MUSIC

Kali Uchis Dances on Her Own with "Solita"

The singer's first new music since Isolation is also her first bilingual song.

Photo by: fpvmat / Unsplash

Though she has an impressive roster of collaborators, including Vince Staples, Steve Lacy, and Tyler, the Creator, being alone is kind of Kali Uchis' thing.

The Colombian-American singer made waves with her debut LP, last year's eclectic pop odyssey Isolation, and she's continuing to run with the theme of solitude. Her new single "Solita"—which translates to "alone"—sees the singer facing the strenuous task of peeling away from a toxic relationship, a romance that's better off terminated. She's happier dancing by herself (she insists over the Spanish-language chorus) than continuing with her "diablo" of a former lover. The track imparts the mixed feelings of leaving a negative relationship, but with a subtle sense of freedom instead of mourning. "Well I got a feeling these scars won't ever look like they're old news / If I let you keep on rubbing salt into all my open wounds," she croons, though with an air that suggests she's already healed from such a neglectful, reckless romance.

Kali Uchis – Solita (Official Audio)www.youtube.com

Backed by a smooth reggaetón groove and a delightful Latin romp, the sound of "Solita" boasts a cinematic quality that invokes slow-motion visions of a hazy, dim dance club, maybe one where such an ex conveniently happens to be across the room. You might lock eyes just for a moment, but only one of you has moved on, swaying gleefully to the beat—alone, but never, ever lonely. These portraits are where Uchis finds her strength, evidencing that she truly shines brightest by herself.

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Music Features

Maverick Sabre On His Renewed Mental Strength

The artist talks about his new album, his friendship with Jorja Smith and more.

Maverick Sabre - I Need

via Youtube.com

As a singer, songwriter, and rapper, 28-year-old Maverick Sabre has had an arduous journey finding his creative voice. "I look myself in the mirror and make sure I'm there for myself as much as I can be," Sabre said over the phone. "I'm here to be vulnerable." Sabre was born in London to an Irish family, and at age four moved to a small county in southwest Ireland where he grew up. Sabre's father was a local musician who constantly performed and recorded in the house. "There was always loud music around me, so whether it was going to my dad's shows or watching him rehearse, I was around live music quite a lot." While Sabre's father exposed him to Blues and traditional Irish music, it was his older sister who gave a teenage Sabre his first taste of Hip-Hop. "There was a small Irish Hip-Hop scene in my community at the time, so in my early teens I just started spitting," Sabre said. Since Irish rap was still a reclusive, underground scene, Sabre supported acts like The Game, G-Unit, D12, and Plan B in his formative years. "Because the community was so small, I got wicked opportunities for a young kid that was still finding myself."

The singer's 2012 debut, Lonely Are The Brave — an immersive concoction of Hip-Hop, Soul and Reggae which critics called "brutally opinionated" and "unnervingly honest"— debuted at #2 on the UK Album Charts. With recognition and fame came new-found anxieties. "I was paranoid, untrusting of the world, and I knew there was a light at the end of the tunnel but I couldn't see it," Sabre said. After a tumultuous three year period of self-reflection, Sabre's second record — which was fittingly titled Innerstanding and featured collaborations with Joey Bada$ and Chronixx — blossomed out of the singer's personal understanding of mental illness. "I'm lost in the moment, my mind state keeps me broken, and I'm feeling so hopeless, but something's telling me to hold on," Sabre croons on the album's opening track. "I think as human beings we all have little moments that we learn from, and we're growing all the time," Sabre said. "But for me, the big thing was keeping the energy of the people around me correct." Now as an independent artist, Sabre says he's the strongest he's ever been. "I feel like I've woken up."

