“Being part of something special makes you special”

Glee set the world on fire soon after its May 19, 2009 pilot launch. The show wouldn’t go forward with its tall 22-episode inaugural season for another four months, but the first empowering 60 minutes brought a sense of magical self-worth and unbridled charm. As my roommate and I plopped down on the sofa to tune in to this little singing show for the very first time, we had no inkling about what was about to transpire inside the walls of McKinley High. Within the first 30 seconds, I was transfixed by the tumbling and beaming red-skirted Cheerios, as they flew through the air in an attempt to appease the show’s archetypal villainess, one Miss Sue Sylvester. The incomparable Jane Lynch, whose career spans several decades of hilarious cameos and stand-up sketches, brought a grounded edge to the otherwise wide-eyed youthful optimism: she served as the fuel, the mechanism which powered Will Schuester (Matthew Morrison) and his band of misunderstood underdogs to dream bigger, reach higher and sing louder.

Ok. I’ll be the first to admit it: Glee had a knack for bizarre storylines (Tina’s raging crush on Blaine; Quinn's bizarre emo phase), devastating wastes of talent (Tina, Harmony, Lauren), regurgitated and stale plot points (the Marley/Jake/Ryder love triangle) and even over-baked, overwrought performances that fell flatter than flapjacks in July. But when the confetti did finally settle, the show's commitment to tackling taboo topics and it's relentless message of acceptance never faded away. The love the characters had for performing was a marvelous wonder to behold. Even at the series' lowest points, it could strike your heart with a delicate and resounding emotion.

Sure, I was 23 at the time of the first episode, but the reality is: we are all scared kids sometimes. We all get frightened. We are all rattled to our bones. We are all crushed to dust. But the show, strewn with musical covers of some of the greatest songs of all time, instructed us that those scrapes and bruises are what define us. It’s not the glorious, intoxicating highs that mold us into living, breathing and vibrant human beings. When we fall (and realize when it’s time to get back up), that’s when we are truly alive. And that’s what Glee was all about.

Rachel Berry, “the stunning young ingenue everyone roots for,” hit the screen like a bolt of lightning. She encapsulated everyone’s dreams, everyone’s struggles, everyone’s need to conquer. She might have had a penchant of saying the wrong thing at the wrong time, but her intentions were real. She just didn’t know how to control them. In that first magical episodic teaser on that sweltering early-summer evening, the sun was creseting the horizon outside my window. And all I could think (as I belted the closing number Don't Stop Believin' at the top of my lungs) was "man, these kids have something really special." Equipped with gold stars and her bedazzled “Hot Stuff” laptop, Rachel dared to navigate those hallways and challenge the natural order of the slushy facial. She instantly became who we wanted to be when we “grew up.”

Finn Hudson, “the natural leader,” was the glue that held the entire ensemble together. He might have been part of the football pack, but his soft heart and his tender way of making you feel...special was inspiring. The iconic shower scene stands as one of the show’s defining moments: it was chill-inducing, really. His voice pierced through the steam, wafting over to Will—as he was grasping at straws trying to build the glee club back up again. But it was Finn’s delightful, yet commanding, presence that became the show’s rock-solid foundation. When the quarterback turned to his fellow Lima Losers (after saving a downtrodden Artie from the deathly porta-potty entrapment) and declared “I'm not afraid to be called a loser because I can accept that's what I am,” I stand assured that that moment is when I fell head over heels for this show.

Tina Cohen-Chang, “a powerful woman” whose “growing feminism will cut you in half like the righteous blade of equality,” was the outsider. Despite being welcomed with open arms and hailed for her differences, her presence on the show (tragically) always felt rushed, always playing second fiddle to the rest of the cast. It was her brashly suggestive I Kissed a Girl and that quirky, endearing stutter (which was later revealed as a gambit to cozy up to Artie) that established her as a diamond in the rough. I’ve knocked a few of her storylines throughout the past six years, but the truth of the matter is: Tina magnified our deeply embedded insecurities that we attempt to shadow behind a facade. We might fool others, but we ultimately only fool ourselves.

