The DJ caught up with Popdust right before his performance at Electric Zoo 2019.
Rotterdam-based producer Oliver Heldens refuses to be boxed in.
The 24-year-old told Popdust prior to his energized set at Electric Zoo this year that he's excited to see dance music "getting bigger and bigger." Heldens exploded on to the scene in 2013 with "Gecko (Overdrive)," a track that established Heldens as a pioneer of future house. We spoke more with the DJ on his big break, his inspirations, and what's next for him.
You have had tremendous growth these last few years and you're absolutely crushing it. We caught you down in Miami as well. Where do you get your inspiration from when you're creating your tracks?"
[Definitely] 'Gecko' still. That was my big breakthrough song, and I just love it and the impact it had on the whole scene. I'm really still so proud of it."
Where do you see the scene going?
"Well in general in the last couple of years we've seen dance music, in general, getting bigger and bigger, where whether it's techno or tech house or future house or deep house, it's really growing and that's really nice. I definitely see Trance going more upwards, back to the roots and getting more danceable and less aggressive. It seems like that dance music, in general, is getting so big, and it's only been mainstream since like 2010, so like right now is the perfect time for people to really dive in deeper, and it's really nice to see that you can be a really niche sounding artist, and it can be very dark and not mainstream but you still have a big crowd to play for. That's what's really nice about the scene right now. I feel like people are very open-minded nowadays and they like multiple genres."
Oliver Heldens - Summer Lover (Lyric Video) ft. Devin, Nile Rodgers www.youtube.com
Your Heldeep Radio has really grown and includes so many great underground artists. Your song choice in particular has gotten you a lot of recognition. How do you narrow down what to include?
I go through a lot of tracks, and the ones that excite me I put them on the show. When I started doing monthly mixtapes, they became so popular that so many radio stations were asking me to do a weekly mix, and in the beginning, it was quite hard for me, because to deliver quality tracks every week was quite difficult, and at that time there weren't many producers making future house or like this kind of mix between bass and tech house. But over the years more and more people started to make more of that more music...and Heldeep Records kinda developed from doing Heldeep radio shows, because with the Heldeep Radio shows I got so many demos and promos from undiscovered talents, e-mails, people on Twitter, Instagram, Facebook etc. So I decided to start Heldeep Records. Also, at that time, I wanted to create an alias for my more underground, more bass-driven and darker tracks. So it all came together perfectly. Even though I felt kinda young to start my own record label, but luckily there were a lot of my inspirations when I launched the label and a lot of artists were really keen on releasing on Heldeep, which was both inspiring and motivating.
Will you be focusing more on the Heldeep sound as you go forward?
"Over the last few years, we've been trying to do more Heldeep shows, Heldeep stage hostings at big festivals, and that's been going great so far. So definitely wanna do that more and more."
What type of sounds are you mostly looking for now?
What's a piece of advice you can offer those underground acts?
"I would say to aspiring DJs and producers, take your time, don't feel rushed to breakthrough. Sometimes it just feels better to just take more time, and it takes time to develop your own sound. So don't try to go for shortcuts or, yeah, it's important that it's fun and that you like the music...especially if you're very young your tastes can shift very quickly. Sometimes it's important just to take time and think about what kind of music you really want to make, and don't go off too much on trance, stay true to yourself and support it."
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The quarterback said "I will never agree with anybody disrespecting the flag of the United States of America or our country." And then he tried to apologize. And only made it worse.
Drew Brees, a man who makes literally millions of dollars for throwing a ball, has come under fire for insensitive comments he made about NFL players kneeling during the National Anthem to protest police brutality.
"I will never agree with anybody disrespecting the flag of the United States of America or our country," Brees said in the interview with Yahoo Finance. He clarified that this was in part because he envisioned his grandfathers, who fought in World War II, during the National Anthem. He continued, saying, "And is everything right with our country right now? No. It's not. We still have a long way to go. But I think what you do by standing there and showing respect to the flag with your hand over your heart, is it shows unity. It shows that we are all in this together. We can all do better. And that we are all part of the solution."
This isn't the first time Brees made it clear that he cares more for the idea of a make-believe unified America than he does for actual human lives. In 2016, he criticized Colin Kaepernick for kneeling during the anthem, saying it was "disrespectful to the American flag" and "an oxymoron" because the flag gave critics the right to speak out in the first place.
