TV

How to Watch and What to Expect for the "Steven Universe: Future" Premiere

With four brand new episodes premiering Saturday at 8:00, you'd better make sure you're ready

Screenshot via Cartoon Network Asia / Youtube.com

It's finally here!

After the announcement, the trailer, and all the teaser art, the anticipation was killing us. But now December 7th is upon us, and the premier of the first four full episodes of Steven Universe: Future is about to deliver some sweet escape from dull dark reality with a glimpse into Beach City and a new era of peace and liberation, thanks to Steven and the Crystal Gems. What new enemies will arise to threaten this hard-won stability, and what lessons will Steven have to learn to take them on? Also, did they ever bring back Cookie Cat? Because Lion Lickers just aren't cutting it.

Steven Universe - Toon Tunes: Cookie Cat Rapwww.youtube.com

All these questions and more are finally about to be answered…for those of us who have cable. Unfortunately for the millennial cable cutters who make up a big portion of the Steven Universe fanbase, until next spring rolls around, there isn't really a great way to stream Cartoon Network content. You could always find a source to pirate the episodes, but apart from the legal issues, you'll have to find a way to sleep at night while knowing that you stole the hard creative work of Rebecca Sugar and all their collaborators.

If you have it in your budget, and know you're going to watch these episodes over and over, Amazon already has a "season pass" available. If you don't, then you might want to find a friend with cable, and just watch it with them. And if you're reading this with 8:00 PM approaching, and you're scrambling for an option, there are a number of Live TV services with Cartoon Network access that offer free trial periods. Just don't blame me if you forget to cancel…

If you aren't convinced, and think you might still wait for who knows how long to watch these episodes when they finally come to Hulu or Netflix, here are the episode descriptions for Saturday's premiere, along with a first look clip of Steven being a sort of social worker for a restored Jasper, just to whet your appetite:

"Little Homeschool"

Welcome to Little Homeschool, a place on earth where Gems from all over the universe can come learn how to live together peacefully! But there's one Gem who refuses to attend.

"Guidance"

Amethyst has been helping Little Homeschool Gems find jobs on the boardwalk, but Steven isn't sure about her approach.

"Rose Buds"

Steven gets a surprise visit from some old friends, and an even more surprising introduction to some new ones.

"Volleyball"

Steven is determined to help Pink Diamond's original Pearl heal the scar on her face.

MUSIC

R3hab Teams Up with ZAYN and Jungleboi on "Flames"

A dazzling blend of electro-pop and gospel flavors.

R3hab, ZAYN, Jungleboi

R3hab, ZAYN, Jungleboi

Dutch-Moroccan DJ and producer R3hab, a.k.a Fadil El Ghoul, and Jungleboi ran into each other in London, in 2017.

Combining their talents, the two artists began working on a new song, "Flames," featuring an elegant piano, gentle electro rhythmic pulses, and a fat bassline, all topped by ZAYN's sumptuous voice.

R3HAB & ZAYN & Jungleboi - Flames (Lyric Video)youtu.be

R3hab made big waves in 2017 with the release of his debut album, Trouble, amassing 500 million streams worldwide, followed by his sophomore effort, The Wave, collecting 250 million streams on Spotify. In 2019, he released "All Around the World," featuring A Touch of Class. The song hit gold and platinum in eight countries.

"Flames" reveals complex layers and intense emotional lyrics: "Well, well / You better run from me / You better hit the road / You better up and leave / Don't get too close."

Follow R3hab Facebook | Instagram | Spotify | Twitter

FILM

What We Know About "Steven Universe: Future" So Far

The Latest Sneak Peak Gave Us a Ton To Think About, But Not a Lot of Answers

Cartoon Network

Fans of Steven Universe were no doubt delighted by the news at this year's Comic Con that Rebecca Sugar's iconic world would be continuing with an epilogue called Steven Universe: Future.

But until now, that title and a little bit of teasing artwork was all the news we'd received about the upcoming limited series. Today, finally, we got our first sneak peak at Future, and it really is looking bright.

