Music Features

Hayley Kiyoko's "She" Is an Anthem for Closeted Kids

Kiyoko's final single from her project "I'm Too Sensitive For This Sh*t" has a music video that will get you in your feelings.

Press Atlantic Records

When I first realized I was bisexual, I didn't know any girls who liked girls in real life.

Keep ReadingShow less
MUSIC

Rocky Premieres Music Video for “How Will I Know”

If a person treats you like garbage, they aren't showing you love.

Rocky

Press Photo

Singer, actress, poet, and burlesque performer of Cameroonian descent, Rocky calls Canada home, but she's currently based in Seoul, South Korea.

Her new music video, "How Will I Know," discards trumped-up female gender myths. Rocky explains, "I am pushing back against the idea that Prince Charming will come and save the damsel in distress. With the help of her community, she can save herself. It was really important for me to include a 'shedding.' This represents shedding all the bull we've been taught about beauty and love"

How Will I Know — Rockyyoutu.be

With her deliciously raspy voice, reminiscent of Cindi Lauper merged with Macy Gray, over a soulful hip-hop groove, Rocky analyzes the universal question: How will I know if this love is real? "Does he love me? / Does he care?" she sings.

Follow Rocky Instagram | Twitter | Facebook

Jenny Lewis (Opening for Harry Styles) - Love On Tour - Atlanta, GA - 10/28/21 - State Farm Arena

If there's one thing that could be said of our modern era, it's that nothing exists in isolation.

One could even say that nothing goes in just one direction anymore—instead, things are moving in multiple directions, operating in loops, often meeting at crossroads. For a long time, at least in the music industry, things appeared to be stratified, separated by genre, linear visions, and arbitrary categories. Rock artists toured with rock artists; indie stars opened for indie stars. Patrician music lovers looked down on pop-lovers, and pop-lovers bullied indieheads. Success could be purchased with a record deal and marked by a position on a top chart. Gender was divided between a man and a woman. Feminism was disconnected from race and class.

Times are changing. Pop, like fashion, has become fluid and multidimensional. Elton John can collaborate with Young Thug. Lady Gaga can ricochet from electronica to folk and back. Harry Styles has become a bisexual icon and a truly great songwriter, capable of drawing from multiple genres to create nuanced and political pop music.

And now he's going on tour with Jenny Lewis, Koffee, and King Princess. They'll all be opening for him on different stops on his 2020 "Love on Tour" tour, which will begin in April.


A little background: Jenny Lewis is an iconic songwriter who fronted the band Rilo Kiley before creating a body of intensely powerful solo work. Koffee is a singer-songwriter, rapper, and musician from Jamaica who's generated a huge amount of buzz in a short time by putting a fresh and experimental spin on reggae. King Princess is a dream pop star who may or may not be capitalizing on queer aesthetics but still embodies an inspiringly out and proud image.

Styles' choice of openers is brilliant because it brings together so many different devoted and passionate fan-bases. Queer fans will relish the chance to dance along to King Princess, while indie traditionalists and older millennials will come for Jenny Lewis, and Gen-Z fans of cutting-edge music will show up for Koffee. All these musicians are bound together by one common thread: Their music is really, really good. And isn't that what matters in the end?

Rilo Kiley - A Better Son/Daughterwww.youtube.com


King Princess - 1950www.youtube.com


Koffee - Toast (Official Video)www.youtube.com

Unfortunately, the existing tickets sold out with stunning speed and cost an exorbitant amount of money, sadly prohibiting many of Styles' fans from enjoying the experience. (Many of them feel scammed). If Styles were to truly embrace the ethos of his commitment to breaking down all genres and boundaries, he'd make his concerts free, but alas, one can only dream... Until then, let us keep listening to our descriptively titled crossover Spotify playlists (shoutout to "Creamy" and "Pollen"), saying "okay" to Boomers who insist that there are only two genders, checking Co-Star for evidence of discernible meaning, and praying for the day when everything and everyone will truly be free.