Sabre's upcoming project When I Wake Up is set for release on March 22nd, and is the artist's grittiest work to date. The album's lead single "Her Grace," which also features Chronixx, engulfs the listener in a sweeping amalgamation of Reggae and Soul, and demonstrates both artists musical versatility. "I want this album to be a soundtrack to where my head's been at the last two years," Sabre said. "In a way, it kinda feels like a brand new debut." In addition to gearing up for an album release, Sabre also collaborated with Rudimental on their latest single "They Don't Care About Us," and worked closely with Jorja Smith on her Grammy-nominated album Lost & Found. "A friend of mine introduced me to her music when she was only 16, and I fell in love with everything she was about," he said. "We started writing together shortly after, and it's been beautiful to watch her grow." As international recognition creeps closer to his doorstep, Maverick Sabre is determined to remain focused, calm and collected. "As human beings, nothing is ever perfect, and the judgments from yourself and from the world are naturally gonna tink your armor a little bit," he said. "But it's important to take time and do things for yourself because you love it. Finding that balance is precious."


Mackenzie Cummings-Grady A creative writer who resides in the Brooklyn area, Mackenzie's work has previously appeared in The Boston Globe, Billboard, and Metropolis Magazine. Follow him on Twitter @mjcummingsgrady.


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MUSIC

READY TO POP | Nic Pool, Jorja Smith & More Grieve For Lost Souls

Falcon Jane, Yukon Blonde & Pat Sicotte Muse on Death and Recovery.

Come to terms with these essential new cuts.

Ready to Pop is carrying a bit of heaviness this week. When tragedy strikes, there's no way you can ever be ready for it. It's downright terrifying, and so, armed with some of the best new pop songs right now, we pour over grief and loss, brooding over the many feelings that come with devastation. Below, check out our latest obsessions, rated on a (slay) scale of "Super Chill" to "Shook" to "Wig Snatched."


Nic Pool - "The Falls"

As Nic Pool tells it, loss comes over you like a waterfall, drowning you and suffocating your bones. "Tucson, Arizona, I'm hoping you'll be there / Where the lights are golden, nobody's scared / Folded up the boxes, hit the road / In your busted Toyota, your little girl ," he weeps, underneath a steady flow trickling percussion and scratchy instrumentation. His voice is vulnerable and blistered, hinting that his recovery will promise to be long and winding.

Slay Scale: Shook

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Falcon Jane - "The News"

"Did you leave me because you didn't feel good enough?" Falcon Jane inquires with gentle caresses. There remains a remarkable sorrow to her voice, carrying around quite a demon that won't let her go. "I'm afraid of being lonely," she also confesses, exposing her broken edges amidst coming to terms with death, which came like a ghost in the night, literally and metaphorically. The performance will assuredly get under your skin.

Slay Scale: Wig Snatched

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Jorja Smith - "Goodbyes"

Losing someone is like a piece of your soul floating up to the heavens. You'll never be the same, and through Jorja Smith's sterling "Goodbyes," an acoustic-rendered ballad that's pluckiness serves to lighten the mood and celebrate a lost one's life, the listener is comforted. Smith's voice is smooth, especially as she glides up into her head voice with such precision. "How could we know that there wouldn't be tomorrow?" she proposes at the outset. She then explores what that means, and while the answer isn't so easy to define, her heart is closer to being completely healed.

Slay Scale: Shook

Follow Jorja Smith on Twitter | Facebook | Instagram


Yukon Blonde - "Cry"

Trapped in a constant state of dream-like synths and chewy disco beats, Yukon Blonde comes to terms with a tremendous loss. "Cry" sees the five-piece vowing to not shed any more tears, or at the very least, try to stop the flood gates from gushing any longer. "I never thought we'd run out of time, no," they heave, sighing in between licks of guitar and the rubble of tired-eye synths. It's a somber performance, but the arrangement makes a bid to soothe the wounds.

Slay Scale: Super Chill

Follow Yukon Blonde on Twitter | Facebook | Instagram


Pat Sicotte - "Last Goodbye"

Pat Sicotte steps into the narrator role to tell a story of an older gentlemen on his deathbed. Through a folk-strewn lens, he sings a sweet lullaby to the man's wife, who enjoys the last fleeting moments together before the sun sets on his life. "As I stare at you one last time, I wipe the tear from your eye / And I say, 'It's been a helluva ride,'" Sicotte sings, rather bittersweetly. The performance is quite marvelous and displays Sicotte's knack for gutting storytelling. Birds chirp in the background, and you are left weeping in your chair (well, we are at least...)

