MUSIC

Fresh Music Friday | May 24th

This week brings lots of new synth pop, indie rock, and anticipated new albums from Cate le Bon and Faye Webster.

Fresh Music Friday is here to give you a breakdown of new singles, EPs, and albums to check out as you make your way into the weekend. Get ready to jam out with some of our favorite up-and-coming artists, plus celebrate new releases from those you already know and love.

Singles:

1. - HÅN - "gymnasion"

Hailing from a small, lakeside town in Italy, singer/songwriter HÅN crafts spacious synth pop that's as magical as the Italian countryside. 2017 saw the release of HÅN's cinematic debut EP, today she delivers another enchanting new track called "gymnasion." This time around, HÅN employs much of the same intricate songwriting skills––pairing delicate synth work with warm, wistful vocals to a gorgeous effect.

2. micki maverick - "HE/ART"

Los Angeles-based musician micki maverick (real name: Dylan Neil) is sharing her debut single, "HE/ART" today. Her new song provides a glimpse of what's to come in the future from the 22-year-old California native. "HE/ART" has a laid-back vibe; Neil puts a bedroom-pop spin on R&B to create a sound equal parts chilled out and compelling, influenced by Kehlani.

Here's what Neil had to say on the track: "'HE/ART' is really a complete look into my life, my past, and my insecurities. Society expects perfection, but that standard is completely unattainable. Not everything in life can be fixed, some things remain broken. And that's what I believe should be the new standard: broken pieces that form something new, something more beautiful."

3. Cassidy King - "I Can't"

Cassidy King's infectious pop is the perfect accompaniment to the recent spring sunshine. Her new single, "I Can't," melds crisp production with the 21-year-old's dazzling vocals in a sound that's reminiscent of E•MO•TION-era Carly Rae Jepsen. She explains that the release is "about going along with the warm summer feeling, that same feeling of warmth represents the honeymoon stage of a relationship to me. This song captures that stage where you just became intrigued by that certain someone and you're doing absolutely anything to get their attention."


4. Sorcha Richardson - "Don't Talk About It"

Dublin-born, Brooklyn-raised singer/songwriter Sorcha Richardson shares the first single, "Don't Talk About It," from her debut album, First Prize Bravery, due out in the fall. The song starts off with a grooving guitar line under Sorcha's evocative vocals before building beautifully into a bright, full-bodied chorus that's hard not to sing along to: "Hey, okay, we don't have to talk about it / It's only love, I guess we'll live without it."

5. Alien Tango - "Friends!"

The zany, technicolor world of London-based band Alien Tango is extra vibrant on their new single, "Friends." There are layered modulated vocals that zig-zag over playful, upbeat instrumentation, and from the first second of listening it feels like you've entered a surreal funhouse. "Friends" is the perfect kind of chaos that sounds like an intersection of Animal Collective's Merriweather Post Pavillion and an 8-bit video game soundtrack; plus, there's a trippy video to match.

6. Calboy - "Unjudge Me" featuring Moneybagg Yo

Chicago rapper Calboy shows how much he's grown as a rapper, singer, and storyteller on his forthcoming project, Wildflower. He recently tapped Moneybagg Yo for his reflective cut, "Unjudge Me." Here, Calboy flexes his dexterous bars and off-kilter melodies, and he continues to dip between songs that feel loose and hard at the same time.

EPs

7. Middle Kids - New Songs For Old Problems EP

The Australian rock trio has been sharing a slew of excellent singles like "Real Thing" and "Beliefs and Prayers" in anticipation of their mini-album. Now their new EP, New Songs For Old Problems, is full of anthemic, indie rock gems. This is the follow-up to their critically acclaimed LP, Lost Friends.

Albums

8. Faye Webster – Atlanta Millionaires Club

Faye Webster finds harmony in the juxtaposing textures of country, R&B, and folk. Her sound is fully-realized on her new album, Atlanta Millionaires Club, the follow-up to her 2017 self-titled record. On the new LP, Webster's wistful vocals nestle perfectly in between woozy steel guitars and swanky horn parts, as she sings of heartbreak and lovesickness.

9. Honeyblood – In Plain Sight

On Honeyblood's new record, singer/guitarist Stina Tweeddale takes the Glasgow-band-turned solo-project in a new, grittier direction. There's still the same fuzzy post-punk guitar lines that defined Honeyblood's sound on their earlier albums, but this time around, with the help of producer John Congleton, In Plain Sight takes on a spookier, more futuristic territory. It's exciting to see Tweeddale expand her artistic vision, signaling the mark of a new era in Honeyblood's story.

10. Cate Le Bon - Reward

Cate Le Bon's fifth full-length album, Reward, is a revelation. Recorded while Le Bon stayed in a remote house in Cumbria and took furniture classes by day and played piano by night, Reward is a minimalist meditation on the isolation that unfolds slowly and softly, becoming one of Le Bon's most conventionally accessible--and rewarding--listens.

