CULTURE

Exclusive Interview: A Look Inside Snoopy's Valentine's Day Card Legacy

The Director of Marketing & Communication at Peanuts Worldwide invited Popdust for an inside look at Snoopy's Valentine's Day legacy.

Snoopy Valentine's Day card 1975

Peanuts Worldwide/Hallmark

Valentine's Day is about one thing and one thing only: Snoopy cards.

Okay, it's also about love, romance, and the people you hold dear. But if your family is anything like mine, then Valentine's Day and Peanuts have always gone hand-in-hand. This coming October marks the 70th anniversary of Charles Schulz's Peanuts comic strip, so what better time could there possibly be to focus on the beloved Hallmark Snoopy cards that have been filling our mailboxes (and our hearts) since as far back as most of us can remember?

I sat down with Hannah Guy, Director of Marketing & Communication at Peanuts Worldwide, for the inside Snoop.

Valentine's Day must be an exciting time for Peanuts.

There are so many of these points throughout the year when Peanuts really is top of mind. We always think of Christmas and Great Pumpkin; those are the top two. But Valentine's is really strong for us, as well.

Peanuts is a pretty big brand within the card space.

Yes, definitely. Hallmark is, I believe, our longest running partner at this point, if you put aside the syndication of the strips. They've been a partner for 60 years. That's one of the things that we're focusing on for our 70th anniversary. The Schulz Museum in Santa Rosa, California, which is a separate entity from us–it's a nonprofit–they actually have an exhibit that's open right now about the history of Peanuts and Hallmark. We have some archival images of very early greeting cards and Valentines.

Peanuts Product Catalog 1960sPeanuts Product Catalog 1960sPeanuts Worldwide/Hallmark

That'd be really cool to see.

It is really cool. They've been a partner since before I was born. The story of how they became a partner is that there was just one of the card designers in Kansas city who happened to be a Peanuts fan. Peanuts was syndicated fairly widely within the US, but it was only about the late '50s when these conversations started happening, so it wasn't the phenomenon that it is today. [NOTE: The first Peanuts and Hallmark greeting card was printed in 1960.] But this card designer there felt really strongly that Peanuts would translate perfectly to greeting cards. So it was just a test of five cards originally that were sold at a handful of stores in the Kansas City area. Then those did really well, and the program just grew and grew and grew. Here we are sixty years later, and it's not only your birthday cards and your just saying hello cards, but a huge seasonal program, really a 365 program on Hallmark.

It's crazy. I grew up getting Peanuts cards for pretty much every event. My mom would always get me a Snoopy card.

We hear that all the time. It's one of those touch points for people. Like, people who are Peanuts card families.

Yeah, that was a really big thing for me. There was actually one time that I accidentally tore one of the cards my mom got me. I was very young. I accidentally tore the card and then I cried, so she got me the same Peanuts card the next year.

It's really funny and special. This is a bit of a tangent, but we're really powerful on social media. And I think it makes sense when you think about it, because the original form of Peanuts, the comic strip, is basically a form of social media–super digestible, can brighten your day.

It's contained, and it's coming out on a frequent basis.

Exactly. Of course, some of them were part of longer stories that extended for a few days or even for a few weeks, but you just needed to read those four panels to get the emotion, get the joke. That's exactly what social media is today. And that's also what a Hallmark card is. You know, it's that quick expression of emotion that translates from a newspaper to an Instagram post.

Would you say that Peanuts cards have evolved over the years or have they mostly stayed consistent?

I think it's stayed fairly consistent, but I believe that those earliest cards...were heavily focused on Charlie Brown and not as much Snoopy. That also probably has to do with the era in which they came out. Snoopy, as we know him today, really evolved quite a lot from his first appearance in 1950 through when he started standing on two legs and taking on all of these other personas. Today, for sure, Snoopy is the hero, but Charlie Brown is on a lot of cards, as are the whole gang in different combinations of characters. I think it does always come back to the expression, trying to capture some of the emotion that is present in the strip. When it comes to Charlie Brown and Valentine's Day, sometimes it can be a little sadder view, you know, not getting any Valentines. But then you have Snoopy. He's always willing to spread a little love.

First Snoopy CardFirst ever Snoopy Valentine's Day card from 1963Peanuts Worldwide/Hallmark

Do you guys do the card stuff in-house or is that on Hallmark's end?

In terms of the actual product design, Hallmark handles the bulk of that.

So if somebody wanted to become the guy who writes the Snoopy cards, they would have to be working at Hallmark?

Yes.

A little more big picture, in the card space, Snoopy and Peanuts are competing against so many major brands, like Marvel and Disney, that just have this constant saturation in the media. Why do you think Peanuts is able to stay so on top of that space, even when they're competing against brands that are so saturated?

That's something we talk about all the time here. I think I have to give credit to Charles Schulz and go back to the source material. He wrote 18,000 strips over the course of his career. He didn't work with other illustrators or ghost writers. Everything in this strip came from him. So anytime we're thinking, "What do we do to keep the brand fresh?" we can go back to the strip and find something that speaks to the current day. Most of what drives this strip is, again, that human emotion, human experiences, things that everyone can relate to, whether it's having a bossy older sister or feeling like you're the loser in your friend group or, you know, unrequited love.

Wrapping up, are there any upcoming Snoopy things for Valentine's Day that you wanted to highlight?