It's been nearly a year now since the fifth and final standard season of Steven Universe concluded with the apparent achievement of universal everlasting peace. Having recovered their lost, beloved Pink Diamond in the form of a small, half-human boy, the Diamonds' whole worldview was shaken. The framework of unquestioned superiority that had guided their rule was suddenly invalidated. They dissolved their society's rigid hierarchy and acknowledged the value of organic life. War and conquest are off the table, and gem technology will bring a new Utopian era to earth. Huzzah! Every problem is fixed and all the characters can now live in peace and love and freedom into eternity.

For a show with a well-earned reputation for tackling the complexity and nuance of interpersonal drama, it seemed a bit strange for events to be wrapped up so tidily. It's a sentiment that was perfectly captured in September by the song "Happily Ever After," that played in the first moments of Steven Universe: The Movie. "Here we are in the future, and it's bright. Nothing to fear, no one to fight." But no sooner was this sense of a happy ending established than Spinel was introduced and new drama ensued, showing the way for the franchise to grow moving forward. There are loose ends galore, and in the upcoming limited series Steven Universe: Future Steven will have the work of handling those, but also, "as he runs out of other people's problems to solve, he'll finally have to face his own."

steven universe future threatsCartoon Network

That leaves a lot of room for Steven's romantic life, his questions of identity, and his private ambitions to be explored—not to mention his own messy history with the tribe of Watermelon Stevens, etc. It's not yet clear which of his personal problems will come into focus in Future, but we do have clues about some of the other problems he'll be facing.

Let's start with the frame of a generally better life in Beach City and the rest of the universe, with gems finding new ways to live, be free, and have fun on earth—yoga and art and new fusions galore. "Happily Ever After" echoes throughout the snippets of Future we've received so far, but the new sneak peak emphasizes Steven's misplaced optimism in believing that "soon, we'll all be able to put the past behind us." Dissolving the old hierarchy does not erase history. There are ancient grievances that we've never even heard of—as with Spinel, abandoned in Pink's garden—and there are grievances from within the show's established canon that may not be so easily forgotten. Enter Jasper.

jasperCartoon Network

Jasper is a toxic gem. Abusive and domineering, she has internalized the hierarchy of gem society to such a degree that she can't conceive of personal value or identity in any other terms. Fusions are beneath her, imperfect gems are beneath her, biological creatures are far beneath her, and Rose Quartz—who upset the natural order and remade herself into a half-biological creature—is absolute scum. For Jasper, it's not such an easy thing to let go of those ideas on the basis that this scum, this fundamental enemy of her values, is now being held up as Pink Diamond—Jasper's lost matriarch. And now the fact that her gem is corrupted is likely to only exacerbate her resentment. Her manic laughter rings out in the new video, along with the defiant declaration "You are not my diamond!"

pearlsCartoon Network

Jasper will clearly represent a significant threat in Future, but she's not the only character fans are buzzing about. Perhaps even more interesting is the mystery of the damaged Pink Pearl. She was previously taken from Pink Diamond—before our familiar Pearl replaced her—and has since served under White Diamond. She has large fractures of unknown origin covering half her face, and in the sneak peak, we catch a glimpse of those fractures spreading across her face. No doubt the drama of her past and the question of how she will be incorporated into the new world will be another focus of Future.

Beyond that, there are still a lot of questions to be answered, but it's exciting to see so many new and wild fusions, and gem technology transforming life on earth—for the better this time. The release date hasn't been specified beyond the vague promise that it's "coming soon." Hopefully a date will be forthcoming, because "soon" can't come soon enough!

Allen J. Schaben/Los Angeles Times

It's hard for anyone to match the star power of Frank Ocean—even Drake.

When Tyler, the Creator promised a surprise headliner Sunday night at Camp Flog Gnaw, rumors spread that Ocean would take the stage. But when it was time to reveal the guest of honor, Drake appeared, and was promptly welcomed by a sea of boos and chants of "We want Frank." "If you want to keep going, I will keep going tonight," Drake said about 20 minutes into his performance, although the majority of the crowd was dismissive. "I love y'all. I go by the name of Drake. Thank y'all for having me," he said as he exited, clearly dejected.

