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Caraway Cookware Set - My Honest Review

FX's The Bear Inspired Me To Level Up My Kitchen

After cranking out I’d say a thousand dinners in my COVID-Kitchen, I must say that not only am I sick-sick-sick of cooking, but my cookware is sick-sick-sick of my cooking too. The pots and pans are totally beat - how many lids got lost behind the fridge, how many nicks, how many dings. And my Our Place Always Pan has more recently turned into a Never Pan.

One positive about the pandemic is that I learned to chef. I drank Bon Appetits YouTube Channel dry. Not only did I watch Stanley Tucci’s Searching For Italy seven times, I devoured his book, Taste, cover-to-cover. And then I started following Matty Matheson.

It was a mix of the tattoos, dry humor, and overalls with no shirt underneath that drew me to Matheson – he’s effortlessly chic by being the abso opposite of chic while maintaining a certain je ne sais quoi.

Thinking the man could do no more – cause evidently Matty’s done it all – he goes and co-produces and stars in The Bear. This smash hit, FX original series follows Carmen “Carmy” Berzatto (Jeremy Allen White), a world-class chef who returns home to Chicago to run his family’s sandwich shop after his older brother’s suicide.


My boyfriend, Dalton, just told me that The Bear’s been renewed for a second season! So I gotta dump the old cookware and get in the spirit. It’s time to chat up Caraway's Cookware Set.

Typically priced at $545, Caraway’s currently offering $150 off their cookware and bakeware sets.

Before we start cooking with gas, first . . . the recipe: Caraway’s 100% non-toxic cookware is free from harmful chemicals like polytetrafluoroethylene that can leach toxins into your food – looking at you, Teflon®. Their cookware and bakeware is naturally smooth, non-stick ceramic, and slick enough that cleaning only requires a touch of hot water and soap.

To begin, the packaging – Chef’s Kiss.

It arrived in a massive box. Each elegant piece has its own (recycled) cardboard nook and a pamphlet laying out the dos and don'ts to keep these babies pristine.

The full Caraway Cookware Set includes:

  • 10.5” Fry Pan
  • 3 qt Sauce Pan
  • 4.5 qt Saute Pan
  • 6.5 qt Dutch Oven (the pièce de résistance)

Each piece comes with its own lid which nestles in the Canvas Lid Holder. Dalton and I took one out, placed it in the magnetic pan rack, and stared. Frankly, we were mesmerized by the delicious, buttery cream color that totally matches our kitchen.

Caraway has five other rich shades like Perracotta, Gray, Navy, Sage, and Marigold. The Cookware Set is also available in Caraway’s premium and luxe Iconics Collection with glossy gold handles in both black and white for $595 ($150 off full price).

Caraway
Non-Toxic, Ceramic Non-Stick Cookware

Save $150 Plus FS on Orders $90+

We used to use the 8-in-1 Our Place Always Pan which fit our budget (and small apartment). While a multi-use pan is innovative, Caraway and its easy storage solutions prove you don’t need an all-in-one to save on space.

The rack sits on our countertop and it’s so exquisite, I’m not even bothered that it’s taking up prime kitchen real estate.

I Slacked my co-workers, fretting about cooking with our gorgeous new pots. I worried I’d ruin them. So I put them to work on Molly Baz’s Chickpea Chorizo Carbonara which is no walk in the park for any old pan.

I mashed and fried up chickpeas, layered in the chorizo, and turned my stovetop into a gustatory battleground. With our Caraway Dutch Oven front and center on the range and the Sauce Pan on the back right, I felt like Selena Gomez in Selena + Chef. And hey-presto! I’m the chef.

We devoured our pasta and were left with a sink filled with Caraway carcasses. Damage was done. There was chorizo grease and crispy parmesan that I fully expected I’d have to chisel off the pans.The pamphlet that came with our set advised that pieces should cool before submersing in water. So I waited ten minutes and got to work. I barely needed soap – everything simply slid off. I’m talking crusty carbonara – an egg and parmesan-based sauce – gone. With ease.