RELEASE RADAR is here to give you the breakdown of the top singles, albums, and videos of the week so you can head into your weekend with a new list of killer tunes.

Singles

Charli XCX - "Blame It On Your Love" (Feat. Lizzo)

Few things are more blessed than a Charli XCX/Lizzo collaboration. The new song is an un-remixed version of Charli XCX'S "track 10" which was featured on her acclaimed album Pop. "Blame It On Your Love" is out now via Atlantic.

The Habits – "Love You"

Alt-pop duo The Habits shared an infectious new single this week called "Love You." This is the first single off of the duo's new EP, out June 14.


Juan Wauters – "Dos"

This week Juan Wauters shared a playful new song called "Dos," sung in his native Spanish via Captured Tracks. Wauters said of the song "On this particular version of 'Dos,' I hear the sound of music that describes Montevideo, the city where I was born. The harmonium solo was done in a way to emulate the sound of a bandoneon in the way Astor Piazzolla would play it. The song talks about the complexities of a love story." Juan Wauters will release his latest, Introducing Juan Pablo, on May 31 via Captured Tracks.


Hatchie – "Obsessed"

Hatchie reveals yet another fuzzy gem of dream pop with her new single, "Obsessed," from her forthcoming debut album, Keepsake, which is shaping up to be one of the most exciting releases. Keepsake is due June 21st via Double Double Whammy.


whenyoung – "The Others"

London's whenyoung are gearing up to release their debut album Reasons to Dream, through Virgin EMI on May 24th. They continued to show off their deft songwriting this week in their evocative new single "The Others," inspired by the Grenfell Tower fire in London.


EPs

The Beaches - "The Professional" EP

Toronto alt-rock outfit The Beaches are back with a new EP called The Professional out May 16 on Island Records, their first release since 2017's Late Show. The new collection of jams features fan favorites "Snake Tongue" and "Fascination."


Inner Wave – "wya" EP

The L.A.-based Latinx psych-rock band just dropped a wavey new EP titled wya, the followup from their previous LP Underwater Pipe Dreams.


Albums

Carly Rae Jepsen - Dedicated

Pop princess and purveyor of glossy bops, Carly Rae Jepsen returns to navigate love and loss on her fourth studio album, the follow-up to 2015's cult favorite E•MO•TION.


Tyler the Creator - Igor

Igor is Tyler the Creator's fifth album, but it feels like he's been at the forefront of our cultural purviews for much longer, considering his impact on the popular rap landscape. 2017's Flower Boy presented a much more eclectic and well-rounded version of the artist, and now, we see him grow even more on Igor.


Sara is a music and culture writer. Her work has previously appeared in PAPER magazine and Stereogum.


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Popdust Presents

Popdust Exclusive: Young & Sick Talks New EP "Size of Relief"

The Dutch artist and musician's newest release is buoyant dance music inspired by nighttime bike rides.

You might recognize some of the art created by Nick van Hofwegen, aka Young & Sick. It's adorned the covers of Foster the People's Torches and Mikky Ekko's Kids, among many other albums.

You might also recognize his music—and if you don't, you very well may be hearing him everywhere soon. His newest EP, out May 3, is a collection of dance music that's as atmospheric and complex. With its crystalline production, pumped-up rhythms, and dreamy loops of synths and keys, it's tailor-made for clubs, bike rides, or for any time you need a pick-me-up or an excuse to take off and drive. Ultimately, it's the product of a mind that's clearly enamored with its own ability to distill color and sound into shapes and tunes.

The music has a buoyancy to it, a clarity that belies meticulous attention to detail but still meshes well with its sense of electric intensity and free-spirited energy. Standout tracks include "JET BLACK HEART," a track that—despite its brooding lyrics—feels like the sonic equivalent of making it to the top of a mountain after a long trek; the thrilling, bittersweet "IT'S A STORM," and "SIZE OF RELIEF," which layers van Hofwegen's angelic, slightly overdriven vocals over an arrangement of reverb-drenched horns, cool synths, delicate strings, and tense rhythms.

Popdust talked to Young & Sick about the relationship between visual art and music, inspirations for his upcoming EP, and the importance of listening to albums all the way through.

Can you tell me a little bit about your upcoming EP, and the inspiration behind it?

YOUNG & SICK: This collection of work was made right before I went on tour with the Knox. In the back of my mind, while knowing I was gonna be on tour with them, I got really in the mood to make something more uptempo and uplifting, so that drove me to be faster in BPMs than I usually am. I'd also been making a lot of remixes for people, so it tied in with that, too. I took European dance roots and made something more sample-heavy and dancey.

At the time, I was also living in the valley in Los Angeles, and when I was making all the songs I was going on long bike rides in the evening. The songs I'd listen to while riding also shaped what I was creating—it was more dance music, so it made me shift towards that.

Are there any other inspirations, sonically or in terms of place, that you feel influenced your new work?

