New Releases

Should BTS's YouTube Record for "Dynamite" Even Count?

BTS ARMY made sure the new single broke records—whether it was the group's best song or not.

BTS arrives at the 62nd annual Grammy Awards in Los Angeles on Jan. 26, 2020. The South Korean boy band BTS HAS won a leading four awards including best song for "Dynamite" and best group at the MTV Europe Music Awards while Lady Gaga took home the best artist prizeMTV EMAs, Los Angeles, United States - 27 Jan 2020

Photo by Jordan Strauss/AP/Shutterstock

In April of last year, sensational K-pop girl band Blackpink broke a major YouTube record with the premiere of their music video for "Kill This Love."

The video garnered nearly 57 million views in its first 24 hours, narrowly edging out the record Ariana Grande had set several months earlier with her cringeworthy ex-smearing anthem "Thank U, Next."

But less than a week later, Blackpink's record was thoroughly smashed by the slightly more sensational K-pop boy band BTS with the video for their single "Boy With Love," featuring Halsey. The record that had taken more than 14 years of YouTube's slow, incremental growth to set, was—in a matter of days—surpassed by a wide margin.

Keep ReadingShow less
MUSIC

"How Do Mexicans Talk" Trends on Twitter Because of Becky G's Accent in "Chicken Noodle Soup"

The J-Hope and Becky G remake turns out to be a breeding ground of cultural debate, both valid and troll-bait.

Becky G

Photo by CraSH/imageSPACE/Shutterstock

"How Do Mexicans Talk?"

Over 6,000 Twitter users have caused that rhetorical question to trend as part of a contentious back-and-forth about Becky G's and J-Hope's trilingual song, "Chicken Noodle Soup." Namely, one outspoken account about black Latinx cultural issues, "la mala" or @rudeboiluna, called the song "anti-black" and accused Latinx singer Becky G of using a "Caribbean blaccent." Soon commenters disagreed with the claim and asked what the Mexican singer was supposed to sound like when she sang Spanish lyrics, to which la mala replied, "like a Mexican tf."

Thus a fiery debate commenced about the hypocrisy of accusing a piece of art of being "anti-black" while stereotyping a wide group of people. La mala was asked, "How do you think Mexicans sound? Do you think we [go] buRRito and tAcO all the time?" She replied—perhaps in a joke of poor taste, perhaps making light of her own ignorance, perhaps just trolling Twitter about culturally sensitive issues—"yea lol."

As one user clarified, "#HowDoMexicansTalk was created bcoz a black Latinx acc was BLATANTLY racist to Mexicans (keep in mind she's not Mexican) so we made this tag to show that our accents ARE diverse and that Beck* was NOT trying to imitate a [Caribbean blaccent] according to OP."

Thousands of Latinx commenters expressed the same sentiment, which was generally: "How am I supposed to sound in order for you to legitimize me as a Mexican-American?" Thousands more affirmed the fact that no one's ethnic identity needs to be legitimized by others, while at the same time, no one has the right to invalidate others' cultural identity or expressions thereof. That, of course, includes other people of color who want to speak out against erasure—it's simply myopic, insensitive, and ignorant to push the agenda of one cause by jumping to conclusions about an entire culture. Again, it's not advocacy or support to claim there's prejudice against one community when the claim is based purely on ignorance about another community.

The song, which heavily samples the 2006 track of the same name, was already the site of cultural debate, with the South Korean boy band BTS and Becky G releasing their version seemingly without paying homage to the song's origin. Bianca Bonnie's (Young B) and DJ Webstar's original "Chicken Noodle Soup" was a catchy, light-hearted anthem to Harlem, the hometown of both artists. While they've both voiced approval for the cover, many young fans go unaware that the Becky G and J-Hope collaboration is a remake.

For instance, when Becky G shared the song with her 2.3 million followers on Twitter, she made no mention of the original creators. She posted, "#ChickenNoodleSoup ya salió!! Korean, Spanish, English... we brought cultures together & made a trilingual song! Music really is universal." She continued, "I hope everyone enjoys this! Shoutout to my friend J-HOPE! We did that!"

Obviously, that oversight doesn't justify any accusation that Becky G doesn't "sound Mexican." Because, as any simple Google search will reveal, at least 68 national languages are spoken in Mexico, including at least 350 dialects of those languages. Becky G joins a bevy of Latinx artists who have been criticized for not "looking" or "sounding" Latinx. She's candidly addressed the claims in the past: "'You don't look Latina' or 'You don't even speak Spanish.' These are the remarks that we second- and third-generation-born American Latinos often hear. The truth is, the lack of language knowledge does not lessen the Latin blood running through our veins or the stories our last names carry." She added, "Although my Spanish is flawed and I didn't grow up in Mexico, I take pride in my roots. My family's history and the fact that all the traditions and morals passed down have shaped me to be who I am today is what it means to be a second-generation-born Mexican-American for me."

J-Hope Dior Homme Show Fall Winter 2023

Photo by Laurent VU/SIPA/Shutterstock

Jung Hoseok (J-Hope of BTS) and Becky G just released their new collab, "Chicken Noodle Soup," and it's straight fire.