Quinn Fabray: as “captain of the cheerleading squad and president of the celibacy club, people would part like the red sea when [she] walked down the hallway.” She could be rather vicious when she wanted to be, but that was only masking a deeper turmoil—a storm of emotions was brewing inside of her, and I’m not talking about her bundle of joy. She was already a champion, but when her world began crumbling down around her, you quickly realized she was just like everyone else. She was a terrified little girl forced to be an adult by her parents. But it was her rise, like a phoenix out of the ashes, that became one of the more intriguing components of the series. She needed to hit rock bottom in order to find her inner strength that she could be and do anything she wanted.

Kurt Hummel, whose "body is like a rum chocolate souffle; if [he doesn't] warm it up right, it doesn't rise," began his journey as a boy tossed into dumpsters. He was not-so secretly in the closet, and as a gay man myself, I identified with his story the most. Trying to navigate the teenage and 20-something wasteland of body image and societal norms is not an easy feat, but it was Kurt's struggle that assisted in bringing those issues to primetime television. His good looks matched his booming voice (I mean, how can anyone forget his soaring Mr. Cellophane audition?) and it wasn't long before he became an LGBT icon.

Santana Lopez and Brittany S. Pierce were mere choir room fixtures during the show’s pilot episode, but they would later come to deliver some of the more harrowing, emotionally-charged performances. Santana’s coming out story is of particular note here: Finn, in a misguided attempt to show support, publicly outed her, pushing her to anger and slapping him. Her subsequent mash-up of Someone Like You and Rumor Has It is her most masterfully concocted vocal. But I digress, for purposes here, she was Quinn’s stunning and sassy sidekick with enough one-liners to quench a donkey’s thirst. Brittany, for her part, was a comical device: her Fondue For Two segment may very well be remembered for years to come in TV history. Their passionate love for each other, too, was chiseled onto our hearts.

Mercedes Jones, otherwise known as "Beyonce" (and to clarify, she "ain't no Kelly Rowland!"), embodied everyone's inner Sasha Fierce. She never let others walk all over her, and she'd be damned if you tried to do the same to one her friends. She was the loyal friend who wasn't afraid to look you in the face and tell you, point blank, that you suck. We all need truth tea splashed on our faces every now and then. She was there to serve her duty. You might hate what she has to say, but nine times out of 10, she was right.

You know, I could continue chronicling each and every character's profound impact on my life, but I think you get the point. Glee represented everything in my life that had been missing: it pieced together hope, love, optimism, strength, friendship, loyalty into a patchwork quilt of intense truth, as I turned to face the world with a new understanding of what it meant to be me. Even in my darkest times (and boy, I've had a bunch), I could tune in each week to see these fresh-faced kiddos digging their heels into life, taking it by the horns and achieving greatness.

Of course, I would be remiss, if I didn't at least acknowledge a plethora of other characters that touched my heart along the way:

Artie Abrams (you and your constant belief in a better tomorrow always brings a tear to my eye); Noah Puckerman (you "tried to be the good guy," and even though you lost your way sometimes, you always proved you had a good heart); Blaine Anderson (your admiration and love for Kurt is what every single person fantasizes about); Mike Chang (dude, you couldn't sing a lick, but damn, could you dance your face off!); Lauren Zizes (you might have had a "bad attitude," but you always knew what boys want #wink); Sue Sylvester (yes, you could be grating and uninspired, but without forces like you in the world, we'd never know to push through it); Becky Jackson (thank you for teaching us that being different is so much better than normal); Sam Evans (Trouty Mouth: enough said); Kitty Wilde (in many ways, you were Quinn 2.0, but you quickly stepped out of her shadow to blaze your own inspiring path); Coach Beiste (as one of the show's only transgender characters, you reminded us that being your most authentic self is the key to true happiness); Emma Pillsbury (we are all a little OCD; it's OK not to be OK); Jane Hayward (we barely even got to know you, but that VOICE!!!); Unique Adams (you made be cry, scream, stomp my feet and realize the world needs people like you to fight for equality); Burt Hummel and Carole Hudson (you were the parents we all wished we had); Sugar Motta (you made my life so much sweeter); Jessie St. James (you were the perfect singing rival); and last, but certainly not least, Lord Tubbington (for helping us channel our inner feline).

And with that, I salute you, Glee: despite your many flaws, you changed the world one glorious note after another.

Signed,

Jason Scott, Gleek

https://vimeo.com/83540550

Stay tuned for Glee updates. Be sure to follow @Popdust and @JasonTheScott on Twitter!

