MUSIC

Olivia Castriota Shoots New Video 'What Do You Stand For' on the US-Mexico Border

The R&B-soul diva has been a contender in the past, but her latest video reveals she has political edge.

In the political climate we find ourselves in at the end of 2019, it feels like we spend every day being asked the same question: What do you stand for?

With various media reporting every day about all the new excruciating facets of the various humanitarian crises both at our doorsteps and further afield, we either other ourselves from atrocity or retreat into a virtual world where we can ignore it. Olivia Castriota brings this to light in her latest music video, taking her usual output of pop music almost to a place of performance art, directly and loudly asking us: "What Do You Stand For"?

The song, an anthemic piece that at first appears to be about self-empowerment, takes on a satirical bite when contrasted with the visuals of the video. Collaborating with AZURxVIBES Productions, Castriota and her team headed south and shot some remarkable footage along the US-Mexico border in Arizona. The music video shows guerilla-documentary style visuals of illegal circle-fights, the border wall, and actual undocumented immigrants crossing into the US spliced with more commercial angles of Castriota performing and appearing in glamorous locales, producing a distressing juxtaposition. Recontextualized, her lyrics now alternate between self-reflective criticism and downright self-parody; the chorus' call-and-response becomes a conflict rather than an affirmation. The joyously anarchic result: "What do you stand for? / I stand up for me":

"Our goal as directors was to bring out an emotion of uncomfortable self-reflection from the viewer. We wanted the viewer to feel the dry parched desert from the comfort of their sofa, while watching children in cages on their smartphone. Not guilt... but a slap" - AZURxVIBES

An unconventional video project needs an unconventional debut. To that end, Castriota premiered the video by projecting it onto a giant empty wall on New York's Houston street, adding to the video's punk-rock street cred. Passers-by were charged with the task of looking up and taking notice of what was going on around them. Both literally and figuratively.

Olivia Castriota has already shown herself to be a talented singer and songwriter, producing pieces like " Weekend Lover" and "Kills Me," but "What Do You Stand For" takes things to another level. Her willingness to position herself in the video as a fatuous figure, taking selfies whilst surrounded by humanitarian neglect shows an uncommon degree of self-awareness. In the face of the sheer human agony of the border crisis, answering "What do you stand for?" with "I stand up for me" is blatant satire on the petty, selfish short-sightedness of Instagram-based empowerment. Castriota once again stands out from her contemporaries by challenging the status quo, telling us loud and proud what she stands for.



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Meet Zia Benjamin, whose contagious blend of jazz, retro dancehall music, and roots reggae have thrust her into the limelight.

She describes her sound as "rum shop blues," adding, "I think my style is a mix of opposites: I'm like Shabba Ranks meets Marilyn Monroe, with a Nina Simone soul and a few shots of Appleton rum."

Born and raised in Kingston, Jamaica, and going on to attend high school and university in Canada, Benjamin got her start in music as a songwriter and vocalist for Sean Paul and Major Lazer. Then she decided to establish her own brand, which resulted in her debut solo single, "No Fame," and her latest single, "Rudie," putting her on the cover of TIDAL's Reggae/Dancehall playlist, as well as being selected by EBRO as the Beats1 Apple Music Discovered track.

Now, she's directing her music video for "Rudie," and putting the finishing touches on her debut EP, Love In A Plastic Cup, slated to drop in the near future. If that's not enough, on June 14th she makes her debut performance in the U.S., opening for Kabaka Pyramid at Club Reign in Pembroke Pines, Florida.

"Mr. Neverman" rides a potent melody full of percolating roots reggae flavors, skiffing guitars, and horn accents. The one-drop rhythm injects the tune with an infectious tropical feel. Benjamin's sultry voice glides forth on lush, seductive timbres.

According to Benjamin, "The video, 'Mr. Neverman,' is a visual vacation, I tried to invoke the feeling of a place where time stands still, showing Jamaica's beauty and showcasing its talent. All the fashion in the video is Jamaican-made (Flowerchild1999, Spokes Apparel), down to the nail polish (Bella's Beautique) and jewelry (Peace is of Bianca). I was pretty depressed when I started directing the video, and so I just poured my heart into it, I tried to express beauty and a sense of timeless love, but then ruin it with reality."


Benjamin explains "Rudie," saying, "'Rudie' to me is far more than just me throwing shade, its really me trying to play with the power constructs around relationships: it's about women diminishing and undermining each others power with a male as this prize, and yet the male that is the prize has already shown himself to be unworthy of a crown and their affection."

"Rudie" opens on deliciously skiffing guitars. A fat bass line rumbles as Benjamin's voice imbues the lyrics with cool textures of color, as she confronts her man's other woman.

"Baby forget him, he's mine all mine / You gonna regret it, wasting your time / He say he's leaving the past behind / You'd better put those dreams to sleep / I'll sing your lullaby."

Both tracks, "Mr. Neverman" and "Rudie" confirm Zia Benjamin's lustrous talent and sense of rhythmic flow, as well as her luscious smoldering voice.

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