Harry Styles - Sign of the Times (Video)www.youtube.com

Remember when Doja Cat was seemingly a flash-in-the-pan singer? Her quirky breakout hit "MOO!" was met with internet acclaim before she was inevitably "canceled" when old homophobic tweets resurfaced.

Her apology for the tweets was then met with a mixed reception. "I called a couple people f*ggots when I was in high school in 2015," she wrote. "Does this mean I don't deserve support?... Does saying f*ggot mean you hate gay people? Do I hate gay people? I don't think I hate gay [people]." The tweets in question, when revisited through the lens of 2019 politics, seem rather harmless. The whole debacle raises questions about the validity of cancel culture, especially pertaining to "old tweets," but Doja Cat isn't here to be a spokesperson and Hot Pink doesn't take time to reflect on the past. Instead, it pushes the career of Amala Zandile Dlamini fervently forward with a collection of catchy, and sophisticated pop songs.

Doja Cat - Cyber Sex (Official Video)www.youtube.com

Hot Pink, instead, is a Lil Kim-level flex dripping in glitter. It offers up some of the best music of Doja's career and paints her as more than just a one-hit pop singer. "Shine" is an expertly crafted ode to wealth and diamonds, while "Like That" and "Won't Bite" bring out the best in Gucci Mane and Smino.

Then again, as charismatic as the project is, Hot Pink is soaked in bitter irony. While the project fights to glorify female sexuality and wealth, its message feels hollow when the production credits roll. Dr. Luke, the mega-producer whose career was called into question after he was accused of brutal sexual and emotional abuse by Ke$ha, inked a controversial deal with Doja Cat earlier this year and had a heavy hand in Hot Pink's production.

It's clear that Doja does what she wants, which is at times admirable. But free will and ignorance are two different things, and while Doja doesn't feel the need to be defined by political correctness, it will inevitably define her and her career whether she wants it to or not.

MUSIC

Jacquees Remains Cute and Impossible to Ignore

His sophomore album "King of R&B" is nothing groundbreaking, but it's dripping in charisma

It's impossible to hate Jacquees.

His voice is silky smooth, his smile is genuine, he's candid and calm in interviews, he's cute, he can even dance a little. His creative style is unique enough to stand out among his modern-day contemporaries but is referential enough to the '90s that even listeners above the age of 40 will find ways to connect with him. He seems to be an old soul, immune to the petty drama that plagues the current mainstream music scene.

When The Breakfast Club tried to poke and prod at Jacquees's brief online scrimmage with XXL Freshman YK Osiris earlier this year, Jacquees dismissed it with a shrug: "I don't know who that is." When asked about his love life, he emphatically said that he wants a family and that he remains loyal to his love interest Dreezy. He is confident enough in his craft to name his album the King of R&B but humble enough to immediately acknowledge this self-proclaimed title by no means makes him "The Best." "Every day, a star is born," he sings on the T.I.-assisted opener, "and if we talkin' kings, there's more than one."

Jacquees - Fact Or Fictionwww.youtube.com

As a result, the 25-year-old's sophomore effort should be viewed more like a mission statement. It trades the sprinkles of creative risk seen in 4275 for a more refined, commercial sound, with songs like "New, New" and "What They Gone Do With Me" existing solely for radio takeover. Moments of mass appeal like this have already begun to draw criticism. "The album's production is synthetic to the point of being shallow," writes EXCLAIM! "Jacquees tries hard to emulate his heroes, instead of letting himself be inspired by them."

The criticism is fair, but in the world of commercial R&B, Jacquees is still circling the A-team, with Tory Lanez and Chris Brown—both frequent collaborators and close friends—touring together this summer and having their biggest year to date. King of R&B, with features from heavy-hitters like Quavo, Summer Walker, Lil Baby, Young Thug, and Gunna, reaffirms Jacquees's well-deserved seat at the table. The tracks are earworms in the best way, and you can't hate on the guy's vivacity. The album is an easy listen, but with tracks like "Fact or Fiction" and "Warning," we also see a more refined Jacquees that should quiet the critics who will inevitably call him a sell-out. King of R&B or not, Jacquees's charisma remains infectious.