The 43-year-old singer returns in honor of Pride Month.
The somber, ambient-folk nuance of the album Carrie & Lowell earned a new gaggle of Sufjan Stevens fans in 2015.
Tracks like "Drawn To The Blood" and "No Shade In The Shadow Of The Cross" found the singer processing his sexuality in light of religious and societal pressure and carried with them a solemn introspection. Then came Planetarium, his 2017 follow-up collaboration with James McAlister, Bryce Dessner, and Nico Muhly: an expansive, be it at times lethargic, odyssey of a project that retained none of Carrie & Lowell's signature angst. Steven's contribution to the Call Me By Your Name soundtrack recaptured the haunting aesthetic of his 2015 masterpiece with "Visions of Gideon," but his other two offerings, (one of which was an Age of Adz remaster) rang hollow, with "Mystery of Love" in particular caving under the weight of its cliche narrative. "The rhymes are too neat, the phrasing is too precious...and Stevens' coo is so honeyed, it's cloying," wrote Pitchfork of the song. By now, Carrie & Lowell feels almost like a distant memory, and it feels impossible for Sufjan Stevens to get close again.
In honor of pride month, Sufjan Stevens announced his return with two new songs, "Love Yourself" and "With My Whole Heart," both atmospheric and synth-infused in their own right, but far more grounded than his work on Planetarium. The latter is especially optimistic for a Stevens track, with the singer crafting it as a personal challenge "to write an upbeat and sincere love song without conflict, anxiety or self-deprecation." The track ultimately succeeds and is a welcome departure from the singer's usual, heavy-handed angst. "Love Yourself," which is allegedly based off of a "sketch" that Stevens wrote 20 years ago, is more of a slow-burn, and while the melody is enjoyable, the singer's opaque lyrics leave much to be desired: "Make a shelf, put all the things on, that you believe in," he sings.
Regardless, it is nice to hear the hushed echo of Sufjan Stevens again, and while the two new tracks may still not satisfy Carrie & Lowell fanatics, the tracks paint a clearer picture of who Sufjan Stevens is becoming: a fluid artist whose boundless emotional spectrum has led listeners to question everything from their own sexuality to humanity's place in the universe. A portion of the new EP's proceeds will benefit the Ali Forney Center and the Ruth Ellis Center, both of which fight to end homophobia and child abuse. Ultimately, these new tracks showcase Sufjan Stevens as an evergreen artist who's always believed that his art is part of a higher calling.
Let's revisit some of the great summer mixtapes to help ease the pangs of summertime nostalgia
Bonfires with our friends, balmy summer days spent by the lake passing a spliff and sipping on a Corona, summertime love affairs—it all may feel like a past life now.
The rollout for summer 2020 is unlike anything before it. While Americans everywhere try to retain a sense of normalcy, it will be impossible to enjoy summer the way we want to. Bitter nostalgia for the summers of yore is rampant. Luckily, music has remained the one constant. To help unwind in these times of heightened anxiety, it helps to revisit some of the mixtapes that brought us childhood bliss, that pumped us up when school dismissed for summer, that blasted through our car speakers as we cruised with the windows down with our friends in tow. Here are a few of the greatest mixtapes of summers past, in the hopes it will bring back the fond memories that, right now, may feel distant.
Delicate, beautiful music from a gifted lyricist and songwriter.
Henry Jamison just released a new music video, called "Boys."
"Boys" is the second single off Jamison's forthcoming Gloria Duplex LP, slated to drop February 8, 2019, on Akira Records. The album grapples with the concept of masculinity, analyzing and deconstructing what it means to be manly in modern society.
"Boys" takes place in a bar, where, sipping whiskey, Jamison muses on the current cultural process of imposing emotional repression on teenage boys, a process of sensitivity laundering which culminates in the loss of normal human feelings, and thus dysfunctional males.
Produced by Thomas Bartlett, the songs on Gloria Duplex feature the talents of Rob Moose (strings), and mixing by Patrick Dillet.
Henry Jamison - Boys (Audio) youtu.be
"Boys" opens with gently surfacing colors, followed by Jamison's expressive vocals accompanied by elegant piano. A thumping kick-drum establishes a steady pulse, attended by a simple yet potent bass line. Tight sparkling string accents infuse the tune with tender, pensive flavors, conveying a pale, urgent conviction.
Jamison's haunting voice is vaguely reminiscent of Paul Simon, but more polished and complexly textured. It's cultured, full of literate, eloquent timbres that demand admiration. It's as if he's engaged in intimate conversation with only you. Gossamer textures flow and linger, forming luminous, softly-intruding savors that radiate a charming magnetism. Henry Jamison is the musical prophet of a new generation.
Randy Radic is a Left Coast author and writer. Author of numerous true crime books written under the pen-name of John Lee Brook. Former music contributor at Huff Post.
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