MUSIC

Witch’s Wall Premieres Wistful Love Song “Lady Love”

A merge of dream-pop with experimental psych-rock.

Witch's Wall

Brandon Lett

Witch's Wall introduces "Lady Love," a single from their forthcoming self-titled debut album, slated to drop spring 2020, via Cornelius Chapel Records.

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MUSIC

Slenderbodies Are Calm, Collected and Tired "In a Good Way"

We caught up with the duo right before they took the stage at Brooklyn's Rough Trade

press photo

Slenderbodies, who finally released their debut album, komorebi, last month after numerous EPs, are deep into their North American tour, and there is no denying that they're tired.

slenderbodies - "senses" (Live) | Vevo DSCVRwww.youtube.com

"I don't really know where I am, I don't really know what day it is, but it's in a fun way," Benji Cormack told me before their show on Saturday. "Other tours, it's just been pure exhaustion, but this is, like, a loopy kind of exhaustion where I'm also energized."

Slenderbodies is still a fairly new band to emerge onto the neo-dream pop landscape, which is easy to forget judging by the duo's refined musical sensibilities. They emerged in 2016 with fabulist, an intriguing EP that integrated alternative rock with pop and psychedelia. The EP spawned the song "anemone," still the duo's biggest hit, and they have since remained unabashedly devoted to their sound and creative identity. It's rare for such a young band to know themselves so well. "We didn't set out to be unique," Benji previously told me. "We set out to just make music that was authentic... and that's how we arrived at where we're at now."

"Komorebi" is a Japanese word that has no direct translation. Roughly, it's a word used to describe the way light moves as it shines through the trees. The guys witnessed an "inspiring" example of "komorebi" while they were driving up to Mendocino for a show. "We'd known the word," said Benji, "but seeing that was almost a religious experience and became very indicative of what was to come." Nature is the seasoning that brings out the band's flavors. Neither of them have gone more than a week without stepping into a forest, even while on the road, and their music wouldn't be what it was if they didn't take the time to recuse themselves from the bustling metropolitan world. Fittingly, Komorebi is seemingly the pinnacle of Slenderbodies up to this point. It contains all the charisma and silky textures of the band's numerous EPs, while at times exploring the restrictions of their sound. "I'm super happy with the record just because we were disgustingly diligent with it," Max said. On "Hearth," in particular, the duo swaps out improvised guitar loops and ghostly vocals while rain patters in the background. It's a raw moment indicative of their unique chemistry as a band. "It's like the cabin in the woods that you come to," Benji added.

Slenderbodies

While this is by no means the duo's most grueling tour, everything feels different this time around. Saturday's show at Brooklyn's Rough Trade, along with most of their current tour, was completely sold out, but they are strangely calmer than they've ever been. "I'm probably gonna play some super smash bros," said Benji. "It helps us to not think about it too hard," Max added. "My mantra is trying to turn the pre-show nerves into a high," Benji said. "I wanna hit the pre-show blunt of excitement, then go right out and play the show. If we fixate on it, we'll burn it down to the roach before we get on stage."

As I got ready to go, the two friends loomed over a take-out container full of baked ziti. "What is that?" Max asked the room. "I think it's baked ziti," Benji replied. Max seemed confused. "Baked ziti? It's a type of pasta where you pretty much slap a sh*t-ton of cheese on there and bake it." They stood in calm silence, and I slipped out as they pondered the nature of the dish.

komorebi

MUSIC

The Avener Talks Sophomore Album, New Single, and Life as a Deep House Icon

"I learn every day in the studio and things just evolve all the time."

It's been 5 years since Tristan Casara released one of the most successful debuts in the history of European Deep House.

Known by his fans as The Avener, the 32-year-old released his infectious debut The Wanderings of The Avener to massive critical acclaim. The album peaked at #2 on the French charts and has since gone triple platinum. The project's lead single, "Fade Out Lines," was streamed worldwide over 200 million times and was certified diamond earlier this year. "A lot of people say 'congratulations' now," Casara said in a 2015 interview with Universal Music Backstage, "so that's a new word for me...and I'm very thankful for that." Casara hasn't released another solo album since, but that doesn't mean he hasn't been busy. "Musical culture is an extraordinary pillar to reinforce one's producing skills," the DJ told Popdust. "I learned to never under-estimate the musical background that the last 50 years offer me."

He has spent the last five years experimenting with and reworking other artists' songs in his We Go Deep sessions, remixing everyone from Bob Dylan and Lana Del Ray to underground deep-house up-and-comers like Grand Garden and Erolflynn. "I learn every day in the studio and things just evolve all the time thanks to [all the possibilities] of computers and technology." Casara is soft-spoken and modest; his We Go Deep sessions denote his passion for pushing the limits of his craft.

The DJ finally released "Beautiful," the first single from his upcoming untitled sophomore album, this past May. "I didn't want to deconstruct the tracks I reworked in 'The Wanderings,'" he said. "[I wanted to] give them electronic modernity without losing that original texture." His latest single is drastically different from anything on "Wanderings" and is completely devoid of the southern blues and deep house fusion that encompassed the entirety of his debut record. "The songs differ from each other in a more harmonic vein," he said. "Some you can dance to, some you feel melancholic too." After being "locked up in the studio," he says his sophomore record will "finally be out later this year." While "Wanderings" catapulted Casara into deep house stardom, the DJ still just tries to make it about the work. "In 10 years I'll probably still be in my studio chair," he says. "But instead I'll be looking over the Carribean while I work."