Glee comes to a bitter-sweet end with this Friday's (March 20) two-hour series finale. Six seasons, hundreds of musical numbers and countless used tissues is only scratching the surface of the worldwide phenomenon that had us all rooting for the underdogs and cheering at their every accomplishment. Of course, along the way, the ragged band of McKinley High misfits had us believing in our own inner strength and beauty.

Rachel Berry (Lea Michele) might have been at the core of the show, but every single character touched our lives in some way. It was always the music, too; the music brought their stories to life and showed us that it was OK not to be OK—that today's failures were tomorrow's triumphs. From Finn Hudson (the late Cory Monteith), Kurt Hummel (Chris Colfer) and Brittany S. Pierce (Heather Morris) to Santana Lopez (Naya Rivera), Sugar Motta (Vanessa Lengies), Blaine Anderson (Darren Criss), Quinn Fabray (Dianna Agron) and Mercedes Jones (Amber Riley), and countless other characters in between, the cast was a bevy of superstar vocalists, dancers and musicians, forever illuminating our hearts and our minds.

Of course, there was also a smorgasbord of guest stars, including Carol Burnett (as Sue's momma Doris), Kristen Chenoweth (as April Rhodes), Gwyneth Paltrow (as Holly Holliday), Grant Gustin (as the naughty Sebastian Smythe) and Kate Hudson (as Cassandra July, a NYADA instructor), Whoopi Goldberg (NYADA creative director Carmen Dibideaux), among others.

Special shout-outs go to a handful of truly unforgettable characters: the adorable, OCD guidance counselor Emma Pillsbury (Jayma Mays with her always frank pamphlets (for every occasion); the crazy-faced, let's-fake-a-pregnancy Terri Schuester (Jessalyn Gilsig); the fearless Becky Jackson (Lauren Potter); the loud-mouth, Puck-nabbing Lauren Zizes (Ashley Fink); the too-hot-to-handle Brody Weston (Dean Geyer); the super-supportive dad (who we wish we all had) Burt Hummel (Mike O'Malley); the uber-shy Sheets 'N Things employee Howard Bamboo (Kent Avenido); the downtrodden Principal Figgins (Iqbal Theba; the nosy blogger Jacob Israel (Josh Sussman); and Lord Tubbington.

Meow!

Regardless of their role, every character had one thing in common: heart. They embarked on this journey with a pocket full of dreams and a few sheets of music (or tins of catnip), and while the show had its fair share of rocky roads, it never stopped being what it set out to be: an inspiration to millions of "underdogs."

Created by Ryan Murphy, Ian Brennan and Brad Fulchuck, Glee told the tale of Lima, Ohio kids who loved to sing. Fortunately, they had a knack for it, and with the help of instructor, mentor and former glee club Nationals champion Will Schuester (played by Matthew Morrison), their dreams became a reality.

It wouldn't be a journey, though, without road blocks in their way—mostly the villainess Sue Selvester, brought to life by the incomparable Jane Lynch. In the end, they were not, in fact, Lima Losers. They just needed a little push (it, baby!)

To send the musical dramedy off in style, Popdust has gathered together the show's 50 Best Musical Performances, in order from great to awesome. Don't worry, we've also put together a YouTube playlist of all 50 epic performance at the bottom of this post.

Let's start from the top:

 

50. Papa, Can You Hear Me? // Rachel (Season 2, Episode 3: Grilled Cheesus)

What better way to kick things off than this smokey and haunting performance? We'll just leave this here...

49. Pretending // Cast (Season 2, Episode 22: New York)

The only original ballad to arrive on this list, the sweltering performance resulted in a lip-lock between the show's leading pair: Finn and Rachel. Despite their good intentions, it cost them placing in the Top 10 at Nationals in New York City; they placed 12th.

48. Americano / Dance Again // Cassandra (Season 4, Episode 1)

Lady Gaga and Jlo? SIGN US UP! And there's no better singer to take this on than Kate Hudson (as the witchy NYADA instructor Cassandra). She might have given Rachel a hard time, but at least she backed it up with stratospheric talent, right? Right?

47. Defying Gravity // Rachel & Kurt (Season 1, Episode 9: Wheels)

Who could forget Kurt botching that high note so Rachel could win? Both divas at heart, neither would let the other have the spotlight. When it came down the the wire, Kurt wouldn't let this moment be the moment they resented each other for life, so he stumbled. Of course, both performances were superb on their own, but paired as a duet made it even more intense.

