FILM

Marriage Story Might Help You Understand Your Parents' Divorce

Divorce is an emotionally turbulent ride, but there's a light at the end of the tunnel.

Photo by freestocks on Unsplash

Admittedly, I'm a little late to the hype train for Marriage Story, director Noah Baumbach's movie about a spiraling divorce between two people who still care about each other.

For months, seemingly every other article in the entire cine-sphere has been about how Marriage Story is Netflix's best movie of the year or how Adam Driver walked out of an interview after they showed a clip of him singing or how dancing Scarlett Johansson is a meme now.

So I got it. Marriage Story was supposed to be very good. But in spite of the accolades, I decided to hold off on watching it immediately. I had a feeling that, having grown up as a child of divorce, Marriage Story might induce some unpleasant flashbacks. I wanted to make sure I was in the right headspace to properly deal with that before going in.

To some extent, I was right. There are a lot of elements of Marriage Story that I imagine will drum up painful memories, both for people who have gone through divorces themselves and children who watched their parents go through the process. The most memorable scene in Marriage Story, perhaps, is the vicious argument between Adam Driver's Charlie and Scarlett Johansson's Nicole, wherein all of Charlie's pent up rage, both at Nicole and the divorce process, explodes. It's a scene absolutely surging with raw emotion, and it reminded me of all the fights I grew up watching at home.

But what truly makes Marriage Story great, aside from the impeccable performances from Driver and Johansson, is the catharsis it offers throughout. Baumbach's exploration of divorce is extremely nuanced, treating both of its lead characters with compassion and empathy. The movie opens with Charlie and Nicole reading letters that convey the things they love about one another, portraying both characters as exceedingly real. In the same way that sometimes people fall out of love over time, sometimes the same thing we once loved about someone transforms into something irreconcilable.



For instance, at one point in their relationship, Nicole loved Charlie's sense of direction in life and his ability to seemingly always know exactly what he wanted to do. But as their relationship proceeded, the downsides to that trait came into starker focus––Charlie always knew what he wanted to do, in large part, because he valued his own opinion and wants above everyone else's. Eventually, Nicole's love for that aspect of Charlie soured into the feeling that she had lost her own identity throughout their relationship.

The point to all of this is that, a lot of the time, children of divorce have a hard time reconciling two distinct images of their parents––the first image being their parents in a functioning relationship with one another and the second image being their parents as bitter enemies. Of course, this isn't true for all divorces, but it certainly was for me. Naturally, as children we oftentimes choose between our parents. But the beauty of Marriage Story is in its ability to show us an intricate, sometimes brutal conflict between two mostly decent people without making us pick a side.

Both Charlie and Nicole's hardships through the divorce process are on full display, and both believe that they're doing the right thing. They both love their son. Their relationship was complex, failing for multiple reasons, and their contempt is complicated by the fact that they both still care about one another. And after the dust settles, they figure out a way to be co-parents, even if it's not ideal for either party.

In a sense, Marriage Story is an almost wholesome view of divorce, ultimately conveying the message that even though divorce is harsh, brutal, awful even, eventually it will be over. And once it's over, people can heal, and people can change, and people who care about their children can continue to be there for them. My prevailing feeling by the end of Marriage Story wasn't bitterness or sadness, but hope. It's an emotionally turbulent ride, but there's a light at the end of the tunnel.

In the real world, people are much more complicated than whatever black-and-white images we may have of them from specific points in our lives. People change over time, and if they can change for the worse, maybe they can also change for the better. And while every relationship is certainly complex and entirely different, perhaps Marriage Story will help you look at whatever divorce lies in your past with a fresh perspective.

FILM

The Golden Globes Still Pretend Female Directors Don't Exist

The Best Director nominations for the 77th Golden Globes completely omit women, but who's surprised?

Today, the nominations for the 77th Annual Golden Globes were unveiled.

It was a good year for Netflix productions, Scorcese, and Tarantino, but history has repeated itself in that women are, yet again, entirely absent from the Best Director category and immensely underrepresented throughout.

