The Implications of Visiting Saudi Arabia: Emily Ratajkowski, BTS, Nicki Minaj, and the Politics of Performance
According to festival attendees, politics had nothing to do with it.
Saudi Arabia is trying to save face.
That seems to be the underlying purpose of a massive festival called MDL Beast, which recently recruited supermodels like Alessandra Ambrosio, Jourdan Dunn, Halima Aden, Irina Shayk, and Elsa Housk to party in the city of Riyadh.
Other attendees—many of whom flew in on private jets—included Luka Sabbat, Peggy Gou, J Balvin, Ed Westwick, Winnie Harlow, Sofia Richie, Scott Disick, Olivia Culpo, and Armie Hammer. Many attendees apparently received "6-figure sums" or offers as high as 8 figures in exchange for their presence and social media posts.
Ostensibly, the bevy of stars and their entourages were there to attend a three-day musical festival, which attracted hundreds of thousands of attendees. Their presence was part of Crown Prince Mohammed bin Salman's ongoing attempt to modernize the country and maintain its lucrative relationships with other nations while distracting from the country's history of violence.
It seems to be working. Reports described the event as reminiscent of Woodstock or Coachella, and included a "rave" and "surrealist performers."
According to Armie Hammer's Instagram post, the event "felt like a cultural shift" and "will lead a cultural revolution."
Sofia Richie echoed the sentiment, posting an image of herself and friends, originally with the caption "Saudi Girls." The caption appears to have since been removed, but the photo—which remains—was taken at Riyadh's Ritz-Carlton Hotel, which is the same place where the Crown Prince detained political opponents in 2017.
Saudi Arabian influencer Nojoud Alrumaihi responded to critics and expressed support for the so-called cultural revolution, writing, "It's so sad to see posts based on complete ignorance and absolute media propaganda. While Saudi is pushing so much to change and to become the place it visions to be, we see posts like this from someone who never probably spoke to ONE Saudi person."
Emily Ratajkowski Declines Invitation to MDL Beast, Calls Out Human Rights Abuses
Not everyone was as quick to join the party. According to model and actress Emily Ratajkowski, who declined an invitation, attending the event went against her values and belief in human rights.
"It is very important to me to make clear my support for the rights of women, the LGBTQ community, freedom of expression and the right to a free press. I hope coming forward on this brings more attention to the injustices happening there," Ratajkowski told Diet Prada, an Instagram account that calls attention to injustices in the modeling and entertainment industry.
The Diet Prada account also posted a long critique of the campaign, citing Saudi Arabia's history of human rights abuses and violations.
In another critique of the event, former Teen Vogue editor Phillip Picardi questioned the integrity of the positive messaging that ensued from the festival. "A lot of the messaging of the captions is about portraying SA as changed and accepting, and the trips appear to be coordinated with the government or tourism board," he wrote. "You can't really 'buy' that kind of messaging, and how was your experience there tainted by who organized your trip and what you can or cannot say?"
Model Teddy Quinlivan also made her opposition public, putting things a bit more bluntly. "If you're an influencer and you're promoting tourism to a place to [sic] openly kills journalists and LGBTQ people as well a list of other horrible and archaic laws and politics: You're a f*cking SELL OUT," she wrote. After receiving backlash, she quipped on Instagram, "I've been called a sl*t and a wh*re more times in the last 24 hours by Saudi Arabian trolls and bots than I have in my entire life."
Karen Attiah, a journalist and friend of Khashoggi, also blasted the festival's attendees, citing the inevitable corruption that stems from accepting a sum in exchange for publicity. "I, along with activists and journalists have been living for the past year with risk and intimidation for daring to speak out about Jamal Khashoggi's murder, Mohammed bin Salman and the abuses under his watch," she tweeted. "For Glamour UK to take money from KSA.. it's a slap in the face."
"The dark side of influencer culture is that it really is the ultimate expression of capitalism. Money over human lives. What good is your platform if you overlook Saudi regime's murder and torture for a few bucks? These influencers are just for-hire human billboards," she added.
