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Rolling Stone Future of Music Recap: Meet the Artists Shaping The Music Scene Today

At SXSW 2024, Rolling Stone showcased some of the most exciting acts of the moment, including: Peso Pluma, Flo Milli, Faye Webster, and more.

It seems like there’s a new “emerging artist” every day. TikTok viral hits become international earworms overnight, propelling artists to instant, but fleeting, fame. It makes sense then, that artists with staying power have often toiled away for years before achieving mainstream success.

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MUSIC

20 Great Albums You Missed in 2019

Check these out before you make your year-end lists.

Abby Jones

2019 will almost definitely go down in history as the year of Billie Eilish, Lizzo, and Lil Nas X.

These newcomers were so omnipresent throughout the year that it's almost hard to associate 2019 with any other artist. But don't be fooled—the year came with plenty of underground and independent releases that deserve their time to shine, too.

While there were countless underrated albums this year, we've rounded up just 20 to listen to just in time before you make your year-end lists.

Empath, Active Listening: Night on Earth

Empath

On their debut full-length album, Active Listening: Night on Earth, Philly noise-pop quartet Empath deliver microdoses of breakneck adrenaline in their buzzing synths, thrashing drums, and the vocals of lead singer Catherine Elicson, whose conversational yells surmount all the bustle. Their music is unkempt and unhinged, but each track is tethered in their own addictive melodies. The album isn't meant to be easily digestible; it's meant to drown out the world.

Helado Negro, This Is How You Smile

Roberto Carlos

On Roberto Carlos Lange's sixth album as Helado Negro, anxiety, love, and power—or lack thereof—all culminate into a sublime, soothing piece of work. While Lange's musical foundation is subtle electronica, this album also employs dashes of acoustic guitar and a Latin flair, though no element is overbearing. Gentle and intimate, This Is How You Smile gives space for your worries, while also offering a giant sigh of relief.

Mannequin Pussy, Patience

Marisa Dabice

Marisa Dabice is heartbroken and furious, but on her punk band Mannequin Pussy's third album, she's making progress in moving on. Patience doesn't wallow in the pain of her abusive relationships: It offers a catharsis, one that admits "yeah, this sucks," before willfully moving on. Patience is broad and expansive, spotlighting Dabice's seamless belting of choruses as much as her enraged growls. It'll make you want to cry as much as it'll make you want to set your ex's stuff on fire.

PUP, Morbid Stuff

PUP

So many pop-punk bands luxuriate in their own sorrows that, when groups like PUP offer counterarguments like "Just 'cause you're sad again, it doesn't make you special at all," it feels like a harsh kick to the shin. PUP are clearly depressed and angry, though as Morbid Stuff exemplifies, not without an analytical lens. They're aware of their problems, which is the first step to healing from them; Morbid Stuff invites you to do the same, with a tongue-in-cheek self-deprecation and some of the year's most massive hooks.

Weyes Blood, Titanic Rising

Weyes Blood

Judging only by the grandiose compositions of Weyes Blood's music, you might not guess that her fourth record, Titanic Rising, is largely an ode to an impending downfall. The album is stunning, intricate, and majestic, but not without singer-songwriter Natalie Mering's convoluted, almost apocalyptic concerns on her own metaphorical sinking ship. Like peak cinema, it is both gut-wrenching and brilliant.

Control Top, Covert Contracts

Control Top

In case you haven't heard, the current political climate isn't so great. Like their most notable punk forebears, the twisted depths of government and society are of Control Top's highest concerns, and Covert Contracts covers a lot of ground; capitalism sucks, the patriarchy sucks, and there are crooks on both "the left and the right." There's truth in it all, but at least with Control Top's noisy, kinetic instrumentation and singer Ali Carter's sneering proclamations, the band creates an open space for these complaints.

Charly Bliss, Young Enough

Charly Bliss

Young Enough embodies a joyful, euphoric purge of pain, led by the songwriting and inimitable vocals of Eva Hendricks. She channels betrayal and anxiety into ecstatic power-pop; it shimmers and bursts with ginormous melodies, but always remains grounded in reality.

Chai, PUNK

Chai, PUNK

Japanese disco-punk band Chai embody cuteness on their own terms. The Nagoya quartet dismiss the beauty standards of their home country on their second album, PUNK, while lacing blasts of bubblegum pop and electronic samples into their bombastic drums and driving guitar riffs. Empowerment is the new black, and with Chai, earnestly loving yourself has never sounded so much fun.

black midi, Schlagenheim

black midi

black midi aren't for everyone, but that's OK, because they don't want to be. Their debut LP, Schlagenheim, is an opus of the young London guitar band's idiosyncratic, suspenseful, and overblown brand of indie rock. Driven by mathy, knotty drums and Geordie Greep's theatrically peculiar voice, above all, black midi are weird—but not weird enough to detract from their sheer talent.