The Best Director nominees are Bong Joon-ho for Parasite, Sam Mendes for 1917, Todd Phillips for Joker, Martin Scorsese for The Irishman, and Quentin Tarantino for Once Upon a Time in Hollywood. (Other categories, including Best Motion Picture and Best Screenplay, were significantly male-leaning.) But as always, it's not like women haven't flashed their directing chops this year. Lorene Scafaria (Hustlers), Lulu Wang (The Farewell), Olivia Wilde (Booksmart), Greta Gerwig (Little Women), and Alma Har'el (Honey Boy) are all deserving of nominations at the very least—hey, that's enough to fill the entire category! Nominate them all!

Though the Golden Globes' glaring ignorance towards women hurts, it sadly doesn't come as a shock. Barbra Streisand is the sole woman to ever win Best Director in over seven decades of the Golden Globes; only four others have been nominated. Looks like Natalie Portman's viral call-out while presenting at the 2018 Golden Globes will remain evergreen.

Natalie Portman Notes the All-Male Director Nominees

Awards ceremony celebrating the best in TV and film; Seth Meyers hosts; Oprah Winfrey receives the 2018 Cecil B. de Mille Award.

Check out the very manly nominees below.

Best Motion Picture – Drama

"The Irishman" (Netflix)

"Marriage Story" (Netflix)

"1917" (Universal)

"Joker" (Warner Bros.)

"The Two Popes" (Netflix)


Best Actress in a Motion Picture – Drama

Cynthia Erivo ("Harriet")

Scarlett Johansson ("Marriage Story")

Saoirse Ronan ("Little Women")

Charlize Theron ("Bombshell")

Renée Zellweger ("Judy")


Best Actor in a Motion Picture – Drama

Christian Bale ("Ford v Ferrari")

Antonio Banderas ("Pain and Glory")

Adam Driver ("Marriage Story")

Joaquin Phoenix ("Joker")

Jonathan Pryce ("The Two Popes")


Best Motion Picture – Musical or Comedy

"Dolemite Is My Name" (Netflix)

"Jojo Rabbit" (Fox Searchlight)

"Knives Out" (Lionsgate)

"Once Upon a Time in Hollywood" (Sony)

"Rocketman" (Paramount)


Best Actress in a Motion Picture – Musical or Comedy

Ana de Armas ("Knives Out")

Awkwafina ("The Farewell")

Cate Blanchett ("Where'd You Go, Bernadette")

Beanie Feldstein ("Booksmart")

Emma Thompson ("Late Night")


Best Actor in a Motion Picture – Musical or Comedy

Daniel Craig ("Knives Out")

Roman Griffin Davis ("Jojo Rabbit")

Leonardo DiCaprio ("Once Upon a Time in Hollywood")

Taron Egerton ("Rocketman")

Eddie Murphy ("Dolemite Is My Name")


Best Motion Picture – Animated

"Frozen 2" (Disney)

"How to Train Your Dragon: The Hidden World" (Universal)

"The Lion King" (Disney)

"Missing Link" (United Artists Releasing)

"Toy Story 4" (Disney)


Best Motion Picture – Foreign Language

"The Farewell" (A24)

"Les Misérables" (Amazon)

"Pain and Glory" (Sony Pictures Classics)

"Parasite" (Neon)

"Portrait of a Lady on Fire" (Neon)


Best Actress in a Supporting Role in Any Motion Picture

Kathy Bates ("Richard Jewell")

Annette Bening ("The Report")

Laura Dern ("Marriage Story")

Jennifer Lopez ("Hustlers")

Margot Robbie ("Bombshell")


Best Actor in a Supporting Role in Any Motion Picture

Tom Hanks ("A Beautiful Day in the Neighborhood")

Anthony Hopkins ("The Two Popes")

Al Pacino ("The Irishman")

Joe Pesci ("The Irishman")

Brad Pitt ("Once Upon a Time in Hollywood")