To clean both the Dutch Oven and the Sauce Pan only took five minutes. My station was clean. Yes, Chef!

After cooking our first meal with Caraway, we’re absolutely hooked. From serving eye-candy vibes on my counter to lessening my oil intake to feeling safer because I’m not baking toxic chemicals into our meals, I’m just about hitting Matty Matheson and The Bear levels.

In the show, Carmy calls everyone Chef as a sign of respect. And now, as the highest form of respect, I’m only calling my Caraway set, Chef.

Start chef-ing it up with Caraway now and get Free Shipping on orders of $90+ - Free Returns & 30-Day Trial! Don’t forget – Cookware & Bakeware Sets are $150 OFF NOW!

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Queer representation means more than just a queer character plopped in a plot line.

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Pride month is here and Drag Race is over, and unfortunately, it's hard to find many other shows for queer people by queer people. Supporting and celebrating pride month isn't just buying a rainbow shirt from Target; it's buying directly from queer artists and giving back to the culture. With representation more important than ever, these TV shows and films place queer characters right in the center where they belong. Here are some to look out for and catch up on.

Now Apocalypse(Starz)

Gregg Araki, known for his great contributions to the New Queer Cinema Movement, is at it again with this bizarre new show. Avan Jogia (of Victorious and Twisted fame) stars as Ulysses, a gay man who has disturbing, premonitory dreams that the world is ending. Ulysses's romantic and platonic relationships are explored with consideration for sexuality and fame in Los Angeles. Now Apocalypse takes LGBTQIA representation to the absurd and it couldn't be more fun. All episodes are now available for streaming on Starz.

Pose (FX)

Ryan Murphy's latest phenomenon is back for its second season on June 10th. The show centers on POC queer, cis and trans men and women as they navigate different NYC scenes and find purpose through the African American and Latinx ball culture. The show also investigates each character's place in society during the AIDs crisis, reclaiming the narrative and the hysteria of the era. If you're not caught up yet, the FX show is now on Netflix.

Rocketman

Executive produced by Elton John himself, Rocketman was released last weekend to a surprisingly solid first weekend. Bohemian Rhapsody's fill-in director, Dexter Fletcher, captures the life of a queer icon. Besides Rocketman being the first major Hollywood studio production to show a gay sex scene, the film does what Bohemian Rhapsody wanted to do but Queen would not allow: put a global icon's sexuality on display, explore the creative depths of a genius, and feature a lead actor that actually sings. Sing along and enjoy the breadth of great performances and direction.

Queer Eye(Netflix)

Ok, this is an obvious one, but season 3 only premiered in March! If you haven't already watched the fantastic makeovers and heart-warming stories that have come out of the reboot, you're missing out. Celebrate love and life by embracing those who are transformed by the Fab Five. While you're at it, preorder Tan France's book, Naturally Tan: A Memoir

Euphoria(HBO)

Not many know what this show is actually about, but the trailer seems to center on the complicated lives of youth today. Sexual and gender identities are at the forefront of conversation today, especially from adolescents aware of their pertinence in a way previous generations were not. LGBTQ activist and trans woman, Hunter Shafer, will star as a trans girl who befriends Zendaya's character and their relationship potentially becomes something more. Down the rabbit hole viewers will go! Premiering on June 16th, Euphoria gives everyone a reason to keep their HBO subscription.

Booksmart

White feminism aside, Booksmart is an important film because of its lesbian representation. Beanie Feldstein, break-out star of Lady Bird, explained how important her co-star's character is to her and society, "For me in my life, it is a part of who I am but it is not at all my defining feature. It doesn't mean I don't love my girlfriend, it's just part of who I am. And [the character]'s the same way. To see that in Amy and how beautifully Kaitlyn plays her and how beautifully Katie [Silberman, screenwriter] and Olivia [Wilde, director] crafted her, it's gonna change a lot of people's lives." Booksmart is still in theaters nationwide.