Slowthai, Nothing Great About Britain

Slowthai

Newsflash: The United States isn't the only country with issues. Just listen to Slowthai, the distinctive, edgy Northampton rapper who assures us that Britain isn't just screwed up: There's nothing great about it at all. He calls out Queen Elizabeth by name, denoting the harsh lines between the elite and poor, furiously pleading for a resolution between his gritted teeth. By album's end, we have to consider: Maybe there's not much great about Britain after all, besides Slowthai himself.

Faye Webster, Atlanta Millionaires Club

Faye Webster

Though the title of her debut album might call to mind the high-profile rappers she photographs (Offset and Lil Yachty among them), Faye Webster crafts R&B with a sweet southern flair. Her music is introverted and simplistic, mixing modern jazz and soul with classic country elements like slide guitar. Her featherlight vocals exude a sense of loneliness throughout, as though she feels like a fish out of water in her own home; but as the listener, she helps you feel less alone.

Florist, Emily Alone

Florist

It's an easy crutch to call female singer-songwriters vulnerable, as if writing from the depths of one's expansive emotions is a revolutionary task for someone as small-brained as a woman. But Emily Sprague, the leader of the band Florist, is truly vulnerable to a shocking degree. As you might guess, she wrote and performed Emily Alone all by herself. The acoustic folk she created in her solitude—albeit small—is breathtaking and arresting. She might be singing about herself, but it's chilling how deeply the listener can relate.

Kelsey Lu, Blood

Kelsey Lu

Kelsey Lu is not only a cello master, she's an innovator. She implements her main instrument throughout her debut LP, Blood, as a vehicle for her melodies, one that makes her chamber-pop feel both rooted in traditional foundations and soaring with modern textures. The project is exquisite, weaving classical orchestration into contemporary R&B, disco, and pop, until the result is uniquely Lu.

Black Belt Eagle Scout, At the Party With My Brown Friends

Katherine Paul

From the get-go, Katherine Paul wants you to know that she's an indigenous queer woman eager to make waves. That identity might not be explicitly stated in her second album, At the Party With My Brown Friends, but the theme of resistance underscores her songwriting: She demands to be seen, but not tokenized. At the Party is soft and exquisite, but not without putting up a fight.

Oso Oso, Basking in the Glow

Oso Oso

Whatever wave of emo revival we're on these days—seriously, I've lost count—Jade Lilitri is steering the ship. Under his Oso Oso moniker, the Long Island singer-songwriter crafts emo-tinged pop-punk that's undeniably catchy. His choruses soar as he contemplates what it means to be happy while navigating his newfound success. When he proclaims "now I know what I want" on high-flyer "A Morning Song," you can't deny he really means it.

Club Night, What Life

Club Night

It's easy to compare Oakland quintet Club Night to a plethora of predecessors, though they're not limited to one vein of indie rock. They can evoke the poppy ecstasy of groups like Los Campesinos! and Ponytail as much as they call to mind emo pioneers like Cap'n Jazz and the Promise Ring—often in the same song. Because of their wide-spanning influences and the unique way they blend them, Club Night are tricky to put in a box; if anything, they exist in a box entirely their own.

Jamila Woods, LEGACY! LEGACY!

Jamila Woods

Reference points comprise much of Jamila Woods' LEGACY! LEGACY!, but not without careful consideration. Each track on the Chicago singer-songwriter-poet's second album is named after a notable artist of color who's inspired her somehow in her deeply introspective, yet highly political R&B. Woods straddles the line between a tumultuous past and an unwritten future, her vocals are airy, but never compromising her rage.

Little Simz, GREY Area

Little Simz

Being in your 20's is a confusing time. UK rapper Little Simz makes this era of uncertainty the thesis of her album GREY Area, her razor-sharp, rapid-fire delivery invoking a similar sense of thoughts spilling over and over. Backed by unassuming production, GREY Area feels like watching Little Simz working through a 300-piece jigsaw puzzle on her own, if observing such a task could be so thrilling.

Sudan Archives, Athena

Sudan Archives

Athena is a character referenced so often that her meaning can often dissipate in the saturation. But Sudan Archives' new album, Athena, reinvigorates this meaning, exhibiting just as much strength and tenacity as it does sheer beauty. Hip-hop production, pop-leaning melodies, and grand violin parts (courtesy of Sudan Archives, herself) amount to a project worthy of its namesake.

MIKE, Tears of Joy

MIKE

Bronx rapper MIKE doesn't make bangers. Tears of Joy is an ode to his late mother; accordingly, the 20-song album is incredibly evocative and poignant. MIKE's twisted samples, deep vocals, and home-spun quality evoke alt-rap torchbearers like Earl Sweatshirt. But as somber as the project is, there's still a relieving sense of healing as MIKE spits about his own grief.