What does it mean for the state of music fandom today that Drake, inarguably one of the decade's most successful artists, can get booed off stage at a hip-hop festival? Have listeners grown bored and underwhelmed by Drizzy in the same way Kanye West's most recent projects have failed to pique lasting general interest? Of course, Drake and West differ in many ways—one is considerably more problematic—but their places in the rap canon also boast a few parallels: Both grew massively popular on similar timelines, and it's safe to say the peaks of both of their careers have come and gone. In terms of hip-hop, younger fans tend to turn to artists like Tyler, the Creator, Frank Ocean, and even Brockhampton—artists who, like pop experimentalist Charli XCX, exist in the overlap between mainstream popularity and left-field stylistic approaches.

It makes sense that, especially at a festival so integral to Tyler, the Creator's personal brand of alternative rap, fans would plead for Ocean over Drake. Even in his notably reclusive fame, Ocean still maintains a degree of relatability that Drake's stardom has stripped him of. Another factor is how often Ocean performs (or, rather, how rarely he does); name a festival, and Drake has likely headlined it before, while Ocean has become somewhat infamous for cancelling tours and festival appearances.

So, was the crowd at Camp Flog Gnaw overly optimistic for expecting Sunday night to bring a long-awaited appearance from the mastermind behind Blonde? Absolutely. But the fact that the crowd booed the holder of nearly every record on the Billboard Hot 100 speaks to just how distant Drake has grown from the next iteration of rap fandom.

MUSIC

Pre Kai Ro Is Ready to Take Over the World

The singer sat down with Popdust to talk about his new single, his relentless work ethic, and his plans for world domination

Born in Oman to Egyptian parents, Pre Kai Ro's complex music sensibilities can partially be attributed to his international upbringing.

During his childhood, he lived in Oman, Egypt, Ireland, UK, and Dubai, and was exposed to vastly different music as a result. "My environment was always split in the sense that inside the house, I was being exposed to purely African and Middle Eastern music," said the budding R&B singer. "[But] I was simultaneously becoming obsessed with Hip-Hop, R&B and Rock." Pre Kai Ro's production has always been dark and 808 heavy, but his voice is light and inviting, bouncing along effortlessly as he frankly discusses heartbreak, and his relentless grind for stardom. Popdust caught up with the singer to discuss his new single, "Baby Boy," and his plans for the future.

How did you find your sound?

When I was 10 I won a school talent show while living in Dublin after performing a rendition of "21 Questions" by 50 Cent. My mother was impressed but horrified. From then on, it was kind of a constant development of my sound and identity in music. It wasn't until 2016 while attending university in Nottingham, England when I [got serious]. I had spent years posting acoustic covers online, and already developed my sound [as a result.]

Did anyone, in particular, inspire you to get into music?

My biggest inspirations to this day are (in no specific order) Kanye West, Frank Ocean, Bon Iver, The Weeknd, and Future. I want to emulate their work and pay homage.

You've released a good deal of projects and have been grinding steady for a while now. What have you noticed change about your sound and creative process over the years?

For my first project, Mood with Olsem - an incredibly talented French man I consider my brother - we were at a point where the process was just extremely quick. He would send me a beat he just made and I would record in my room, usually with the first melodic and lyrical idea that came to mind. Tracks like "Queen of The New World" and "Need Me" would be finished in less than an hour. Our latest project, Vibe, was actually produced, written, recorded, mixed and mastered within 48 hours. Now that I'm focusing more on singles, the formula stays the same, but I'm trying to revisit certain songs to get them as "perfect" as they can be.

Was the process similar for "Baby Boy?"

I remember producer [Don Fuego] said he hadn't met an artist who could work as quickly as I did, so he gave me a challenge where he would nap for 30 minutes and expect a full ballad to be written by the time he woke up. I wrote about the turbulent artist life I'm living and how it seems to affect every form of relationship I have. "Baby Boy" is actually based on a culmination of messages I'd received from significant others about my absence as I continued to focus more on my career. Long story short, [everyone] felt "Baby Boy" had a certain magic about it.

What are your plans for the rest of the year? Tour? What can we expect from "King?"

My plans are to drop a single per month for the foreseeable future. I'm refusing to be limited by [everyone else's] expectations of me. I want to continue releasing the music that makes me and those around me feel something. If it doesn't move me, I refuse to let it move anybody else. I'm aiming for global domination, and that type of thing requires patience and careful planning.

Baby Boy