Si hemos aprendido algo en 2020 es que debemos disfrutar de la vida al máximo y no perder ni un segundo en las cosas que no nos convienen.

¿Tu situación laboral no te da flexibilidad? ¿Necesitas ganar un poco más de dinero? ¡Ahora es el momento de que tomes los pasos necesarios! Si quieres conseguir un equilibrio entre ganar dinero y tener tiempo libre, encontrar una fuente fija de ingresos que lo permita puede ser difícil.

Tras una exhaustiva investigación, hemos encontrado la respuesta: manejar con Lyft te ofrece infinitas ventajas, independientemente de que sea tu trabajo principal o uno secundario que te aporta dinero extra. Lyft te ofrece la libertad de hacer las cosas a tu manera. ¿Por qué te animamos a unirte a Lyft?

Los conductores de New York City (NJ) ganan hasta $27* por hora. Que los nuevos conductores de New York City (NJ) pueden reunir los requisitos para obtener una garantía de ganancias de $5,000. Para ello, solo debes completar 140 viajes durante tus primeros 30 días.

Cobra tus ganancias en cualquier momento y quédate con el 100 % de tus propinas. Haz un seguimiento sencillo de tus ganancias en la app de Lyft Driver.

Regístrate en línea en tan solo diez minutos. ¡Es muy fácil! Lo único que necesitas es una licencia de conducir válida, un justificante del seguro y un comprobante de que eres propietario de un auto.** Después, Lyft llevará a cabo una verificación de tus antecedentes penales.

Alquila un auto a través del programa Express Drive de Lyft si no tienes auto propio o quieres ahorrarte el desgaste del tuyo. ¡Olvídate de los contratos de larga duración! Puedes alquilar el auto durante el tiempo que necesites.

La app de Lyft Driver está repleta de herramientas útiles que te ayudarán a maximizar tus ganancias. La función Drive Smarter ofrece mapas en tiempo real de las calles más concurridas y pronósticos de solicitudes con el fin de ayudarte a que aproveches al máximo el tiempo que pases en la carretera.

No pierdas más tiempo buscando la mejor solución laboral, ¡ya la has encontrado! Lyft te ofrece la flexibilidad, las ganancias y la comodidad que siempre has soñado. Por si esto fuera poco, la tienda Lyft también vende EPIS y productos de limpieza (por un costo adicional) para que tengas mayor seguridad.

¡Maneja con Lyft en New York City (NJ) y aprovecha de todas las ventajas que ofrece!

Regístrate en línea y disfruta de todas las ventajas que ofrece Lyft.

**Los requisitos varían dependiendo de la región. *Solo para efectos ilustrativos; los resultados pueden variar. Los conductores que usan Lyft cobran por viaje, no por hora. Las ganancias por hora especificadas arriba no garantizan el desempeño futuro y no son indicativas de las ganancias de ningún conductor específico y se han calculado antes de los impuestos, el seguro, la depreciación y otros gastos derivados de ser conductor de rideshare. Este cálculo engloba todo el tiempo que los conductores pasan conectados en la plataforma, incluido el tiempo que puedan dedicar a otros servicios basados en aplicaciones.

Andrew Yang New York Mayor

"Times Square," said Andrew Yang in a recent interview with Ziwe. "What's not to like?"

As a New Yorker who once walked through the hellscape that is the Times Square subway station twice a day, I find that question not only abhorrent but stunningly tone deaf. Sure, Times Square has its own kitschy appeal and the subway station is still part of the city I love so much, but also… it's Times Square. Real New Yorkers know that Times Square is a distorted tourist trap, and the subway station bears none of the charm and beauty that so many of the city's other subway stations do.

Take, for example, the Coney Island Stillwell Avenue station, my favorite subway station. Rising out of the ground to the sight of the ocean is an experience I'll never be over. There's Brooklyn's Prospect Avenue station, with its tangles of vines and its mournful yellow lamplight. There's 28th Street Station, with its cherry blossom mosaics… I could go on.

I could possibly forgive Yang's comment if I felt it came from a place of love — perhaps the man has a special adoration for chaos, souvenirs, the smell of things burning, and stations that allow transfers to almost every other part of the city.

