After dominating the Grammys earlier this month, BTS returns with a brand new body of work
After conquering the Grammy stage to perform "Old Town Road" with Lil Nas X earlier this month, BTS has finally released their highly anticipated new album, MAP OF THE SOUL: 7.
The 20-track behemoth features a slew of their best songs from 2019's MAP OF THE SOUL: PERSONA, along with a fantastic new rendition of "ON," this time featuring Sia. The track's MV, which is as gorgeous as the song itself, was released today, as well. Other tracks include their stunning single "Black Swan," which Popdust's own Dan K called a "genuine masterpiece...one of those rare songs that seems to exist on an almost entirely emotional level. From the somber opening string notes to the vocal performances tinged with melancholy, and the distant, layered sound design, 'Black Swan' hits you straight in the soul."
The group recently returned from a well deserved hiatus and are set to embark on a world tour this April, with their first few performances being at none other than the Seoul Olympic Stadium.
Check out the album and music video below.
Is Black Out Tuesday really "an urgent step of action to provoke accountability and change"?
On Friday, May 29th, as protests ripped across the nation, a message began to circulate through social media, asking that the music industry disconnect from the Internet for a day.
The post called this "an urgent step of action to provoke accountability and change."
This is part of an initiative created by Atlantic Records' Jamila Thomas and Platoon's Brianna Agyemang, who launched it alongside several calls to action. "Tuesday, June 2nd is meant to intentionally disrupt the work week," they wrote. "The music industry is a multi-billion dollar industry. An industry that has profited predominantly from Black art. Our mission is to hold the industry at large, including major corporations + their partners who benefit from the efforts, struggles and successes of Black people accountable. … This is not just a 24-hour initiative. We are and will be in this fight for the long haul. A plan of action will be announced."
We won't love it long time.
Even though I was born in Seoul, South Korea, I don't consider myself to be a "Seoul girl." What is a "Seoul girl," you ask? I dunno, ask Rebel Wilson.
According to Deadline, Seoul Girls is the upcoming K-Pop comedy written and produced by the Pitch Perfect and Cats star. Lionsgate has acquired the rights to the film, which will feature "a Korean American high school girl and her friends who enter a worldwide talent competition to be the opening act for the world's biggest K-pop boy band. With help from an ex-member of a British girl group and a former K-pop trainee, the Seoul Girls find their voices on the world's biggest stage." Wilson will play a role in the film, most likely the British ex-pop star.
The script for this unholy mash-up of Pitch Perfect and Camp Rock was reported to be "revised" by Billions screenwriter Young Il Kim, who joked about his involvement on Twitter: "This Kpop project is gonna get me at least a 10% discount in K-town restaurants!"
Sadly, a street cred discount and a "nice try but no" might be all he gets, judging by Asian Twitter's responses. Criticism ranged from disbelief at the kitschy title ("'Seoul Sisters' was right there!" wrote one user) to the flimsy plot (K-Pop aficionados pointed out that K-Pop performances don't usually include opening acts).
Granted, details about the film are scarce, but what information we have doesn't bode well, considering the mind-boggling history of Hollywood white-washing, exoticizing, and fetishizing Asian characters. One user posted, "If this is all about stereotypes, please @RebelWilson, no. I love you and I don't want you to be dragged for being misinformed and reinforcing stereotypes please. I love you, dont." Others commented on the demoralizing pattern of Hollywood "encroaching on Korean culture once they realize it's profitable."
Setting aside jokes about Scarlett Johansson or Emma Stone being perfect for the role, we're somewhat confident that the studio wouldn't be dumb enough to cast a non-Asian for any of the leading roles. Yes, we know that a studio exec once suggested Julia Roberts play Harriet Tubman, but… that was in 1994. Now we live in a post-Crazy Rich Asians world; the celebration of which made it seem like American media was about to be flooded with more Asian and Asian-American representation. (Nevermind that the only Asian screenwriter had to quit the sequel because she was offered one fraction of her white co-writer's salary). Now we collectively mock Johannsson playing a character originally named Motoko Kusanagi because the tide has turned against Hollywood white-washing the eastern sh*t out of Asian characters—right?
Attached to produce Seoul Girls are some of the least-Asian producers in the business: Meredith Wieck and Scott O'Brien from Lionsgate and Alison Owen and Debra Hayward from Monumental (the culprit behind the whole live-action Cats nightmare). At least there's hope that Seoul Girls will feature (seriously, at the very least) an all-Asian cast. After all, it's surely not possible that a fundamentally, literally Korean storyline would ever feature non-Korean actors...right?
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