Harry Styles, YouTube

We're entering week bajillion of social distancing, meaning many people haven't felt the warm touch of another human being in a very long time.

Some days that feels pretty manageable–enjoyable, even. After all, why shave in quarantine? Your cat isn't going to mind rubbing up against your cactus-calf in bed. But on other days, like the days we watch Normal People on Hulu or the day Jake Gyllenhaal posted that video where he tried to put a shirt on while upside down, it's excruciating.

Keep ReadingShow less
Music Lists

Harry Styles' 8 Best Covers

The former One Direction member is the musical chameleon we don't deserve.

Harry Styles - Juice (Lizzo cover) in the Live Lounge

With his two solo albums, Harry Styles has proven that he was always One Direction's strongest link.

The boy band's final performance in 2015 opened the doors for Styles to come into his own. Turns out, his solo artistic persona is pretty chameleonic. He channels classic rock as easily as he does pop and R&B. He can deliver soaring ballads with the same energy he devotes to high-energy barnburners. All of this is to say: Styles is a singular talent with a versatile voice and an undeniable charisma that multiplies his appeal.

Though his original work is typically great, Styles has also performed numerous impressive renditions of other artists' hits. From '70s folk to modern hits, we've rounded up the ex-1D member's best covers.

Joni Mitchell’s “Big Yellow Taxi”

Joni Mitchell's biggest hit got another breath of life when it was covered by Counting Crows in 2002. Though the band gave the environmentally-conscious tune a more adult alternative spin, Styles takes it back to its singer-songwriter origins with a fully acoustic setup. The harmony during the chorus adds a special touch.

MUSIC

13 Musicians Influenced By Psychedelics

Some wild stories from great musicians who dabbled in hallucinogens.

Harry Styles at Capital's Summertime Ball 2022

Photo by Matt Crossick_Global_Shutterstock

The story of psychedelics is intertwined with the story of music, and tracing their relationship can feel like going in circles.

Keep ReadingShow less
MUSIC

Let's Not Overcomplicate Harry Styles' New Album, "Fine Line"

Fine Line isn't a creative reinvention of the wheel, but it's still a lot of fun

LOS ANGELES, CA. November 01, 2022: Harry Styles at the premiere for "My Policeman" at the Regency Bruin Theatre.

Photo by: Paul Smith-FeatureflashBy Featureflash Photo Agency / Shutterstock

Harry Styles has been on everyone's mind all 2019.

Harry Styles - Adore You (Official Video)www.youtube.com

The years have not been kind to a few of the One Directioners, but Styles has all but reinvented himself. He is now cool and collected, like a 2013 Alex Turner or Matty Healy, and as stylish as a millennial Elton John, all combined with the neighborhood quirkiness of the boy next door. "It all just comes down to I'm having more fun, I guess," he recently told Rolling Stone. His personal growth in the last two years has culminated in Fine Line, a joyful and colorful psychedelic pop record that respectfully dips its toes into the pop-sensibilities of its elders, without jeopardizing the youthful swagger of its young host.

As a handsome LGBTQ+ icon, Styles embodies what everyone hopes will happen when you embrace your identity. You'll get all tatted up, develop a colorful fashion sense, and become magnanimous towards your former self. "Step into the light," he begs his listeners as he flails among gorgeous naked bodies in the "Lights Up," music video. "Know who you are."

Fine Line is not the genre-redefining outing critics anticipated, but it is, as Styles said, incredibly fun. Its inspirations are portrayed quite literally, which certain critics take issue with. "She" is an obvious ode to Prince and Pink Floyd, with its soulful crooning and crisp rock edges; and the gentle folk pining of "Canyon Moon" is reminiscent of a young Joni Mitchell. It's all palpable and easily digestible. Fine Line isn't a creative reinvention of the wheel; songs like "To Be Lonely" and "Treat People With Kindness" feel stagnant and falter when compared to the shapeshifting tracks of "Golden" or "Sunflower, Vol. 6"; but it's all part of the process. Styles is 25 and spent his childhood as a teenage heartthrob whose identity was staked in album sales and how cute he was. As many 25-year-olds before him, Styles has learned to gravitate towards authenticity and is seen on Fine Line openly examining a wide range of styles and sounds, waiting to see which shoe fits.

On "Lights Up" and "Adore You," the shoe fits perfectly, but critics were quick to point out the fumbles. "Styles is here, buried underneath the fame and the fear," wrote Pitchfork. "I hear his sweetness, his charm...but mostly I hear a guy who's still afraid he'll never make a David Bowie record." Styles is still a 25-year-old, an amateur at living life. Is he not allowed to experiment with different directions amidst his new-found independence? Or have the short attention spans of the general public–and excessive demand for quality content–perforated the very real and grueling artistic process that is required to generate said content? Styles' sophomore album is not his magnum opus, but why are we saying it has to be? Is that his problem, or ours?