But Andrew Yang has been making out-of-touch comments since the beginning of his mayoral candidacy. He confessed that he'd spent most of the pandemic out of the city, saying, "We've spent more time upstate than in the city over the last number of months." He misidentified a food market as a bodega. He complained about life in his two-bedroom Hell's Kitchen apartment, stating, "Can you imagine trying to have two kids in virtual school in a two-bedroom apartment, and then trying to do work yourself?" Why yes, Andrew Yang. (Why yes, many thousands of the New Yorkers you hope to represent have been doing exactly that for over a year now.)

Yang was also criticized for name-dropping LGBTQ+ spots like a tourist looking to explore the gay side of Greenwich Village for the first time. "Well, first, let me say that if I go to Cubbyhole, I think I'm going to be accompanied by at least one of my two campaign managers who are both gay," he said. "So there's like a lot of, you know, familiarity with, with the community, at the head of my campaign leading it." Later on in the same speech, he told a mostly LGBTQ+ audience that their community is "so human and beautiful."

His tweets are a mess as well. He later apologized for a tweet reading, "You know what I hear over and over again - that NYC is not enforcing rules against unlicensed street vendors. I'm for increasing licenses but we should do more for the retailers who are paying rent and trying to survive." But the damage was done. New York City's vibrance comes in large part from its street vendors, many of whom make their living selling food on the sidewalks. Many saw Yang's comments as further evidence that he had no connection to everyday New Yorkers.

He also recently apologized for a blatantly pro-Israel and anti-Arab tweet, which garnered praise from none other than Donald Trump Jr. The tweet read, "The people of NYC will always stand with our brothers and sisters in Israel who face down terrorism and persevere." Yang also said, in a Forward op-ed, that the Boycott, Divest, Sanctions movement was the result of "anti-semitic thought and history."

In another interview, Yang confessed that he has never voted in a single mayoral election in NYC. In a recent press conference, he stated, "One thing that I think would be extraordinarily helpful is to have specific shelters for victims of domestic violence, who are often fleeing from an abusive partner," Yang said during the forum. "It's a distinct population with distinct needs, and they should have separate [facilities]." Others were quick to point out that New York City does, in fact, have these types of shelters, and Yang tried to walk back his claim, but the damage was done.

In yet another fumbled press conference, Yang was asked, "Do you agree with the repeal of 50-a?" He replied, "The repeal of 50-a," prompting the interviewer to ask, "Do you know what 50-a is?" Yang fumbled the reply further by saying, "This is not the — it's not the mandatory interview of the—" prompting another candidate to clarify that 50-a is actually a bill that hides police officers' disciplinary actions from the public. The bill received widespread attention during the George Floyd protests this year.

Later on, Yang was asked about the MTA's debt, and he responded, "The MTA doesn't break its numbers out that cleanly, but you're looking at revenues around eight or nine million dollars and an operating deficit of around three-and-a-half." The MTA's debt is actually in the billions of dollars, which Yang likely meant to say, but he further flubbed the response by mentioning MTA bridges that go out of the city, which there are none of (the Port Authority controls outer-city transit).

Each one of these foibles reveals a candidate who is blatantly out of touch with the extremely complicated everyday realities of New York City. All these little mishaps are arguably easy to forgive on their own — but look at them together and it becomes easier to piece together who Andrew Yang is (and who he is not).

Look deeper at his policies and the practices he hopes to implement as the mayor of the Big Apple — a position he may very well win — and a more ominous picture starts to take shape.

Policy Flaws and a Poor Track Record

For example, Yang — who grew famous during the 2020 election cycle thanks to his promises of Universal Basic Income — has since walked back his promises and has failed to garner critical union and progressive support. He pledged, for example, to offer $1,000 to $2,000 per year to "each family of a student whose family income puts them at the poverty threshold," as well as English language learners and special education students. $1,000 or $2,000, essentially a one-time stimulus check, would, of course, not lift any student or their family out of poverty, especially in a place like New York City, nor would it be anything close to a universal basic income.

Even Yang's original Universal Basic Income proposal, the "Freedom Dividend," would have required families to choose between receiving some public benefits such as Medicare and $1,000 per month.

