New Releases

Pictoria Vark Releases Cathartic Single "Good For"

All proceeds from song sales on Bandcamp will go to relief efforts run by the Baltimore IWOC.

Indie rocker Pictoria Vark has released a new single called "Good For."

It's a song that feels like a cry into the darkness, making it a perfect fit for lonely, quiet, quarantined nights. Layering gentle, searing guitar over a rousing bassline, it's both a breath of fresh air and a smoky cloud of existential questions. Though folkier than some of Vark's past work, it's also a study in contrasts. The music alternates between growling bursts of emotion and more languid, relaxed choruses all while switching time signatures seamlessly.

According to Vark, the song is a testimony to both trauma and healing. "'Good For' is about a difficult moment I experienced when I was 16," she said. "As awful as the event was itself, the worst part was being dropped by friends who I had hoped would be there for me. But it feels relieving to have made peace with the pain in writing this song, turning it into something almost unrecognizable."

The song was written in early 2019, and like most of what Vark writes, it was first sketched on bass and then pieced together in the studio. "Unlike my last EP which used more lofi recording techniques, we recorded in a studio on Staten Island with a friend of ours, Rain Johannes, who did a really fantastic job engineering," said Vark. "We tracked everything in one day; I've been playing music with Jason Ross and Gavin Caine on drums and keys for nearly a decade, which has made our musical chemistry really strong."

Vark is a trained bass guitarist and has been touring and recording since she was 17. The solo project that is Pictoria Vark was conceptualized around 2018. "I've been lucky enough to embark on some solo DIY tours in various parts of the country," said Vark. "I've opened for bands including Half Gringa, Camp Cope, and Thin Lipz and can't wait to get back to playing live soon."

She also plays bass for the band Squirrel Flower, and has opened for Big Thief, Julien Baker, and Sasami, among other indie giants. The band was just about to embark on a tour before the COVID-19 crisis hit. Now, Vark is back at home like most of the rest of us. "I'm lucky to have a place to stay and food to eat. I think the uncertainty of everything has made it difficult to make it through each day, but I'm doing my best to find hope in collectivity," she said. In an effort to lend a hand, all proceeds from Bandcamp sales will be donated to the Baltimore IWOC's relief efforts.

Fortunately, we also have music to get us through these times. From helping us to make peace with things that happened when we were teens to buoying us as we struggle through a pandemic, music is always there. "Good For"—along with Vark's excellent EP, Self-Titled—show that she's poised for indie rock greatness. But it's also the kind of music that feels potent when listened to in solitude, in the middle of the night, looking for the sound of someone aching just like you ache, and finding catharsis in that bittersweet connection.

Follow Pictoria on Facebook, Instagram, Twitter, Spotify, and Bandcamp.

Music Features

Sunday Selects: This Week's New Indie Music Picks Shatter Convention

You'll find comfort in SASAMI's universal messages, joy in Sundara Karma's exuberant classic rock, and innovation in Silvia Pérez Cruz's rendition of an old classic.

Each of this week's selection of brand new songs is drawn from a series of daring and genre-bending projects. They all explore unexpected themes, pull from poetry or ancient rituals, or somehow rail against structure and convention.

1. SASAMI — Turned Out I Was Everyone

Sasami has long been a fixture of the indie music scene, playing synths in the ultimate indie girl group, Cherry Glazerr, for years, but this week saw the release of her long-awaited debut solo LP. "Turned Out I Was Everyone" rides on the strength of its only lyric, which could be indie music scripture: "Turns out I was everyone / thought I was the only one / to be so alone in the night." The song is a sparkling blend of synths and looped vocals, starting mellow and building to a multilayered climax that drives home its message of unity.

Turned Out I Was Everyonewww.youtube.com

2. Foals — Moonlight

Foals' new album, Part 1 Everything Not Saved Will Be Lost, is an ambitious project. The band sounds like it's trying to craft stadium-level soundscapes, with dark-eletronica tracks like "In Degrees" calling to mind bands like Passion Pit or MGMT, though sometimes they wind up sounding like new Mumford & Sons on mushrooms. On occasion, all of the different instruments can make the songs feel cluttered. But it works in a dramatic, cinematic way on songs like "Moonlight," a psychedelic dreamscape that grows nightmarishly surreal by the end.

Foals - Moonlight [Official Lyric Video]www.youtube.com

3. Sundara Karma — Rainbow Body

This uplifting rock song forms the centerpiece of an exuberant new album from UK-based indie art rock band Sundara Karma. The young band sounds a bit like The Killers, and their songs are equally pumped-up and electric, with hints of 1970s peace and love sensibility thrown into the mix. "Rainbow Body" is an energetic highlight on the band's latest release, Ulfilas' Alphabet.

Sundara Karma - Rainbow Body (Audio)www.youtube.com

4. The Sound Of Silence — Silvia Pérez Cruz

The Spanish singer has long been creating innovative arrangements of classic songs (check out Pequeño Vals Vienés, her Spanish-language rendition of Leonard Cohen's "Hallelujah" mixed with lines from the poet Federico García Lorca, for full-body chills). This version of the iconic Simon and Garfunkel tune is eerie and impressionistic, almost visionary in its resistance to structure and repetition. It completely deconstructs the song, only to build it back up, starting with a cappella vocals, then adding rolls of Spanish guitar and bone-chilling violins. It's a long journey, but more than worth it when Pérez Cruz's voice boils over from a whisper to a full-throated scream at the end.

Silvia Pérez Cruz - The sounds of silencewww.youtube.com

5. The New Revelations of Being — SoundWalk Collective & Patti Smith

Prolific Instagrammer and 1960s icon Patti Smith has teamed up with her daughter Jesse and the SoundWalk Collective, a group of experimental sound artists based in New York and Berlin, and their first collaborative effort is a spoken-word collage inspired by the poet Antonin Artaud. Though the song is largely about Artaud's experimentation with peyote, Smith clarified that creating the song did not require any actual drugs. "The poets enter the bloodstream; they enter the cells. For a moment, one is Artaud," Smith stated of her recording experience. "You can't ask for it; you can't buy it, you can't take drugs for it to be authentic. It just has to happen; you have to be chosen as well as choose."

With Patti's deep, magnetic rasp laid over Jesse's drumming and a mystical array of fond sounds, the song swirls in abstractions until getting to the point with its last line: "the guns and the guns and the guns," Smith repeats, a clear political statement. We wouldn't expect anything less from the godmother of punk.

Soundwalk Collective with Patti Smith - The New Revelations Of Beingwww.youtube.com

6. Bonus Track: Vampire Weekend — Sunflower

No, this, unfortunately, isn't a cover of the chart-topping Post Malone hit, but it is the latest release from everyone's favorite undead rock band and the prolific guitarist Steve Lacy. Though the garden imagery and beginning moments hint at the band's masterpiece "Hannah Hunt ," it's actually not a great song, or even a good song; even Lacy's dextrous shredding can't make up for the amazingly awkward scatting in the middle; but it's an entertaining listen, if only because it's so absurd.

Vampire Weekend - Sunflower ft. Steve Lacy (Official Video)www.youtube.com


Eden Arielle Gordon is a writer and musician from New York City. Follow her on Twitter @edenarielmusic.


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