The song pays major homage to Webstar and Young B's classic hip hop track of the same name, which was the first song J-Hope learned to dance to. In their modern version, the chorus is still in English, but J-Hope raps in Korean and Becky G raps in Spanish. The music video also features 50 dancers of different nationalities, making this one of the most diverse, multicultural collabs ever made. No wonder "Chicken Noodle Soup" is going viral.

j-hope 'Chicken Noodle Soup (feat. Becky G)' MVwww.youtube.com

But the point is: I think it's really important to take a moment to just appreciate J-Hope's hips. Like damn. That boy can move.

Obviously as the dance captain of BTS, J-Hope is an incredible talent. But his hips here are like...next level. Hoseok gyrates with a smooth intensity that probably should be studied by physicists in the name of scientific advancement. He walks like he's literally floating.

Even surrounded by tons of other professional dancers, J-Hope is a beam of dancing light, flowing and flapping like the patron saint of chicken noodle soup. HOW DOES THIS MAN FLOAT?

Okay. I'm done freaking out now. Except no I'm not, because there's also a Chicken Noodle Soup Challenge and now I need to learn the dance, too.

How does J-Hope twist like that? Who gave him those hips? Insane.

Of course, the best part of the #CNSchallenge is that all the BTS boys are going to join in to show their support. In fact, V and Jungkook already dropped their vids.

Get ready for a whole lot more Chicken Noodle Soup, but more importantly, a whole lot more of J-Hope's hips because that's what I'm here for now.

MUSIC

BTS' New Album "Map of the Soul: Persona" is Algorithm-Friendly Nothingness

Everything good about K-pop was left behind on this album.

Dymond/Thames/Syco/Shutterstock

An overseas phenomenon can only get so big before the greedy American market scoops it up, westernizes it to maximum marketability, and swallows it whole — think kimchi smothered in Big Mac sauce.

As such, K-pop's arrival in America was inevitable, and the pioneers of the western explosion of the genre are Bangtan Sonyeondan ("bulletproof boy scouts" in English) a boy band best known as BTS.

BTS has cultivated a staggeringly large fanbase — who ominously refer to themselves as an "ARMY"— and not just in South Korea and the US but in South America and Europe as well. The seven boy group is made up of RM, Jin, Suga, J-Hope, Jimin, V, and Jungkook, who each hold ultra-specific roles. If you haven't heard of the band before, just ask any tween to fill you in. Their eyes will likely fill with a disturbing intensity as they rhapsodize on Jungkook's smile or RM's dance moves. They may also mention that in 2018, BTS became the first South Korean band in history to debut an album at No. 1 on the US Billboard 200 chart. They also sold out a world tour, collaborated with Steve Aoki, the Chainsmokers, and Nicki Minaj, and set a Guinness World Record.

Now, to the delight of K-pop super fans everywhere, the biggest boy band in the world has released a new album called Map of the Soul: Persona. The hotly anticipated album touches on themes of heartbreak and grief but, of course, still includes plenty of danceable beats and swoon-worthy love songs.

The boys' lyrics are primarily in Korean with occasional splashes of English, but regardless of the language of expression, they're notably boring. Each reads like a JV football player's English class sonnet project he hurriedly scrawled on the bus or, more generously, an Ed Sheeran Mad Lib. American music listeners have committed so whole-heartedly to music with the same tepid beat and canned sentiments over and over again, that its really beside the point that the majority of them can't understand Korean — not that they're missing much in terms of lyrical depth.

Meanwhile, the production of Map of the Soul: Persona lacks all of the explosive, intentionally over-the-top characteristics that make K-pop so delightful even to the non-fluent listener. K-pop itself is an exciting and widely appealing genre, with stirring theatricality, an exceptionally engaging performance style, and historically infectious songs. But on this album, the people behind the extremely lucrative product that is BTS — probably eager to further capture the western market — have sucked out every bit of the genre's soul and individuality in a bid to make it more palatable for American listeners.

Essentially, if you plugged every forgettable but mildly successful pop song from the last few years into an algorithm, added the diary entries of a thirteen-year-old girl, and hit "discover weekly," you'd get something close to this album. It's as if, recognizing BTS' growing western audience, the massive churning machine that is the K-pop industry decided to opt for Maroon 5-esque melodies, slap K-pop harmonies on top, and hope to appeal to literally every person who's ever listened to music. To further shore their bets, they added performances from Halsey and Ed Sheeran, two of the most non-controversially listenable artists in western music.

But instead of an album with unprecedentedly wide appeal, BTS created an album so wholly unremarkable and sickeningly algorithm-friendly, it disappears from your mind moments after you finish listening. If you were a BTS fan before this album, you'll probably remain one, and if you weren't, it will neither convert you nor offend you. It's meant to merely wash over you like the screams of so many crazed BTS fans sprinting from the void, feverishly groping for belief. But maybe we're overthinking it.


Brooke Ivey Johnsonis a Brooklyn based writer, playwright, and human woman. To read more of her work visit her blog or follow her twitter @BrookeIJohnson.


POP⚡DUST | Read More...

The Drug of Escapism: Why Gamers Can't Stop Watching Porn

Music From Mars: An Interview With Jared & the Mill

10 Game of Thrones Sex Scenes to Get You Ready for Season 8