Jamal Khashoggi's Murder Continues to Reverberate as Five Are Sentenced to Death
The list of Saudi Arabia's injustices is long. Saudi Arabia has actively funded the war in Yemen, which has led to what the United Nations described as "the world's worst humanitarian crisis."
The nation has also been condemned for the detainment and torture of woman activists, for regressive treatment of women, and for "the arrest, imprisonment and harassment of large members of the Shi'a Muslim community and other minority groups" and the "long-standing exploitation and abuse of migrant workers," according to Amnesty USA.
While this has been ongoing, Saudi Arabia gained international attention for the murder of journalist Jamal Khashoggi. Today, the Monday after the festival, five men were sentenced to death for killing the journalist in 2018 after a trial concluded the verdict was not premeditated.
The list did not include any top Saudi officials, nor an advisor to the Crown Prince, according to CNN. Many viewed this as a slap in the face, as U.S. intelligence agencies have posited that the murder was ordered by Mohammed bin Salmad himself.
In a tweet, UN Special Rapporteur Agnes Callamard—author of a 101-page report on the murder—condemned the verdict, writing that "the sentence today is anything BUT justice."
The Implications of Visiting Saudi Arabia: BTS, Nicki Minaj, and the Politics of Performance
This is far from the first time that stars and influential people have sparred over whether or not to collaborate with Saudi Arabia.
In July, BTS made the decision to perform in Riyadh, having been personally invited by Crown Prince Mohammed bin Salmad. They faced criticism but defended the decision. "If there's a place where people want to see us, we'll go there. That's how we feel," bandmember Jimin said at the time. The K-pop stars joined the ranks of artists like Mariah Carey, Enrique Iglesias, and David Guetta in deciding to perform in Saudi Arabia.
On the other hand, the same month BTS performed, American artist Nicki Minaj made the decision to pull out of a Saudi Arabia show. Like Ratajkowksi, she cited support for women, the LGBTQ community and free press, according to her statement.
Thor Halversson, president of the UN's Human Rights Foundation, lauded Minaj for her decision at the time. "This is what leadership looks like," he said. "We are grateful to Nicki Minaj for her inspiring and thoughtful decision to reject the Saudi regime's transparent attempt at using her for a public relations stunt… Minaj's moral stance differs from celebrity performers like J-Lo and Mariah Carey, who in the past have chosen to line their pockets with millions of dollars and stand with dictatorial governments as opposed to with oppressed communities and imprisoned human rights activists."
All this raises a knot of questions. When is art separate from politics, or is it ever? Are influencers and advertisers separate from politics?
In a situation where artists and influencers' positive PR is literally being purchased by the state, it's hard to say that these people can or should separate themselves from the political implications of their actions. While music and performance can create a bridge across political and ideological differences, in today's political theatre—when public personas are inextricable from their political contexts—musicians and content creators are increasingly obligated to actively align themselves with human rights, or face the Internet's ire. However, in a world where influencers still flock to Saudi raves, one question that remains is: At what point does an apolitical stance become indistinguishable from taking the position of the oppressor?
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The playwright and AIDS activist died at 84.
Larry Kramer, AIDS activist and artist, passed away today at 84.
Kramer was known for his books Faggots and The American People, as well as climate-changing plays like The Normal Heart. His close friend and literary executor, William Schwalbe, told CNN that Kramer died of pneumonia."Larry made a huge contribution to our world as an activist but also as a writer," said Schwalbe, who had known Kramer for 57 years. "I believe that his plays and novels, from 'The Normal Heart' to 'The American People' will more than stand the test of time."
The docuseries avoids possible pitfalls of covering America's best known serial killer by deconstructing the culture, politics, and female "groupies" that cultivated the Bundy Effect™.
The most surprising takeaway from Conversations with a Killer: The Ted Bundy Tapes is how many women still find America's favorite murderer attractive.
