The "bad guy" singer made a powerful statement in an artsy video.
Since first emerging with her single "Ocean Eyes" at a mere 14 years old, Billie Eilish's aesthetic has become almost inextricable from her music.
The anti-pop star's clothing choices are discussed almost as often as her songs, but there's a powerful motive behind her baggy look. In a 2019 Calvin Klein ad, Eilish illustrated why she chooses to dress the way she does: "Nobody can have an opinion [on my body] because they haven't seen what's underneath. Nobody can be like, 'she's slim-thick,' 'she's not slim-thick,' 'she's got a flat ass,' 'she's got a fat ass.' No one can say any of that because they don't know." She's mentioned that she uses fashion as a "defense mechanism" and "security blanket," using it to convey a message about her personality while maintaining a sense of mystery.
But Eilish, who turned 18 a few months ago, made a surprisingly revealing statement at the first show of her Where Do We Go? World Tour in Miami. During an interlude, a video was displayed of Eilish removing her hoodie as she made a powerful statement on sexism she experiences as a public figure.
"You have opinions about my opinions, about my music, about my clothes, about my body," Eilish says in a recording played throughout the arena. "Some people hate what I wear, some people praise it, some people use it to shame others, some people use it to shame me. But I feel you watching, always...And nothing I do goes unseen, so while I feel your stares, your disapproval or your sigh of relief, if I lived by them, I'd never be able to move."
Removing her tank top in the video, Eilish's voice continued: "Would you like me to be smaller? Weaker? Softer? Taller? Would you like me to be quiet? Do my shoulders provoke you? Does my chest? Am I my stomach? My hips? The body I was born with—is it not what you wanted? If I wear what is comfortable, I am not a woman. If I shed the layers, I'm a sl-t. Though you've never seen my body, you strill judge it and judge me for it. Why?"
As the video ends, Eilish—who's then seen from the waist up in only a bra—slips into a pool of black liquid. Especially considering her fanbase is predominantly young women and girls, it's an important message to get across; women can exist separately from their bodies. The choice to hide it (or not) is entirely up to them, and it shouldn't affect how they're perceived.
Watch the clip below.
.@BillieEilish showed off her body in visuals during an interlude at her concert in Miami. https://t.co/zhj3lHNH4b— Pop Crave (@Pop Crave)1583809504.0
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Breaking down the bias of comfort films.
With the constant onslaught of complicated news that 2020 has brought, sometimes you just want to be able to shut off your brain, relax, and feel happy.
Enter comfort films. These are the feel-good movies that feel like a warm hug when you finish them, the ones that allow you to escape for a short while. We often turn to these types of films in times of trouble or extreme stress, and when we're not sure what films of this nature we should watch, we turn to the Internet for options.
Women need to support women, but we have to keep our eyes on the prize.
In 2019, E. Jean Carroll published an op-ed in New York Magazine accusing Donald Trump of raping her in a dressing room in New York.
This week, Carroll said that ELLE Magazine—where she worked as an advice columnist for over 30 years—fired her because of the insults she had received from Donald Trump.
"Because Trump ridiculed my reputation, laughed at my looks, & dragged me through the mud, after 26 years, ELLE fired me," she Tweeted. "I don't blame Elle. It was the great honor of my life writing 'Ask E. Jean.'"
Carroll is currently embroiled in a lawsuit against Trump. In the 2019 op-ed, she said that Trump assaulted her in a Bergdorf Goodman dressing room. The essay was an excerpt from her book, What Do We Need Men For?
Trump denied the allegations, stating, "She's not my type."
Carroll sued the president for defamation after he accused her of lying last year. Since then, the trial has stalled as Trump's lawyers have insisted that before it can proceed, New York's Court of Appeals must decide if a sitting president can be sued. Carroll's lawyer is attempting to counter the delay, which could extend the case past the presidential election in November.
If Trump's lawyers fail to win their client further exemptions due to his position as president, Trump may be forced to submit a DNA sample. Samples from the black dress which Carroll was wearing during the alleged assault have been linked to an unidentified male.
"Our client filed this lawsuit to prove that Donald Trump lied about sexually assaulting her and to restore her credibility and reputation. From the very beginning, Trump has tried every tactic lawyers can think of to halt this case in its tracks and keep the truth from coming out," said Carroll's lawyer, Roberta Kaplan. "His latest effort—a motion to stay our client's case until the New York Court of Appeals decides the Summer Zervos case likely after November 2020—is yet another obvious delay tactic that is not grounded in the law and, like his previous attempts to stall this case, will be rejected by the court."
Regardless of the truth about any of this, what's happening is clear. E. Jean Carroll accused a man of rape, and she lost her job, at a women's magazine, no less, while he not only kept his position—he also maintained credibility with over half of the country, and he may well be re-elected. This indicates a much deeper problem with the way that the nation views rape, assault, and women's voices, even in this supposedly post-#MeToo time period.
While much has been written about the damaging effects that sexual abuse allegations can have on men, it turns out that an abuse allegation often fails to significantly damage men's careers, while it can destroy women's lives. What can be done about this? Women need to support other women, yes—but we have to keep our eyes on the prize: electing a non-blatant misogynist in November.
ELLE Magazine has not yet commented on the events.
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