46. Bohemian Rhapsody // Jessie & Vocal Adrenaline (Season 1, Episode 22: Journey)

The Jesse St. James (Jonathan Groff)-led Queen cover (say what you will) is an impressively choreographed number, resulting in Vocal Adrenaline's ultimate victory at the close of Season 1 at Regionals, and rightfully so. His passionate vocals as he tore into the rock anthem were chill-inducing. It would have placed higher here, but come on, McKinley wins.

45. Will You Love Me Tomorrow / Head Over Feet // Jane & Mason (Season 6, Episode 3: Jagged Little Tapestry)

If it weren't for the show coming to an end, Jane Hayward (Samantha Marie Ware) and Mason (Billy Lewis Jr.) would have gone on to have quite an impressive place in the show's history. Possessing a more throwback vibe than most other performances, the duo ripped into the heartfelt lyrics, sweetly caressed each lyric and never once overdid it.

44. Shake It Out // Santana, Tina, Mercedes (Season 3, Episode 18: Choke)

Taking a pound of flesh, this trio utilized the blistering lyrics to offer up an apology, following their appalling comments about Shannon Beiste's abuse in her relationship with Cooter. They certainly burried the hatchet with this one, an impassioned vocal and stirring story.

43. Cell Block Tango // Sugar, Santana, Brittany, Tina, Mercedes (Season 3, Episode 18: Choke)

It's a risky move to take on one of the most iconic musical moments. It could have fallen quite flat, but no, the cast concocted a performance just as edgy, sexy and vigorous as the original. Of course, having Santana Lopez is always a plus. Oh, and a little Sugar (Vanessa Lengies) goes a long way, too.

42. Happy Days Are Here Again / Get Happy // Kurt & Rachel (Season 2, Episode 4: Duets)

There are always plenty of mash-ups to go around! Take the series' (probably) two most consistent vocalists and plop them down in a whirlwind of brass instruments, and you'll be slapped in the face by a wall of sound. #boom

41. Loser Like Me // Cast (Season 2, Episode 16: Original Song)

The only other original to land on this list, the uptempo, high-powered pop-rock track is a response to Sue's constant bullying. It soon became the anthem of the series in many ways, ultimately a hit on its own, too.

40. Poker Face // Rachel & Shelby (Season 1, Episode 20: Theatricality)

Sewing together two enormous voices into a stripped back dance-pop hit is the recipe for a bewitching performance. This is Rachel's first-ever duet with her mom Shelby (Idina Menzel), and it's like they are cut from the same dazzling cloth. Seriously, are Idina and Lea related in real life, because...

39. The Scientist // Finn, Rachel, Blaine, Brittany, Emma, Kurt & Santana (Season 4, Episode 4: The Break-Up)

Piano ballads are a dime a dozen on this show, but when they're done right, they are magnificent wonders. Sure, this Coldplay song is quite overdone in pop culture, but no matter how many times you listen to it, it strikes the heart in exactly the same way.

38. Rehab // Vocal Adrenaline (Pilot)

As the McKinley glee club's first taste of their competition, the almighty Vocal Adrenaline reinvented this Amy Winehouse song into a spellbinding (and jaw-dropping) tour de force.

37. Roots Before Branches // Rachel (Season 3, Episode 22: Goodbye)

Another iconic moment: immediately after Finn calls things off with Rachel and drops her off at the train destined for New York City, Rachel breaks out into this. Only tears.

36. All That Jazz // Cassandra & Rachel (Season 4, Episode 9: Swan Song)

Cassandra's role on the show was tragically short lived. This showdown, leading up to Rachel's first Winter Showcase, took duet face-offs to the extreme. While Rachel's dancing might not have been able to live up to Cassandra's, her vocal certainly chomped her instructor down to size.

35. And I Am Telling You I'm Not Going // Mercedes (Season 1, Episode 13: Sectionals)

Who could not be absolutely floored by this miraculous vocal acrobatic achievement? No other reasoning is necessary.

34. If I Were a Boy // Unique (Season 5, Episode 5)

Unique (Alex Newell) had a pretty heavy storyline during her journey on the show. Grappling with her feelings inside and how she appeared to everyone else, she dealt with her fair share of unwanted hate and bullying. The climax came in the form of this truly heartrending performance in the bathroom.

