TV Features

Binge-watching Challenge: Start a Show at Season 3

It's possible to spare ourselves the slog of shows when they're just starting out.

Quarantine: when jobs have either been lost or relegated to the living room, wherein social functions are limited to Zoom, wherein the 24-hours in a day can really be felt.

With less to physically fill the time, the time remains unfilled. Fortunately, sequestered humans have never had such a bevy of entertainment options available to them. But that kind of freedom can be paralyzing. Never has there been a better time for binge-watching, but what are we to binge? And how?

Since all this free-time demands discipline, here's an unconventional suggestion: Pick one of the all-time great shows, something you've always wanted to watch but couldn't find the motivation nor time to do so, and start not at the beginning, but at season three instead. Whether it's a comedy or a drama or simply something you've put off watching because the plot is too involved or the show is too hyped, ignore the first two seasons entirely, and fall into a world that's already in motion. Using our knowledge of television in general, and by tapping into the cultural conversation of characters and references, we can spare ourselves the slow starts of seasons one and two, and get right to the meat of the matter. Why sit around waiting for a show to find itself? Why settle for less than the best?

First seasons are often uneven or uncertain, anyway. Second seasons are often better and more compelling, but shows that make it to season three emerge with a clear tone and complete characters: two necessities for any show with long-term success.

Examples abound of shows finding themselves in their third seasons. Arguably, the greatest comedies of the 21st century are The Office and Parks and Recreation, though contenders such as It's Always Sunny in Philadelphia and Curb Your Enthusiasm are important to the discussion, as well. As for dramatic examples, look to the Olympic podium of TV's Golden Era: Breaking Bad, Game of Thrones, and Mad Men.

Mad Men Season 3 Promo PhotoAMC

A weighted-review aggregation site like Metacritic is not the law, but it is useful. The numbers almost universally favor third seasons and beyond. Parks and Rec improves in score from a 58 in season one to an 83 in season three, a change signifying an ascension from "mixed or average reviews" to "Universal Acclaim," in the critics' words. The Office's highest overall score is season three's 85. Breaking Bad starts solidly with its first two season garnering scores of 73 and 84, but in its final three earns marks of 89, 96, and 99, an unprecedented run of greatness. Game of Thrones' two highest marks of 91 and 94 are for seasons three and four, respectively. Mad Men is the lone outlier of the bunch, as its second season outscores its third by a single point. However, its fourth season, ruled a 92, is the series' high-point. Why? Shows generally hit their strides in season three.

First, character development peaks at season three. First seasons tend to be myopic about their characters, hoping that closeness will lead viewers to love them. Season two is the experimentation room, wherein worlds shift, and season three is the fruit of that labor, with confident characters and expanded worlds.

By season three, the main characters have been poked and prodded for two full seasons, experimented on until their truest selves have been revealed. How? Conflict. Characters are made complete, in mold and mindset, through consistent conflict. They are built through what are essentially a series of thought experiments: How would x react if y? A byproduct of such conflict is a fleshing out of a show's world. Conflict requires fresh subjects to be placed before a character, be they fresh faces, strange circumstances, or unfamiliar situations.

For instance, two of Parks and Rec's most iconic characters, Ben Wyatt and Chris Traeger aren't introduced until the very end of season two, where they immediately begin foiling Amy Poehler and Rashida Jones, the series leads. Breaking Bad's first two seasons lack the series' big bad, Gus Fring, creator of the fictional restaurant, Los Pollos Hermanos, the logo of which adorns the show's most popular merchandise; yet, it's only introduced in concept at the tail-end of the second season. The Office changes dramatically in season three, adding mainstay Andy Dwyer, flirting with a young Rashida Jones, and cementing Jim and Pam's relationship, which was until then a typical will-they-won't-they situation. Once resolved, it formed the literal backbone upon which the show is built.


Once they got together, Jim-and-Pam as a concept burst outside the confines of the show they were in, taking up real-estate in the general pop culture consciousness. The great shows, the all-timers, the ones you really should be watching in this quarantine time, share this Jungian trait. One doesn't need to have watched Seinfeld to understand the terms "shrinkage" or "close-talker." "We were on a break," is just part of our dialect.

Though this principle doesn't inform our viewing of many great shows, it does so with some of our touchstone comedies, like the aforementioned It's Always Sunny in Philadelphia and Curb your Enthusiasm. Shows of this format don't have one cohesive story pulling them along; it's possible, if not normal, to jump around to the great episodes through seasons, without care for continuity. Once it's known that the characters in Always Sunny are narcissists who work at a bar, it's easy to understand any episode, to jump in without further background. Ditto Curb, where Larry David is culturally understood to be an off-putting schmuck, and that's all one must know for maximum enjoyment.

