans of all races. He was America's Dad. But all the while, he was abusing and victimizing women. His continued denial of guilt does not hold up under the weight of the consistent pattern that the accusations against him illustrate.
.@Oprah emotionally responds to backlash her friend Gayle King received over King’s recent interview about Kobe Bry… https://t.co/rBRYOTV8SX— TODAY with Hoda & Jenna (@TODAY with Hoda & Jenna)1581089107.0
Bill Cosby was found guilty because he's guilty. Those who continue to defend him are implicitly attacking his victims and the credibility of victims of sexual assault generally. Bill Cosby and his advocates continue to erase the voices of his accusers—many of whom are black women—with claims that his prosecution was motivated by racism. Snoop fed into that narrative, and Bill Cosby was all too eager to jump on a new opportunity to defend himself in a tweet to Snoop, claiming that "successful Black Women are being used to tarnish the image and legacy of successful Black Men." Cosby followed up with a series of hashtags including #ThankYouSnoopDogg, and Snoop made another Instagram post in response, saying, "Love u uncle bill."
That is so far from acceptable. This is not "uncle Bill." This is not Cliff Huxtable. This is not even the man who told clean jokes about going to the dentist and criticized the vulgarity and "anti-woman messages" in music like Snoop's. Bill Cosby wore his public respectability as a shield against scrutiny and suspicion while operating as a zealous sexual predator for decades. You can not fight racism by erasing the voices and experiences of black women.
Cosby accusers reacting to his guilty verdict
More than 800,000 people have liked Snoop's "uncle bill" post, proving that there is still a big audience for denying Bill Cosby's guilt. All the more reason why Snoop needs to delete these posts. Whether he intended to threaten Gayle King when he insisted that she "back off… before we come get you," by defending Bill Cosby, he is implicitly endorsing violence against women and discrediting whatever point he wanted to make about King's interview with Lisa Leslie.
In his retraction video, Snoop closed with the claim that "We speak from the heart. Some of you who have no heart don't understand that." If he really wants to prove he has a heart, he can't only support black men—he needs to support and listen to black women, and he needs to delete these posts.
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In a recent interview with The New York Post, Weinstein made it clear that he still thinks he can paper over his crimes.
Imagine spending decades putting in hard work to cover your ass and make yourself look innocent, only for your horrific crimes to be exposed and all that hard work to be erased.
In his recent interview with The New York Post, Harvey Weinstein makes it clear that this wasn't the way things worked in Hollywood when he was coming up. "I made more movies directed by women and about women than any filmmaker, and I'm talking about 30 years ago. I'm not talking about now when it's vogue. I did it first! I pioneered it!" Back then it was understood that every powerful producer was wielding his position to inflict himself sexually on every young starlet with the bad luck to find herself alone in a room with him. The "good ones" were the men who at least gave those women good roles after traumatizing them, and maybe produced some nice uplifting stories that sent good political messages. Real heroes...
Not his real shirt... probably
Harvey Weinstein just wants to get back to the good old days and remind everyone how great his public persona was while he was (allegedly) terrorizing dozens of women in secret. Yes, he (allegedly) employed an assistant whose job was to lure women in with a false sense of security before leaving them alone with him. And yes, he also (allegedly) spent millions of dollars killing negative news stories and pre-empting legal cases that could arise from his (allegedly) assaulting and raping women on a regular basis. But what about the money he put into making Transamerica and the $10 million role he got for Gwyneth Paltrow years after (allegedly) attempting to force himself on her in a hotel room when she was only 22? What about that?
"If you remember who I was then, you might want to question some of this."
If you can just find it in your heart to ignore the overwhelming weight of his frequent and horrifying (alleged) predation of women whose livelihoods were subject to his whims, he actually did a lot of great things for women in Hollywood. If you can just tap into a deep well of forgiveness in order to focus on all the public work he wanted people to notice instead of listening to the dozens of women whom he (allegedly x 80) assaulted behind closed doors, that would be really great for him. And honestly, if we're all just willing to look at things through that lens, Harvey Weinstein would deserve some recognition.