33. Flashdance...What a Feeling // Tina & Rachel (Season 3, Episode 20: Props)

Tina and Rachel were probably the most unlikely of pairings, but when they did get together, it was an act of sheer (and charming) wizardry.

32. Take Me To Church // Roderick (Season 6, Episode 11: We Built This Glee Club)

Admittedly, there were simply not as many shiny and memorable performances in the show's last season, but Roderick's (Noah Guthrie) riveting lead here elevated this one above average. Of course, Jane and company sprinkled it with a healthy dose of "oomph."

31. Ain't No Way // Mercedes (Season 2, Episode 17: A Night of Neglect)

If it could be possible, every single Mercedes performance would be included on this list, but she soared to ridiculous new levels with this Aretha Franklin ode.

30. Toxic // Brittany (Season 2, Episode 2: Britney/Brittany)

Britney Spears' catalog was often the go-to for so many flashy glee club numbers, but Brittany's version (aided by her fellow comrades) of this slinky track is by far top-notch.

29. Thriller / Heads Will Roll // Cast (Season 2, Episode 11: The Sue Sylvester Shuffle)

Maybe the most satisfying fully-produced number ever? Killer, thriller and electrifying! (Drops mic)

28: River Deep, Mountain High // Mercedes & Santana (Season 2, Episode 4)

There's nothing quite like a Mercedes and Santana explosion. Of course, their love of Breadstix (and their previous performance of The Boy is Mine) fueled them to greatness. Tina Turner would be proud!

27: It's a Man's, Man's, Man's World // Quinn (Season 1, Episode 21: Funk)

Quinn can be as funky as the rest of the gang! She might've been pregnant, but that didn't stop her from rolling out this statement song. Showing off her soulful and gritty side, she delivered meaningful performance, even if a few members were less than pleased.

26: Tightrope // Jane (Season 6, Episode 2: Homecoming)

Jane: aka the best asset from the show's last batch of newbies. Talent and sass for days, she attempted to break the male-only tradition at Dalton Academy. Despite offering up a fantastic, high-energy performance, she failed to impress Blaine and company. Probably the biggest travesty of Season 6. Oh well, she landed on her feet at McKinley, and the rest is history.

25. Don't Rain on My Parade // Rachel (Season 1, Episode 13: Sectionals)

Rachel had been performing this song since she was four. It was her "go-to" song, you could say. At the last minute, New Directions must come up with a new set list and so this pint-sized powerhouse surprises the crowd with his soaring and remarkable performance.

24. Girls Just Wanna Have Fun // Finn (Season 3, Episode 7: I Kissed a Girl)

Following Santana's epic slap in Mash Off, Finn whips out a piano rendition of this Cyndi Lauper hit to let her know that he really does care about her. He's just a big old teddy bear, you guys! Sometimes simple is far better than loud.

23. We Found Love // Cast (Season 3, Episode 10: Yes/No)

This musical number had our hearts falling (again) for Mr. Schuester. While enlisting the help of his students for a "proposal number" seemed a bit odd on paper, we can't fault the final result. It was incredibly romantic and became the template for lovers everywhere.

22. Paradise by the Dashboard Light // Cast (Season 3, Episode 21: Nationals)

It took the glee club several attempts to make it to Nationals. This performance, especially, highlighted how far they had come, particularly in their uptempo numbers: through adding more choreography and layering on more cool harmonies. After some nail-biting tension, they came out on TOP!

21. If I Die Young // Santana (Season 5, Episode 3: The Quarterback)

The Quarterback is probably in the Top 5 best episodes ever, and Santana's sorrowful rendition of The Band Perry remains as one of the most tear-soaked. After hundreds of re-plays, Naya Rivera's gutsy and piercing interpretation is magnetizing. Even before she breaks down in tears, you'll be breaking out those tissues in bulk.

20. Chasing Pavements // Marley & Cast (Season 4, Episode 1)

With most of the original cast members having graduated from McKinley, this was the very first final musical number with newbies. Marley (Melissa Benoist) may have been touted early on as "Rachel 2.0," but her innate talent speaks for itself. She was nothing like her predecessor. In fact, she showcased a powerfully delicate performance on par with many of the show's greatest.

19. I Dreamed a Dream // Shelby & Rachel (Season 1, Episode 10: Dream On)

After hearing Shelby's voice on a recording for the first-time ever, Rachel dreams of the day she can sing alongside her. This performance comes as a dream sequence but is a soaring performance, nonetheless. They didn't share a stage till later with Poker Face (also on this tally).