If you weren't already aware at this point, Yang, though allegedly a Democrat, with wide residual progressive appeal from 2020, has conservative-leaning policies. That's part of what makes him so insidious and competitive as a candidate: He can appeal to progressives who don't do their research, to Democrats looking for an acceptably centrist candidate, to independents looking for a non-establishment politician, and to Republicans who know Yang is probably the closest thing to a conservative mayor they'll find right now.

Rightly so, Yang is facing vehement opposition from many groups, particularly among the powerful coalition of progressive organizations in NYC. "Andrew Yang's pro-cop, anti-public education, anti-union, big business-centric platform is not what New Yorkers need," Senti Sojwal, cofounder of the Asian American Feminist Collective, told Teen Vogue. Sojwal, along with 790 grassroots AAPI organizers and leaders, recently signed a letter opposing Yang's mayoral bid.

Yang is apparently "in talks with Tusk Strategies, the consulting firm that worked on Mike Bloomberg's 2009 mayoral campaign." The CEO of Tusk Strategies is Bradley Tusk, a former consultant for the city's largest police union.

Yang also advocated for putting more police in subway stations and has been a vocal critic of the defund the police movements.

In general, Yang seems to glorify a capitalist free market that many fear would be damaging to NYC's already fragile housing situation. Back in 2019, Yang proclaimed his distaste for zoning laws and seemed to advocate for a kind of wild free-for-all situation based on the premise that the market would work its magic. However, New York City is in the midst of a housing crisis that free market development will certainly not help solve.

A look at Yang's record reveals that he has long been oscillating between progressivism and conservatism.

After working as a test-prep executive, he started a nonprofit called Venture for America, which promised to create 100,000 jobs. It only created around 4,000.

Running New York City is far, far more complicated than running a single nonprofit, and Yang's record is not promising. His policies are chaotic at best; he has promised to bring cryptocurrency to New York despite the potentially devastating environmental impact. He confessed to having never visited one of New York City's public housing developments prior to the mayoral race, and after living in Hell's Kitchen for 25 years, he seemed surprised after visiting Brownsville, Brooklyn, saying, "You saw things that were very, very dark and bleak." Talk about out of touch.

In general, critics say Yang lacks the expertise to address NYC's most pressing problems, including its failing subway systems, its housing crisis, and impending environmental crises such as future hurricanes.

So Why is He a Frontrunner?

In spite of all this, Yang is polling strongly. There are several reasons for this. Yang has the name-factor recognition, and he has leveraged his celebrity status to the max, promising to be a "cheerleader" for a post-COVID New York. Like Trump, his controversial tweets and gaffes tend to bring more attention to him. As The New York Times writes, "Andrew Yang Believes in New York and Himself. Is That Enough?" It may well be, though it seems strange that in a city that prides itself on its no-nonsense, no bullshit ethic, wild optimism could be a winning campaign.

Yang has amassed a coalition that includes Orthodox Jews (Yang promised to take a hands-off approach to yeshivas), some Asian American voters, and some young people still riding the high of the Yang Gang.

In addition, none of his competitors have managed to overtake him in popularity or notoriety. His opponent Scott Stringer, the current comptroller, was recently accused of sexual assault, causing key groups to withdraw their support. Candidate Dianne Morales is a strong progressive champion running on a promise to bring social housing to NYC, but she lacks the name recognition of Yang, and the same goes for fellow candidate Maya Wiley. The fact that Yang seems to be running on a platform based on unearned confidence that is eclipsing the campaigns of two qualified Black women is reason for pause in and of itself.

As of now, Yang's primary opponent seems to be Eric Adams, the Brooklyn borough president who is a former cop who promised to carry a gun if elected. Another major opponent is Kathryn Garcia, the former New York City sanitation commissioner, who came out on top in a recent poll.

So, in spite of all this, it seems that New Yorkers may be stuck with Andrew Yang. Of course, he's probably not the worst man for the job. Yang has big, optimistic visions: invest in the city's failing infrastructure and affordable housing, reinvigorate the city's arts and culture sector, develop education, a People's Bank for the city, address the homelessness crisis and more. After Bloomberg, almost any new energy will feel welcome.

Whether Yang can achieve any of his visions is to be seen. But with New York City on the brink of rebirth, change is coming fast — and it's up to voters to decide what kind of change they ultimately want to see.