Because the DNA of these two shows, and their dramatic brethren like Grey's Anatomy and NCIS, is accessible via collective unconscious, we culturally understand that it's unnecessary to sit and watch every single episode in a row. We know enough from our general human wanderings that we can skip the fluff and enjoy the standout performances and pieces, allowing superfluous details to slowly fill themselves in, as they always do.



Which of the truly great shows don't also already exist in our cultural consciousness? Nobody goes in blind to any piece of art nowadays, so it's hard to think of even one. Everyone knows Tony Soprano is a gangster in therapy. Lost takes place on an island post-plane crash. Jon Snow in Game of Thrones is a bastard, and if that isn't abundantly clear, they'll say it five or six times an episode.

No show is ever entered into truly blind. Between our bevy of previous cultural knowledge and the practice we've had in consuming other content en media res, it's possible to spare ourselves the slog of shows when they're just starting out. We've just never strayed from the unimaginative formula that shows are best began at the beginning. But that's clinging to tradition alone. Shows in season three will contain characters at their most compelling, jokes at their most pointed, worlds at their most alive. The show itself will be easier to enjoy, and that enjoyment will come quicker. Is that not the point? Maximum enjoyment, minimum commitment.

And when it's all over, when you love these people desperately and want so bad to live in their world for just a few minutes more, you can rejoice! For there are two more seasons for you to watch, saved, untouched. Their growing pains will seem quaint, their iffy characterizations cute. And the exercise alone will make you feel powerful, able to ground yourself in a world in movement.

Music Lists

Leave Your Man at Home: A Galentine's Day Playlist

From Diana Ross to Beyoncé, here arethe songs you need to celebrate.

TLC - No Scrubs (Official HD Video)

Galentine's Day might've started as a bit in the Parks and Recreation universe, but Leslie Knope's holiday for celebrating her favorite women has since become an occasion for many ladies in real life.

Intended for celebration on February 13, Galentine's Day is best spent sharing the love with your closest gal pals—we recommend a potluck complete with wine and copious amounts of dessert—before sharing the following day with your sweetheart. If you're single this season, Galentine's Day and the following weekend also mark the perfect occasion to hit the town with your fellow bachelorettes, soaking in each other's companionship instead of wallowing over a lack of romance.

No matter how you're spending Galentine's Day, you need a playlist. We've compiled plenty of empowering hits—from classics and modern pop stars alike—to get your day (or night) started on the right foot.

Robyn, “Dancing On My Own”

Robyn's biggest hit to date is simply magical. It's a relatively simple dance-pop song that remains pretty level throughout, but "Dancing On My Own" still has a cathartic power that's made it the definitive sad banger. It's irresistible to sing along to, but the best part is you won't actually be on your own—you'll be dancing with your girls.

Follow the playlist on Spotify!

Galentine's Day

The Office

Netflix comedy-bingers are being forced to diversify their comedy diets.

Despite the streaming platform's multi-million dollar deal to keep Friends, Netflix couldn't pull the same strings for the NBC classic The Office. Many fans took to Twitter to vent their dismay, while others praised the Lord, because maybe now people will stop basing their entire personalities on the show.

It's true; there are worthwhile shows other than The Office to fill the void of your empty, meaningless soul. Branch out and explore comedies old and the new! Find new friends through a fictional program! And finally, learn to let go when your imaginary friends outgrow you.

Mike Schur's Staples:

If you're truly an Office fan, then you will have checked out Mike Schur's other ingenious comedy projects. If not, then you're a fraud.

Parks and Recreation

This show is the obvious and safest choice to fill the The Office void in your life. With Parks and Rec, you won't miss the spectacular mockumentary format and the odd but lovable relationships that blossom in the workplace environment. Even better, the show is also set in the Middle of Nowhere, U.S.A. just like The Office!

Parks and Recreation: Chris Pratt Explains The Series In 30 Seconds | Entertainment Weeklywww.youtube.com

Runtime: 125 episodes of approximately 22 minutes.

The Good Place

Mike Schur debuted without his writing partner, Greg Daniels, as the only showrunner for The Good Place. The original sitcom king, Ted Danson, flourishes as the "architect" of the version of heaven Ellen Shellstrop (Kristen Bell) is accidentally placed in. Just when the show gets good, it gets better in ways one would never expect. Enjoy!