Netflix released its latest true crime docuseries on Thursday, January 24: the 30th anniversary of Bundy's execution in Florida. The series' main draw is Stephen Michaud and Hugh Aynesworth's previously unreleased interviews with Bundy, which were conducted while he was on death row in 1980. The journalists recall their interactions with the sexually sadistic killer during their 150 hours of interviewing him for their 1989 book. "Ted stands out because he was quite an enigma: clean-cut, articulate, very intelligent, just a handsome, young, mild-mannered law student," Michaud says. "He didn't look like anybody's notion of someone who would tear apart young girls."
The Ted Bundy Tapes is a self-aware docuseries. Joe Berlinger is clearly conscious of the fact that Bundy is probably the most well-known and exhaustively covered subject in the true crime genre. The basics of the Ted Bundy cautionary tale are now almost cliche: the least likely suspects can turn out to be the worst monsters. As Berlinger noted, "He taps into our most primal fear: That you don't know, and can't trust, the person sleeping next to you. People want to think those who do evil are easily identifiable. Bundy tells us that those who do evil are those who often people we know and trust the most." So in addition to being well-produced, the angle of the four episodes is to deconstruct that signature Bundy Effect™ that altered 80s media, the criminal investigation, and the American psyche.
When a 22-year-old named Lynda Ann Healy disappeared in 1974, the term "serial killer" didn't exist in the American vernacular. By the time two college students were murdered in Florida State University's Chi Omega sorority house in 1978, criminal investigators had identified a pattern to the string of brutal murders that had spanned over seven states. The Ted Bundy Tapes combines archival news footage and interviews with investigators to convey the mass fear that disrupted the 1970s' wave of female empowerment and autonomy. At the same time, class mobility and Republican politics created a decade that was "perfect for [Bundy] because he [didn't] have to be real," as Berlinger pointed out.
Despite claiming to be innocent on Death Row, Bundy finally confessed to Michaud and Aynesworth in their exclusive audio recordings. After listening to the excerpts, the erratic confession could've been another one of Bundy's manic, illogical plans to misdirect attention (and postpone execution) by focusing on his 30 victims. He begins the interviews with the same egomaniacal enthusiasm that characterized his court appearance and press conferences: "It is a little after nine o'clock in the evening. My name is Ted Bundy. I've never spoken to anybody about this. I am looking for an opportunity to tell the story as best I can. I'm not an animal and I'm not crazy. I don't have a split personality. I mean, I'm just a normal individual."
But there's another bizarre element to the Bundy Effect™ that's been repeated in cases like the recent family murderer, Chris Watts. Some women who were well aware of Bundy's homicidal and necrophilic urges still swooned over the man. The Ted Bundy Tapes also touches on the strange phenomenon of "serial killer groupies," including Bundy's wife, Carol Ann Boone. Footage of the killer proposing to her while she was testifying at his trial demonstrates her disturbing devotion, which she later proved by "somehow" having sex with Bundy during a prison visit and later giving birth to their daughter. Aside from calling him "kind, warm, and patient," Boone also said in archival footage, "Let me put it this way, I don't think that Ted belongs in jail. I don't think they had reason to charge Ted Bundy with murder."
In fact, while Netflix summed up the public's 30-year-long fascination with Bundy in a tweet describing him as "charming, good-looking, and one of the most dangerous serial killers that ever existed in America," the most disturbing effect of the docuseries may be a resurgence in women who find him appealing. After its release, "Ted Bundy" became a trending topic on Twitter, with users debating the serial killer's attractiveness. One user called him "the most beautiful psychopath in the world," while another said he looked like "the Joker minus the makeup."
With Zac Efron set to inhabit Bundy in the upcoming film Extremely Wicked, Shockingly Evil and Vile, the world might have to confront the weird equation of 70s beauty standards and institutional failures that made Ted Bundy a criminal celebrity.
Zac Efron (Left) and Ted Bundy (Right)People
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