MUSIC

6 Times Inductees Didn't Give a F*ck About the Rock and Roll Hall of Fame

Ironically, the Rock and Roll Hall of Fame is not very rock n' roll.

While it's rare to hear anyone excited about anything that happens in Cleveland, the music world is abuzz with news of the 2020 Rock and Roll Hall of Fame inductees.

Being inducted into the Rock and Roll Hall of Fame is among the top honors any musician can hope to achieve, and past inductees include a wide range of icons from Bob Dylan to Etta James to The Grateful Dead. This year's honorees include Notorious B.I.G., Whitney Houston, Pat Benatar, Dave Matthews Band, Depeche Mode, the Doobie Brothers, Judas Priest, Kraftwerk, MC5, Motörhead, Nine Inch Nails, Rufus featuring Chaka Khan, Todd Rundgren, Soundgarden, T. Rex and Thin Lizzy. Those who receive the most votes will be inducted May 2nd, 2020 at a ceremony at Cleveland's Public Hall.

While fans and media personnel take the Hall of Fame very seriously, it's not uncommon for rock stars to display nothing but nonchalance and cool when faced with this great honor, or even to snub it altogether—which, honestly, is pretty rock and roll. So, in celebration of the 2020 nominees, we've compiled a list of times musical icons didn't give a f*ck about the Rock and Roll Hall of Fame.

1. Todd Rundgren

Todd Rundgren, among the 2020 nominees, met news of this honor with a simple, "No comment." This is the second year in a row Rundgren has been nominated, and many consider it a major slight that he has yet to be included in the hall of fame. He told Billboard last year: "I didn't expect it and have never cared about it. The hardest thing was keeping my fans' expectations within reasonable bounds because they are very naive about it. I'm not; It's some weird Illuminati thing and nobody understands how it works and who does the voting and the nominee selections and all that sort of crap.

I'm not looking for some organization to acknowledge me, somehow. Besides, the Hall of Fame doesn't make any sense to me because musicians don't have to retire. Athletes retire, and that's when they go into the Hall of Fame, because they're not playing anymore. But everybody (the Rock Hall) is inducting now is still playing, so how can you say you've got the measure of them? You don't. So, no, I really don't care."

CULTURE

Nazi-Chic: The Aesthetics of Fascism

Let's take a look at Nazi-inspired fashion.

Villains always have the best outfits.

From Darth Vader's polished black space armor to The Joker's snazzy purple suit, bad guys always seem to show up their protagonists in the fashion department.

Way more handsome than Batman. static.giantbomb.com

But could there possibly be a real world equivalent to the type of over-the-top villain fashion often found in fiction? It would have to be sleek and imposing, austere and dangerous. Probably black.

Maybe it's him. Maybe it's fascist ideology.

Oh, right.

Let's call a spade a spade. From an aesthetic standpoint, the Nazi SS outfit is very well-designed. The long coat tied around the waist with a buckle portrays a slim, sturdy visage. The leather boots and matching cap look harsh and powerful. The emblem placements on the lapel naturally suggest rank and authority. And the red armband lends a splash of color to what would otherwise be a dark monotone. If the Nazi uniform wasn't so closely tied with the atrocities they committed during WWII, it wouldn't seem out of place at Fashion Week. Perhaps not too surprising, considering many of the uniforms were made by Hugo Boss.

Pictured: A real thing Hugo Boss did. i.imgur.com

Of course, today, Nazi uniform aesthetics are inseparable from the human suffering doled out by their wearers. In most circles of civilized society, that's more than enough reason to avoid the garb in any and all fashion choices. But for some, that taboo isn't a hindrance at all–if anything, it's an added benefit.

As a result, we have Nazi chic, a fashion trend centered around the SS uniform and related Nazi imagery.

History of Nazi Chic

For the most part, Nazi chic is not characterized by Nazi sympathy. Rather, Nazi chic tends to be associated with counterculture movements that view the use of its taboo imagery as a form of shock value, and ironically, anti-authoritarianism.

The movement came to prominence in the British punk scene during the mid-1970s, with bands like the Sex Pistols and Siouxsie and the Banshees displaying swastikas on their attire alongside other provocative imagery.

Very rotten, Johnny. i.redd.it

Around this time, a film genre known as Nazisploitation also came to prominence amongst underground movie buffs. A subgenre of exploitation and sexploitation films, Naziploitation movies skewed towards D-grade fare, characterized by graphic sex scenes, violence, and gore. Plots typically surrounded female prisoners in concentration camps, subject to the sexual whims of evil SS officers, who eventually escaped and got their revenge. However, the most famous Nazisploitation film, Ilsa, She Wolf of the SS, flipped the genders.

The dorm room poster that will ensure you never get laid. images-na.ssl-images-amazon.com

Ilsa was a female SS officer and the victims were men. She spent much of the movie wearing her Nazi uniform in various states, sexually abusing men all the while. As such, Ilsa played into dominatrix fantasies. The movie was a hit on the grindhouse circuit, inspiring multiple sequels and knock-offs and solidifying Nazi aesthetics as a part of the BDSM scene.