19. Because You Loved Me // Tina (Season 3, Episode 20)

Tina: the most mishandled character. Her potential was never quite utilized as it should have been, marred by outrageous storylines (e.g. her crush on Blaine) and being relegated to second tier. But here, she had a chance to deliver a memorable vocal, even if she did appear in a dream as Rachel Berry.

17. I Feel Pretty / Unpretty // Quinn & Rachel (Season 2, Episode 18: Born This Way)

The show is as good at supplying boisterous crowd pleasers as it is with stripped down acoustic performances. Despite being rivals most of the show's run, Rachel and Quinn two came together for a simple moment, when both were feeling less than beautiful (and jealous of each other in the process).

16. Everytime // Marley (Season 4, Episode 2: Britney 2.0)

Possessing a syrupy but soulful voice, Marley ripped our hearts out with this truly sensational performance, the closer to the second Britney Spears-centric installment. As she grapples with Jake (Jacob Artist) dating the vicious Kitty (Becca Tobin), tt also served as the backdrop to Rachel at NYADA.

15. Rumor Has It / Someone Like You // Santana, Mercedes & The Troubletones (Season 3, Episode 6: Mash Off)

The show was not only known for its outstanding solo numbers, but it's mash-ups, as well. This particular high-octane, vocally-charged mash-up was the final number of the episode, during which Finn outed Santana as a lesbian. What resulted next was the biggest slap of all time!

14. Somebody to Love // Finn, Rachel & Cast (Season 1, Episode 5: The Rhodes Not Taken)

Whenever Finn and Rachel would lead the cast in a fist-pumping anthem, it was just magic. This was early on in their romance and one of their most captivating ones, bolstered by great soulful runs from Artie and Mercedes.

13. Lucky // Quinn & Sam (Season 2, Episode 4: Duets)

A really cool pairing resulted in a truly sweet moment. Neither are powerhouse belters but they delivered a nuanced and super romantic performance.

12. Cough Syrup // Blaine (Season 3, Episode 14: On My Way)

As one of the show's most valuable assets, Darren Criss offered up one of the most poignant and harrowing vocals. As he crooned on the dark track, David Karofsky (Max Adler), once Kurt's bully, ends up on the other side and attempts to hang himself. It was one of the most sorrowful sequences of the show, but the most honest.

11. Faithfully // Cast (Season 1, Episode 22: Journey)

As one of the most triumphant moments of the show, this Finn-led number brought the group's dreams to new heights. It was a vocal masterpiece, soaring from low valleys to the dizzying heights of mountain peaks. Beginning the performance from the aisles, Finn and Rachel (as the rest of the cast merged onstage) dazzled the judges at Regionals. They ultimately didn't win, however, but it proved that they were only one song away from becoming the top dogs.

10. Anything Goes / Anything You Can Do, I Can Do Better // Harmony (Season 3, Episode 1: The Purple Piano Project)

With a fireball of a voice, Lindsay Pearce (as the mega-hyper NYADA hopeful Harmony) was one of the greatest wastes of talents in Glee history. During her stint on The Glee Project, she more than proved her mettle as a triple threat, but for some reason, Murphy never took advantage of her well-spring of talent. This single performance is her best onscreen moment ever, vaulting past hundreds of performances from series regulars.

9. Teenage Dream // Blaine (Season 2, Episode 6: Never Been Kissed)

Blaine turned up the heat in his navy blue Warbler blazer, crooning over Katy Perry's syrupy-sweet romantic ode. It was the moment Kurt's love for Blaine began, and he never looked back. Sure, their road to true happiness was a rocky one, but it was in this four minute performance that their fate was sealed.

8. Take My Breath Away // Quinn & Santana (Season 3, Episode 19: Prom-asaurus)

Following Quinn's near fatal car accident, it was unclear whether she would ever recover. It was the magical moment at prom that sparked her life again, leading to one of her finest performances ever, alongside Santana. It was a spine-tingling and joyous moment.

7. No One is Alone // Rachel, Kurt & Blaine (Season 5, Episode 15: Bash)

The show prided itself on tackling tough subjects, and in Bash, they dug their musical heels into hate crimes. This blistering and authoritative performance (of an Into the Woods signature) was surreal, peppered with footage of a candlelight vigil in New York City. Gut-wrenching would be the appropriate descriptor here.

