MUSIC

A Sweet and Sugary Delight, Ravyn Lenae's Newest EP, 'Crush', Explores Modern Romance

Ravyn Lenae drops her new EP "Crush," produced by Steve Lacy.

Ravyn Lenae's EP 'Crush'

This is soul music for people with a sweet tooth, for those unafraid of being seduced into a sugar coma.

Chicago's Ravyn Lenae is even more self-assured on her 5-track EP "Crush," crooning over Grammy-nominated Steve Lacy's (The Internet) signature SoCal soul. The two began collaborating together after Lacy DM'd Lenae, asking to work with her in the future. Their chemistry is palpable, as a 19-year-old Lenae steps out of her shell and into pink stilettos. Sweet, dreamy, and funky, "Crush" benefits from Lacy's surf rock, adding flirtatious guitar riffs and psychedelic flair to Lenae's vocals. A bit more comfortable and confident in her range, Lenae's voice is feathery, reveling in feminine intensity only magnified by supple, breathy "hoo-hoos" and "woo-woos." Her talent for harmonizing shines on this EP—something 2017's "Midnight Moonlight" (produced by Monte Booker) showed she was more than capable of handling—as she navigates an array of sonic textures.

Lenae and Lacy aren't the first singers to flirt with '70s psychedelia when reinterpreting R&B and soul, but they certainly add their own panache: Lenae plays with Mariah Carey-esque vocal acrobatics toward the end of "The Night Song," challenging her classically-trained soprano. The effect is silky and buttery against Lacy's bass grooves. On the hook she sings, "Hair down, feeling alright / Got my edges on tight, it's a party tonight / Feeling good, yeah feeling polite / And we're movin' all night, all night, all night." She's having fun and she's doing so in style, revitalizing the swag of '90s icons like Aaliyah and TLC.

On the single "Sticky," Lenae shows a vibrant side to her voice left uncharted in her work with Booker. Like many teen musicians, Lenae graduates into a woman through her music, embracing a more provocative and enticing sound. "Crush" is her femme-fatale, hear-me-roar project with a healthy dose of grown woman sugar and glitter. This is soul music for people with a sweet tooth, for those unafraid of being seduced into a sugar coma.

And as most R&B and soul does, "Crush" lightly ponders the games of love: unrequited love, the looming fear of rejection, virtual love, long-distance relationships, and self-love. The duet "Computer Luv" finds Lenae and Lacy singing about the virtual confines of a relationship, and when the two will risk intimacy in the flesh: "When will I meet you / I'm down to see you / I wanna see you right now / It's been a year now." The immediacy of their voices is telling of the emotional and physical inadequacy of trying to love someone through a computer screen. It's one of the more tender moments on the EP, as Lacy wraps the chorus in an acid-drenched guitar riff. (Again, try not to feel like Aaliyah was in the recording room.)

The EP's closer "4 Leaf Clover," another duet, harmonizes why a lover is being mean, pushing and pulling until finally giving in. Lenae's sentiments are rooted in emotional longing and physical desire, human capacities that can leave you emotionally bankrupt, but "Crush" argues love's sugar rush is worth the migraine. Dazzling and lightly drizzled in psychedelia, Ravyn Lenae's reinterpretation of the love language is like being under the sheets, tangled in the body of a loved one, entirely intoxicated and enamored, if only in your mind.


Shaun Harris is a poet, freelance writer, and editor published in avant-garde, feminist journals. Lover of warm-toned makeup palettes, psych-rock, and Hilton Als. Her work has allowed her to copyedit and curate content for various poetry organizations in the NYC area.


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How did you get interested in writing and performing music?

I grew up playing classical piano and started playing in bands in college, so performing has always been a part of my life. It wasn't until I found out that I was pregnant that I began writing songs. I knew that I would need a new way to express myself as my life changed, and writing my own music was the best way to do that. To be honest, I had always wanted to write music, but I was too scared to share my lyrics with people for fear of what they might think or say. But knowing that your whole life is about to change is a good motivator to follow your dreams!

What artists have inspired you the most?

There's so many I could say it's hard to choose. The first one to come to mind is Lana Del Rey. I can think of several times throughout my life where I was listening to music and thought, "I need to do what they're doing," and the most recent experience was when I first heard Lana Del Rey. Like something deep inside me just screamed out, "You have to be a musician, you have to write songs." Her songwriting is so incredible, and I'm just always in awe of it.

[BAWSSG1516154034] Danielle Ernst

Rolling Stone labeled you as a new artist to know in 2016, taking note of your SoundCloud presence. How do you think platforms, such as SoundCloud, have changed the music world for emerging artists?

There's an opportunity, now more than ever, to successfully release your music independently. Platforms like SoundCloud and Spotify playlisting have given listeners the opportunity to discover your music on their own, and feel apart of the journey from the very beginning. It's something I'm really grateful for!

What has been your experience as a woman in the music industry?

I hate to say it, but it's a lot of what I expected it to be. That being said there's a lot of cool things happening. Generally, the industry is as misogynistic as you think it is, and as much as people are excited to be associated with a strong woman who says and does what she thinks, it scares them (the old white men that is), and they still ultimately want control. In some places there's still a crazy imbalance where it feels like there's only so much room for a new female artist (or executive), but endless room for men. Fortunately I've seen a lot of that start to change, and it all begins with having a woman in the room, at the table, calling the shots, and ultimately us choosing to lift each other up and supporting each other. I've a met a lot of different women in music this year (in press, sync, agencies, A&R, touring, etc.) and I'm excited to see them really shine; I think they're going to take over the industry.

You recently released your album, Words I Never Said. What was the writing and recording process for that like?

The songs were written and recorded over a period of twenty-two months in my producers studio, which was a room not much bigger than a bedroom. Sometimes my son would come with me and would sit in my lap while I recorded, and other times I recorded vocals sitting on the couch because I was so tired. I think our environment was so comfortable that it quickly became a safe space for me to be really vulnerable. The first song I released, "White Noise," helped me open up about my own personal experience with Postpartum depression. Being open and honest about that song inspired my writing for the next couple songs I wrote. It wasn't until I released my fourth single that we decided we were writing an album. "White Noise" was the beginning; it was hazy and unsure but it was a spark of something new. Everything that followed it was like a journey to figure out how to make sense of other difficult experiences in my life. The last song I wrote for the album is called "Suddenly," and it's where it all comes together and I feel clarity.

This was your debut full-length. What were some of the challenges you faced in putting it together as opposed to just releasing singles?

The biggest challenge was deciding whether to release all of the music at the same time or not. Since releasing singles was working so well for me and is what got me to where I am, I decided to release most of the album as single songs—all but three tracks were released before the album release date. The biggest challenge was how to tell the story of the album, to show that these songs aren't randomly bunched together, but are actually meant to be listened to as a whole.

[AUB0991516154034] Joanna Rentz

Do you have any favorite tracks off of the album?

This answer is always changing for me because they're all my favorite! Right now I really love "Words I Never Said" (Part 1 and Part 2) because they're so different from the other songs and sound a bit effortless to me (in a good way).

You'll be hitting the road this spring. What are you most looking forward to about going on tour?

Meeting my fans! There's a lot of fans that I talk to through Instagram weekly (even daily), and I'm really excited to meet them in person.

What else do you have planned for 2018?

I'm looking forward to releasing new music and seeing where it takes me!

Follow Ella on Facebook, Twitter, and Instagram.

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