Bandcamp

Eclectic avant-garde pop artist serpentwithfeet announced his return today with a new track featuring Ty Dolla $ign.

"Receipts" is a soft-spoken, minimalistic love song, layered with the tightly wound acapella harmonies 30-year-old Josiah Wise has honed since the beginning of his career. "This song carries a lot of weight for me because it's a snapshot of two brothers rhapsodizing about unforeseen romance," the singer said of the track.

The track itself flows in a similar cadence as the singer's previous work. The melody is soothing and inviting, with Wise's voluminous voice pushing the song along, each verse cascading into the next. Ty Dolla $ign is a perfect fit for the slow-burn track and holds his own without overpowering the song's main attraction. "I began writing 'Receipts' when I first moved to Los Angeles last summer," The Brooklyn-based singer said in a statement. "I was and still am mystified by the city—the mountains, the men, the hummingbirds." While it's unclear if "Receipts" will appear on a larger body of work, it's nice to hear the unassuming talents of Josiah Wise back in action.

Disney

Everybody loves Disney live-action remakes.

In a world plagued by racism, disease, and a seemingly endless bounty of spiraling misfortune, at least we can all agree that Disney knocks it out of the park every time they dredge up an old, animated movie for a live-action makeover because cartoons are for babies.

Sure, some of us thought the original Beauty and the Beast was fine, but could lame, 2D Belle ever hold a candle to 3D Emma Watson? And yeah, the original Lion King was okay, I guess, but there's nobody in the world who preferred cartoon Scar's rendition of "Be Prepared" to the incredible feat of getting a real lion to sing it in the live-action remake.

Being a Disney fan can be hard sometimes, as you have fond memories of beloved childhood movies but also don't want people to make fun of you for liking cartoons. That's why, out of all the corporations in the world, Disney is undoubtedly the most selfless, willing to spend hundreds of billions of dollars to bring their old, outdated movies into the modern age—all for the fans.

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