MUSIC

Happy Birthday, Patti Smith: The Rock Icon Turns 73

The poet and singer-songwriter's legacy already makes her one of the greats.

Photo by: Gift Habeshaw / Unsplash

In 1967, a young poet named Patti Smith moved from New Jersey to Manhattan, New York.

With no money to her name, the aspiring artist worked at various bookstores around the city, including a brief stint at the famed Strand Bookstore near Union Square. Through these jobs, she met photographer Robert Mapplethorpe, who, a few years later, would snap the cover shot for Smith's debut album Horses, a record that would help define New York City punk for decades to come. Even today, on Smith's 73rd birthday, her story and music remain crucial components of New York's expansive rock scene.

Smith documented her intense—and at times tumultuous—romantic relationship with Mapplethorpe in her 2010 memoir, Just Kids. During their many years living together, they juggled their respective art forms while struggling to dig themselves out of poverty. For a period of time, they lived at the iconic Chelsea Hotel, a historic landmark referenced in songs by Bob Dylan, Joni Mitchell, Graham Nash, and Bon Jovi. Smith was a longtime fan of jazz and classic rock artists like the Rolling Stones, though it took some coaxing for her to realize her potential in making music of her own. She befriended Bob Neuwirth, a singer-songwriter and associate of Dylan's, who encouraged Smith to put her poetry to melodies. She gave her first public reading in 1971; from there, her career gradually inclined.

Though Smith and Mapplethorpe's romance eventually ended—he came out to her as gay after a trip to San Francisco to explore his sexuality—they remained lifelong friends. Smith dated Blue Öyster Cult keyboardist Allen Lanier, and she was once even considered for the role of lead vocalist in the band. In the early '70s, Smith began writing album reviews for publications like Creem. She didn't keep up the gig for long, however, deciding she wanted to make her own records instead of critiquing the work of others. During these years, Smith also contributed a few lyrics to Blue Öyster Cult songs and released a handful of poetry books.

Smith began performing rock music in the mid-'70s, recruiting bassist Lenny Kaye, guitarist Ivan Kral, drummer Jay Dee Daugherty, and pianist Richard Sohl to comprise the full Patti Smith Band. They released their first single in 1974, "Hey Joe / Piss Factory," featuring a spoken-word introduction that references Patty Hearst, an American heiress who was infamously kidnapped. Smith's rhythmic, conversational delivery on the songs emblemized her transition from poet to full-fledged rock star.

Patti Smith : Hey Joe - Piss Factory 7"www.youtube.com


Horses, featuring arguably one of the most iconic album covers of all time, arrived the following year. In Just Kids, Smith wrote about the black-and-white photo's spontaneous nature and Mapplethorpe's use of natural light in his apartment. "The only rule we had was, Robert told me if I wore a white shirt, not to wear a dirty one," Smith told NPR. "I got my favorite ribbon and my favorite jacket, and he took about 12 pictures. By the eighth one he said, 'I got it.'" On her reaction to the photo now, she wrote: "I never see me. I see us."

Smith married former MC5 guitarist Fred "Sonic" Smith in 1980, and then took a break from music during the following years to spend time with her family in Michigan and raise her two children, Jesse and Jackson, with Fred. Fred died in 1994 of a heart attack, followed shortly by the unexpected death of Patti's brother, Todd. The impact of these losses inspired her to revive her career: She moved back to New York and began touring again.

During the course of her career, Smith has released 11 solo studio albums, and her writing can be read in over 20 books. She's been nominated for four Grammy Awards and was inducted into the Rock and Roll Hall of Fame in 2007. At 73, her legacy is stronger than ever, being cited as an influence by the likes of R.E.M.'s Michael Stipe, Madonna, U2, Courtney Love, and Florence and the Machine. Comedian John Mulaney recreated the Horses album cover in a promotional photo shoot for "Saturday Night Live."

To those who have felt a connection to Smith's music, poetry, and memoirs, she speaks to struggling artists, young New Yorkers, and broken lovers alike: Those who are passionate enough about their art will always find their own success.

MUSIC

Olivia Castriota Shoots New Video 'What Do You Stand For' on the US-Mexico Border

The R&B-soul diva has been a contender in the past, but her latest video reveals she has political edge.

In the political climate we find ourselves in at the end of 2019, it feels like we spend every day being asked the same question: What do you stand for?

With various media reporting every day about all the new excruciating facets of the various humanitarian crises both at our doorsteps and further afield, we either other ourselves from atrocity or retreat into a virtual world where we can ignore it. Olivia Castriota brings this to light in her latest music video, taking her usual output of pop music almost to a place of performance art, directly and loudly asking us: "What Do You Stand For"?