Best Director – Motion Picture

Bong Joon-ho ("Parasite")

Sam Mendes ("1917")

Todd Phillips ("Joker")

Martin Scorsese ("The Irishman")

Quentin Tarantino ("Once Upon a Time in Hollywood")


Best Screenplay – Motion Picture

Noah Baumbach ("Marriage Story")

Bong Joon-ho and Han Jin-won ("Parasite")

Anthony McCarten ("The Two Popes")

Quentin Tarantino ("Once Upon a Time in Hollywood")

Steven Zaillian ("The Irishman")


Best Original Score – Motion Picture

Alexandre Desplat ("Little Women")

Hildur Guðnadóttir ("Joker")

Randy Newman ("Marriage Story")

Thomas Newman ("1917")

Daniel Pemberton ("Motherless Brooklyn")


Best Original Song – Motion Picture

"Beautiful Ghosts" ("Cats")

"I'm Gonna Love Me Again" ("Rocketman")

"Into the Unknown" ("Frozen 2")

"Spirit" ("The Lion King")

"Stand Up" ("Harriet")


Best Television Series – Drama

"Big Little Lies" (HBO)

"The Crown" (Netflix)

"Killing Eve" (BBC America)

"The Morning Show" (Apple TV Plus)

"Succession" (HBO)


Best Performance by an Actress in a Television Series – Drama

Jennifer Aniston ("The Morning Show")

Olivia Colman ("The Crown")

Jodie Comer ("Killing Eve")

Nicole Kidman ("Big Little Lies")

Reese Witherspoon ("The Morning Show")


Best Performance by an Actor in a Television Series – Drama

Brian Cox ("Succession")

Kit Harington ("Game of Thrones")

Rami Malek ("Mr. Robot")

Tobias Menzies ("The Crown")

Billy Porter ("Pose")


Best Television Series – Musical or Comedy

"Barry" (HBO)

"Fleabag" (Amazon)

"The Kominsky Method" (Netflix)

"The Marvelous Mrs. Maisel" (Amazon)

"The Politician" (Netflix)


Best Performance by an Actress in a Television Series – Musical or Comedy

Christina Applegate ("Dead to Me")

Rachel Brosnahan ("The Marvelous Mrs. Maisel")

Kirsten Dunst ("On Becoming a God in Central Florida")

Natasha Lyonne ("Russian Doll")

Phoebe Waller-Bridge ("Fleabag")


Best Performance by an Actor in a Television Series – Musical or Comedy

Michael Douglas ("The Kominsky Method")

Bill Hader ("Barry")

Ben Platt ("The Politician")

Paul Rudd ("Living with Yourself")

Ramy Youssef ("Ramy")


Best Television Limited Series or Motion Picture Made for Television

"Catch-22″ (Hulu)

"Chernobyl" (HBO)

"Fosse/Verdon" (FX)

The Loudest Voice (Showtime)

"Unbelievable" (Netflix)


Best Performance by an Actress in a Limited Series or Motion Picture Made for Television

Kaitlyn Dever ("Unbelievable")

Joey King ("The Act")

Helen Mirren ("Catherine the Great")

Merritt Wever ("Unbelievable")

Michelle Williams ("Fosse/Verdon")


Best Performance by an Actor in a Limited Series or Motion Picture Made for Television

Christopher Abbott ("Catch-22")

Sacha Baron Cohen ("The Spy")

Russell Crowe ("The Loudest Voice")

Jared Harris ("Chernobyl")

Sam Rockwell ("Fosse/Verdon")


Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Patricia Arquette ("The Act")

Helena Bonham Carter ("The Crown")

Toni Collette ("Unbelievable")

Meryl Streep ("Big Little Lies")

Emily Watson ("Chernobyl")


Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television

Alan Arkin ("The Kominsky Method")

Kieran Culkin ("Succession")

Andrew Scott ("Fleabag")

Stellan Skarsgård ("Chernobyl")

Henry Winkler ("Barry")