One Day at A Time (Netflix, for now)

The 70s sitcom reboot came with reevaluations. The showrunners, Kellet and Royce, decided to change the two daughters to a daughter and son. One of the main characters, the daughter Elena, did not start off as a gay character. It wasn't until Royce's real-life daughter came out that he realized he needed to tell this story. His writer's room invested their own experiences to shape a character and an on-going storyline that provided insight into a coming-out story and its realities in a fresh, familial context. It's done beautifully and truthfully. While Netflix has canceled the show, the creators are fighting to revive it on another platform or channel. #SaveODAT!

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SPOILER ALERT! Don't read this if you haven't seen the first episode yet — unless that's what you're into.

I've been a fan of American Horror Story since the beginning days of 'Murder House' — and of course, problematically 'shipping' Tate and Violet. 'Asylum' definitely followed the first season well, but 'Coven' broke the trend with its messy plot lines and random directions. After watching the first few episodes of 'Freak Show,' I broke it off with AHS — the seasons were definitely getting worse and worse.

However, when I heard that 'Apocalypse' would be a crossover between the first and third seasons, I was more intrigued — very rarely do shows with this format crossover their seasons or episodes. Working with viewers' nostalgia is always a good way to go to get views — and tie up loose ends.

In this first episode, we don't really get anything yet — the show starts out in Santa Monica where everyone gets the same 'end-of-the-world' text. Leslie Grossman plays Coco St. Pierre Vanderbilt, a socialite with a billion dollar inheritance who is bent on becoming an Instagram influencer. She's tended to by her assistant Mallory, played by Billie Lourd, and her hairdresser Mr. Gallant, played by Evan Peters — kind of disappointing as I expected him to reprise his role as Tate Langdon.

After receiving the texts, Coco gets a call from her family in Hong Kong that alerts her of a plane with four tickets to carry her to safety — she manages to take Mallory, and Gallant wiggles his way in with his suspiciously Trump-supporting Nana, played by Joan Collins. In all the chaos, Coco leaves behind her husband Brock — a very fun cameo by Billy Eichner.

Other quick scenes happen — two teenagers are taken to the shelter for their DNA, one that just got into UCLA and one jailed for leading protests on campus, and a replayed clip of a newscaster saying goodbye to his children — then, we're introduced to 'The Cooperative.'

Ignoring for a second the strangely compliant sounding name, 'The Cooperative' is a converted all boys boarding school run by Wilhelmina Venable, played by our queen Sarah Paulson, and her right-hand woman Ms. Miriam Meed, played by our other queen, Kathy Bates. The Outpost is organized by the grays — the help — and the purples — the elite. And of course, they wear their respective colors.

The Outpost seems like it transported back a hundred years rather than in the expected future — everyone's clothes are colonial-era, the food is vitamin-enhanced gelatin cubes, and the same song plays over and over again. Oh and also, Venable and Meed torture and kill guests for their amusement.

One scene that was particularly upsetting was after they washed/tortured a man named Stu and Gallant for having radiation — a gimmick by Meed — they killed Stu for having more radiation and, well, made him into stew for the others to eat as a 'treat.' Nana, not so surprisingly, didn't have a problem with it.

Flash forward 18 months later, teens Emily and Timothy have of course fallen in love and everyone else is on the verge of a breakdown. A mysterious stranger comes to the gate in a carriage carried by two horses — his name is Michael Langdon, played by Cody Fern.

Die-hard fans will definitely recoil at the name — he's the satanic baby made by Vivien and Tate in Murder House and has come to judge who he'll take to his shelter, one that has 10 years of food. Isn't it sweet — all grown up and killing horses!

Langdon's directions to kill his horses was a bit of a shock since it was his only way of travel — but it did end the episode with an ultimatum that viewers will probably be haunted by until the next episode. I know I will be — perhaps AHS is turning around on its bad seasons and finally challenging us with its psychological thrills again.