Runtime: 39 episodes of approximately 22 minutes. More episodes are coming.

An Oldie, But A Goodie:

Cheers!

Kids these days don't know about the Holy Grail of TV comedy. Ted Danson played the cultural phenomenon Sam Malone, a Red Sox relief pitcher who owned the bar, Cheers! This show practically founded the "will they, won't they" narrative with Sam's iconic on-and-off relationship with Diane (played by Shelley Long), a graduate psychology student turned barmaid. Cheers! became one of the first American sitcoms to explore love and loss while redefining the notion of family— it's simple and epic.

Cheers intro songwww.youtube.com

Runtime: 275 episodes of 30 minutes.

Netflix Originals

You'll never have to worry about Netflix originals disappearing off the platform. Choose one of their many original comedies to enjoy, and then petition after Netflix cancels it.

Grace and Frankie

Imagine, your husband of over 40 years takes you out to dinner with his longtime law partner and his partner's wife. You and the wife are hopeful and confident your husbands are going to announce their retirement. Instead, they tell their wives they are leaving them, for each other.

Jane Fonda and Lily Tomlin shine as Grace and Frankie, the two wives in their '70s who have no one in their lives who understand their situation except each other. It's an absurd and hilarious effort to showcase the trials of aging women in the modern era, changing family dynamics, and sisterhood.

Grace and Frankie | Official Trailer [HD] | Netflixwww.youtube.com

Runtime: 65 episodes of a variation of 25-35 minutes. More episodes to come.

Big Mouth

You know that American Doll puberty book you read when you were 12? No? Does that only apply to women? Well, try to imagine a puberty book that came to life as an animated show starring John Mulaney and Nick Kroll. Are you intrigued? Are you already invested? I thought so. Also, Maya Rudolph voices the Hormone Monstress—I probably should've started with that.

Big Mouth | official trailer (2017)www.youtube.com

Runtime: 21 episodes of a variation of 25-46 minutes. More episodes to come.

American Vandal

American Vandal took mockumentaries to a whole new level by deep diving into the world of high school investigative journalism. The show kicks off with the trial of Dylan Maxwell, a troubled high school senior, who is accused of vandalizing 27 vehicles with phallic images (dicks). The true crime satire showcases what it's really like to be a teen today, using social media to propel the story forward in a ridiculous fashion. Netflix may have cancelled the show after its second season, but American Vandal has already earned its cult status.

American Vandal | Official Trailer [HD] | Netflixwww.youtube.com

Runtime: 16 episodes of a variation of 25-42 minutes.

FILM & TV

Aubrey Plaza's Best Talk Show Moments

No one makes a host uncomfortable quite like Aubrey Plaza.

Aubrey Plaza is an actress, comedian, and producer, and now, a late night phenomenon thanks to her odd anecdotes and supremely awkward reactions.

Promoting her new movie Child's Play, Aubrey Plaza is on the media circuit again, generously giving the people what they want. Plaza makes the most seasoned hosts fumble gloriously— you can't help but laugh. Her strange persona sparkles one-on-one and now, more than ever, she's simply the most fun.

Aubrey Plaza Meets Ellen

Aubrey Plaza Meets Ellen Show www.metatube.com

Aubrey Plaza had already been on various talk shows at this point in her career, but when she finally made it to daytime television, she became a memorable interviewee. A clip of the interview was difficult to find, possibly because The Ellen DeGeneres Show tried to scrub it from the internet. Throughout their five stupendous minutes together, Ellen had no idea how to handle Plaza's off-beat delivery and humor— for once, Ellen was thrown off and hilariously perplexed.


Aubrey Plaza: F#*% You Old People, I'm Going To Live Forever!

No one can banter with Aubrey Plaza like Conan O'Brien. She's often a highlight of his program, but out of all the videos, this one stands out. Here, Aubrey recounts her legendary speech after winning the Young Hollywood Award, where she told old people to go f#*% themselves and declared that she was going to live forever. Wonderfully, she goes on to explain that as a child, she wanted to be an old woman because she believed old people could get away with anything.

Aubrey Plaza Flashed The Dirty Grandpa Producers at Her Audition

For once, the headline of a late night clip isn't clickbait. Seth Meyers, with his boyish charm, giddily laughed while Plaza narrated the unforgettable moment. Although Plaza had been asked to audition for Zac Efron's love interest, she pushed to play the role of Robert De Nero's smokin' boo. This interview has it all: butts, producers, dirty pictures, and of course, Aubrey Plaza.