This EP is very largely inspired by the emotion of the city passing by on the bike. A lot of my inspiration—especially with this record—is drawn from sampling; I'd find a nice little piece of music that I'd chop up, and it would guide me to the next spot.

Have you always been into dance music? Did you grow up going out and dancing?

Growing up in the Netherlands, dance music was always pretty prevalent. I grew up a rock kid. Nirvana was my first love. There was always a lot of dance music around me, though, and when acts like the Chemical Brothers came out and started merging rock music with dance, a lot of people like me got very into that. Dance music has always been around me, and I've always had a big love for it, but it hasn't necessarily always come out in my music before.

YOUNG & SICK - BITTER ENDwww.youtube.com

I know you do a lot of art as well, and it's pretty unique to see someone doing such high-quality work in two fields at once. Which did you start out with—art or music—and how do you see those two fields relating to each other?

That's really kind. I've always done both, as long as I can remember. I've been drawing as long as I've been playing guitar. I always say I feel like they come from the same place, and anyone's brain that can do one can do the other—it's multidisciplinary. They feed off each other so well. If I get stuck in either, I just switch up and keep going. I don't think there was one before the other; it was a chicken-and-egg kind of thing.

Your art and music seem to fit so well together. Do you have any sort of synesthesia? Do you see music in colors, or see them related in that kind of way?

I do think they tie into each other incredibly. I know people have full-on synesthetic things where they actually see color in sound—I don't have that to the full degree, but if I do artwork for my music or others' I tend to listen to it while creating the artwork, to really shape them around each other. I do see a very strong connection between them. When a band or artist gets that connection right, it makes me very happy—when someone's just getting it when the music and art live in the same world, it's such a gratifying feeling.

Did you feel pressure to choose between them? Was there a moment when you decided you weren't going to pick one of the two fields?

I wouldn't say I was pressured to ever choose. There were early moments where I was thinking, I want to use this name for both fields, for doing art for other people and for myself and also for making music, and there were definitely moments where people were kind of wary of that. But I never had to choose, luckily.

Your music and art are very psychedelic. Is that something you're interested in and do you explore spirituality in any way, or where does that imagery come from?

My work draws from 70's psychedelia, and obvious bands like the Grateful Dead that I've always looked up to, in terms of their art and how well they made an insane brand for themselves. I'm a big proponent of that type of art, going that far in detail and tying everything together that well. I'm not necessarily a very spiritual person but I do tend to like the occasional psychedelic… I definitely draw inspiration from that.

What's happening next with your music?

I'm working hard on a follow-up. A lot of musicians like me, as soon as you finish something, it's kind of out of your system. I'm working to follow it up with something different, but in a similar line.

What's the inspiration behind your band name?

My manager used to throw a lot of parties in New Orleans when he was going to Tulane University. He'd ask me, do you know a good name for a party? I'd come up with one and make a flyer, and he'd start passing them out. One day I saw those two words [young and sick] together, sitting next to each other, and I made a poster for him with that name, and he said that was one of his favorite parties. I had that poster up in my bedroom in London when I was living there, and I was looking at it and thought, I kind of need that name. I started putting out songs and making art with it, and it kind of stuck. It's a simple, striking name—you just have to tell someone once and they remember.

Are you going on tour soon?

There's going to be a few shows—LA and New York and some festivals—and I'm doing a bunch of DJ sets as well. We're figuring out what the next tour is because we just came off of one.

You do a lot more than visual art and songwriting. What other fields do you work in?

Remixing is something I've been very fond of lately. Obviously, the art for festivals and other people and that kind of thing has been amazing. Fine art and making things, in general, is definitely a big passion. With music and art, there are so many little nuances within each field.

Are you particularly excited about any of the songs on the upcoming EP?

Every time you make a release, there are a lot of songs that don't end up on it—usually I make about triple the amount, and we send them to the people we work with at the label and they come up with their favorite lists, which were pretty close to what I had in mind for this one. Sometimes it's hard to pick between the songs because you made all of them, so it works well when somebody on the outside picks one and it aligns with your choices. My favorite songs all ended up on this EP. The song that's about to come out, which will close the EP, is called "SIZE OF RELIEF," which is also the name of the EP. I wrote it in New Orleans in such a short time—maybe a two-hour window of making the first loops and all the vocals—and it just felt so right. I just had to change a few things, and detailing and mixing took a lot more time—but initially, it just took a few hours, and when that happens, I just feel so good. That one is definitely one of my favorites.

Anything else you want people to know?

I know it's hard for a lot of people these days to take in more than a few songs at once, but I'd encourage people to take off 20 or 25 minutes and listen to the EP in full.

It seems like kind of a lost art to go through and listen to a full album, but it's super rewarding when you do.

That's kind of how it was meant to be heard. If anyone's able to do that, that'd make me happy.

Young & Sick's debut album was released in 2014. "Size of Relief" is now available on streaming services. Listen here.


Eden Arielle Gordon is a writer and musician from New York. Follow her on Twitter @edenarielmusic.


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