The one thing that I definitely want to mention is that Charlie Brown Valentine will be airing on February 14th on ABC at 8:00 PM. Something that's really special about the TV specials, particularly here in the US, is that it's still a point in television. People are still getting together with their kids and their families to watch it. That's pretty rare these days.

This interview is part of our larger series on the 70th Anniversary of Snoopy.

FILM

It's Time For Hallmark Channel To Make Some Shlocky LGBTQ+ Christmas Movies, Too

No marginalized group has really made it in America until Hallmark Channel panders to them.

Photo by Jadon Johnson on Unsplash

In a recent divergence from their usual agenda of holiday-centric shlock-peddling, Hallmark Channel forayed into the political arena when they decided to pull an exceedingly inoffensive Zola commercial that–*GASP*–featured two women getting married.

Their decision to pull the commercial came as a result of targeted screeching, courtesy of One Million Moms, a fundamentalist Christian hate group who can't do math; there are far less than 100,000 of them, thank God.

Then, because Hallmark is nothing if not a cold, uncaring business (never forget that businesses have zero actual values of any kind, and exist solely to generate profit), Hallmark reversed their decision as soon as they realized that literally everybody else thinks that One Million Moms are insane. More importantly, Hallmark recognized that they were about to be blacklisted by 70% of the country for pandering to an actual hate group over a harmless commercial that is so clearly appropriate to anyone who isn't an outright lunatic.

So now Hallmark is in damage control mode, rolling over and debasing themselves in hopes that someone, anyone will still watch whatever schlocky holiday specials they poop out this year.

But if Hallmark really wants to show they're sorry, they need to go a little bit further than just sending out a Tweet promising that they'll work with GLAAD to vaguely do better. If Hallmark is really sorry, then they need to make an LGBTQ+ holiday movie that's just as schlocky as all the other shlock they spew out.

There are already LGBTQ+ films. The problem is that most of those movies are actually good, and no marginalized group has really made it in America until soulless corporations start pushing out steaming, cookie-cutter turds re-skinned for their specific demographic.

So in the name of inclusivity, holiday cheer, and my all-consuming love for terrible media, I'd like to offer Hallmark Channel a few LGBTQ+ holiday movie ideas that I think would be in line with the rest of their garbage.

The Christmas Daddy

The Christmas Daddy is a Hallmark Channel Original LGBTQ+ holiday thriller (written by a straight white person, of course). It tells the story of Mike Dapple, a handsome New York man in his mid-50s who recently got divorced from his husband. With the holidays coming up and nobody to spend them with, Mike decides to go on vacation to sunny Cabo. There, on the sandy beaches on Christmas Eve, Mike has a one night stand with Jack Crawford, a young, 20-something midwestern guy with a major thing for daddies.

Shortly after returning to New York, Mike and Jack get set up with one another through a blind dating site. Strange, considering Jack was living in the midwest only a few days prior? But as Mike and Jack's paths seem to coincidentally cross again and again, Mike comes to the horrifying realization that all of this might be by Jack's design. Can Mike escape Jack by New Years or will this be his last Christmas?

See, Hallmark? It's not that hard to do what you do. Look, here's another:

A Lesbian Family Christmas

A Lesbian Family Christmas (which, again, will be written by a straight white person because progress only goes so far at Hallmark), tells the story of a lesbian couple hosting a big Christmas party for their two very different families. Evelyn Winchester is an artist, and her parents are very wealthy and well-to-do. Marcie Jaegermeister is a lawyer and grew up in a family of very poor farmers. This Christmas, they're bringing their very different families together for the first time ever, and oh boy, these people are from very different walks of life!

Evelyn and Marcie love each other a whole bunch, but will their love be strong enough glue to bring their very different families together? Is it possible for very different people to find commonalities during Christmas? Hallmark Channel certainly thinks so. Otherwise, this movie wouldn't really be about anything other than two people throwing a nice Christmas party, and hey, that could probably be another Hallmark Channel movie, too.

The Transgender Christmas Princess

This one is so up Hallmark's alley that it's practically coming out their mouth. The Transgender Christmas Princess is just like literally every other Christmas Princess movie that Hallmark Channel has ever made.

Alice Haliburton is a self-insert trans woman with zero personality, currently living in Brooklyn and working at a bakery or something. One day, she accidentally drops an egg on a handsome customer, who asks her out to dinner. She tells him that she is transgender, and he says that's cool and also that he is a Christmas Prince. The Christmas Prince invites Alice to a country that is not America where he's expected to reside over the annual Not America Christmas Pageant. Will she join him and become his Christmas Princess? Alice says yes, officially making her the Christmas Princess.

Alice and the Christmas Prince travel to Not America for the Not America Christmas Pageant. There, the Christmas Prince's family turns out to be a bunch of stuffy old people who prefer to do things The Old Way. None of this pertains to Alice's gender identity, which is nobody's business apart from Alice. More like, the old people want one kind of Christmas ornament, and Alice and the Christmas Prince want a different one. It's not that serious. We get some goofy Christmas hijinks, and then at the end, the old people are like, "You're a great Christmas Princess, Alice, and we guess The New Way is okay, too," and Alice looks at the Christmas Prince and says, "I learned from the best!"

I'm happy to write any of these scripts for you, Hallmark, please don't be afraid to ask.