MUSIC

On PONYBOY, Jimi Somewhere Navigates Growing Up

We talked to the up-and-comer about nostalgia, change, Coppola, and whether he actually shot his dog.

At 17, the now LA-based artist, Jimi Somewhere, was a Norwegian kid dreaming of moving to the US to pursue his musical dreams.

Today, he's 20 years old and releasing his first EP, PONYBOY, after a string of singles including the infectious "I Shot My Dog."

JIMI SOMEWHERE - I SHOT MY DOG / 1st PLACEwww.youtube.com

Despite all this, life was better—or at least less complicated—when he was 17. Or at least that's the thesis of his most popular song, "1st Place," which forms the heart of his nostalgic and infectious EP . Like the movie from which it draws its name, the EP explores the simultaneous discomfort and thrill of leaving home and striking out on one's own.

In a way, Jimi Somewhere's music is youth incarnate. Intense, saturated with feeling, and yet still buoyant and dreamlike, existing somewhere outside of time, PONYBOY is tailor-made for savoring sunsets by the ocean or late-night drives in the heart of summer while knowing that soon, nothing will ever be the same.

Popdust caught up with Jimi Somewhere—real name Benjamin Schnandy—to talk about Los Angeles living, famous friends, songwriting therapy, Coppola movies, and that simultaneously universal and intimate experience called coming of age.

What was the move from Norway to LA like? How was meeting Kevin Abstract, getting connected with all these producers and having all that happen so quickly?

It all felt really organic. I was scared before leaving since being so far away from home on my own for so long felt super scary, but it all ended up flowing really well. I've met Kevin [Abstract] a couple of times, and he is the nicest guy, so it was cool even though I was always nervous. When it came to the producers and stuff, it was so much fun. Me and Milo Orchis (the producer behind all my music) hadn't been in any session with other people before LA, so it was interesting to experience that.

What was growing up in Norway like? What music did you cut your teeth on? Do you feel like being Norwegian influences your work?

Growing up in Norway was great—it was also a bit boring. I listened to all kinds of music during those years. My dad is heavy into Supertramp, Pink Floyd, Elton John, and all those 80s artists so that's what was playing in the car when I was a kid, while my sisters played a lot of Coldplay, Green Day and U2 in their rooms. Other than that I got heavy into hip-hop in elementary school and used to listen to a lot of 90s, early 2000s stuff. And then later I got into pop punk and folk-rock. I really love all kinds of music [so long as it's] made with passion and has some emotion to it. Emotion is what I'm drawn the most to.

I do think being Norwegian influences my work. I think that growing up unable to understand a lot of the lyrics in the music I listened to made me pay more attention to the melody and flow. I think that's a strength in Scandinavian music in general. We've got great melodies.

A lot of your songs are about coming of age. Has your music helped you process growing up?

Yeah. Writing is therapeutic, and it helps me deal with stuff that feels overwhelming. When I feel bad or sad I can turn those dark feelings into something worth something, which makes it feel better, like my sadness isn't wasted.

How do you write your songs? What's the process?

I don't really have a routine or anything, but usually, it starts with Milo bringing me chords or a small idea he had, and me just sitting down with it and starting to write. I write really fast; it just pours out.

The emo-suburban-coming of age story is a very specific one, and it's been prominent for a while, especially with artists like Kevin Abstract and Roy Blair really pushing that imagery. Do you feel connected to this narrative? What about it inspires you?

Overall I guess I'm inspired by it because I grew up in a suburb myself. I don't overthink it or anything. I just try to replicate the feelings I've experienced in different situations and make them into songs. In general, I'm just very nostalgic as a person. I'm always thinking about things that have been.

What inspires you in general? What makes you want to share your voice through music?

I have a need to express myself. It's always been there. I've written songs for as long as I can remember, so it's just in my nature. Whenever I've gone through something or experienced something, I just put it into words and melody.

What's the story behind the name "I Shot My Dog"? It's a pretty intense title.

I had this dog in elementary called Noddy that we had to put down because he was getting aggressive and bit this girl in my class. It was really sad and broke my heart. In the old days, farmers used to shoot their dogs when they had to put them down. So instead of singing "I put down my dog" I chose to write "I shot my dog." I thought it had more punch and felt more cinematic. But for everybody asking, for the millionth time, I didn't actually shoot a dog.

Your new EP is called PONYBOY—what made you choose that name? Why do you feel connected to Coppola, and how does film influence your music?

