Playlist

MUSIC MONDAY | Tattoo Money boosts the "Levels" of Love

MARCH 19 | Can We Hang On?

MONDAY MIX | Love On The Level

by Tattoo Money

03.19.18 | This playlist is a collection of songs that either inspired the production of my new single "Levels", set the bar in terms of mushiness, or just shared my weird take on romance. "Can we Hang On?" from Cold War Kids speaks on the hurdles in relationships between artists and their non-artist partners, it's real ya'll. "I wanna be yours" by Arctic Monkeys is a song I use to dedicate to my girl earlier on in the relationship... until I wrote my own song for her, of course."Ding-a-Ling" From Stefflon Don and "I'm in it" from Kanye are pillow talk at its finest!

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Music Reviews

Hear Fritz Hutchison's New Album "Wild Wild Acres"

Watch Fritz perform at 3PM on Popdust's livestream on Saturday, May 30th.

Fritz Hutchison just released his debut album, Wild Wild Acres.

It's the kind of album that will make you want to lounge in a hammock all day or ride a horse across the country or just drop everything and howl at the moon—it sounds like that kind of freedom. Hutchison is alternatively blunt and sincere, a trickster with a performative flair and a penchant for sunny hooks.

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MUSIC

Skepta & Stormzy: scenes from the grime takeover of hip hop

MUSIC | "Let's turn New York into South London"

Andrew Karpan

Will the UK answer to US hip hop finally make in New York?

2017 just might be the year that grime, finally, makes it. Bubbling underground in the UK among post-rave aftershoots around the turn of the millennium, the London take on Dr. Dre's L.A. easily won over the local critics and tastemakers, with Dizzee Rascal's genre-defining Boy in da Corner taking home the coveted Mercury Prize in 2003. Chart-topping success in the UK would follow, as MCs like Rascal and Wiley, considered by most to be scene's godfather, netting number one hits on the UK charts. The sound was fresh, defined by angular funk samples and borrowing from rave's idea of a good time. Check out "Fix Up, Look Sharp," from Rascal's debut. The sample (Billy Squier's "The Big Beat") is a hip hop staple but Rascal, who handled much of the production himself, presses it into a banger all his own, blow the beats up into a doomsday chant and turns dressing up for the club into a warrior rite.

Despite the storied tradition of Anglo-American musical crossover acts, grime took a long time to make a dent in the scene-centric birthplace of hip hop. As late as last year, Rascal was playing the Musical Hall of Williamsburg to huddled ex-pats. But this decade has brought a new generation of grime MCs determined to fight for American radio play. After three records and a top twenty single on the UK charts, the Tottenham's Skepta dropped Konnichiwa last year, a masterpiece of fast-paced beats and floor-pounding bars that juxtaposed Skepta's hometown MCs like Chip and Jme, Skepta's brother, with the likes of Pharrell and A$AP Nast. Later that year, he had a feature on A$AP Mob's first full length, Cozy Tapes Vol. 1: Friends, alongside Wiz Khalifa, Juicy J, and Tyler, the Creator.

This year, however, belongs to South London. The first grime album to hit the top of the UK charts was Stormzy's Gang Signs & Prayer, one of the most musically diffusive records in grime's short history. Melding street braggadocio with the stuff of heartfelt pop songwriting, it was as much a record about being the best in your game as much as it was about heartbreak and the afterparty, nowhere more so than on "Cigarettes & Cush," a duet with Oakland's Kehlani. Stormzy's handle on the love song got him the attention of America's favorite charttopping Ron Weasley-lookalike, Ed Sheeran, who put Stormzy on the official remix of "Shape of You."

All of which makes it hard to not view Skepta and Stormzy's summer festival schedule as a victory lap around territory never before touched by grime's fast-moving hand. Playing to packed crowds at both Coachella and Gov Ball, Stormzy confessed to the Californian crowd that "before coming here, I didn't know if it would be two people or 200 -- and there's thousands." Meanwhile Skepta, who was forced to cut his tour in the US short after being denied a visa, triumphantly rolled through both Gov Ball and Bonnaroo this year decked in a combative beret and energy well-kept. If you missed grime's takeover of the festival scene already, don't fear. It'll be heading to radio station near you soon enough.

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