Before rock n' roll died, frontwomen helped shape the genre's golden age. Now these rising indie acts could revive its glory.
We can reconcile with the facts: rock is dead, hip-hop is America's most popular music genre, and Twenty One Pilots won't stop making music.
With Panic! At The Disco's shrill techno and Imagine Dragons' synthesizers claiming multiple top 10 spots on Billboard's rock chart, "it's clear that people don't know what rock is anymore." But where are the aspiring female rockers chasing the legends of Patti Smith and Linda Perry? With only one female artist claiming a spot in what Billboard calls its top 50 rock songs, today's bastardization of rock music is also a bleak boys' club.
Courtney Barnett - Charity youtu.be
Spot the women artists topping the charts these days, and at first glance, there's reason to celebrate the "female pop prodigies taking the world by storm." Look at today's most influential female music icons: Ariana Grande, Beyoncé, Lady Gaga– they're almost exclusively relegated to the pop charts. Rock music is not a means of commercial success for modern female artists. But even with rampant misogyny infecting the music industry at large, female rockers enjoyed a golden age just decades ago. Gaining momentum in the 70s and 80s with frontwomen like Stevie Nicks, Debby Harry, and Joan Jett, rock's cultural legacy of punchy rebellion and artists' nonconformity was shaped by female rockers well into the 90s, which ushered in the likes of Kim Gordon, PJ Harvey, The Breeders, and Courtney Love.
Far from rock's innovative roots in blending genres to create disruptive new sounds, today's pop music works by formula. Now we have Ariana Grande placed on the same shelf of music history as The Beatles after she invaded the pop charts' top three slots with three consecutive singles. The pop diva's music utterly lacks creativity or unique style, but that's the secret to dominating the industry. To quote Brooke Johnson, "the indistinct nature of her music is one of its greatest strengths: in sounding like nothing, it sounds like everything, perfectly tapping into the algorithms streaming platforms use to promote music to listeners."
Snail Mail - "Pristine" (Official Lyric Video) youtu.be
Currently, Yeah Yeah Yeahs frontwoman Karen O is the only modern female artist represented in rock charts' top 50, with her and Danger Mouse's mellow track "Turn the Light." We're clearly nostalgic for the female rockers of the past, with Fleetwood Mac's "The Chain" re-entering the charts in fourteenth place. The 1977 track is one of only a few songs credited to every member of the band, including Stevie Nicks and Christine McVie.
Looking toward the future, female rock has lost the momentum of the early 2000s when the mainstream embraced Florence Welsh as the front woman of the English indie rock band Florence and the Machine. But in the last five years, there have been stirrings of hope in the indie rock circuit. Female and non-binary acts like Snail Mail, Courtney Barnett, Palehound, Cherry Glazerr, and Sheer Mag evoke the golden age of rock n' roll with growing acclaim. When The New York Times published that "women are making the best rock music today," they gathered 25 bands "working just below the mainstream" who "are making music about tactile emotion, rousing politics, and far more," including misogyny, abortion, and the rock n' roll staples of sex and heartbreak.
SHEER MAG - Fan The Flames (Official Video) youtu.be
Snail Mail's Lindsey Jordan thinks of her style simply: "I have a lot of self-awareness and not a lot of shame." Sheer Mag's Christina Halladay described modern audience's responses to seeing female rockers on stage: "Teenage boys are very upset." That very shake-up of the genre could be the key to recovering its glory. If women break onto the charts and into the boys' club of modern rock's facsimiles (thanks, Greta Van Fleet), the resurrection of rock could be female.
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The Austin blues rocker braves uncertainty with her dangerously biting new single.
Venson digs her heels into the earth.
The stab of betrayal can sneak up on you when you least expect it. And the culprit can often be someone in which you've placed complete, unwavering trust. It's never easy to overcome, and an emotional purge is often the best way to cope. Austin-based musician, singer, and songwriter Jackie Venson stood at a crossroads in the aftermath of such an unwelcome attack, and with her guitar in tow, she finds great comfort in her new single "I Will Find a Way," a pulsating arena-rock anthem that sees her wield her voice to rebuild her life. "And so I will leave my bags behind / And be brave, unfazed by the darkness," she affirms, both as a comfort to her swollen soul and as a resolution to the listener.
