Sean Spicer's character arc on Dancing With the Stars is ripped straight from RoboCop.
In a dystopian American future, a man who has lost everything and been shamed and brutalized beyond recognition is revived by a mega-corporation and brought back into society as both a hero of the people and a tool of fascism. Welcome to Dancing With the Stars starring Sean Spicer.
As disgraced ex-U.S. press secretary Sean Spicer glorbled his way around the dance floor to "Spice Up Your Life" by Spice Girls, the very fabric of reality collapsed around my computer screen. "Glorbled" isn't even a real word, but there's no other way to capture the alienness of witnessing Sean Spicer gleefully smacking bongos in a frilly, lime green top and dumpy, ill-fitting slacks. This is a man who used his official position as the White House mouthpiece to knowingly lie to the American public, and now that he's left the government in disgrace, we're watching him crotch slide. Excuse my language, but what the f*ck is wrong with us?
Sean Spicer's Salsa – Dancing with the Stars www.youtube.com
Then it dawned on me. This premise is ripped straight from RoboCop, Paul Verhoeven's enduring 1987 cyberpunk-satire that warned against capitalism run amuck.
RoboCop takes place in a dystopian-future Detroit on the brink of collapse until a mega-corporation called Omni Consumer Products (OCP) steps in to save the day. OCP turns the once-downtrodden city into a bustling, high-end utopia and also takes control of the police force. So when Alex Murphy, one of the best officers on the force, gets brutally murdered in the line of duty, OCP uses his corpse as the test subject for an experimental cyborg program, reanimating him as RoboCop.
RoboCop quickly becomes a hero to the public, operating on three Prime Directives: Serve the public trust, protect the innocent, and uphold the law. But there's a secret fourth directive RoboCop doesn't know about: "Any attempt to arrest a senior officer of OCP results in shutdown." In short, RoboCop is designed to be a tool of corporate fascism, capable of reinforcing the ruling party's will while never turning against his creators, no matter what they do.
Verhoeven's entire point in RoboCop is that corporations only care about social goodness to the extent of their ability to profit off it. ABC seems to be doing everything in their power to prove him right, and what better way to do that than by stealing RoboCop's character arc for Sean Spicer?
Like RoboCop, Sean Spicer is a man who has been brutalized by society. There are some differences, of course––Alex Murphy was very good at his job, while Sean Spicer was a total nincompoop––but for all intents and purposes, Sean Spicer's public image is battered and bloody, just like Alex Murphy's corpse after being torn apart by shotgun blasts.
Luckily for Spicer, ABC can rebuild him. They have the technology and, more importantly, a primetime TV slot. So just as OCP outfits Murphy's corpse with android technology and sends him out to patrol, ABC outfits Spicer in silly costumes and sends him out to dance. They hope that, in the same way the dystopian Detroit public came to love RoboCop, so, too, will the dystopian American public––most of whom ABC hopes have been lobotomized by the 24-hour news cycle––come to love goofy dancing Sean Spicer.
One would hope people could see through the charade and crush ABC's attempts to normalize a guy who literally defended Hitler. But I'm not so confident we can do that.
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Sincere, vulnerable, and seductive.
Australian DIY pop artist Airports, AKA Aaron Lee, releases "U FEEL IT 2," following on the heels of his dreamy lo-fi banger, "Don't Sleep Anymore."
Aaron explains the double entendre of the song, "It started out being written as a song about a haunting relationship with depression in contrast to uplifting music, but when some of the lyrics started to spill out I realized I was also writing about positive romantic feelings for my partner." Featuring bleeding synths, blushing harmonies, and Aaron's velvety falsetto, "U FEEL IT 2" is a perfect summer anthem.
U Feel It 2
These classic horror movie monsters are pretty awful, but not nearly as awful as the resigning White House Press Secretary, Sarah Huckabee Sanders.
At long last, Sarah Sanders―the most prolific, unabashed liar, and gaslighter to ever hold the position of White House Press Secretary―has resigned.
Perhaps two straight years of partisan treachery took a toll, even on a heart as black as Sarah's. But somehow that seems unlikely. Most probably, the creature known as "Huckabee" simply grew full on its diet of pure untruths and decided now was the time to slumber. So, in celebration of Sarah Sanders' resignation, we've compiled a list of some of cinema's most vile monsters.
It from It Follows
The titular "It" from It Follows is a creature that can take the form of any person, changing at will as it walks towards its victim at a steady pace. When it catches up to its victim, it sexes them to death (usually in the form of a horrendously scarring person like the victim's mother). It would probably have a similar M.O. if It were Sarah Sanders, except instead of sex, Sanders would hold victims down and shout, "YOU'LL NEED TO ASK THE PRESIDENT ABOUT THAT" until their brains melted.
Freddy Kreuger from A Nightmare on Elm Street
New Line Cinema
Freddy Kreuger is a sweater-donning, fedora-wearing, burnt-skin-slasher who appears in people's worst nightmares to crack one-liners and then murder them. If Freddy Kreuger were Sarah Sanders, she would still appear in people's nightmares to kill them, but she wouldn't crack any jokes because she's a miserable, humorless person.
Pennywise from It
New Line Cinema
Pennywise might usually look like a dancing clown but, in reality, after luring children in with lies and deception, it takes the form of a giant spider to eat them. Sarah Sanders already has the lies and deception down. But if Pennywise were Sarah Sanders, instead of offering kids cool red balloons and then eating them, she'd be doling out MAGA hats and inciting them to hate immigrants. She'd still be a giant spider though.
The Shark from Jaws
Jaws Getty Images
The Shark from Jaws is just a really big shark. It's not evil or malicious; it's just fulfilling the biological imperative. How can anyone fault it for that? If the Shark were Sarah Sanders, though, it would still go around eating people all the time (which is expected), but then, for some reason, it would get really mad whenever anyone called it a Shark. And everyone would be like, "But you are a Shark, you're literally going around eating people." Shark Sarah would continue to feign offense as she continued her rampage.
Pinhead from Hellraiser
New World Pictures
Pinhead is an evil, extra-dimensional being called a Cenobite. He travels through a puzzle box along with the rest of his Cenobite pals and captures the soul of any human who happens to inadvertently solve the cursed puzzle. If Pinhead were Sarah Sanders, rather than being summoned through a puzzle box, she would be summoned simply by reading a Washington Post article. Her and her demonic followers would proceed to call it fake news until the article was closed. She would be very frequent and very annoying.
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