Thanksgiving has always been about food.

We suffer through the awkward small talk and often anti-climactic football games for the sake of the meal that awaits us at the end of the day, and even then that "meal" is representative of ethnic cleansing and genocide. But there are a few other pros that lay outside of gorging yourself on mashed potatoes. The holiday always falls on a Thursday, which means you always have a four day weekend. Black Friday is also the following day, so despite whatever infuriating experiences you may have on Thanksgiving with your family, you can at least rest easy knowing you can go out and buy enough stuff to numb the pain.

These reasons alone are enough to warrant celebration. So while you clench your jaw through what is almost guaranteed to be a painfully long afternoon, why not curate some music to help elevate your mood and remind yourself that a four day weekend of relaxation awaits?

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Film Features

Is "The Matrix" Really a Trans Allegory? Lilly Wachowski Weighs In

Is it possible for a 90s action movie to have a stance on the politics of gender?

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When The Matrix came out in 1999, the Wachowskis became two of the biggest up-and-coming talents in Hollywood.

Their mind-bending, effects-heavy action movie had quickly become one of the top-earning R-rated movies of all time and successfully launched phase three of Keanu Reeves' constantly evolving, eternal career (currently entering phase six).

However, as is so often the case, the project that earned the Wachowskis their cred was not everything they originally wanted it to be. As Lilly Wachowski put it in a recent interview with Netflix Film Club, "The corporate world wasn't ready for it." If they'd had their way, it would have been a much more overtly trans movie.

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CULTURE

Keanu Reeves’ Girlfriend Has the Most Beautiful Philosophy On Love

She's also an extraordinarily accomplished conceptual artist.

Keanu Reeves and Alexandra Grant appeared together on the red carpet yesterday at the LACMA Art + Film Gala, making their rumored relationship official.

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Grant is a conceptual artist and painter who has collaborated with Reeves on several projects in the past. Yes, she's 46, but the fact that we're all praising Keanu to the high heavens for dating someone only nine years his junior reveals how low our standards are. Really, we should be praising Alexandra Grant because she seems like a genuinely extraordinary person, and we all know that our beloved Keanu deserves the best and more.

A little bit about her: Alexandra Grant moved around a lot as a child, living in Mexico City, Washington D.C., and Paris. She's always been an artist. In an interview with LA Weekly, she said, "'Artist' is the best word for all the things that I love to do and have been doing pretty consistently since I was a child: reading, staring into space, daydreaming, inventing symphonic-scale projects whether a chemistry experiment or growing seeds into plants, finding meaning in the patterns of bathroom tiles and cracks in the ceiling, believing in the goodness of people and love, drawing while listening to music, experiencing language as images and colors, and desiring to be solitary while doing most of the above."

She studied mathematics in college, then attended graduate school at the California College of the Arts in California. Currently, she is based in Los Angeles. Apparently, she can officiate weddings, and loves Toni Morrison, roller coasters, and Lana Del Rey.

Her work, which has been exhibited in galleries all over the world, "probes ideas of translation, identity, dis/location, and social responsibility," according to her website. Much of her work seems to probe the liminal space between words and communication, images and meaning. She works in dozens of mediums, from clay to glass, painting to sound. Past works include a series of collaborations with the philosopher Hélène Cixous, with whom she apparently has a "telepathic" relationship. One of their projects, called "Interior Forest," is dedicated to "transforming from participants into oneironauts, or travelers within a lucid dream space" and "exploring the peripheries of the collective unconscious."

Other works include a series of collage-like paintings called "Born to Love," inspired by the Greek myth Antigone. She also directed a film called Taking Lena Home.

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She has many brilliant philosophies about art, storytelling, religion, and of course, love. In an interview with The Creative Independent, she announced her own three-pronged definition of love. "The first part of it is self love," she said. "I don't think that we can truly help other people until we've worked on our own healing, or else we are going to keep promoting inherited or naturalized belief systems that aren't useful within the work we do. Self love is the first step to being able to love others. The second is really just that sense of loving other people in our community, doing more than maybe we're comfortable doing. But it has to come from a place of self-healing first. The third is loving the responsibility we have to love others who are different than we are. Politics and business thrive from creating false differences between us. I think that we really are in a time where we need to love those who are different than we are, and take action and responsibility towards that."

Grant has applied her definition extensively in her own life. She's a philanthropist, and created the grantLOVE project, which funds arts-based nonprofits in LA.

In terms of her relationship with Reeves, Grant has been collaborating with the Matrix star for quite a while. Grant was introduced to Reeves through a mutual friend, for whom they later threw a joint birthday party, and they became close cooking steaks at the event. "From the beginning, we were collaborating," said Grant in an early interview.