The thunderous guitars clash together in psychedelic and mesmerizing waves. Her voice escapes in hushed but commanding whispers, and even as she seemingly holds it together, there is a subtle and razor-sharp ache leading the charge. From the blistering dance of the strings against a textured, vibrant backdrop to Venson's relentless vocal chopping, "I Will Find a Way" acts as a rallying cry that sits in the pockets of blues, rock, and pop music, twisting around the edges of genres in a snarling flippancy. But make no mistake, she means business. "I will find a way / There will be a way," she sings, almost in a meditative state before the production takes a hard left turn.
"I Will Find a Way," officially out today (Sept. 28), follows this summer's "Keep On" and continues fermenting Venson's particularly alluring brand of soul-rock fusion. On the song, which is far more than meets the eye, she shares, "Unintentionally, or maybe intentionally on a subconscious level, this new single mirrors what I've had to overcome this year. I set a lofty goal of writing, recording and releasing 12 songs and videos, and I draw my creativity from personal experience. This song was written at a time when I put my trust in certain people and they took advantage of that trust."
Feeling the betrayal rattle her core, she pours her heart out for an exact four minute rampage. "Betrayal feels like such a dramatic word, but sometimes it's appropriate. It was a moment where I had to dig deep, push past what I thought my limits were and find a way to make the best of a bad situation," she continues. "I've experienced so much personal growth this year and that growth has brought serious strength. My hope is that when people listen to this song, they experience some of that, by the end of the song I want them to feel some measure of triumph, because that's what I felt when I finished "I Will Find A Way". I felt triumphant."
With a set of records under her belt, including 2017's Transcends EP, and more determination locking in her eyes, Venson is only just getting started. "I Will Find a Way" sees the multi-faceted performer, who has shared stages with the likes of Tim McGraw and James Taylor, among others, finally reclaiming her identity and her dignity. Now, let's see her truly fly.
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Also, Call Me Loop and Charlotte Lawrence Pick Up the Pieces on the Dance Floor.
Shake it out with these soon-to-be smashes.
Ready to Pop gazes into the piercing reflection of the ever-spinning disco ball. Light bounces around our bodies and into the darkness lurking just outside the sparkling dance floor. We've left the sorrow at the door, at least for a couple hours, and the music washes over our hearts, sewing up the wounds and proving to be just the soothing agent we needed. Below, check out our latest obsessions, rated on a (slay) scale of "Super Chill" to "Shook" to "Wig Snatched."
XYLØ - "Tears & Tantrums"
XYLØ is a relentless tour de force. She's a badass boss just "dancing in the strobe lights," as she admits between layers of star-strewn synths and dreamy splatters of percussion. "My tears keep on falling down," she also sings, framing her pain as the fuel to her inner fire, slowly but surely crackling to a ferocious display.
Slay Scale: Wig Snatched
Riley Clemmons - "Hold On"
It might not seem like it in the heat of the moment, but all those wasted tears will lead to a full-on personal revolution. Just ask pop's newest torchbearer Riley Clemmons. "By the grace of God, I'm a survivor," she sings, extending her own personal tragedy as a testament that she's risen far more victoriously than she could have predicted. Through glassy bubbles of ready-made rave beats and classically '80s synths, she is equal parts Selena Gomez and Betty Who and another otherworldly extravagance altogether. Clemmons awakens the senses in a way only she can. She's fearless and not going down without a fight.
Slay Scale: Wig Snatched
Charlotte Lawrence - "Stole Your Car"
Charlotte Lawrence isn't here to play games. After her heart is shattered to bits, she not only dances out her rage, but she pairs her outrageous emotions and lack of impulse control with sweltering tropical beats and a slinky flow as smooth as the island breeze. "I can't resist the taste of your lips," she sings before confessing that, in fact, the thought of it all makes her sick to her stomach. But by the time the beats drop from the heavens, the listener, a voyeur of sorts, is awash in blue dreams, baby. Nothing like grand theft auto to get some of your anger out.
Slay Scale: Super Chill
Call Me Loop - "Cut & Run"
Call Me Loop
After a short-lived romance turned to ash, and the sleazy guy had the nerve to come crawling back, Call Me Loop had had about enough. So, she poured her frustrations out onto a clanging and mountainous pop rallying cry, which pops and fizzes with summer-soaked synths that are fevered and unwavering. "Cut & Run" is a succulent slice of pop music, seasoned to taste, and should do the trick to get over that...well, trick.
Slay Scale: Shook
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