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The "Bleach" Anime Is Back, But Why Was It Ever Canceled?

The Bleach anime is finally returning with the Thousand-Year Blood War arc.


Few anime series have had as depressing a trajectory as Bleach.

If you were an anime fan in the early-mid 2000s, three shonen series dominated the medium: One Piece, Naruto, and Bleach. In time, these series became known as "The Big Three"—a term encompassing everything from the massive length of their long-running stories to the size of their fanbases to their obvious influence on the culture surrounding anime.

One Piece, which is still running strong today, has gone on to become the top-selling manga series of all time, and also the third best-selling comic series overall (currently edging up on Batman's number two position's number two position). Naruto remained a flagship title through the end of its anime run in 2017, and then immediately spawned Boruto, a spin-off series following Naruto's son. Bleach, by contrast, just kind of fizzled out, with the anime getting canceled in 2012 right before the final arc.

Bleach's cancellation was a blow from which its most loyal fans never truly recovered. But now, eight years later, the seemingly impossible is happening. Bleach's final arc, "Thousand-Year Blood War," is getting an official adaptation. Moreover, so is Burn the Witch, a Bleach spin-off manga by series creator Tite Kubo. 2020 is quickly shaping up to be the year of Bleach's revival, but this begs the question: Why was the Bleach anime canceled in the first place?

To answer that, it's important to understand how publication works in Weekly Shonen Jump, the Japanese manga magazine where all of these titles are serialized.

Unlike American comic series, which typically debut as single chapter comic books before being compiled into multi-chapter graphic novels, manga chapters usually debut in magazines. Of these manga magazines, Weekly Shonen Jump is the longest-running (since 1968), best-selling, and most prestigious. Success in Weekly Shonen Jump means taking a seat alongside global phenomena like Dragon Ball.

Perhaps the main reason that Weekly Shonen Jump has been so successful is its reliance on weekly "reader surveys" to determine which series people are most enjoying. As such, it's not just hyper-competitive for manga artists to get their series published in the pages of Weekly Shonen Jump; it's also hyper-competitive to continue being published in Weekly Shonen Jump. Any series that consistently performs poorly in reader surveys becomes more likely to get cut, as is currently happening to Naruto creator Masashi Kishimoto's newest series, Samurai 8.

On the other side of the coin, any series that consistently hits the top of the reader surveys is encouraged to run for as long as possible. Thus, while many shorter series complete full runs while maintaining their status in the middle-ground of Weekly Shonen Jump's rankings, the goal is usually to create a top-ranking series that readers can stick with for years and years.

Unfortunately, the pressure to consistently create new story content for an indeterminate period of time doesn't necessarily mesh well with every franchise. One Piece works incredibly well in the context of Weekly Shonen Jump, because its narrative impetus revolves around a pirate adventure, which means author Eiichiro Oda can spend as much time as he wants focusing on elaborate world-building and epic-scale battles. Naruto, too, succeeded in its ability to follow its heroic young ninja from childhood to adulthood, allowing him to grow up alongside the readers. But Bleach didn't have the world-building of One Piece or the character development of Naruto.

Ichigo Thousand Year Blood War Shueisha

What Bleach had was a whole lot of style. Following a teenager who gets shinigami (soul reaper) powers, Tite Kubo managed to create a world that felt edgier, more mature, more punk rock than its contemporaries. The series had an incredibly strong hook and a phenomenal first arc, too. After Ichigo Kurosaki becomes a shinigami, he learns that Rukia, his shinigami mentor who transferred her powers to him in order to save his family, has actually committed a cardinal sin according to the leaders of Soul Society (the shinigami world). As punishment for transferring her powers to a human, Rukia will be sentenced to death. This leaves Ichigo with the task of infiltrating Soul Society, defeating its most powerful captains and rescuing Rukia.

To this day, Bleach's Soul Society arc still holds up as one of the best shonen arcs of its genre. The tension is always palpable, and the battles are phenomenal. The problem, though, is that Kubo didn't really seem to know what to do with the series afterwards. The characters in Bleach weren't as strongly defined as the characters in One Piece and Naruto, and the world-building for Soul Society was never especially prominent. So Bleach tripled down on style, essentially repeating similar "rescue" arcs again and again with cool new villains who were, indeed, very stylish.

Sadly, style isn't enough on its own to carry a long-running shonen for years and years. While the battles continued to be very cool, Bleach's plot started to feel weaker and emptier, especially compared to One Piece and Naruto, both of which seemed to have clear narrative arcs that had been set-up far in advance. Eventually, Bleach began falling in the Weekly Shonen Jump ranking. Its solo manga sales dwindled. And while Kubo was allowed to see his series through to completion, the anime was canceled before the manga ever even finished.

The most depressing thing about Bleach is that if it had been allowed to wrap up shortly after Soul Society, it might still be remembered as a phenomenal series instead of a series that fell from grace.

So then why is the Bleach anime returning now, eight years later, to finish its last leg? Maybe demand from Bleach's most dedicated fanbase has finally paid off. Or maybe with recent resurgence of Dragon Ball with Dragon Ball Super, Shueisha (Shonen Jump's parent company) thought that exposing a younger generation of anime fans to Bleach might result in a similar outcome.