Music Features

New York Entertainment Venues Can Open at 1/3 Capacity in April

Governor Cuomo announced that indoor venues can open to 33 percent, with a 100-person maximum.

On April 2, concert venues and other performance spaces in the state of New York will be able to open at limited capacity.

Governor Andrew Cuomo announced Wednesday at a conference in Albany that arts, entertainment, and events venues could reopen April 2 at 33 percent capacity, with an indoor limit of 100 people and outdoor limit of 200 people. While live music fans might rejoice in this new, these restrictions may not be enough to keep business afloat for many well-known venues across New York City.

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Catherine Cohen "God I Feel Modern Tonight" cover

Catherine Cohen is the patron saint of horny sad girls who live in Brooklyn apartments without central air.

She is amorphously famous in a way only a millennial could be: She can best be described as a comedian/podcast host/writer/content creator.

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From SXSW to Coachella, Will the Coronavirus Kill Live Music in 2020?

With a recent spate of cancellations and mounting fear of an emerging pandemic, the near-future of live music is in doubt.

Getty Images


Both SXSW and Coachella have been canceled, with the latter beung technically postponed until October. Coachella organizers released a statement on March 10:

At the direction of the County of Riverside and local health authorities, we must sadly confirm the rescheduling of Coachella and Stagecoach due to COVID-19 concerns. While this decision comes at a time of universal uncertainty, we take the safety and health of our guests, staff and community very seriously. We urge everyone to follow the guidelines and protocols put forth by public health officials.

Coachella will now take place on October 9, 10 and 11 and October 16, 17 and 18, 2020. Stagecoach will take place on October 23, 24 and 25, 2020. All purchases for the April dates will be honored for the rescheduled October dates. Purchasers will be notified by Friday, March 13 on how to obtain a refund if they are unable to attend.

Thank you for your continued support and we look forward to seeing you in the desert this fall.

Less than a week prior, for the first time in 34 years, SXSW was canceled by the city of Austin, citing public safety concerns over the coronavirus.

There's something so special about seeing music live.

The energy from the crowd all around you. Thousands of bodies pressed together—moving in rhythm, sharing one voice, one breath, and one expanding cloud of viral pathogens…

Is it even really a concert or a music festival if you aren't making forced physical contact with two to five strangers at all times? With fears around the nascent coronavirus pandemic already disrupting tourism—Disney is forecasting tens of millions in losses from drops in park attendance—and leading to the cancellation and closure of various large, public events and venues, the thought of a music festival is starting to seem like a relic of a simpler time.

Louvre Coronavirus Chesnot/Getty Images

All across the globe people are stocking up on dry goods and hand sanitizer and avoiding crowds as much as possible. So-called "self-isolating" is not just for binge-watching TV shows anymore, it's become actual medical advice along with "social distancing," which adds impossible precautions like maintaining six feet of physical distance when navigating public spaces. Tokyo all but canceled their yearly marathon, and it remains to be seen whether the city will be hosting the summer Olympics as planned. While apps and websites launch to help people avoid crowds, the Louvre is finally reopening in Paris this week with added precautions to protect staff and visitors.

In the US, the first real test of the new state of things will be taking place in Austin from March 13-22. South By Southwest—the annual amalgam of music, tech, and media events—is slated to begin next Friday, and it would normally be expected to draw attendance of more than 150,000. But events are already being canceled. Apple confirmed on Wednesday that it will be joining Netflix, Amazon, Twitter, and Facebook in pulling back from scheduled events amid calls to cancel altogether. Meanwhile Austin's Public Health offices released a statement posted on the SXSW website saying that "no health departments in the state have requested the cancellation of any gatherings as the current risk of person-to-person spread in their jurisdictions remains low."

