Music Features

5 Music Reaction Videos from Black YouTubers That Break Stereotypes

Black YouTube creators often react to genres as diverse as Kpop, thrash metal, and opera.

Mixkit

There's been renewed controversy in recent months about how non-white artists are often pigeonholed or overlooked at music awards.

Hip hop has overtaken rock as the United States' best-selling music genre, yet artists like Tyler, the Creator, have brought up how Black artists are labeled as only "rap" or "urban" acts by the Grammys. BTS is just as popular as Taylor Swift and Billie Eilish, but this year the MTV Music Awards created a new Kpop category instead of adding them to the pop category.

"All artists need to be validated on some level, and until Black artists get full validation for all their contributions to popular music, none of these industry awards mean shit," says Anthony Baber, a Black American DJ who plays a diverse range of music on his radio show in South Korea. "Everything you hear is just the next group/culture discovering black music (soul, gospel, whatev) and fitting it to their style, without giving credit to where it came from."

There's a lot of stereotypes that still exist about music consumers as well, such as the notion that Black music fans don't listen to "white people" or "non-Black" music. Meanwhile, Black YouTube creators are constantly breaking these stereotypes, reacting to genres as diverse as Kpop, thrash metal, and opera. In fact, young Black men are some of the most enthusiastic fans of Kpop, although mainstream media tends to paint Kpop stans as white and Asian teens.

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FILM

Captain Marvel's Nia DaCosta and 9 Other Black Female Directors You Should Know

In a boundary-breaking move, Nia DaCosta will direct "Captain Marvel 2."

Nia DaCosta attends the 11th Annual AAFCA Awards at the Taglyan Complex, in Los Angeles

Mark Von Holden/Invision/AP/Shutterstock

Nia DaCosta is now officially the first Black woman to direct a Marvel Film.

Captain Marvel 2 will star Brie Larsen and will be directed by DeCosta, who also directed the upcoming horror film Candyman.

Born in Brooklyn, DaCosta was inspired to make films after watching Apocalypse Now. In 2015, her breakout feature, Little Woods, was chosen for production by Sundance's Screenwriters and Directors Lab. At the time Little Woods was released in 2018, DaCosta said, "I'm most concerned with my films being active and having women in my films who are active." Now she'll be helming an epic, highly-anticipated superhero film.

Black female directors continue to break boundaries in the industry, though this development has been a long time coming and many are under-recognized. But if you're looking to break out of your Scorsese-Spielberg-white-male canon rut, or just looking to experience some incredible films from incredible talent, here are nine additional Black femme movie directors you should know.

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Music Lists

12 Black Indie Musicians to Support on Bandcamp Today

Bandcamp is waiving revenue shares today, and you should support POC artists.

Courtesy of Bandcamp

Today is another Bandcamp Friday, meaning until midnight tonight, the platform will be waiving revenue shares and letting artists take 100 percent of profits.

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CULTURE

It's Not about Race: Colorism in Hollywood

Will Smith's latest project sparks debate about colorism in Hollywood, but let's break down the differences between colorism and racism.

Will Smith and Jada Pinkett Smith at the 'Aladdin' World Premiere

Photo by DFree (Shutterstock)

King Richard is an upcoming biopic highlighting society's time-honored traditions of competitive sports, underdog victories, and discrimination based on skin color—wait, what?

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Music Reviews

Kehlani's New Mixtape is a Triumph

The artist's 4th project is her best yet.

via TSNMI / Atlantic

Aptly titled While We Wait, Kehlani's newest mixtape is devoted to her unborn daughter, due in March. The title also acknowledges her fans fervent anticipation for her new album and is meant to tide people over as they wait for the release. But if this mixtape is the appetizer to a meal, we can't imagine what kind of delicacies lie in store. The singer's newfound maternal tenderness is present throughout, and she's showcased in a gentler, more complex light than ever before. But that doesn't mean she's left behind any of the sensual, R&B influences that made her famous. The mixtape is an exploration of love and commitment, allowing the listener to watch Kehlani gradually find healing as the songs progress.

"Footsteps (feat. Musiq Soulchild)" opens the collection poetically, proclaiming "Here's to being honest," and "When I walked away I left footsteps in the mud so you could follow me," themes that continue throughout the mixtape. While Kehlani could carry any song, no matter how minimal the production, the mix on this track perfectly complements her ethereal voice. It opens with the soft sounds of water and muffled synths, setting the stage for a fully realized R&B song that leaves the listener with a sense of spiritual refreshment.

Kehlani didn't come by this kind of insight easily and has been very open about her difficult childhood and battles with mental illness, which imbue her music with themes of resilience. In the vulnerable song "Butterfly," Kehlani reckons with the way her past has affected her view of love, and consequently dismantles the way masculinity can become a barrier in a relationship: "It'll make you no less of a man/To break your walls and simply grab my hand / Love shouldn't be contraband."

"Too Deep" is another exquisitely produced track that looks at the themes of honesty and complicated relationships through a new lens, considering the idea of a casual relationship suddenly getting too intense. It's a song that manages to be fun and optimistic despite the subject matter, but it's more than that. Kehlani laments "You don't wanna get hurt by me/I don't wanna be a crutch for ya" indicating the thing that sets this song apart from other artists' take on this theme: compassion for the other person involved in the affair.

Another notable aspect of the mixtape is Kehlani's seamless switching between male and female pronouns in the love songs, an undoubted nod to her queerness, something the singer has acknowledged as a significant aspect of her identity. It's a small thing, but an important detail that speaks even more to the great vulnerability of the project. With While We Wait, Kehlani gives fans her strongest offering yet: classic R&B soaked in a modern, poetic tenderness.

In the era of playlists, she has managed to make a project that is a cohesive, vulnerable journey, while still managing to give listeners nine stand-alone songs that can't be overplayed. The songs give a sense of a broken, grieving person who has decided to see the beauty in her scars and value herself enough to do the hard work of healing. Kehlani has always been raw and real, but on While We Wait, she opens her chest to fans and says "Here, listen, this is me."


Brooke Ivey Johnson is a Brooklyn based writer, playwright, and human woman. To read more of her work visit her blog or follow her twitter @BrookeIJohnson.


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