Colin Kaepernick kneeling in protest of racist police brutality
Of course, the flag's alleged ideals have been proven to only be applicable to wealthy, white men—men like Brees. Sure, his grandfathers did a noble thing when they fought under the US flag during WWII, and no one, including Kaepernick, has ever said that sacrifice isn't worth respecting. Thanks to the sacrifices of many people (including the enslaved Black backs upon which this country was built, including the scores of routinely abused Black soldiers who fought for American lives), America has offered opportunity and peace for many, many people. In particular, Ole' Glory has been very kind to men like Brees: rich, white men who still control the majority of the power and the wealth in the United States.
But what about the rest of us, Drew? What about George Floyd whose neck was crushed by a police officer who kneeled on him so casually that he didn't even take his hand out of his pocket? What about Ahmaud Arbery, who was shot for the crime of being Black and going for a jog? What about Breonna Taylor, a black woman who was murdered by police in her home in the middle of the night for a crime that had nothing to do with her? What about Tony McDade, Drew–have you heard his name? Have you heard about the 38-year-old Black trans man who was gunned down in Florida last week? Do you understand why these people's family's may harbor just a bit of disrespect for your precious flag?
Is it possible for you to realize, Drew, that your wish for "unity" is not a wish for progress, but a wish to maintain the status quo? When you call for unity under the American flag, you're talking about your flag, the flag that represents a long, sordid history of racial oppression and violence. There is no unity where there is no justice. When you say that "we are all in this together," what you're saying is that we all have roles to play in the version of society that has served you so well. For your part, you'll be a rich, white man, and for Black people's part, they'll continue to be victims of state-sanctioned murders– but hopefully more quietly, hopefully in a manner that doesn't make you uncomfortable?
When you say, "We can all do better. And that we are all part of the solution," what you mean to say is that POC and their allies are at fault. Sure, you probably agree that Derek Chauvin took it a bit too far, and you probably feel a little self-conscious that he's brought all this "Black rights" stuff up again. But when you say "all," you place blame on the victims who are dying under a broken system. And what, exactly, do you expect POC to do differently, Drew? Ahmaud Arbery was just out jogging, and still he died. George Floyd was just trying to pay a cashier, and still he died. POC and their allies try to peacefully protest by marching in the streets or taking a knee at a football game, and still white people condemn and criticize. Still the police shoot.
After much criticism, Brees did attempt an apology on Instagram, where he posted a hilariously corny stock photo of a Black and white hand clasped together. His caption, though possibly well-intentioned, made it even clearer that his understanding of the movement for Black lives is thoroughly lacking.
Highlights of the "apology" include his immediate attempt to exonerate himself from culpability, claiming that his words were misconstrued, saying of his previous statement: "Those words have become divisive and hurtful and have misled people into believing that somehow I am an enemy. This could not be further from the truth, and is not an accurate reflection of my heart or my character." Unfortunately, Drew, white people like you are the "enemy," as you put it, because by default you are at the very least part of the problem. No one is accusing you of being an overt racist, Drew; no one thinks you actively and consciously detest Black people. But your lack of empathy, your apathy, and your unwillingness to unlearn your own biases are precisely what has persisted in the hearts and minds of well-meaning white Americans for centuries.
Next, you say, "I recognize that I am part of the solution and can be a leader for the Black community in this movement." No, Drew. Just no. Black people don't need white people's savior complexes to interfere in their organizing; what they need is for us to shut up and listen. What they need is for us to get our knees off of their necks.
Finally, you say, "I have ALWAYS been an ally, never an enemy." This, Drew, is suspiciously similar to saying, "But I'm one of the good whites!" The fact of the matter is that feeling the need to prove your allyship is not about helping a movement; it's about feeding your own ego. Not only that, but your emphasis on "ALWAYS" does a pretty good job of making it clear that you don't think you have a racist bone in your body and that you have taken great offense at any accusations to the contrary. I have some news for you, Drew: Every white person is racist. Sure, the levels vary, and while you may not be actively and consciously discriminating against POC, you have been brought up in a racist system, and your implicit biases are as strong as any other white person's. Your job now is to unlearn those biases and confront those subtle prejudices in yourself and in other white people. Maybe the first step in doing so is just shutting your f*cking mouth about kneeling at football games. Maybe you should even consider taking a knee yourself.
