MUSIC

The Legacy of Kanye's "My Beautiful Dark Twisted Fantasy"

The rapper's magnum opus turned 10 years old over the weekend.

It's almost eerie how accurately Kanye West predicted his own fate when he uttered the words "I miss the old Kanye" on 2016's The Life of Pablo.

In my head, and likely in the memories of many others, there are two Kanyes: a then and a now. Both are cocky, self-important, certifiable jerks, but then, he at least still felt a marginal need to continue proving himself.

Now, he's so immeasurably detached from reality that it's a little hard to take anything he does or creates seriously—at this point, I find it difficult to even care. I don't want to explicitly cite a certain presidential election and its aftermath as the dividing line between the Kanye of then and now in my conscience, but...yeah, Kanye rubbing elbows with Trump was pretty much the last straw for me.

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Of all the movies to come out in 2018, from Alfonso Cuaron's poetic Roma to Yorgos Lanthimos's biting The Favourite, only two stood out as truly mind-blowing.

One was Spider-Man: Into the Spider-Verse, a blend of extraordinary animation coupled with the best superhero script to-date. It was so good that even pervasive superhero movie fatigue couldn't hinder its buzz. Of course it got nominated for Best Animated Feature.

The other was Sorry to Bother You, the directorial debut of rapper Boots Riley. Watch the trailer below. Then we'll chat.

SORRY TO BOTHER YOU | Official Trailer www.youtube.com


The story takes place in an alternate version of Oakland and follows Cassius 'Cash' Green (Lakeith Stanfield), an African American telemarketer who discovers that using a "white person voice" makes him extra-successful with sales.

That's all you should know going in. Anything beyond that could ruin the surprise.

But trust that we're talking about the most original movie in years — one with a strong, angry, passionate political viewpoint that never speaks down to its viewers. It's a movie that puts you directly into the shoes of a young, poor black man struggling to make his way against the myriad disadvantages heaped on him by white society, all while maintaining an outrageous sense of humor and visual oomph. It's a movie that transcends category, at once comedy, drama, socio-political commentary, and horror, rife with magic realism.

Sorry to Bother You absolutely deserved a Best Picture nod. Lakeith Stanfield deserved a Best Actor in a Leading Role nod for his turn as Cash. But most of all, Boots Riley deserved nominations for Best Director and Best Original Screenplay.

Boots Riley has stated that he's not bothered by the Academy's decision not to nominate because he "didn't actually run a campaign." While that may be true, it's still bullshit.


The Academy Awards are meant to be a celebration of the best movies in a given year, not the ones that spent the most on their Oscar campaigns. A movie like Sorry to Bother You getting left off a "Best Feature" list that includes Bohemian Rhapsody calls the entire endeavor into question.

If one of the best original movies in years doesn't get nominated for any Oscar, why the hell should we care about the Oscars at all?


Dan Kahan is a writer & screenwriter from Brooklyn, usually rocking a man bun. Find more at dankahanwriter.com


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FILM & TV

BOX OFFICE BREAKDOWN | Save some crimes this holiday weekend

JULY 6TH-8TH | What's Coming to Theaters this Weekend?

indiewire.com

The big guy this weekend at the box office is actually quite small.

In Popdust's column, Box Office Breakdown, we aim to inform you of the top flicks to check out every weekend depending on what you're in the mood to enjoy. Looking to laugh? What about having your pants scared off? Maybe you just need a little love? Whatever the case may be, we have you covered. Take a peek at our top picks for this week…

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