"I made a success out of myself. I had no money, and I built quite an empire with Miramax and decided to give back,"
Unfortunately for Harvey, the professional virtue signaling that earned his films awards and made him the fortune he (allegedly) used to fund his toxic and evil (alleged) sexual crimes, wouldn't really amount to much next to even one credible accusation of sexual assault, let alone dozens. So while he laments feeling "like the forgotten man," that reputation is obviously far better than he deserves. People have forgotten all the nice things he did to get positive attention because we all prefer not to think about him at all. Because thinking about him requires thinking about the societal problems that allow a powerful man like him to maintain a glossy image while developing an elaborate apparatus to hide his (alleged) sexual crimes from the world.
Bill Cosby was "America's dad" for decades while drugging and assaulting young women. Jeffrey Epstein was once a celebrated "money manager," who may have built his entire career on sex trafficking. And Kevin Spacey was beloved by Hollywood primarily for his convincing portrayal of villains who could go undetected—in The Usual Suspects, Se7en, House of Cards—and is now conspicuously avoiding criminal charges for his many (alleged) assaults. Thinking about these men requires us to think about how power operates in our world. And while we, as a society, have made more of an effort in recent years to face those issues, our default is still to ignore them. It is all too tempting to look the other way.
Don't look away
So when Harvey Weinstein and Prince Andrew give interviews in which they try to paint themselves as heroes—a man "too honorable" for his own good, or an icon of feminist progress—they are giving us a gift. There is a dark comedy to watching these evil men clumsily articulate the personas they want to project—all while those shabby disguises rot and fall away. It makes it possible to look at them a little longer.
One line in the new interview tells the whole sad story: "I want this city to recognize who I was instead of what I've become." Who you were, Harvey, was a man living with many dark and horrible secrets, and what you've become is a man exposed. If it were only a work of fiction—a sick joke, rather than a sickening reality—it would honestly be funnier than any movie Harvey Weinstein ever touched.
In the interview, Weinstein also wanted to highlight his very real medical issues and took the opportunity to make it clear that he is not playing up his ailments for sympathy. Good for you, Harvey. No one cares.
With the recent rejection of a $25 million settlement—which would have avoided any admission of guilt from Weinstein and prohibited other accusers from pursuing further legal action—we can probably expect Weinstein to continue whining and pleading and making his flimsy, pathetic case for himself. If you have it in you, try to use the comic absurdity of it all to help you stomach the nauseating reality of our society's many ills. If you can, try not to look away.
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After months of on and off again speculation, Rihanna and A$AP Rocky seem to be dating.
Obviously, this is good news if it's true. Can you imagine? For the coordinating outfits alone, I need it.
There have been a ton of icky white rappers over the years, but these take the cake.
On this day in 1990, Vanilla Ice's "Under Pressure" reboot "Ice, Ice Baby" debuted at No. 1 in the UK, kickstarting a Billboard run that would soon carry over to the states and invigorate a fleeting love for Vanilla Ice and his whole...vibe.
Of course, we all know how it ends. Vanilla Ice's credibility and career unraveled as quickly as it began. "Ice Ice Baby" took on a satirical identity larger than its creator, all while Robert Van Wrinkle refused to pay royalties (or even give a shout-out) to Freddie Mercury and David Bowie despite liberally sampling the track's true creators. Ice instead tried to cultivate a hollow rap identity, one where he was a hardened former-gang member from Miami and not a middle-class teen from a Texas suburb. The chorus of the song then came under fire by a black fraternity, who accused Vanilla Ice of ripping off their fraternal chant ("ice ice baby/ too cold, too cold.")