For other non-BIPOC trying to be better allies, check out one of these 68+ anti-racism resources.
His new single, "I Know," premieres exclusively on Popdust.
Unless well-versed in the EDM landscape, chances are that American-producer Dallas Koehlke has flown under your radar for a long time.
It's impossible to escape his influence. From Ariana Grande and Kesha to Lauv, Katy Perry, and Fifth Harmony, Koehlke has curated a staggering number of today's hits, whether behind the scenes or in the production chair. Additionally, Koehlke regularly collaborates with EDM heavyweights like Tiesto and Hardwell under his Electro-pop moniker DallasK, and has seen monumental success the more he's shifted his focus to electronic music. "I'm always working in so many different spaces and on so many different projects," the 28-year-old multi-platinum producer told Popdust. "My goal now is to focus all that energy on one album."
"Sometimes," The DJ's lead single off his forthcoming solo album, has already accredited lots of attention from fans and critics alike. The collaboration with Nicky Romero and XLYO has been highly praised since its debut at Ultra this year, and DallasK's latest single, "I Know," which premieres exclusively on Popdust, is set for a similar fate. We sat down with Koehlke to talk more about his new album and what he has planned for the future.
Tell me about the new song "I Know." What is it about, and how did it come together?
"The [chorus] for 'I Know' was actually written last year. I rented an Airbnb and used it as a studio, and invited some of my favorite collaborators to just work on music for a month. I wrote this song with Coffee Clarence Jr and Sarah Hudson the same day we wrote another one of my singles 'Self Control.' Coffee's performance on the record was unmatched so I decided to keep him on the song. The studio had these huge cavernous ceilings and a lot of the natural reverb on his voice can be heard in the song. I ended up finishing the production on it recently when I was going through some old projects and was immediately inspired to make it what it is today. To me, it sounds like something between Phil Collins and Calvin Harris."
DallasK & Nicky Romero ft. Xylo - Sometimes (Official Music Video) www.youtube.com
I heard that you're really into mentoring young musicians. Tell me more about your workshops and what you hope to teach up and coming musicians. What lessons are you teaching now that you wish you had learned yourself?
"The main reason I like to work with young musicians is simply because I remember what it was like to be one. I'm not pretending to have all of the answers, but I have more of them than when I started. I know that, personally, I had no sense for the business side of how to be an artist or a producer and I think that's the most important lesson that I can impart on people. To teach about the importance of relationships and specifically the longevity of [certain] relationships."
Speaking of relationships, you've worked with so many artists and producers. Which creative relationship do you really cherish, and who are you still dying to work with?
"Lauv is one of my close friends and collaborators, and I love working with him because he's never afraid to explore and get weird especially with his production. I'm still dying to work with Daft Punk or M83."
I heard through the grape vine that you're also working on a Miley Cyrus remix. What made you want to remix a song by her?
"The remix is of her alter ego Ashley O from the Netflix series 'Black Mirror,' and its also a rework of a Nine Inch Nails song. I think that alone is so interesting and is a perfect example of the creative culture we're living in in 2019. I was so excited to be a part of that story. I actually had been sent the song but it came on later that day when I was at the gym and that's when the idea for how it could sound really [clicked.]"
What's next for you?
"Definitely more shows and music. Hard to say more [about the] album but I definitely have all the music. I just need to find the vision for what I want the album to become and execute from there."
What has the response been to your new singles so far?
"My last single, 'Sometimes,' did really well! A ton of support from dance radio and Spotify as well as a lot of people reaching out to say they connected with it. That's the most important thing to me. I want my fans to know that I'm going to be releasing a bunch of new music and THANK YOU for sticking with me on the journey!"
Check out the new single below:
- DallasK on Spotify ›
- Tiësto & DallasK - Show Me (Official Music Video) - YouTube ›
- DallasK Tour Dates, Concerts & Tickets – Songkick ›
- DallasK & Nicky Romero - Sometimes ft. Xylo - YouTube ›
- DallasK Tracks & Releases on Beatport ›
- DallasK - Home | Facebook ›
- DallasK - Wikipedia ›
- DallasK | Dallas K | Free Listening on SoundCloud ›
- Dallas (@dallask) • Instagram photos and videos ›
- DallasK (@DallasK) | Twitter ›