I chose the name just because I felt so connected with the movie. Coppola's Ponyboy is who I want Jimi Somewhere to be. The whole feeling in that movie is so special, and I definitely found myself thinking about it while writing. Film influences all my music pretty heavily. I love movies, and I watch one almost every day. My favorite movies are always spinning in my head whenever I write.

Where do you see yourself going in the future? Where do you want to be?

I've been thinking about that a lot. Watching Billie Eilish doing what she is doing right now is really inspiring. That's the position I want to be in—to be able to create freely whatever I want, whenever I want and still have it top the charts. That's the ultimate dream, but I'm happy as long as I get to do this for a living.

JIMI SOMEWHERE - BLUE SKIESwww.youtube.com



Eden Arielle Gordon is a writer and musician from New York City. Follow her on Twitter @edenarielmusic.


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New Dwilly EP is a Vibrant Swirl of Colors

On Crayola, Dwilly showcases his many talents.

If you've been sleeping on Dwilly, then it's about time you woke up.

Dwilly is a rare kind of talent. A musician, vocalist, songwriter, and producer — this Los Angeles-based phenom does it all.

Fans of R&B, EDM, and hip hop, can all find something to love in his latest EP, Crayola, which dropped March 8th on CloudKid records. This five-track release is short and sweet, but it packs a major punch. The opening track, "crayola," wastes no time in setting the mood for what's to come. On this upbeat anthem for the persevering artist, Dwilly exclaims, "If you tell me turn it down/ I'll just turn it up real loud/ Grab the Ibuprofen, cuz I'm goin' apeshit 'til I make it!" The production on this song is both minimalistic and appropriately vibrant – but still a banger, nonetheless. This song is just begging to be bumped in your car on a beautiful, sunny day.

The quality of the production doesn't falter throughout the rest of the EP. On songs like "ugh!" and "fade," Dwilly continues to show us his prowess as a producer. The attention to detail he pays to his beats is impressive, resulting in tracks that are as musically interesting as they are sonically experiential. His samples and synth hits are so meticulously placed that they create something of a jigsaw soundscape of colors and harmonies. Forget repetitive loops and singular drum patterns, every song on this EP evolves and grows with time.

Crayola can be streamed on all the usual channels. If you like what you hear, you can also enter Dwilly's Crayola Snapchat filter contest for a chance to appear in the upcoming video for the EP's title track.

CRAYOLA



Dustin DiPaulo is a writer and musician from Rochester, New York. He received his MFA in Creative Writing from Florida Atlantic University and can most likely be found at a local concert, dive bar, or comedy club (if he's not getting lost somewhere in the woods).


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Love Sick Drops Debut EP, 'No Sleep'

Muscular dark pop from Scotland.

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Scottish dark pop duo Love Sick just dropped their No Sleep EP on B3SCI/Aesop.

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Deanna Devore Goes All Out on 'half and half'

Devore shows off her enchanting voice on her new EP.

Seven Eight

Deanna Devore just dropped her latest EP, half and half.

The EP was self-produced by Devore in her home studio in Toronto, and she also plays all the instruments on half and half. The title refers to the EP's structure, with half the songs reflecting Devore's mesmerizing electronic sound, while the other half feature an unplugged acoustic style.

Devore explains the Janus-like EP, saying, "I'd like to be known for my versatility and love to write in various different genres, while still maintaining a consistency."

Splitting her time between Chicago and Toronto, Devore has performed at Summerfest, NXNE, CMJ, and 80/35, as well as sharing the stage with Jamie Cullum, Bonobo, SG Lewis, Lapalux, Kat Edmonson, and Basia Bulat.


Encompassing seven-tracks, the EP opens with an R&B-flavored tune, called "Seven Eight." A lightly sparkling filament of pop energy runs through the chorus, giving the tune a cool, tantalizing ambience. My personal favorite is "Effortlessly," a sophisti-pop tune laced with smooth R&B coloration. Vaguely reminiscent of Sade, the music flows on sensuous textures.

"A Cause" rides a creamy electronic R&B melody full of lustrous harmonies. Elegant surface harmonics flow as Devore's hushed, fragrant tones provide hypnotic hues. "Fuels" drifts along gentle colors and a measured rhythm. Suffused with soft luminous timbres, Devore's voice is positively enchanting.

Of the three remaining songs – "In A Way," "Breathing Room," and "When I Go Home" – the first two are acoustic numbers with a Joni Mitchell-like feel. "When I Go Home" blends electronic elements with undulating orchestral-lite dynamics.

With half and half, Deanna Devore demonstrates her versatility and the haunting beauty of her buttery, entrancing voice.