Since then, Nazi chic fashion has been employed by various artists, from Madonna to Marilyn Manson to Lady Gaga, and has shown up in all sorts of places from leather clubs to character designs in video games and anime.

Lady Gaga looking SS-uper. nyppagesix.files.wordpress.com

Nazi Chic in Asia

Nazi chic has taken on a life of its own in Asia. And unlike Western Nazi chic, which recognizes Nazism as taboo, Asian Nazi chic seems entirely detached from any underlying ideology.

A large part of this likely has to do with the way that Holocaust education differs across cultures. In the West, we learn about the Holocaust in the context of the Nazis committing horrific crimes against humanity that affected many of our own families. The Holocaust is presented as personal and closer to our current era than we might like to think. It is something we should "never forget." Whereas in Asia, where effects of the Holocaust weren't as prominent, it's simply another aspect of WWII which, in and of itself, was just another large war. In other words, Nazi regalia in Asia might be viewed as simply another historical military outfit, albeit a particularly stylish one.

In Japan, which was much more involved with WWII than any other Asian country, Nazi chic is usually (but not always) reserved for villainous representations.

OF COURSE. i.imgur.com

That being said, J-Pop groups like Keyakizaka46 have publicly worn Nazi chic too, and the phenomena isn't limited to Japan.

In South Korea, Indonesia, and Thailand, Nazi imagery has shown up in various elements of youth culture, completely void of any moral context. For instance, in Indonesia, a Hitler-themed fried chicken restaurant opened in 2013. And in Korea, K-Pop groups like BTS and Pritz have been called out for propagating Nazi chic fashion. Usually such incidents are followed by public apologies, but the lack of historical understanding makes everything ring hollow.

Implications

So the question then: is Nazi chic a bad thing?

The answer is not so black and white.

On one hand, seeing Nazi chic on the fashion scene may dredge up painful memories for Holocaust survivors and those whose family histories were tainted. In this light, wearing Nazi-inspired garb, regardless of intent, seems disrespectful and antagonistic. Worse than that, it doesn't even seem like a slight against authority so much as a dig at actual victims of genocide.

But on the other hand, considering the fact that even the youngest people who were alive during WWII are edging 80, "forgetting the Holocaust" is a distinct possibility for younger generations. In that regard, perhaps anything that draws attention to what happened, even if it's simply through the lens of "this outfit should be seen as offensive," might not be entirely bad. This, compounded by the fact that Nazi chic is not commonly associated with actual Nazi or nationalistic sentiments, might be enough to sway some people–not necessarily to wear, like, or even appreciate its aesthetics, but rather to understand its place within counterculture.

Ultimately, one's views on Nazi chic likely come down to their own personal taste and sensibilities. For some, Nazi chic is just a style, an aesthetic preference for something that happens to be mired in historical horror. For others, the shadow of atrocity simply hangs too strong.

MUSIC

Máni Orrason Vows Eternal Love on "Privilege of Time"

The indie pop singer embraces new wave roots in his latest infectious single.

Indie pop gem Máni Orrason's newest single is a fitting addition to his already impressive catalogue.

Shockingly, this talented Icelandic artist has managed to fly relatively under the radar since the release of his debut album, 2015's Repeating Patterns. But with the release of the latest single off his upcoming EP, Orrason seems poised to change that.

The recently released track, "Privilege of Time," is a sparkly and fun confession of delusional love. Glistening with new wave synths and simple, heartfelt lyrics, the upbeat and emotionally wrought song is infectious. It's almost impossible not to hear at least a little bit of Robert Smith when Orrason quavers lyrics like, "Why does summer come when I want to cry? / Runnin' around just to feel alive / If I could understand... / Now I'm thinkin' about seeing you again / Thinkin' out loud, tryin' to pretend / That me and my boyfriend, our love will never end." The speaker is so in love with a man who, for one reason or another, is inaccessible (perhaps due to a long distance relationship).

That doesn't stop him from pretending that they are together, though—so thoroughly that he may have actually tricked himself into believing that they are still happily together. Perhaps that is what "The Privilege of Time" refers to. By spending so much time apart from someone, missing them like crazy and thinking about them constantly, you can delude yourself to the point of blurring reality. Or perhaps Orrason is simply singing about the fact that he and his boyfriend will come out of this trial stronger from the time they've put into it, even while apart. Either way, it is a wonderfully layered song that is just as enjoyable on the surface as an upbeat and sparkly indie pop love song as it is when deconstructed into something deeper.

If you enjoy "The Privilege of Time," be sure to check out the rest of Orrason's musical offerings, keep an ear out for his upcoming EP, and check him out on tour in Europe until the end of the month.


Dustin DiPaulo is a writer and musician from Rochester, New York. He received his MFA in Creative Writing from Florida Atlantic University and can most likely be found at a local concert, dive bar, or comedy club (if he's not getting lost somewhere in the woods).


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