The song, an anthemic piece that at first appears to be about self-empowerment, takes on a satirical bite when contrasted with the visuals of the video. Collaborating with AZURxVIBES Productions, Castriota and her team headed south and shot some remarkable footage along the US-Mexico border in Arizona. The music video shows guerilla-documentary style visuals of illegal circle-fights, the border wall, and actual undocumented immigrants crossing into the US spliced with more commercial angles of Castriota performing and appearing in glamorous locales, producing a distressing juxtaposition. Recontextualized, her lyrics now alternate between self-reflective criticism and downright self-parody; the chorus' call-and-response becomes a conflict rather than an affirmation. The joyously anarchic result: "What do you stand for? / I stand up for me":

"Our goal as directors was to bring out an emotion of uncomfortable self-reflection from the viewer. We wanted the viewer to feel the dry parched desert from the comfort of their sofa, while watching children in cages on their smartphone. Not guilt... but a slap" - AZURxVIBES

An unconventional video project needs an unconventional debut. To that end, Castriota premiered the video by projecting it onto a giant empty wall on New York's Houston street, adding to the video's punk-rock street cred. Passers-by were charged with the task of looking up and taking notice of what was going on around them. Both literally and figuratively.

Olivia Castriota has already shown herself to be a talented singer and songwriter, producing pieces like " Weekend Lover" and "Kills Me," but "What Do You Stand For" takes things to another level. Her willingness to position herself in the video as a fatuous figure, taking selfies whilst surrounded by humanitarian neglect shows an uncommon degree of self-awareness. In the face of the sheer human agony of the border crisis, answering "What do you stand for?" with "I stand up for me" is blatant satire on the petty, selfish short-sightedness of Instagram-based empowerment. Castriota once again stands out from her contemporaries by challenging the status quo, telling us loud and proud what she stands for.



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MUSIC

6 Times Inductees Didn't Give a F*ck About the Rock and Roll Hall of Fame

Ironically, the Rock and Roll Hall of Fame is not very rock n' roll.

Sex Pistols

Elisa Leonelli/Shutterstock

While it's rare to hear anyone excited about anything that happens in Cleveland, the music world is abuzz with news of the 2020 Rock and Roll Hall of Fame inductees.

Being inducted into the Rock and Roll Hall of Fame is among the top honors any musician can hope to achieve, and past inductees include a wide range of icons from Bob Dylan to Etta James to The Grateful Dead. This year's honorees include Notorious B.I.G., Whitney Houston, Pat Benatar, Dave Matthews Band, Depeche Mode, the Doobie Brothers, Judas Priest, Kraftwerk, MC5, Motörhead, Nine Inch Nails, Rufus featuring Chaka Khan, Todd Rundgren, Soundgarden, T. Rex and Thin Lizzy. Those who receive the most votes will be inducted May 2nd, 2020 at a ceremony at Cleveland's Public Hall.

While fans and media personnel take the Hall of Fame very seriously, it's not uncommon for rock stars to display nothing but nonchalance and cool when faced with this great honor, or even to snub it altogether—which, honestly, is pretty rock and roll. So, in celebration of the 2020 nominees, we've compiled a list of times musical icons didn't give a f*ck about the Rock and Roll Hall of Fame.

1.Todd Rundgren

Todd Rundgren

Kevin Nixon/Future/Shutterstock

Todd Rundgren

Todd Rundgren, among the 2020 nominees, met news of this honor with a simple, "No comment." This is the second year in a row Rundgren has been nominated, and many consider it a major slight that he has yet to be included in the hall of fame. He told Billboard last year: "I didn't expect it and have never cared about it. The hardest thing was keeping my fans' expectations within reasonable bounds because they are very naive about it. I'm not; It's some weird Illuminati thing and nobody understands how it works and who does the voting and the nominee selections and all that sort of crap.

I'm not looking for some organization to acknowledge me, somehow. Besides, the Hall of Fame doesn't make any sense to me because musicians don't have to retire. Athletes retire, and that's when they go into the Hall of Fame, because they're not playing anymore. But everybody (the Rock Hall) is inducting now is still playing, so how can you say you've got the measure of them? You don't. So, no, I really don't care."

MUSIC

Pre Kai Ro Is Ready to Take Over the World

The singer sat down with Popdust to talk about his new single, his relentless work ethic, and his plans for world domination

Born in Oman to Egyptian parents, Pre Kai Ro's complex music sensibilities can partially be attributed to his international upbringing.