Aubrey Plaza's Audition For Catwoman

Just the other day, Plaza graced Stephen Colbert's show to promote Child's Play. Jump forward to the 6:50-minute mark to experience their hysterical bit. After Colbert asks her about wanting to audition for Catwoman, she slowly transforms into the role as Colbert brings out more cat-like accessories. The clip ends with Plaza on Colbert's desk, pawing at his face. The host couldn't help but smile as he tried to move to commercial break.

The Parks and Recreation Cast Sings "Bye, Bye Li'l Sebastian"

Saving the best for last, Aubrey Plaza took bits to a whole other level on Late Night with Seth Meyers during the Parks and Recreation send-off— stealing the spotlight with another co-star. Please, just watch for yourself if you haven't seen the sensational clip already.

TV

‘The Bachelorette’ Episode 4 Recap: The Beast Jumped Out.

Could Luke P. be the Beast to Hannah's Belle? We hope not.

At this point, no one can truly predict what's to come this season, but Luke P, resident psycho of the season, really could slither his way into Hannah's heart. Since Courtney Robertson, no villain has been so close to winning the affections of the lead.

Leaving the mansion for Newport, Rhode Island our expectations were low. Somehow, for two weeks straight, the men brought it. They've been the voice of reason, emoting exactly what Bachelor nation feels.

One-on-One: Jed is really a Jeb

Fake news floated throughout Jed's one-on-one date: Hannah filled the void of conversation with made-up facts about Boston, they ate pints of Halo Top in fifty-degree weather, and Jed claimed the Celtic's Terry Rozier and Jaylen Brown are two of the best players in the NBA.

All that aside, Hannah's first verbal fumble of the season made audiences cringe, as she tried five times to remember the quotation, "taxation without representation," foreshadowing the crap to come.

Their Boston date should've been perfect: they strolled through the city, drank at Cheers!, and played basketball at TD Garden with two pros. Yet, the date felt wasted.

Most likely, Hannah could've had just as much fun with any other guy. They kissed, and then kissed some more when Jed made a hook shot. Really, Jaylen Brown stole the show.

The two Browns hit it off, with the 22-year-old offering sound advice that Hannah should choose, "somebody who's there for the rough times and the good times … somebody's who's going to accept you for your flaws and your beauty."

Cut-to the evening, where Jed admitted to Hannah he actually came on the show because he knew it was a huge platform for exposure and a great opportunity for his career. Hannah came packing with one hard-hitting question, asking, "How can you go from this is an opportunity to marriage?"

He responded, "it's beyond a show at this point."

She glowed, hearing exactly what any woman would want to hear. Dropping the issue a little too quickly, Jed received a red rose but the audience saw a red flag.

Group Date: Meat-Fest

The group dates this season have been physically demanding, featuring injuries and hard falls. Last night was no different: the men met at Fort Adams to suit up and play rugby.

What Hannah considers sexy is a man in his purest, masculine form. "Blood, sweat, and tears!" she cheered, repeatedly, in a concerning manner. She also repeatedly claimed she wanted no one to get "hurt," but really, the harder the hitting, the better and hotter for Hannah.

The convincing neanderthal, Luke P., got a little too into the game, claiming he "would do anything for Hannah." Kevin, unfortunately, dislocated his shoulder, which Hannah only kind of cared about because she only kind of cares about Kevin.

The Beast really jumped out, roaring with male energy that fueled Luke P.'s inner caveman fire. The now infamous smack-down occurred when Luke P. lifted Luke S. to flip him, throwing him to the ground and, reportedly, kneeing him in the face. Luke S., who I shall call Mousey Luke because he looks like a mouse in a suit, was pissed off, rightfully so. Luke tried to apologize, but Mousey Luke would not have it.

Hannah wasn't having it either. She called Luke out on his frustrating ways, to which he responded by lying and turning the attention towards Mousey Luke, accusing him of only being on the show to promote his tequila business. Diverting from the real problem, the rumor soon took root in Hannah's mind.

The issue gave Hannah a good reason to side with Luke since she already doesn't really like Mousey Luke. When questioned about the matter, Mousey Luke didn't respond well, irritated again by the lies and psychopathy Luke disguises as evidence.