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She later illustrated two of his books, 2011's adult picture book Ode to Happiness and 2016's book of poetry, Shadows. The latter book later became an interdisciplinary collaboration between Reeves and Grant.

According to the Shadows exhibition's press release, "Through a series of dramatic photographs, Grant captures Reeves' silhouette in a sequence of movements where his figure often blurs beyond the point of recognition, causing the final images to border on abstraction. After the shoots with Reeves, Grant manipulated the images to invert the images black for white, making the shadow itself the source of light. Despite their mysterious and elegant qualities, the images are narrative and figurative, supported by Reeves's poetic texts in the titles and accompanying book. Hauntingly beautiful, the images are also playful, allowing the viewer to sense the intimacy and exchange in the collaborative relationship between subject and artist." Essentially, it seems that Keanu Reeves and Alexandra Grant may have fallen in love while she took blurry photos of him as part of a project meant to explore intimacy. (Be still, my heart).

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Collaboration and partnership seems to come naturally to these two human angels. In 2017, they co-founded X Artists' Books, a publishing house that publishes "unconventional, interdisciplinary and collaborative artists' books," according to the LA Times. "Thematically we're really interested in darkness and politics," said Grant of X Artists' Books. "We're also interested in marginal voices that are exciting, and in exploring the performative and experimental. I think a book can become a seed, a DNA for world-building."

So, it seems that Grant is just as socially conscious and spiritually awakened as Keanu Reeves himself. One would imagine that there's a roomy cabin somewhere in the California hills where they spend all their time creating, cohabiting space mostly in silence, stopping only to occasionally discuss their dreams.

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Keanu Russian Club

FILM

Only Keanu Reeves Can Save "Matrix  4"

Many of us already feel like we're living in a simulation. What can a fourth 'Matrix' teach us today?

20 years after the world was first introduced to Neo and his black sunglasses, the Matrix franchise is returning for a fourth installment.

It's easy to imagine that the film will flop, just like Matrix 2 and 3 did. Those films were widely panned, and their titles are synonymous with disappointing sequels.

On the other hand, in many ways, there's never been a better time to return to the questions that burned at the core of the original Matrix. The possible existence of an alternate, parallel universe formed through technology, artificial intelligence, and social media has become more and more apparent in the past two decades, and talk of simulation glitches has been rampant, especially since 2016. Shows like Black Mirror and The OA have taken the blueprint that The Matrix laid out to new heights, turning reality inside out and leaping quickly from dimension to dimension.

In short, we're living in a post-Matrix universe. The wisdom that the original film imparted is now common knowledge, and most people know that reality is not as it seems. Yet no franchise or story has ever been able to determine what that might mean.

We have little time left to speculate. On and offscreen, we're all witnessing a total overhaul of reality and identity. Our futures may depend on a collective awakening and reshaping that will require mass mobilization and new ideologies. Particularly, once you become aware of the apocalyptic threat posed by climate change and the systems that created it, it can feel like you and everyone else around you are blindly walking inside a veritable matrix, being used as pawns in a large, hungry system driven by looming corporations.

This is partly why, if Matrix 4 simply tries to build on and retell the story it told back in 1999, it will be a failure. If it merely tries to make us question reality once again, if it's mostly a montage of gun violence, stunts, and spaceships, then it'll wind up bottom-dwelling where the sequels reside.

But if it builds on those old revelations—if it riffs on current events and connects to intersectional issues and 21st century philosophy—it has the potential to be as revolutionary as the first.

'The Matrix 4' Is Happening, Complete With Keanu Reeves, Carrie-Anne Moss, and Lana Wachowski www.indiewire.com


In some ways, this feels unlikely, like too much to ask from a single film. Fortunately, Lana Wachowski has signed on, which is a good sign.

But most importantly, the Matrix franchise has always had a not-so-secret weapon: Keanu Reeves.

The real-world Reeves' sudden popularity has been extensively analyzed. Some have argued it's because he represents an alternative to the Hollywood bad-guy archetype in the #MeToo era. Some have proposed that it's because he seems to know something that the rest of us are just trying to figure out. Reeves is humble, private, poised, and most of all, kind. As Neo and as himself, he exists outside our glitchy, simulated world, outside of the media's clutches, outside of illusion, blind humanism, and the bottomless greed that is at the heart of American exceptionalism and colonial violence, which will also be our doom if there isn't a massive paradigm shift sooner rather than later.

This may sound overdramatic, but—blank slate that he is—Reeves has always been the ideal greenscreen upon which to project different, radical ideas about worlds beyond the ones we accept as real or possible. Now, as Neo, he needs to show the rest of us how to get there.