6. Keep Holding On // Cast (Season 1, Episode 7: Throwdown)

After school gossip and blogger Jacob (Josh Sussman) runs a Quinn pregnancy story on his blog, the rest of the glee club performs this power ballad to demonstrate their loyalty to her. Rachel and Quinn lock eyes, and in that moment, there's an understanding that blooms between them. That foundation, of course, comes into play later on in the series.

5. Maybe This Time // April & Rachel (Season 1, Episode 5: The Rhodes Not Taken)

Combine the legendary Broadway status of someone like Kristin Chenoweth with the more contemporary polish of Lea Michele, and what you get is one intense collaboration. Kristin's contribution lit up the small screen (her operatic power note at the end is just delicious) and balanced Lea's equally stunning vocal. The odds are in their favor!

4. Smooth Criminal // Santana & Sebastian (Season 3, Episode 11: Michael)

Backed by 2Cellos, Santana and Sebastian's (Grant Gustin, once of the Warblers) rivalry came to a head with this orchestral-pinned version of one of Michael Jackson's classics. Vocally, both singers fueled each other and as each cello ebbed and flowed with a sinister edge, they kept time and powered through one of the most innovative performances on the show.

3. I Want Hold Your Hand // Kurt ( Season 2, Episode 3: Grilled Cheesus)

This show has never skimped on the blistering power ballads, but Chris Colfer's soaring rendition of this Beatles classic has stood the test of time. While Burt's life stood in limbo, Kurt turned to his friends and music to find solace in the unknown. Of course, things turned out fine, but in that moment, he didn't know if his father would make it out alive.

2. Don't Stop Believing // Cast (Pilot)

It was the performance heard 'round the world. As the final musical number in the show's pilot, it set the bar high very early on. It combined the charm we all came to relish in with an impressive musicality: here we had the underdogs finding themselves in the music. That would later come back to propel them to far greener pastures than McKinley's walls. We'll never look at simple red T-shirts the same ever again.

1. Make You Feel My Love // Rachel (Season 5, Episode 3: The Quarterback)

As Lea's finest vocals and interpretations, this particular performance was visceral for the audience, as well. It was not only a tribute to Finn Hudson but to Cory Monteith's legacy, too. His life was tragically cut short, and this performance was a stark reminder of his potential. And for Lea, this performance was at her most raw, most vulnerable state. Truly a masterclass performance.

 

Well, Glee, thanks for the memories!

 

 

To end this unbelievably enjoyable era in TV history, click through this handy-dandy YouTube playlist with all performances and get ready to cry:

Stay tuned for Glee updates. Be sure to follow @Popdust and @JasonTheScott on Twitter!

Lea Michele is saying goodbye to Glee and the Paramount lot where she spent six seasons of her life - but she will never forget Cory Monteith.

Cory tragically passed away in July 2013, and Lea was determined to take home a special memento of her late boyfriend.

In an Instagram pic, Lea is seen leaving the Stage were Glee is filmed holding on to the football jersey Cory's character Finn Hudson wore, with the caption "One last thing <3".

“I can't believe tomorrow is our last day at glee. It is going to be such an emotional day. But I'm so grateful though to have had…this incredibly amazing experience,” she tweeted on Feb. 20. “Thank you so much to all of our amazing Gleeks who supported us so much! I love you guys. We were so lucky to have had the most amazing crew who worked so hard everyday to make the show amazing. I'm so grateful for them…So thank you all again so much from the bottom of my heart. I will miss Rachel Berry so very much.”

We miss you Cory! Gone but never forgotten.

Over the past year, Lea Michele has experienced everything from extreme love to extreme pain. There seems to have been very little room for the grey area of life. Through it all, the Glee star came out on top, channeling that energy into her newly released Louder debut project, which features heavy beats and infectious pop hooks.

As Seventeen's April cover girl, the diva talks about her album. “I set out to make a really pop-heavy album that was fun and empowering – I love Katy Perry and Kelly Clarkson," she tells the magazine, "but then I found myself picking and writing these songs that were very emotional and dramatic. 'Louder' has songs that express extreme love and some pain. I look at it and think, 'That was my year.' I didn’t record any songs that I didn’t completely relate to.”