Amber Wang is a freelancer for Popdust and various other sites. She is also a student at NYU, a photographer and intern at the Stonewall National Monument.


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'Pose' Is a Stunning TV Moment

FX's Pose is an Amazing TV Moment and I'm Here For It.

FX 'Pose'

These communities are absorbed into mainstream culture but are rarely depicted in film and TV with the same verve and reverence.

When I was young, I would not leave the house unless I was wearing my favorite dress—a white ballerina midi with a tulle skirt sewn around the waistline. I would throw fits and tantrums when my mother would try to make me wear something else. In retrospect, the dress made me feel like a princess, like the ultimate kid version of a woman I wanted to be, but it also was my first attempt at performing my femininity and what I perceived to be the cornerstone of womanhood—dresses, makeup, and heels included.

These days, I'm still mostly found wearing dresses and heels in the most impractical of times. But that's the thing. I know the commercial and economic realities of my femininity; I know my deodorant is more expensive than men's deodorant and I know none of my dresses or pants have pockets. I know that makeup, bras, and heels for many feminists symbolize oppression and the infantilization of our bodies. I know why those dresses were special to me as a kid and why they are special to me as an adult. And despite these realities, I know why they still bring me pleasure as a queer woman.

FX's Pose, a sequin-embroidered paean to New York City's drag ball culture and gay/transgender communities, is a show that TV needs right now. It's also the type of show that fervently screams at the camera, "We are who we are!" Based in the 1980s, its dialogue mirrors a Twitter feed and remains culturally immersive, each character showing a walk of life not often depicted on TV. Co-created by Ryan Murphy (Glee, American Horror Story, Feud), Pose is FX's inclusive glitter baby, a show heavily promoted and celebrated by the network, and rightfully so. And though a show like this succumbs to camp by its mere existence, it's triumphant in its depiction of black and Latinx men and women and NYC's trans subculture. These communities are absorbed into mainstream culture but are rarely depicted in film and TV with the same verve and reverence. But if there's anything Pose celebrates, it's the unequivocal power of youth culture, and the beautiful ways people come together to celebrate the freedom of sex, fashion, and personal liberation.

Each character, however, is struggling to define what femininity looks like when assigned to the wrong body, the wrong sexual orientation, or the wrong family. There's the House of Abundance, led by the stunning, scene-stealing Elektra (Dominique Jackson), with cheekbones as sharp as knives. There's the House of Evangelista led by Elektra's former student and "child," Blanca (Mj Rodriguez), who dreams of starting her own house following a rather terrifying diagnosis. Angel (Indya Moore) is a sex worker who abandons the House of Abundance to live with Blanca. She's a lost romantic who keeps pairing with straight men who are ashamed of their attraction to her, specifically Stan (Evan Peters), a married man and father who works for Trump Organization. Damon (Ryan Jamaal Swain) is a dancer estranged from his parents for being gay. Swain's doe eyes show the vulnerability of his character, the passion he has for dancing and the fear he has to accept his own sexual orientation.

Part family drama, part vogue fest, Pose breathes life into drag culture, reclaiming the colloquialisms that are commercialized in mainstream media, white neighborhoods, and liberal art colleges. The show features the largest cast of LGBTQ actors on scripted series and is one of the first TV offerings to include transgender activists and performers in the writers' room. (Janet Mock and Our Lady J co-wrote some of the episodes.) Pose is a beautiful moment in TV history. It's a reminder to everyone that our freedoms and pleasures in this life shouldn't be measured by our bodies, but by our communities and the families we create for ourselves. And it's a reminder that something as simple as a dress can feel like liberation when worn for oneself.


Shaun Harris is a poet, freelance writer, and editor published in avant-garde, feminist journals. Lover of warm-toned makeup palettes, psych-rock, and Hilton Als. Her work has allowed her to copyedit and curate content for various poetry organizations in the NYC area.


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