Bhad Bhabie<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="b713478c8d0b2ded9dc38ad30d984dd1"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/ZW4YGJRUgc4?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Born from a meme, 15-year-old Danielle Bregoli has somehow maintained a relatively steady rap career these last few years, despite remaining ignorant to the culture she borrows from. Her outlandish behavior has seen no bounds. She <a href="https://www.eonline.com/news/1138116/bhad-bhabie-claps-back-after-she-s-accused-of-darkening-her-skin" target="_blank" rel="noopener noreferrer">darkened her skin</a>, <a href="https://metro.co.uk/2019/12/04/bhad-bhabie-defends-box-braids-hairstyle-accused-cultural-appropriation-11267702/" target="_blank" rel="noopener noreferrer">spawned dreads</a>, and quelled critics with a shrug. "I act urban," she said. "You can't tell me I'm acting black because I braid my hair. That makes no sense whatsoever." </p><p>Regardless of Bhad Bhabie's inflammatory antics, she has maintained a profitable career, and to everyone's dismay, was even nominated "Top Rap Female Artist" at the 2018 <a href="https://www.buzzfeednews.com/article/nielaorr/bhad-bhabie-iggy-azalea-eminem-danielle-bregoli" target="_blank" rel="noopener noreferrer"><em>Billboard Music Awards</em></a><em>. </em>Luckily, Cardi B won instead. Nevertheless, it is hard to picture where Bhad Bhabie fits into a culture she's so clearly milking for an image. </p>
Woah Vicky<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="9dd8d75a460357677027f74ca240d73a"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/TAN9ahGEaI0?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>People may remember Woah Vicky, Bhad Bhabie's equally as problematic foe, from a few years ago after a series of back and forth disses between her and Bhabie resulted in a few crude brawls. But Vicky's polarizing career actually came to fruition in 2017 after <a href="https://www.bet.com/news/national/2017/09/07/white-woman--whoavicky--says-she-can-use-the-n-word-because-of-a.html" target="_blank" rel="noopener noreferrer">she claimed to be black and allowed to use the N-word</a> despite being white. "Ancestry.com did tell me I was black," she says in the video. "So I have the right to say that I'm black." </p><p>The test told her she was 25% black, and she has since been regularly accused of "acting black" and "putting on a voice" that is not her own. She has since used her millions of followers to help kickstart a budding rap career, and the Bhad Bhabie beef helped establish a tough and even more problematic image. Many are hopeful it doesn't go much farther than it already has.</p>
G-Eazy<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="d90a905da844696eeb2f681c25ca9c40"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/HCQ6uf0HTGw?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Bay Area rapper G-Eazy has continued to churn out lackluster pop-rap for years. His pop-laden sound has gotten cleaner and cleaner over the years, and as a result, he is often accused of <a href="https://www.theguardian.com/music/2014/jul/31/g-eazy-rapper-gentrify-hip-hop-interview" target="_blank" rel="noopener noreferrer">"gentrifying rap." </a>His moniker is no doubt a playoff of rapper Jeezy and Eazy-E, and while he has long dismissed allegations of <a href="https://www.theguardian.com/music/2014/jul/31/g-eazy-rapper-gentrify-hip-hop-interview" target="_blank" rel="noopener noreferrer">cultural appropriation</a> and acknowledged his guest status in Hip-Hop, it's still hard to respect him. </p><p>Maybe it's because he's a <a href="https://www.theguardian.com/music/2014/jul/31/g-eazy-rapper-gentrify-hip-hop-interview" target="_blank" rel="noopener noreferrer">coked-out woman abuser</a>, or maybe it's because he has seen an astronomical level of fame, mostly because of his skin color. Or maybe it is because of the time he <a href="https://www.barclayscenter.com/events/detail/g-eazy-logic-the-endless-summer-tour" target="_blank" rel="noopener noreferrer">darkened his skin on a promotional poster for a 2016 tour</a>. One thing is for sure: his music has never warranted the praise it's gotten, and his whole James Dean meets Drake image is just confusing.</p>
