Film News

"Coming 2 America": How to Follow Up a Classic

Hollywood's love of reboots doesn't have to be depressing.

Coming to America - Rotten Tomatoes

via YouTube.com

Eddie Murphy's 1988 movie Coming to America is the latest classic movie to get a Hollywood revival decades later.

At this point it's a familiar formula. Rather than investing any money in the risk of an original concept, a film studio will dig up a beloved movie—long after anyone was expecting anything out of it—and run it through the reboot assembly line.

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FILM

Now in Theaters: 5 New Movies for the Weekend of June 14

Who asked for a Men in Black reboot? Why would anybody want that?

Welcome back to "Now in Theaters: 5 New Movies for the Weekend."

This week, someone rebooted Men in Black for some reason.

WIDE RELEASE:

Men in Black: International

The first Men in Black was just okay. It benefits from nostalgia goggles, but so do the Burger King tie-in toys it spawned, and nobody's going to argue that those were high-quality. There wasn't really any fan demand for a reboot of this franchise (are there even Men in Black fans?), and there probably wasn't any reason behind the decision besides "reboot everything." The point is, Men in Black: International doesn't seem like a story anyone genuinely wanted to tell, and the trailer reflects that. It looks painfully generic.

Shaft

SHAFT – Official Trailer [HD]www.youtube.com

Like everything else in 2019, the new Shaft arrives with a wink and a nod. Five films deep, the Shaft franchise has shifted from blaxploitation crime action to action comedy. The premise is really cool, centering around a new Shaft (Jessie Usher) teaming him up with the original two (Samuel L. Jackson and Richard Roundtree). The trailer seems fun, so hopefully the Shaft franchise can adapt to this new tone while still maintaining the serious themes that made it so culturally prescient in the first place.

LIMITED RELEASE:

Plus One

PLUS ONE Official Trailerwww.youtube.com

Plus One is a rom-com about two friends who make a pact to be each other's plus ones at the many, many weddings they need to attend. It stars the incredibly talented Maya Erskine (PEN15) and was written and directed by Jeff Chan and Andrew Rhymer, both writers for PEN15. The plot may sound a bit contrived, but that's part of the fun of rom-coms. The trailer looks funny and, again, Maya Erskine is fantastic. As such, Plus One is my PICK OF THE WEEK.

The Dead Don't Die

THE DEAD DON'T DIE - Official Trailer [HD] - In Theaters June 14www.youtube.com

The Dead Don't Die is a horror movie with a cast. We know this because "CHECK OUT THIS CAST" has been their primary marketing point. I tend to distrust movies that market like this. If a movie needs to rely on the size and renown of its cast, it usually doesn't have a narrative that holds up on its own. Granted, the cast here really is great. Bill Murray, Adam Driver, and Tilda Swinton are phenomenal. But chances are that the movie itself is just okay, at best.

Hampstead

HAMPSTEAD Official Trailer (2019) Diane Keaton Romantic Movie HDwww.youtube.com

Brendan Gleeson absolutely kills every role he's ever been given. I love, love, love him. Old people movies though? Eh. Queen of old people movies, Diane Keaton (Book Club, Poms, etc.) plays a widow who falls in love with a kooky squatter and, as a result, discovers the spice of life or something. Brendan Gleeson is, of course, the squatter who just wants to be left alone in a shack that the government is trying to take away. But he's about to find out that sometimes, the only thing better than a shack is shacking up with an old person. Nice.

FILM

"Men in Black: International" Has Everything But Jokes

They can do anything they want in visual effects now, but they can't write a funny script.

Will Smith made his last Men in Black film in 2012.

Since then, there have been lots of ideas for how to continue the franchise. The best idea was to recruit Jonah Hill and Channing Tatum from 21 Jump Street to become Men in Black. They couldn't work that out, but the idea of Men In Black lends itself to a new pair of agents having their own adventures. It wouldn't even preclude them from meeting Agents J (Will Smith) and K (Tommy Lee Jones) one day. Not the agents from Men in Black International, though. We don't ever want to see them again.

In 2016, Agents H (Chris Hemsworth) and High T (Liam Neeson) battled The Hive on top of the Eiffel Tower. Or rather, they're green screened into the scaffolding of the Eiffel Tower. 20 years ago, Molly saw her parents get neuralyzed, but she avoided the memory wipe herself and helped an adorable alien escape. She's spent her life looking for the Men in Black, and she'd be qualified as an adult (Tessa Thompson) if any of the government agencies like the FBI or CIA knew the Men in Black existed.

Molly's ambition could add to Men in Black: International a different dynamic than what J and K had. She finds the Men in Black herself and convinces them to make her Agent M. They can always neuralyze her if it doesn't work out. Then she impresses H and makes herself indispensable to him. In previous movies, Agent J mocked the whole operation, which worked for Will Smith, but M is a good role model to have in a 2019 Men in Black movie. Men In Black: International isn't really interested in M's ambition, and she and H just become generic buddy cops.

Men in Black International forgot to give H and M a dynamic. Oh, I just got that they're H & M. The movie doesn't play that up either. It's cast right; on paper, Chris Hemsworth and Tessa Thompson should work. But they're not playing off each other. Agents J and K were the basic clown and deadpan straight man, because that's a comedy formula for a reason.

Instead, H is smug and swaggery, which Hemsworth can certainly play, but that's not a personality. Maybe if M kept up her ambition and got under H's skin, that would be something, but they ignore that once they're on the case. H razzes the alien Vungus (Kayvan Novak), but it's all made up insults about an alien physiology we've never seen before. How can we laugh about something they've just made up?

The only funny character is Pawny (Kumail Nanjiani), and he doesn't even show up until over an hour in. There are no zingers like, "I make this look good" or "It's raining black people." The name High T is a decent pun, and there are new celebrities identified as secret aliens, but you can only ride that joke so long. Agents M and O (Emma Thompson) have some amusing banter about the outdated gender norms of the name Men in Black, which almost goes somewhere and feels like dialogue Thompson probably punched up herself. When she's not in the scene, the movie is on its own.

At least Men in Black: International delivers on the international part. The movie goes to New York, London, Paris, and Marrakesh. This is the longest Men in Black movie, and it feels as long as its hour and 54-minute runtime. It tries to lead you to suspect H for so long when it's totally obvious which character you should really suspect.

They can do anything they want in visual effects now, but they can't write a funny script. Men in Black: International is loaded with more aliens, MIB gadgets, and firepower, but there aren't any jokes. When you don't have Will Smith to make up funny lines, you have to actually give the actors funny things to say.

In 1997, Men in Black had to be selective with its visual effects, so we probably only got to see the best ideas make it to screen. Now that Men in Black: International can have as many visual effects as a Marvel movie, it goes to show that Men in Black wasn't ever supposed to be a tentpole action franchise. Men in Black: International has a lot more set pieces, but none are anything we haven't seen before.

H and M have a gunfight with Alien Twins (Les Twins Laurent and Larry Bourgeois) wherein they shoot bigger guns, but it's the same destruction of a city block we see in every movie. H has a hand-to-hand fight in which he does the same flip over his opponent that every action hero does in every mainstream movie. They have high speed vehicular chases on green screens like the speeder bike chase in Return of the Jedi. Men in Black: International has nothing to add to the action/sci-fi genre.

What the Men in Black franchise had was comedy. It doesn't take a big budget to write comedy, but it's probably harder work. If Men in Black: International thought it could distract us from the lack of jokes, it was wrong. We noticed that we weren't laughing.