During his childhood, he lived in Oman, Egypt, Ireland, UK, and Dubai, and was exposed to vastly different music as a result. "My environment was always split in the sense that inside the house, I was being exposed to purely African and Middle Eastern music," said the budding R&B singer. "[But] I was simultaneously becoming obsessed with Hip-Hop, R&B and Rock." Pre Kai Ro's production has always been dark and 808 heavy, but his voice is light and inviting, bouncing along effortlessly as he frankly discusses heartbreak, and his relentless grind for stardom. Popdust caught up with the singer to discuss his new single, "Baby Boy," and his plans for the future.

How did you find your sound?

When I was 10 I won a school talent show while living in Dublin after performing a rendition of "21 Questions" by 50 Cent. My mother was impressed but horrified. From then on, it was kind of a constant development of my sound and identity in music. It wasn't until 2016 while attending university in Nottingham, England when I [got serious]. I had spent years posting acoustic covers online, and already developed my sound [as a result.]

Did anyone, in particular, inspire you to get into music?

My biggest inspirations to this day are (in no specific order) Kanye West, Frank Ocean, Bon Iver, The Weeknd, and Future. I want to emulate their work and pay homage.

You've released a good deal of projects and have been grinding steady for a while now. What have you noticed change about your sound and creative process over the years?

For my first project, Mood with Olsem - an incredibly talented French man I consider my brother - we were at a point where the process was just extremely quick. He would send me a beat he just made and I would record in my room, usually with the first melodic and lyrical idea that came to mind. Tracks like "Queen of The New World" and "Need Me" would be finished in less than an hour. Our latest project, Vibe, was actually produced, written, recorded, mixed and mastered within 48 hours. Now that I'm focusing more on singles, the formula stays the same, but I'm trying to revisit certain songs to get them as "perfect" as they can be.

Was the process similar for "Baby Boy?"

I remember producer [Don Fuego] said he hadn't met an artist who could work as quickly as I did, so he gave me a challenge where he would nap for 30 minutes and expect a full ballad to be written by the time he woke up. I wrote about the turbulent artist life I'm living and how it seems to affect every form of relationship I have. "Baby Boy" is actually based on a culmination of messages I'd received from significant others about my absence as I continued to focus more on my career. Long story short, [everyone] felt "Baby Boy" had a certain magic about it.

What are your plans for the rest of the year? Tour? What can we expect from "King?"

My plans are to drop a single per month for the foreseeable future. I'm refusing to be limited by [everyone else's] expectations of me. I want to continue releasing the music that makes me and those around me feel something. If it doesn't move me, I refuse to let it move anybody else. I'm aiming for global domination, and that type of thing requires patience and careful planning.

Baby Boy

MUSIC

Ryélle Grapples with Heartbreak in "Last Call" Music Video

The R&B singer struggles with love and lack of closure in her latest music video.

After the successful release of her 2018 single "Swim," R&B singer-songwriter Ryélle is back to share a cautionary tale of love and heartbreak in her latest music video for her song "Last Call."

The single, which is heavily inspired by Drake's "Marvin's Room," tells the story of a drunken lover trying to reach their significant other to no avail. "This song was actually written over three years ago, but the storyline is pretty timeless," said the singer. "Every girl can relate to this and the frustration of dealing with a guy who is just not good for them."

The video begins with a subtle fade in on Ryélle and her lover eating together at a long wooden table. Viewers then come to realize that this is an emotionally charged memory for the singer, as she begins to sing about her former love and how the tear stains in her clothes won't come out. Despite her best efforts to ease her pain with alcohol and quick dalliances, she still finds herself giving her ex a "last call." Ryélle's signature smooth and sultry vocals take an especially emotive turn to deliver lyrics like, "They say not to mix love and liquor, but I've had both."

"The video was easy to come up with since the song tells its own story," said Ryélle. "We shot for 16 hours straight, overnight at that! But not by choice. We got kicked out of our first location and spent hours looking for a new one. In the end, it worked out and I'm very pleased with how we told the story. I hope this song can serve as a strength to anyone in a similar situation."

The visuals display Ryélle's vulnerability as she grapples with the need for closure and her yearning to be closer to the object of her affection. The video concludes with an open-ended shot of the singer lying in bed with her ex before fading to black.

Check out Ryélle's latest music video "Last Call" below!

MUSIC

PREMIERE | HEЯITAGE Voices 'Speak Life'

Get to know Hannah Eggen and Gianluca Gibbons of HEЯITAGE.

Photo Credit: EllisMae Studio

Get to know Hannah Eggen and Gianluca Gibbons of HEЯITAGE.

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