What "Red Dawn" taught us about defeating Chinese invaders–oops, we mean North Korean.
From Trump threatening to ban TikTok in the US to hordes of angry Americans defending their vituperative rhetoric as "free speech," America is in the midst of a "disinformation war."
But while most concern is (rightfully) centered on misinformation about the global pandemic and the upcoming 2020 election, there's another element of our lives that's being tweaked and manipulated in order to change our perception. A recent report from PEN America, a nonprofit organization that "defends and celebrates freedom of expression," documents how Hollywood has censored itself in order to appease the Chinese Communist Party's strict standards.
As the world's second-largest box office market, China has exerted undue influence over casting, plot, setting, and dialogue–according to the report, titled "Made in Hollywood, Censored by Beijing." Lead author of PEN America's report, James Tager, said, "The Chinese Communist party is increasingly shaping what global audiences see. While we are all well aware of the strict controls that China's government maintains over dissent, independent thought and creativity within its own borders, the long arm of Chinese censorship–powered by vast economic incentives–has also reached deep into Hollywood, shaping perceptions, inculcating sensitivities and reshaping the bounds of what can be shown, said and told."
Happy birthday to the world's biggest genre
On this day in 1973, Clive Campbell, the Jamaican-American "selector" known as DJ Kool Herc, hosted a "back to school jam" at 1520 Sedgewick Avenue in the Boogie Down Bronx of New York City.
Armed with a booming sound system and reggae beats, Herc– a shortened nickname for "Hercules"– commanded insatiable audiences across the South Bronx with his unique looping technique called the "Merry-Go Round." "[I knew that] they were waiting for this particular break," Herc later said, "and I got a couple of records that got the same break up in it. I wonder how it would be if I put them all together."
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How the Small Distribution Company is Giving a Much Needed Voice to First-Time Directors
My first proper date with my first ever girlfriend was to see Spring Breakers, the weirdest movie granted a wide theatrical release in 2013.
Directed by the mostly-underground Harmony Korrine, the film became notorious for James Franco's performance as Alien, an off-beat, very colorful gangster with a head covered in dreadlocks and an accent somewhere between a Tallahassee truck driver and Marcellus Wallace. I saw that movie in theatres. I didn't know it at the time, but the A24 Productions logo that kickstarted the experience would go on to become one of the most important symbols you could pin to a movie in the 2010's. It's since become a mark of excellence. Now, in 2020, you see a movie distributed by A24, and you know one thing: that movie will certainly be awesome, but might even be visionary, too. A24 is very quietly saving movies, and they're doing it by going against the most time-held and obvious of box office rules: They invest in uncertainties.
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