If that statement turns out to be correct—and attendance is not substantially affected by mounting fear and the slew of cancellations—then perhaps Coachella will proceed as normal from April 10-19 in Indo, California. With an impressive lineup including Rage Against the Machine, Frank Ocean, Travis Scott, Run the Jewels, and Lana Del Rey, that's certainly what a lot of people are hoping. But if attendance tanks, or if even one new case of COVID-19 ends up being traced to Austin during SXSW, it seems unlikely that Coachella will take place without some major adjustments.

sxsw SXSW

Some companies are looking at the prospect of monitoring attendee's temperatures at the entrance to festivals, but there is reason to believe that this method has limited value, and with people practically living on top of each other for days on end—breathing the same air and swapping all manner of fluids—even one sociable carrier could quickly lead to a mass outbreak among nearly 100,000 daily attendees at Coachella. The venue has already proven to be an impressive petri dish for other diseases. Now imagine the Japanese cruise ship quarantine, except it's a crowd of underdressed Instagram influencers sharing not enough porta-potties.

Inside China, the rate of new infections is rapidly dropping. If that trend extends to the rest of the world, then perhaps there won't be a need for concern much longer. But if new cases continue to crop up as they have in California, Washington, New York and elsewhere, will bands even be willing to perform in mass venues? What if conditions worsen? Already, some live performances have been converted to livestreams from empty venues. Will that be the model for live performances in 2020?

There is an outside chance that as the seasons change the threat of the coronavirus may recede (or migrate to the southern hemisphere), in which case current concerns about the death of live music may be overblown. If the incidence rate drops in time for the Bonnaroo, Governors Ball, and Lollapalooza, then maybe live music can survive this brush with modern pestilence. On the other hand, if vaccine research doesn't proceed at a rapid pace, outbreaks could recur just in time for the fall and Austin City Limits from October 2-11. Tough year for Austin...

For anyone who's already committed to a crowded public event, the best advice is just to be aware of your vulnerabilities, to keep your hands clean, and to cough into the crook of your elbow. Also, use a condom. Good luck.


Janet May Finds Harmony in Music and Activism

Protest movements, music, and human beings are more similar and interconnected than they are different and alone, and Janet May lives her life in a way that reflects this.

Pete Voelker

Janet May's heartfelt ballads are deeply personal, but she has a decidedly global outlook.

The artist, currently on tour opening for the indie band Palace, has found ways to merge her passion for music with her dedication to activism.

She's involved in many organizing groups around New York City, working for everything from environmental justice to ICE abolition and beyond, constantly appearing at protests, taking part in a residency at Riker's Island, and performing for incarcerated women.

Her intimate music expresses a similar but more private kind of strength, an earnest reflectiveness that stems from a place of interconnectedness, love, and undeniable, breathtaking talent. A former backup singer for the Bombay Bicycle Club and MGMT, May's solo career is catching on after she took some time off to care for her father and move to Los Angeles. She currently has two singles on Spotify, which explore two different sides of strength: "New York, I Am Home" is an aching, wintry ballad about returning to New York and finding strength in solitude, and "Lessons to Learn" is a guitar-driven sparkler of a song about female complexity and resilience. Peppered with gems of wisdom and honesty, and delicately wound together by simple and elegant musical motifs, they're intoxicating songs that blend the best of modern pop with vintage Laurel Canyon-esque Americana.

Over coffee and tea at a Williamsburg bar near the sold-out venue where she was about to perform, Janet and I spoke about the personal and the political, about the importance of personal connection to larger issues, and about our deep love for New York and all the music and people of the city.

EG: How do music and activism connect in your mind?

JM: My impetus to move on things—whether in music or activism—feel similar, in the sense that they're the first things I think about when I wake up. I write about what I care about, and I work on what I care about, and both things really come to fruition when the time is right and when the opportunity and inspiration strikes. I think they're similar in that artists and activists can be pretty integral to shaping change in culture. So I think they belong in the same conversation.

A lot of movements seem to involve music and singing, so they're definitely connected. What actions have you done that stand out in your mind, and what organizations have you partnered with?

JM: About a month ago, I was out front of Cuomo's office with Sane Energy Project and a coalition of people working to shut down a pipeline going into New York Harbor. We brought petitions to the office. I recently marched the Brooklyn Bridge as part of that same movement against that pipeline. That was a great march—there were loads of kids involved, as well as some of the Lakota women who had been at Standing Rock. They're powerful voices in the environmental movements—and to march with them and that they'd come to New York for our water was amazing.

I've also witnessed and been a part of some big actions with Extinction Rebellion, and I've seen them shut down City Hall.