Denny Blaze<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="6df2bd26d05fc815f89503a32b6a97a5"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/Uj5urT2VBxo?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>It still remains to be seen whether Denny Blaze, aka Average Homeboy, was ever in on his own joke. His viral YouTube debut "Average Homeboy" polarized everybody when it mysteriously appeared online in 1989. Many applauded the video's entertainment value that comes with watching a sincere teen attempt to playfully rap–Blaze's goofy suburban teen vibe would later be mastered by Lil Dicky, but in a way less problematic way–but Denny's seemingly well-intentioned rhymes played into some dangerous stereotypes. Aside from equating Blackness to crack use in "Average Homeboy," cringe tracks like "Black Men Can't Swim" would all but assure the demise of Denny Hazen's rap alter-ego.</p>
Kreayshawn<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="a136eb6f81d66dd41bd19a58790f7f43"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/6WJFjXtHcy4?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Natassia Zolot, aka Kreayshawn, and the now-defunct White Girl Mob gained public attention after the release of Kreayshawn's "Gucci Gucci." The video accumulated millions of views and resulted in a lucrative record deal for Kreayshawn, but the single's coinciding video was accused of appropriating black culture, with Kreayshawn's doorknocker earrings <a href="https://www.buzzfeednews.com/article/nielaorr/bhad-bhabie-iggy-azalea-eminem-danielle-bregoli" target="_blank" rel="noopener noreferrer">coming under particular scrutiny.</a> She soon ended up retiring from rap.</p>
Mike Stud<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="b51971360f1e52de266e58cc4ab0846e"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/KpDmPtz7noM?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>One of the sole-surviving frat-rappers of the mid-2000s, Mike Stud has maintained steady fame despite his awkward relationship with hip-hop. An all-American baseball player at Duke University, Stud took to rapping after an injury derailed his sports career. In 2016, <a href="https://www.nytimes.com/2016/08/21/arts/music/white-rappers-geazy-mike-stud.html" target="_blank" rel="noopener noreferrer"><em>The New York Times</em></a> called him a "Drake clone," citing the fact that his recent traversal into sing-rapping with songs like "Say No More" are melodically similar to Drizzy in more ways than one. </p><p>"His signature catchphrase, a sort of elongated "yup," is essentially lifted from the R&B singer Trey Songz," <em>The Times</em> adds. He's now the star of his own reality series on The Esquire Network, a show that has come under fire for its "ode to binge drinking" and "Girls Gone Wild approach to gender relations." </p><p>Race is never mentioned by Stud or any of his constituents throughout the show, but the closest they come is when they showcase a very uncomfortable performance by Stud in Orlando, Fl, where he's standing among a crowd of Black people rather than drunk sorority girls. "It's a different lineup than we are used to," his tour manager tells the camera. "It's a weird vibe, but it's a show that we have to do." </p><p>Stud can be seen on stage rapping cautiously, trying to showcase respect by not leaning too hard into the fratty antics that normally make up a Mike Stud concert. "Mike Stud's understanding of the difference between his usual show and the Orlando outlier suggests at least a whiff of self-awareness about his unusual relationship to the rest of hip-hop," writes <em>The Times</em>.</p>
The black-and-white music video stars Paul Mescal, the gorgeous Normal People co-lead who shot to fame earlier this year thanks to his brilliant performance and now-infamous neck chain.
Mescal went from being a relative unknown to achieving a rare kind of superstardom this year; his boyish good looks and complexity made him the subject of many a profile.
As if that weren't enough of a high-profile collaboration, the video was directed by Phoebe Waller-Bridge, creator and star of Fleabag and the subject of many a Phoebe Bridge-related joke.
phoebe waller-bridge is the best phoebe bridge— traitor joe (@traitor joe)1559255143.0
The newly passed "BTS Law" allows K-pop stars to defer mandatory military service.
This week South Korea's National Assembly passed a law that is sure to have BTS ARMY cheering them on.
Generally speaking, all South Korean men are required to spend at least 18 months enlisted in the military, with the final cut-off for entry at age 28. But the new legislation — informally referred to as "The BTS Law" — will allow K-pop stars who meet certain requirements to defer until the age of 30.
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