The other men didn't take kindly to this either, especially when Luke tried to clarify what happened. In defense, Luke declared he didn't know what happened because it was all a blur. He then articulated exactly what he believed occurred, demonstrating the threat Luke poses to the group and everyone's safety. Everyone was distressed by Luke's presence, many were concerned, while others were just fed up he devoured their time with Hannah.

Instead of feeding into the drama, Garrett and Peter tried to take Hannah's mind off it by focusing on their individual relationships. The rest was noise, especially as Hannah and Peter made out, heavily, sensually on a couch.

Hannah evidently appreciated this, rewarding Garrett with the evening's rose, to the dismay of adorable Pilot Pete.

One-on-One: A Turning Point

Hannah Brown's facade was tired. She was meant to be on a date with Tyler C, but her mind was consumed by Luke.

Defying the show's format, Hannah admitted her relationship with Luke was the strongest thus far which made her question her own judgment.

Unable to plaster on her winning Alabama smile, she was up-front with Tyler C; she didn't want to be there. Instead of folding to her will, he stepped up, demonstrating exactly what Jaylen Brown told her to look for in a man, someone willing to be there for her highs and lows.

Tyler C. reassured her, saying, "I'll take whatever I can get, I want you in your highs and lows. I want to be the man on your side at the end of this and I think I can show you that today."

With another manly date in store, the two excitedly fished together. A real connection was visible on screen as he continued to cheer her up. The reality of life and the ability to be there for one another transcended the situation. There, unlike with Jed, their date went beyond the show. The way they joked with each other, being punny and funny, proved their real-life compatibility.

In the evening, Hannah posed a question to Tyler C., "Why are you really on the show?" Unexpectedly, his "big time griller, big time chiller" persona was set aside. He divulged his father almost died two months before the show, spending 25 days in the hospital with 10 in a coma. Tyler C. was reluctant to go on the show, but his father reassured him while watching The Bachelor together that Hannah's his girl.

He didn't believe it until he got out of the limo. Tyler C. recounted that for the first time in his life, he clutched his heart when he saw Hannah. Elated, she remembered that moment and through the TV, anyone could see the sparks fly. To viewers, the sky cleared and the stars aligned for them to meet.

Hannah admitted she was wary of him, believing he was a player. He smoothly retorted, "I'm here for Hannah, not the bachelorette." Tyler C. was there for the little jitters she gave him, knowing, "the world could be ours." Hannah gave Tyler C. his rightful rose, which should've been the end to a perfect date.

Instead, they celebrated with a private concert. Jake Owen had the live audience cheering and the couple kissing, giddy.

The Cocktail Party: Send The Lukes Home, Pls

The evening began with a dragged out, pointed toast about love and honesty. Thankfully, Pilot Pete swooped in to begin the evening on a soothing note. He wanted to "keep the momentum going" by sweetly asking her to be his girlfriend. The innocent, but cheeky moment was refreshing, especially when Hannah exclaimed, "Peter's my boyfriend!"

While the momentum did build, it was unfortunate because of the Luke drama. The rest of the evening could've been edited down to a two-on-one and no one would have noticed.

Mike, being the no-bs man of the season, informed Luke he's "the cause of her being unhappiest right now."

"Actually… no," Luke excused himself, failing to be accountable in the pettiest of ways.

The word psychopath was hurled at Luke, finally, to his face. Someone on production gave Luke their phone because, in the meme-able confessional, Luke read the definition of a psychopath, shoving the phone towards the camera to prove his point.

Mousey Luke attempted to redeem himself with Hannah to no avail. He tried another tactic, asking Luke to admit to Hannah he was incorrect about Mousey Luke's intentions. The male ensemble resoundingly agreed, especially Garrett who attempted to get through to Luke.

Being the psycho he must be, Luke began the conversation with, "I know this has been an emotional week… for the BOTH of us."

The awful start got worse when he bitched to Hannah that Mousey Luke told him to lie to her and say he's here for the right reasons.

Hannah obviously did not take that lightly and began the he-said-he-said merry-go-round.

When Mousey Luke discovered Luke's bullshit, he was astounded. When all was finally revealed to the group, every reaction was phenomenal. Dylan added the cherry on top, serving as the national mouthpiece, "I've never disliked someone more in my entire life."

The two Lukes stared at each other and the show cut-out to NEXT WEEK ON THE BACHELORETTE…

Safe to say the whole nation gasped.

Full Name: Christopher Michael Pratt

Date of Birth: June 21, 1979

Born: Virginia, Minnesota

Occupation: Actor

Status: Divorced (from Anna Faris)

Children: 1

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