MUSIC

Fresh Music Friday | May 24th

This week brings lots of new synth pop, indie rock, and anticipated new albums from Cate le Bon and Faye Webster.

Fresh Music Friday is here to give you a breakdown of new singles, EPs, and albums to check out as you make your way into the weekend. Get ready to jam out with some of our favorite up-and-coming artists, plus celebrate new releases from those you already know and love.

Singles:

1. - HÅN - "gymnasion"

Hailing from a small, lakeside town in Italy, singer/songwriter HÅN crafts spacious synth pop that's as magical as the Italian countryside. 2017 saw the release of HÅN's cinematic debut EP, today she delivers another enchanting new track called "gymnasion." This time around, HÅN employs much of the same intricate songwriting skills––pairing delicate synth work with warm, wistful vocals to a gorgeous effect.

2. micki maverick - "HE/ART"

Los Angeles-based musician micki maverick (real name: Dylan Neil) is sharing her debut single, "HE/ART" today. Her new song provides a glimpse of what's to come in the future from the 22-year-old California native. "HE/ART" has a laid-back vibe; Neil puts a bedroom-pop spin on R&B to create a sound equal parts chilled out and compelling, influenced by Kehlani.

Here's what Neil had to say on the track: "'HE/ART' is really a complete look into my life, my past, and my insecurities. Society expects perfection, but that standard is completely unattainable. Not everything in life can be fixed, some things remain broken. And that's what I believe should be the new standard: broken pieces that form something new, something more beautiful."

3. Cassidy King - "I Can't"

Cassidy King's infectious pop is the perfect accompaniment to the recent spring sunshine. Her new single, "I Can't," melds crisp production with the 21-year-old's dazzling vocals in a sound that's reminiscent of E•MO•TION-era Carly Rae Jepsen. She explains that the release is "about going along with the warm summer feeling, that same feeling of warmth represents the honeymoon stage of a relationship to me. This song captures that stage where you just became intrigued by that certain someone and you're doing absolutely anything to get their attention."


4. Sorcha Richardson - "Don't Talk About It"

Dublin-born, Brooklyn-raised singer/songwriter Sorcha Richardson shares the first single, "Don't Talk About It," from her debut album, First Prize Bravery, due out in the fall. The song starts off with a grooving guitar line under Sorcha's evocative vocals before building beautifully into a bright, full-bodied chorus that's hard not to sing along to: "Hey, okay, we don't have to talk about it / It's only love, I guess we'll live without it."

5. Alien Tango - "Friends!"

The zany, technicolor world of London-based band Alien Tango is extra vibrant on their new single, "Friends." There are layered modulated vocals that zig-zag over playful, upbeat instrumentation, and from the first second of listening it feels like you've entered a surreal funhouse. "Friends" is the perfect kind of chaos that sounds like an intersection of Animal Collective's Merriweather Post Pavillion and an 8-bit video game soundtrack; plus, there's a trippy video to match.

6. Calboy - "Unjudge Me" featuring Moneybagg Yo

Chicago rapper Calboy shows how much he's grown as a rapper, singer, and storyteller on his forthcoming project, Wildflower. He recently tapped Moneybagg Yo for his reflective cut, "Unjudge Me." Here, Calboy flexes his dexterous bars and off-kilter melodies, and he continues to dip between songs that feel loose and hard at the same time.

EPs

7. Middle Kids - New Songs For Old Problems EP

The Australian rock trio has been sharing a slew of excellent singles like "Real Thing" and "Beliefs and Prayers" in anticipation of their mini-album. Now their new EP, New Songs For Old Problems, is full of anthemic, indie rock gems. This is the follow-up to their critically acclaimed LP, Lost Friends.

Albums

8. Faye Webster – Atlanta Millionaires Club

Faye Webster finds harmony in the juxtaposing textures of country, R&B, and folk. Her sound is fully-realized on her new album, Atlanta Millionaires Club, the follow-up to her 2017 self-titled record. On the new LP, Webster's wistful vocals nestle perfectly in between woozy steel guitars and swanky horn parts, as she sings of heartbreak and lovesickness.

9. Honeyblood – In Plain Sight

On Honeyblood's new record, singer/guitarist Stina Tweeddale takes the Glasgow-band-turned solo-project in a new, grittier direction. There's still the same fuzzy post-punk guitar lines that defined Honeyblood's sound on their earlier albums, but this time around, with the help of producer John Congleton, In Plain Sight takes on a spookier, more futuristic territory. It's exciting to see Tweeddale expand her artistic vision, signaling the mark of a new era in Honeyblood's story.