Slay Scale: Wig Snatched

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Jason Scott is a freelance music journalist with bylines in B-Sides & Badlands, Billboard, PopCrush, Ladygunn, Greatist, AXS, Uproxx, Paste and many others. Follow him on Twitter.


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MUSIC

Kali Uchis' 'Isolation' Is Funky, Blissful, and Sugary

Kali Uchis' debut album 'Isolation' is a funky, blissful pop record.

'Isolation' Kali Uchis

Isolation is a vibe, a contemplative pop record that draws from a diverse range of genres, all of which exercise Uchis' impressive range as a writer and singer.

Kali Uchis has a voice that melts in the ear. Her songs are melancholic and lush, a type of romantic isolation she draws the listener into. Her debut album, aptly titled Isolation, feels like stepping into her world, a melting pot of genres that seamlessly blend the Columbian-American singer's sultry alto with bedroom pop and funk. The comparisons to Amy Winehouse still stand, of course, but only Kali Uchis knows how to find the sweet spots in songs that are indulgently sad, wistful, and hopelessly longing. This is sugary pop music, but Kali Uchis is no one's victim. She is vulnerable by choice.

Isolation finds Uchis playing with genres her voice naturally acclimates to: On "Your Teeth In My Neck" Uchis sings about cultural appropriation and "vampires" in the industry, her voice bouncing off Neptunes-esque production. On singles "Tyrant," "Nuestro Planeta," and "After the Storm," Uchis hits her stride, her silky voice morphing into Billie Holiday backed by West Coast soul and funk. Kali Uchis is still influenced by the same sounds Odd Future artists Tyler the Creator and Steve Lacy gravitate toward, but this time things are more refined and idiosyncratic. The lo-fi aesthetic of breakout EP Por Vida is present but less girl-in-bedroom and more performative. A self-proclaimed recluse, Uchis knows how to inhabit her songs like they are actual spaces, exercising a type of vocal restraint on slower, moodier pieces like "Miami" and tracks like "Feel Like a Fool," where Uchis is more lively.

The interludes provide a type of blissful respite from the reggaetón influences, where Uchis sinks into sultry R&B. "I know," she sings on "Coming Home," "stop holding me back, quit pushing me forward…I move at my own pace, just leave me alone." The interlude "Gotta Get Up" is a beautiful prelude to "Tomorrow" (produced by Kevin Parker), a psych-pop record where Uchis recites a stunning outro in Spanish. Comparing herself to a comet in the sky, Uchis is fascinated with her internal energy and is careful where she chooses to exhaust it, always discerning what's worth burning out for. Uchis is still self-contained and her music, as a result, casts a hypnotic spell on the listener—the same claustrophobic fuzziness heard on Por Vida.

And Isolation is hopelessly romantic, but the spaces Uchis navigates on this record are within reach, more palpable and less diaristic. Her writing has improved and she's become more of storyteller and seducer. Isolation feels powerful, an I-am-woman manifesto pumped with glitter, sugar, and honey—basking in the slowness of life. Kali Uchis is in no rush to prove anything instead, she's happy to rest in the moment and set the mood. Isolation is a vibe, a contemplative pop record that draws from a diverse range of genres, all of which exercise Uchis' impressive range as a writer and singer. She is well on her way to becoming a pop icon—if she's not already. Even Uchis knows when to wake up from her dreams and Isolation is her kaleidoscopic headspace fully-realized.


Shaun Harris is a poet, freelance writer, and editor published in avant-garde, feminist journals. Lover of warm-toned makeup palettes, psych-rock, and Hilton Als. Her work has allowed her to copyedit and curate content for various poetry organizations in the NYC area.


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APRIL 9 | Injury Reserve, ARY, BROCKHAMPTON, Kali Uchis, Melvv and more!

04.09.18 | All of these songs are part of the influence soup in Jon's head when he's making music. This list is basically all of his current favorite songs that aren't massive hits everyone already knows. They hit that sweet spot of being experimental while being accessible that he tries to put in his own music.

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Tyler, the Creator's infamous, raspy vocals provide a nice counter to Uchis as Bootsy Collins sends the beat into cotton-candy oblivion.

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