Follow Deanna Devore Facebook | Twitter | Instagram



Randy Radic is a Left Coast author and writer. Author of numerous true crime books written under the pen-name of John Lee Brook. Former music contributor at Huff Post.


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PREMIERE | 'Giants,' From Leah Capelle

Textured Pop-Rock with Glorious Vocals

YouTube

Alt pop/rock artist Leah Capelle premieres her Giants EP.

Originally from Chicago, Capelle studied at the Chicago School of Professional Singing, The North Shore Music Institute, and Berklee College of Music. Moving to L.A. to pursue her music, she hooked up with Grammy winning producer Jeff Bova, resulting in the 2015 release of her self-titled debut EP. She then followed with Joshua, a collection of three singles, in 2017, also with Bova at the helm.

With her imminent EP, Giants, Capelle probes her private encounters with self-identity, depression, anxiety, relationships, and internal and external constraints.

Encompassing five tracks, Giants opens with "Out Of Love," a pop-rock tune with dark textures and potent rhythmic pulses from the bassline and drums. Creamy with opaque colors, the melody undulates with thick flowing dynamism. Capelle's voice, plush and luscious, imbues the tune with elegant yet powerful tones and delectable sonority.

"Docs" opens with tight, punk-flavored guitars atop a pop-rock melody shimmering with skintight energy. I love the melodic bridge leading to the gloriously resonant hook, like a wall of coruscating sound energized by brawny percussion.

"Walking With Giants" reflects buff bluesy flavors riding an alt rock tune. Lustrous vocal harmonies infuse the tune with depth and dimension. "Better Off" starts off with a tender, gentle guitar and Capelle's velvety tones. Delicious vocal harmonies bathe the song in elegant pigments. This is a beautifully poignant song.

The last track, "Settle Down," opens with delicate harmonics swelling with gossamer textures. Capelle's voice attains honeyed allure, streaming with scintillating hues. When the tune ramps up, the surge of sonic energy is scrumptious and muscular.

Capelle describes "Settle Down," saying, "If anything, 'Settle' is a letter to myself - a reminder that things WILL get better in time."

Giants is a giant EP, full of aesthetic grace and captivating harmonic textures, while Leah Capelle's voice provides the yummy icing on the musical cake.

Stream/Purchase Giants on Spotify.

Follow Leah Capelle Website | Instagram | Twitter


Randy Radic is a Left Coast author and writer. Author of numerous true crime books written under the pen-name of John Lee Brook. Former music contributor at Huff Post.


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Bad Business

Bad Business just dropped Day Job Guys, a six-track EP full of velvety-smooth yacht rock vibes.

Made up of Alex Vans, Jay Troop, and Floris Beore, Bad Business hails from New York City, where the trio lives, works, and records their stylishly retro-flavored brand of music, influenced by Steely Dan, Hall & Oates, The Doobie Brothers, and Ambrosia.

Day Job Guys comprises five tracks. The title track starts things off with a buoyant beat driving lightly-flavored trilling synths and a sparkling piano. Bright guitar licks add colorful flourishes to the tune, as Vans' silky tenor imbues the song with cool, laid-back textures. Dreamy, delicious, drifting vocal harmonies give the chorus a radiant glow.

"Ride Along" rides a funk-lite, creamy jazz melody. The crisp rhythm supplied by the drums and thumping bassline complement the scrumptious coalescing tones of the piano and the sweetly braying horns. The launch of the sax solo fills the tune with expansive sensuality. "Keep Me In Your Heart" is a beautiful love song, flowing with an easy intimacy. There's a tantalizing, elusive feel to the music reminiscent of Ambrosia's soft elegance blended with Michael McDonald's cool, suave tones. This might be my favorite song on the EP.

"Turn It On" features Oh He Dead. Buff, gleaming guitars exude a polished sheen of sonic energy forming a soft rock melody rife with lustrous vocal harmonies. The music emanates a simmering energy that's magnetic and persuasive, cool and fresh.

"Prophets In The Sand" delivers an undulating, rippling melody suffused jazz dynamics. Swelling guitar riffs traveling on oozing synth colors give the tune a subtle sonic effluvium that ramps up when the blazing guitar solo makes its entrance, providing just a hint of psychedelic ambiance prior to the sax taking over with intense urgency.

Day Job Guys is excellent. Smooth melodies, infectious rhythms, shimmering horns, and luscious vocal harmonies make this EP yummy. This is chill yacht rock at its best.

newyork.carpediem.cd

Follow Bad Business on Instagram, Facebook, and Twitter.

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