10. Cate Le Bon - Reward

Cate Le Bon's fifth full-length album, Reward, is a revelation. Recorded while Le Bon stayed in a remote house in Cumbria and took furniture classes by day and played piano by night, Reward is a minimalist meditation on the isolation that unfolds slowly and softly, becoming one of Le Bon's most conventionally accessible--and rewarding--listens.
MUSIC

New Releases From Shawn Mendes, Vampire Weekend and More

New singles from Kim Petras, Lauv, Shawn Mendes, The National, Faye Webster. Plus, new releases from Still Woozy, ALASKALASKA, and Big Thief!

Music

Photo by Simon Noh on Unsplash

May is a month known for celebrating workers' rights, cherry blossoms, and new music.

This week brought new singles from the likes of Kim Petras, Shawn Mendes, Lauv, The National, and Faye Webster; debut releases from Still Woozy and ALASKALASKA, and the long-awaited albums of YG, Big Thief, and Vampire Weekend.

Singles

1. Kim Petras — "Got My Number"

Pop savior Kim Petras has blessed us with a new, boppy single called "Got My Number." It's a definite upward mood swing from last week's confessional breakup cut "Broken." On "Got My Number," Petras sings of moving on (and the debauchery that might accompany that) over a glossy beat: "Don't wanna be a good girl tonight / I just wanna be a bad girl alright."

2. Lauv — "Drugs & The Internet"

Lauv is back with a bittersweet new single called "Drugs & the Internet" accompanied by a surrealist video. The "I Like Me Better" singer explores technology-induced-depression in a track that starts off as a piano ballad but soon evolves into something much bouncier. "And I don't wanna hit delete/ On all the parts of me that they might hate/ So now I'm laying in my bed/ And I can't get out my head."

3. Shawn Mendes — "If I Can't Have You"

Shawn Mendes announced on Instagram that he would be dropping a surprise single this week called "If I Can't Have You." The teaser image features a rainbow-sherbert swirl of water-color tones coming together to form a silhouette of the singer's head.

Shawn Mendes - If I Can't Have Youwww.youtube.com

4. The National — "Hairpin Turns"

Gearing up to release their forthcoming album, I Am Easy To Find, The National shared a lovely new single this week called "Hairpin Turns." The full album is due out May 17th on 4AD records.


5. Faye Webster — "Right Side Of My Neck"

Faye Webster put out a daydream of a new song called "Right Side of My Neck," that sounds like how having butterflies on a first date feels. The Atlanta-based songwriter's forthcoming album, Atlanta Millionaires Club, is due out May 24th via Secretly Canadian.

EPs

6. Still Woozy — Lately EP

Still Woozy, the project of Sven Gamsky, is putting out his anticipated EP, Lately. Based out of Oakland, Still Woozy puts an R&B spin on the laidback, wavy synths and geometric textures that have come to be associated with the nebulous 'bedroom pop' genre. This self-released EP is the long-awaited showcase of Still Woozy's immense talent, and it does not disappoint.


LPs

7. ALASKALASKA — The Dots

The South London-based group have crystallized their idiosyncratic, freeform sound into an excellent debut album called The Dots, which melds together experimental pop and jazz.


8. Big Thief — U.F.O.F

Big Thief continues to prove themselves as one of the most skilled folk bands in the game on their new album, U.F.O.F., out today on 4AD. On the new record, the indie-folk four-piece gazes through the lens of the supernatural, while grounding their spectral songs in lived experiences, creating a sound that's as haunted and airy as it is immaculately constructed. It feels special to be alive at the same time that Big Thief is putting out music.


9. YG — 4REAL 4REAL

The Compton rap heavyweight delayed the release of his album after the passing of his close friend Nipsey Hussle. YG's last album entitled Stay Dangerous came out in 2018. This year at Coachella, YG unveiled a new single called "Stop Snitchin'" and today his full-length is here in all of its glory. On 4REAL 4REAL, YG doesn't hold back as he flexes his gift for dexterous, melodic rap.

10. Vampire Weekend — Father of the Bride

Vampire Weekend's Father of the Bride is finally here! After months of anticipation and cryptic clues, the new 18-track record is being hailed by some as Vampire Weekend's magnum opus. It's a definite shift in direction from 2013's Modern Vampires of The City. Fans are not just clocking it as Dad Rock because of Ezra's newfound fatherhood, though that definitely might have something to do with the band's change of tone. As the singles have indicated, their new sound sinks into jammier, even deadhead-esque territory. Underneath it all, FOTB is still quintessential VW — packed with dense, heady references and irresistible, evergreen choruses. Although the album art might not be the best they've ever had, it's safe to say this new LP exceeds all expectations and solidifies Vampire Weekend as one of the most important and influential indie rock bands of our generation.


Sara is a music and culture writer. Her work has previously appeared in PAPER magazine and Stereogum.


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