There are more than 6 billion people in the world speaking roughly 6,909 different languages. The ability to express ourselves using language is inherently what makes us human. We communicate to each other over the phone, text, email & yes, sometimes even in person. In today's globalized society it's almost imperative that we learn to speak several languages. For many, like me, it's been a challenge to travel and communicate with people for work or pleasure. I've missed out on business opportunities due to language barriers. Other times I've gotten lost and taken the wrong train due to misunderstanding someone. Learning a new language however, can be extremely difficult, full of boring textbook memorization and not to mention, can be extremely time consuming.

So, when I was talking to some of my buddies about presenting a case study in Spanish for an upcoming business trip, I was surprised to learn about Babbel. One of my friends promised that Babbel would help me learn and speak conversational Spanish in just a few weeks, but I was pretty skeptical. He explained how their revolutionary technology makes language learning simple and fun. With nowhere else to turn and not a lot of time, I decided to check them out.

Babbel is a language learning site that offers simple instruction across multiple languages - from beginner to advanced. This platform was developed by a team of over a 100 language experts from more than 40 nations around the world. A research study by City University of New York (CUNY) found that with Babbel, students could learn a semester's worth of Spanish in just three weeks. My trip was a few weeks away so I was hoping I'd be able to pick up some Spanish by then. I definitely had my work cut out for me, but I was up for the challenge.

Every morning, I selected a training with or without voice recognition depending on where I was. Each lesson asks you to study words and phrases with a voice-over teaching you how to pronounce every word so you can practice for real-life conversation. This was key, and I really felt like I was having a normal conversation with a person - not repeating the same phrase over and over again - like in 6th-grade Spanish class. I learned what to listen for and how to properly pronounce words, which was very practical and gave me confidence in speaking. In just a few weeks, I was having conversations and continued to use the app whenever I had a spare moment.

For many people, trying to learn a new language can be a daunting task, but it doesn't have to be. To my surprise, Babbel helped me learn conversational Spanish in just a few weeks, something I wasn't able to do through 4 years of Spanish in high school and college. I even closed a business deal on my trip, which I don't think I could have done without Babbel- that alone was well worth the $7 a month. Babbelhas helped me connect with new people that I wouldn't have been able to speak to otherwise. I even made a few new Spanish-speaking friends along the way!

Update: The folks at Babbel are extending a special offer to our readers. Follow this link to get 1 month free! Use promocode Navigate2018

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Oscars 2018 Preview: Best Picture

Get Caught Up on This Year's Nominees

Call Me by Your Name Movie Clip - Dance Party (2017) | Movieclips Indie

Yesterday the Academy revealed their nominees for the 2018 Oscars. In case you're not caught up, here's Popdust's previews of the Best Picture candidates:


The Phantom Thread

It's been a decade since the Paul Thomas Anderson, Daniel Day-Lewis and Johnny Greenwood dream team got together to make a film, and while The Phantom Thread may not be quite as seismic as There Will Be Blood, it's made with just as much quality and finesse. Methodical, detailed, and imbued with significance in every smallest moment of run time, it's also the film that pushed Day-Lewis to retire from acting, which makes The Phantom Thread worth watching on two fronts. For a more in-depth look, check out my review.


Three Billboards Outside Ebbing, Missouri

For my money, Martin McDonagh is one of Europe's most talented dramatists alive today. Three Billboards plays like a stage show—small scale, modest production value, dialogue-driven, etc—and possesses the qualities of McDonagh's best works: icky moral dilemmas, harsh characters, every variation on sh*t, piss and c*nt. Perhaps no other film this year is as tightly written.


The Shape of Water

Not since Beauty and the Beast itself has a film concerning bestiality (or whatever the monster version of that term would be) garnered so much critical acclaim as The Shape of Water. Like much of Guillermo del Toro's work, Water is beautifully colored and shot, but lacks depth in its writing. In spite of an emotional climax that amounts to the sort of "he loves me for who I really am" sentiment most common to teenage dramas and rom-coms, The Shape of Water has been reeling in praise and Critics' Choice Awards. Plus, the monster character looks a lot like an Oscar statue up close, so that bodes well.


Lady Bird

In tone and style, Greta Gerwig may be the closest equivalent to Woody Allen for the millennial generation. The character of Lady Bird, played by Saiorse Ronan, feels like a culmination of all the other pseudo-Gerwig protagonists of past films—Mistress America and Maggie's Plan come to mind—and the story a culmination of that character. It's also really funny.


Get Out

I remember listening to the October 29, 2013 episode of Pete Holmes' podcast, when Jordan Peele, his featured guest, mentioned a script he was working out: a sort of comedy-horror film called 'Get Out'. He played it off as being early-stage and, frankly, I wasn't too interested in a movie with such a bland title from the Key & Peele guy. Evidently, I did a misread. Get Out isn't perfect—the acting is fine, it's (intentionally) corny, and it plays the Easter eggs meta-game with little regard for subtlety (He drives a Lincoln? Just hammer it into my skull why don't you?). But its concept is, basically, perfect—unique, hilarious, social commentary turned on its head—which is particularly refreshing in our age of sequels, revivals and rehashes. There's also never been a movie more suited to its cultural moment.


Dunkirk

Dunkirk is another pique Christopher Nolan picture—heavy, shot in expensive film, meant for only the largest of IMAX theaters. Its subject—the battles at Dunkirk during the Second World War—is so significant in 20th century history that it's surprising how few films have gone there before. Most importantly, in addition to all the other young British actors you can think of, it non-ironically features Harry Styles in a dramatic role.


The Post

If every Hollywood movie ever made had a group baby together, it might look something like The Post. The product of three of the industry's most accomplished and least objectionable figures—Meryl Streep, Tom Hanks and Steven Spielberg—with a current events tie-in and leftist political appeal, The Post may just be the most normal movie ever made, for better and for worse.


Darkest Hour

Faced with the fate of his nation—whether to fight or surrender to the seemingly unstoppable Nazi Blitzkreig—Winston Churchill steps out of his private car on the way to Parliament, and takes the Tube for the first time in his life. Of course, no single bit of this sequence occurred in real life, but even as you're sitting knowing that, the pure emotion of the scene compels you to just let it happen. Such is the tension of Darkest Hour: it's Hollywood-ization without remorse, though the product itself is a terribly compelling drama.


Call Me By Your Name

Starring the point guard of this author's middle school Safe Haven basketball team, Call Me By Your Name is beautifully deep and uncomplicated. Much more compelling than what the film is actually about—a teen summer romance, queerness, coming-of-age—is how it handles the minute-to-minute interactions and shifts in its characters. For more, read my review here.


For continuing Oscars coverage, stay tuned for Popdust's predictions and review of the show.