Regardless, as a Bleach fan, this is incredibly exciting news. Even considering how the source material fell off the map, the Bleach anime always deserved a proper conclusion. Modern animation can do wonders, too. Just look at how the Demon Slayer anime turned a formerly middle-of-the-rankings franchise into the most popular new series in years. Let's hope that Bleach's "Thousand-Year Blood War" arc will follow the same path.


19 Best Anime Series You Can Watch on Netflix

Check out the best anime currently streaming on Netflix!


Anime isn't just an art form; it's a way of life.

I might enjoy watching Stranger Things, but I'd never shell out $1000+ for a Dustin vs The Mind Flayer 1:6 scale statue or a Demogorgon body pillow. Okay, that's not entirely true, I'd probably buy a Demogorgon body pillow. But if I'm going to spend $1000 on a statue, it's going to be on something like this. And no, that's not just because anime battles are cooler than battles in any other medium (and yes, I actually did buy that).

What sets anime apart from everything else is that, at its best, great anime combines action, fantasy, and humor with gorgeous art and cutting emotional impact in a way quite unlike anything else I've ever experienced. I recommend anime to anyone and everyone, and if you're seriously looking to get into the medium (legally), I'd recommend subscribing to Crunchyroll for its massive library. But for those just starting out, Netflix has a great range of anime series that are sure to show any budding anime buff what the medium has to offer:

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Think of it this way: Devilman Crybaby is Gantz on steroids.

After Adam Wingard's Death Note adaptation, I swore off original anime series and movies on Netflix, but of course, even as an average anime fan, I was intrigued when I saw 2018's newest release, Devilman Crybaby (directed by Masaaki Yuasa). I wasn't in the mood for anything kawaii, you know, a good Fruits Basket throwback; I wanted gore and the occasional joke. Netflix delivered…and then some.

If you're looking for character development—the narrative structure that details a character's history, intent, and moral compass—Devilman Crybaby will leave you a bit disappointed; our whiny protagonist, Akira Fudo, is possessed by Amon (a demonic spirit) and becomes Devilman 15 minutes into the first episode. But the story goes that anyone who survives his soul merging with a demon spirit is a devilman, so Akira isn't actually that special, nor is his journey that gripping. So again, there's a little bit of missing padding to Akira's character that leaves him a bit flat.

It's the type of thing Bleach did really well, about eight episodes of characterization before Ichigo accepted his destiny as a hero, the chosen one, the dude with unexplainable power, and the dude whose dialogue consisted of screaming and grunting like he's been awakened mid-colonoscopy (#AnimeScreams). Think of it this way: Devilman Crybaby is Gantz on steroids. Most of the on-screen characters die within minutes of being introduced, most of the monsters that appear are oozing some type of liquid from some exaggerated orifice, and there's also a weird sexual tension with LITERALLY everything and everyone.


Before you attach yourself to a character, remember their presence necessitates blood, gore, and limbs flying around the frame (similar to Go Nagai's 1970 original manga, which was far more grotesque). You're supposed to be disgusted by the mangled bodies and disturbed by how quickly the narrative continues, as if none of these characters were eating katsuobushi prior to being decapitated. You probably won't remember anyone's name in Devilman Crybaby—I certainly didn't after I realized no one was going to survive—which is fine, let's say, if you're into a show that's basically about genocide. There is no hope and the world is corrupt; death is the best thing that can happen to you in Devilman Crybaby, apparently.

Not quite a classic, not quite an anime worth revisiting, but also not quite forgettable in the least, I'm at odds with how to describe this series and its brashness. There's a lot of bad here—the lack of narrative heft, the lack of character arcs and resolution, the lack of anything related to a coherent story the audience will, in the very least, empathize with—but the parts that are good are really good, like really really good. For starters, there's the soundtrack, a mix between electro, club beats and rap sequences (performed by Japan's very own Ken the 390). The music showcases the electricity of the series—characters poppin' anime's version of molly, club orgies, and demonic monsters exploding to reveal other gross monsters—and it's what makes Devilman Crybaby so stylish, inside and outside of all of its youthful debauchery. The animation style is crisp and clean and has a unique aesthetic, and there's one particular scene involving a father and his son that is one of the most emotional and compelling moments I've ever seen in anime. The series also incorporates social media in its narrative, exploring how quick Akira's community is to judge and socially police, even vilify their neighbors.

Will it get another season—if you made it to the last episode without experiencing intense nausea, you'll probably argue no…unless it's a new beginning with a new set of victims. Devilman Crybaby will leave you with more questions than answers, like a big, muddled mess of violence and empathy, and occasional, frightening reflections of real life. There's a lot of good and a lot of bad in Devilman Crybaby, but maybe that's the point.


POP⚡ DUST Score: ⚡⚡⚡

Shaun Harris is a poet, freelance writer, and editor published in avant-garde, feminist journals. Lover of warm-toned makeup palettes, psych-rock, and Hilton Als. Her work has allowed her to copyedit and curate content for various poetry organizations in the NYC area.

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