I got into activism because there was part of me that wanted to understand the movement as a whole, including this idea of resisting, and the idea of acknowledging our responsibility to try to at least steer the ship because we're not being represented well.

At first, I was just checking out loads of different groups, just to see how they were organizing, so I've dabbled in a lot. Here in New York, Rise and Resist has been an incredible and constant system of organizing. They were just down in DC, and I played in DC as well, and it meant a lot to me to know that they were all on the floor of the Senate. Also, they organized a Non-March for the Women's March, so disabled individuals and people who couldn't march could also have a rally. I think they're really inclusive and they're all 30-year organizers or more, so I've learned so much from them.

I also work with a group called 8 Ball Community. They're an art-activist collective located in downtown New York. They have an ongoing zine library that is so unique and so special in terms of presenting alternative news and making it accessible in terms of finding information that may not be in the news. We recently did a big Fox News protest when Fox was trying to get money for advertising. We turned up with some glitter signs.

How do you balance music with all this?

For a long time, I was really overwhelmed with how much is going on, and I wouldn't say I'm not now, but I would say I'm learning through my music and am listening to where I feel like I should be activating. I'm trying to narrow down that overwhelming feeling, and focusing on working on what enrages me, inspires me, and moves me.

What motivates you to write a song?

My songs are so personal to me, and I feel like I can't really write about something unless I really know it. I'm married to that idea. Usually, I'll write a song and feel like that's led me somewhere else, so it's always a multi-step process.

I know you performed a Riker's residency—what was that like?

I have a monthly residency at the women's jail on Rikers' Island, so I've been in a few times. My reason for going in… there's multitudes of reasons, and this is something that I've sat with for a long time prior to even being able to get access.

I wrote a song about having a loved one who's incarcerated called "Feet on the Dashboard," and that's about a personal lived experience for me. I felt really isolated through that experience. It's something I felt was stigmatized, and I didn't really understand and was totally happening to us, not just to that individual. While writing that song and living through that experience, I'd seen this panel discussion with Bryan Stevenson, a leader in criminal justice reform and a lawyer and a writer. He said that when you want to learn about an issue or have an effect, the most important thing is your proximity to that issue.

That's where it started for me. When a loved one is incarcerated, you can really feel that border between yourself and that person. I was interested in rectifying some of that experience for myself and providing some healing by being with other people's sisters, mothers, and loved ones. And that's been amazing. I'm always taken aback by how resilient these women are, and hearing their stories—and that they hold space for my story—is an honor.

I like that quote about proximity—it's so important to elevate the voices of the actual people who are people being affected. And music that directly relates to actual emotions always seems to be the strongest. You seem to have connected your music and activism.

For me, the real idea behind activism is understanding your agency and taking ownership over what you can do. It's not glamorous, and it's not about the outside-in; it's totally about the inside-out.

I got into music and activism because I'm so fascinated with people and movement, and live music—to me—is a direct exchange of energy with a larger group. There's magic inside of that, and so I feel like I started to seek out activism because I was curious about how people were moving with one another and sharing concern and bringing that to action.

There seems to be a lot of rhythm involved in both music and strong movements.

I've heard the reason why music is able to move us so much is that the second we're conceived—the second the egg is fertilized—it splits into two cells, and they start beating together, and that's a heartbeat. That will stay with you until you pass, and that's almost like the first thing that we are, is this shared pulsation.

I've read a lot about how sound waves are central to our makeup.

And sound waves are real, as real as this table.

You're on a pretty intense tour. How do you spend your time off?

I just had one afternoon off in New York recently, and I had to ask myself: In just a few hours, who did I want to see?

One of the places I went was the WPA, the Women's Prison Association. It's a shelter for women who experienced incarceration. It's providing resources in terms of materials for creativity, whether facilitated workshops or what have you with the women who are currently living there. The women who run the WPA are incredible. They're the only group providing resources to specifically women who are concerning themselves with female incarceration. Women are definitely preyed upon, and the system fails so many. Proximity is really important for me here in New York.

Apparently, my yoga studio is important to me, too. I practice on my own, and that day it was heaven. I went in and they were steaming a kettle with eucalyptus and burning firewood, and it just reversed whatever was taking over my sinuses on the tour bus. So, New York gives me life.