Of course, the topic of Cory Monteith creeped into the conversation: “I only have happy memories of Cory. He was not his addiction – unfortunately, it won. But that wasn’t who he was. Cory made me feel like a queen every day. From the minute he said, ‘I’m your boyfriend,’ I loved every day, and I thank him for being the best boyfriend and making me feel so beautiful.”

And through all the tears the past seven months, Michele choose happiness and a new beginning. “My album is coming out on March 4th—which is bizarre, like it's meant to be. Just think about it: we're going to 'March fo(u)rth.' We're going to march forth like a Cannonball. I try my best to march forth and live my life as best as I can for me."

She adds, "I also feel an incredible, happy responsibility to keep the memory and light of [Cory, who] was the most amazing person. I’m so happy to make it my journey now to continue on and live my life as best as I can.”

Following Monteith's tragic death, Michele admits that she didn't want to be anywhere else other than on the Glee set...with her family. She explains, [The 'Glee' cast] is the greatest group of people I have ever met in my entire life! We all lost Cory. I didn’t think for one minute that being away from them was what I wanted. Being on the set of 'Glee' is no more difficult than being at home and finding [Cory's] slippers under the bed."

"We had a life and a job together—it goes with you everywhere you go, you can’t get away from grief. So I might as well be surrounded by the people I love and get to lean on them," she says.

On the prospects of a Glee spinoff, she's pretty down with the idea. "Let’s do it," Michele gushes. "I think it could be Rachel living in New York and working on Broadway!”

Michele's Seventeen cover issue hits newsstands March 11. Don't forget to grab your copy!

Well all remember where we were when the news broke of Cory Monteith's drug overdose last summer. July 13, 2013: That day still haunts our dreams, but it can't be more painful than for Lea Michele, who has had to pick up the tragic pieces and try to move on with her life.

As the cover girl for Glamour UK's upcoming April issue, the powerhouse, who releases her debut album Louder next week (March 4), reveals that Monteith was wanting to have kids. "We talked about a lot of things," she shares to the magazine. "We talked about children and what we would look like when we grew old and who would be fat and how we would stay thin. We talked about where we wanted to go and what we wanted to do."

Go ahead and rip our hearts from our chest again, Lea.

"We were done. We were it," the starlet continues. "When you’re at that place in your life with someone, you talk about everything. But today I feel like I was given the best part of Cory and I’m thankful for that."

It's been over seven months since Monteith's death, and Michele admits that things are "a bit more back together" now. She recounts of the time following the tragedy, "At the start, it’s hard because you’re so physically and mentally shocked and damaged, but after a while you get tired of physically feeling so horrendous, so I started doing yoga, which really helped. Then gradually your mind catches up with your body."

"Now I feel a little bit more back together and I have this blank canvas in front of me, which is what my life can be," she says. "There’s something sad about that but also something good, because I will take that blank canvas and make something beautiful out of it."

As expected, Michele doesn't plan on rushing into any new longterm relationships anytime soon. "I’ve only ever had serious relationships so it’s an adjustment putting myself back into a place of being alone."

She continues in the interview: "I was under a Cory Monteith spell…it’ll take time to readjust my mind and I’m really not wanting to do that right now. I feel like it’s so important to make sure that I’m 100% OK before I can get into a relationship. But people have to understand that I can’t be alone forever. Cory wouldn’t want that."

On Michele's forthcoming Louder set, she addresses Monteith and his death head-on, particularly on the stirring closing track "If You Say So." It's like an emotional boxing match to the face and stomach. In the song, she sings about the last words he said to her, "It's been seven whole days without your embrace, I wanna see your face, I've got some things to say. It's just a week ago, you said I love you girl. I said I love you more. And a breath, a pause, you said, if you say so."

Michele's full Glamour UK interview will run in the issue, to go on sale March 3.

Glee star Lea Michele is, perhaps, the bravest person we know. In the aftermath of Cory Monteith's tragic death last summer, Michele channeled that pain into her music, namely a new song called "You're Mine," off her upcoming Louder album.

"It's so special to me & it's story is so close to my heart," she shares of the song on Twitter, attaching cool lyric graphics.

 

Michele's debut is set for a March 4 release on Columbia Records and also features her current single "Cannonball," as well as "Battlefield," "Cue The Rain" and "If You Say So" (also a tribute to Monteith).

Take a listen to "You're Mine":